Fine Art, Ceramics & Rare Works Sale

online only auction | 1 day sale | starts today!
Location
Irvine, CA 92620
Dates

Sale Starts

Sun
Nov 23
4:30pm

Sale Ends

Sun
Nov 23

Terms & Conditions

TERMS & CONDITIONS

1. All items are sold as is, where is, with all faults. All bidders are encouraged to use due diligence and inspect all items prior to bidding. There are no warranties or representations of merchant-ability, fitness, nor of any other kind, express or implied. Know that your bidding will signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of items being sold. Our goal is to provide prospective bidders with accurate and detailed information. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the item in question. We do not give refunds. All sales are final. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by AZAYA ART GALLERY or by any seller represented by AZAYA ART GALLERY.


2. Bidding will begin at a price appropriate in auctioneer's discretion. The auctioneer always reserves the right to withdraw a lot for any reason he deems appropriate. At the auctioneer's discretion, no bid of less than one half the low estimate will be accepted from any source: phone bidding, absentee bidding, online bidding, or bidding in the gallery. All lots in this catalog are offered subject to a reserve, which is the confidential minimum hammer price at which a lot will be sold. In executing a reserve, the auctioneer has the right to bid on behalf of the Consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. If the reserve is not met, the Auctioneer has the right to withdraw the item from the sale.


3. Online registration and bidding approval is done at the sole discretion of the auction house. We recommend that online bidders sign up at least 3 days in advance of the auction to allow for time to complete the approval process. It is important to note that we make no guarantees that new online bidders who register within 24 hours of the sale will be approved for bidding. After signing up to bid, new online bidders may receive a message requesting additional information; we cannot approve any client without the requested information. Parties who wish to bid on premium lots may be asked to submit a deposit by wire transfer. Correspondence between prospective clients and the Auction House must be established directly with AZAYA ART GALLERY through phone, fax, or one of the relevant email addresses. We make no guarantee that we can respond to requests submitted through third party messaging systems. Due to the high volume of inquiries made within 24 hours of the sale, we make no guarantee that clients who contact us during this period will receive a response. Bids left on Live Auctioneers are not executed until the item is offered in the live auction therefore the order in which those bids are received is not a factor. We will make every effort within reason to accept and process bids from online participants. AZAYA ART GALLERY will not accept liability for any bids missed due to clerking issues, operator error, equipment failure, connection delays, communication lapses, or technical malfunctions of any nature. By registering for the Auction, Bidder agrees to AZAYA ART GALLERY?s Terms and Conditions. These Terms and Conditions may be updated from time to time prior to the Auction. Such form of acceptance by Bidder is binding.


4. For prospective bidders who cannot be present at the auction, we are pleased to offer absentee and phone bidding. Please complete the Absentee Bid and/or Phone Reservation form. Absentee bids are executed competitively and confidentially. All reservations for phone bidding are held in the strictest confidence and must be received by 5 pm the day before the auction. No additional phone bids can be accepted on the day of the auction including additions when speaking with a staff person on the phone. Leaving an absentee or phone bid on a lot indicates your willingness to open the bidding at one half the printed low estimate, and gives the auctioneer the authority to open the bidding at that level. AZAYA ART GALLERY shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute.


5. Note to internet absentee bidders. We do not accept cut bids (bids less than the last interval) from the floor or from phone bidders, and we do not accept them from internet bidders. Thus it is possible that a lot could go to another bidder for less than your absentee bid. For example, if the bids are progressing in ten-dollar increments, $50, $60, $70 and your absentee falls at $75, we will not take the bid since it is less than the $10 interval. We always encourage bidders to bid by phone or to leave absentee bids through our gallery to avoid such a situation.

6. Once an item is declared sold, bidding cannot reopen. It is the bidder's responsibility to get our attention prior to our saying "sold". We reserve the right to reject any bids deemed inappropriate or to withdraw any item(s) for lack of appropriate bids. If an item is withdrawn from the auction it will be offered again only at the auctioneer's discretion.

7. Payment is expected at the time of purchase. Payment for successful absentee, phone bids and online bids are required within 5 (five) business days of the auction. Bidding on an item indicates the client's acceptance of our Terms of Sale. Your signature on our Bid Form or acceptance of these terms through any online bidding platform constitutes permission to charge successful bids to credit cards if payment is not received within five days of the auction.


8. Payment must be made by cash, approved check, wire transfer, or MasterCard, Visa, Discover credit cards. We reserve the right to require bank checks for large purchases. Buyers not known to us who wish to write a check must provide a current letter of credit from their bank guaranteeing funds for that account. We reserve the right to not issue a buyer's number or to withhold merchandise if appropriate credit has not been established. We require wire transfers for international buyers. First time buyers will be required to pay by wire transfer or cashier's check.

9. In the case of identical absentee bids, the bid received first will prevail. Bids left on Internet Bidding Platforms are not executed until the item is offered in the live auction and the order in which they are received is not a factor. We sell 20-30 lots per hour. Please refer to the bidding increments.

10. In our experience, cellular phones are not always dependable, and we recommend phone bidding reservations be made on land lines. We make every effort to honor all absentee and phone bid reservations, but we are not liable for any losses incurred as a result of failure to execute absentee bids or failed phone reservations. Submitting absentee bids or bidding by phone does not imply an extension of credit. Please see numbers 4 and 5 above.

11. Shipping is primarily handled by multiple third-party shippers. Auction House will arrange the shipment according the estimate shipping cost written on the catalog. Buyer is responsible for the cost of packaging and shipping. Shipping handled by AZAYA ART GALLERY will be at the entire risk of the purchaser and AZAYA ART GALLERY will have no liability of any loss of damage to such items.

12. All purchases are subject to applicable California sales tax unless the California Certificate of Resale tax form is fully and completely filled out and received prior to the time of purchase. Resale tax numbers from other states are accepted. International buyers are responsible for tariffs, taxes, or assessments of shipped items to the buyer's country.


13. Bidding on an item indicates your understanding and acceptance of these Terms of Sale. If a purchaser breaches any of these Terms of Sale, including the obligation to pay for purchased items, AZAYA ART GALLERY may seek all remedies under the law including canceling the sale and re-offering the property without reserve.

14. A buyer's premium will be applied to the purchase price of all items: 25% across all platforms.

15. Purchased items not picked up from our auction facility within ten business days of the auction will be assessed a storage fee of $8.00 per day, per item. You authorise us to re-sell on your behalf any item not picked up within 45 calendar days. The costs of storage, plus any other costs directly related to the item, and an auctioneer's commission of 20%, will be subtracted from the proceeds unless other arrangements have been made with AZAYA ART GALLERY. The minimum charge will be $50. The net proceeds will be mailed to your address as stated herein in full and final settlement of our obligations to you.

16. Export and Permits: It is the purchaser's sole responsibility to identify and obtain any necessary export, import, firearm, endangered species or other permit for the lot. Any symbols or notices in the sale catalog reflect AZAYA ART GALLERY reasonable opinion at the time of cataloguing and are for bidders general guidance only; AZAYA ART GALLERY and the Consignor makes no representations or warranties as to whether any lot is or is not subject to export or import restrictions or any embargoes.

17. Endangered Species: Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, tortoiseshell, whalebone, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. AZAYA ART GALLERY suggests that international buyers check on foreign governments wildlife import requirements prior to placing a bid. All buyers agree to comply with any and all domestic and international restrictions on the trade of endangered species as a condition of the sale. Please note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. It is the purchaser's responsibility to obtain any export or import licenses and/or certificates as well as any other required documentation. In the case of denial of any export or import license or of delay in the obtaining of such licenses, the purchaser is still responsible for making on-time payment of the total purchase price for the lot. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States. AZAYA ART GALLERY is not able to assist the purchaser in attempting to obtain the appropriate licenses and/or certificates, and there is no assurance that an export license or certificate can be obtained. Please check with our specialists if you are uncertain as to whether a lot is subject to these export/import license and certificate requirements, or any other restrictions on exportation.

18. Due to the embargo on Persian carpets, international shipping is not available.

19. AZAYA ART GALLERY makes no warranty or guarantee whatsoever regarding the jewelry, its colored stones, diamonds, other gem materials, or metals, or as to their status as natural, treated, earth mined, man-made or other. Appraisals, descriptions, photographs, are offered as a service and are not intended to be a complete analysis of the qualities and conditions of the jewelry. All identifications, information, weights, quality, cut, value and other estimates, are opinions, limited by examination and grading the mountings, the condition and cleanliness of the items. All gems, colored stones, diamonds, cultured or natural pearls, fresh water, south sea, Tahitian pearls, and other materials used in jewelry, may be enhanced by a variety of treatments. AZAYA ART GALLERY makes no warranties or guaranties that any clock or watch is in working order. Natural pearls, fresh water, south sea, Tahitian pearls, and other materials used in jewelry, may be enhanced by a variety of treatments. AZAYA ART GALLERY Auctions makes no warranties or guarantees that any clock or watch is in working order.


20. Condition of Firearms: AZAYA ART GALLERY or its employees or consultants make no warranties or representations whatsoever concerning the operation of firing condition, safety to store or reliability of any firearm. Any firearm purchased is at the user's risk. AZAYA ART GALLERY expressly disclaims any liability whatsoever for any accident, injury or damage resulting to any person or property from the storage or use of any such lot.



21. Disclaimers

The site, services and collective content are provided as is, without warranty of any kind, either express or implied. Without limiting the foregoing, AZAYA ART GALLERY explicitly disclaims any warranties of merchantability, fitness for a particular purpose, quiet enjoyment or non-infringement, and any warranties arising out of course of dealing or usage of trade. AZAYA ART GALLERY makes no warranty that the site, services or collective content will meet your requirements or be available on an uninterrupted, secure, or error-free basis. AZAYA ART GALLERY makes no warranty regarding the quality of any products, services or collective content obtained through the site or services or the accuracy, timeliness, truthfulness, completeness or reliability of any content obtained through the site or services.

No advice or information, whether oral or written, obtained from AZAYA ART GALLERY or through the site, services or collective content, will create any warranty not expressly made herein.

You are solely responsible for all of your communications and interactions with other users of the site and services and with other persons with whom you communicate or interact as a result of your use of the site or services. You understand that AZAYA ART GALLERY does not screen or inquire into the background of any users of the site or services, nor does AZAYA ART GALLERY make any attempt to verify the statements of users of the site or services. AZAYA ART GALLERY makes no representations or warranties as to the conduct of users of the site or services or their compatibility with any current or future users of the site or services. You agree to take reasonable precautions in all communications and interactions with other users of the site and services and with other persons with whom you communicate or interact as a result of your use of the site or services, particularly if you decide to meet offline or in person.

22. Indemnity
You agree to defend, indemnify, and hold AZAYA ART GALLERY, its officers, directors, employees and agents, harmless from and against any claims, liabilities, damages, losses, and expenses, including, without limitation, reasonable legal and accounting fees, arising out of or in any way connected with your access to or use of the site, services or collective content, or your violation of these terms.

23. Limitation of liability
You acknowledge and agree that, to the maximum extent permitted by law, the entire risk arising out of your access to and use of the site, services and collective content remains with you. Neither AZAYA ART GALLERY nor any other person or entity involved in creating, producing, or delivering the site, services or collective content will be liable for any incidental, special, exemplary or consequential damages, including lost profits, loss of data or loss of goodwill, service interruption, computer damage or system failure or the cost of substitute products or services, or for any damages for personal or bodily injury or emotional distress arising out of or in connection with these terms or from the use of or inability to use the site, services or collective content, or from any communications, interactions or meetings with other users of the site or services or other persons with whom you communicate or interact as a result of your use of the site or services whether based on warranty, contract, tort (including negligence), product liability or any other legal theory, and whether or not AZAYA ART GALLERY has been informed of the possibility of such damage, even if a limited remedy set forth herein is found to have failed of its essential purpose.

In no event will AZAYA ART GALLERY Aggregate liability arising out of or in connection with these terms or from the use of or inability to use the site, services or collective content exceed one hundred dollars ($100). The limitations of damages set forth above are fundamental elements of the basis of the bargain between AZAYA ART GALLERY and you. Some jurisdictions do not allow the exclusion or limitation of liability for consequential or incidental damages, so the above limitation may not apply to you.

24. Proprietary Rights Notices
All trademarks, service marks, logos, trade names and any other proprietary designations of AZAYA ART GALLERY used herein are trademarks or registered trademarks of AZAYA ART GALLERY. Any other trademarks, service marks, logos, trade names and any other proprietary designations are the trademarks or registered trademarks of their respective parties.

25. Controlling Law and Jurisdiction
These Terms and any action related thereto will be governed by the laws of the State of California without regard to its conflict of law's provisions. The exclusive jurisdiction and venue of any action to prevent the actual or threatened infringement, misappropriation or violation of a party?s copyrights, trademarks, trade secrets, patents or other intellectual property rights will be the state and federal courts located in the Southern District of California and each of the parties hereto waives any objection to jurisdiction and venue in such courts.

26. Entire Agreement
These Terms and any additional terms and conditions presented to you governing the bidding functionality of the Site and Services constitute the entire and exclusive understanding and agreement between AZAYA ART GALLERY and you regarding the Site, Services and Collective Content, and these Terms supersede and replace any and all prior oral or written understandings or agreements between AZAYA ART GALLERY and you regarding the Site, Services and Collective Content.

27. Assignment
You may not assign or transfer these Terms, by operation of law or otherwise, without AZAYA ART GALLERY's prior written consent. Any attempt by you to assign or transfer these Terms, without such consent, will be null and of no effect. AZAYA ART GALLERY may assign or transfer these Terms, at its sole discretion, without restriction. Subject to the foregoing, these Terms will bind and inure to the benefit of the parties, their successors and permitted assigns.

28. Notices
Any notices or other communications permitted or required hereunder, including those regarding modifications to these Terms, will be in writing and given: (i) by AZAYA ART GALLERY via email (in each case to the address that you provide); or (ii) by posting to the Site. For notices made by e-mail, the date of receipt will be deemed the date on which such notice is transmitted.

29. Dispute Resolution
You and AZAYA ART GALLERY agree that any dispute, claim or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation or validity thereof or the use of the Site or Services (collectively, 'Disputes') will be settled by binding arbitration, except that each party retains the right to bring an individual action in small claims court and the right to seek injunctive or other equitable relief in a court of competent jurisdiction to prevent the actual or threatened infringement, misappropriation or violation of a party's copyrights, trademarks, trade secrets, patents or other intellectual property rights. You acknowledge and agree that you and AZAYA ART GALLERY are each waiving the right to a trial by jury or to participate as a plaintiff or class User in any purported class action or representative proceeding. Further, unless both you and AZAYA ART GALLERY otherwise agree in writing, the arbitrator may not consolidate more than one person?s claims, and may not otherwise preside over any form of any class or representative proceeding. If this specific paragraph is held unenforceable, then the entirety of this ?Dispute Resolution? section will be deemed void. Except as provided in the preceding sentence, this 'Dispute Resolution' section will survive any termination of these Terms.

30. General
The failure of AZAYA ART GALLERY to enforce any right or provision of these Terms will not constitute a waiver of future enforcement of that right or provision. The waiver of any such right or provision will be effective only if in writing and signed by a duly authorized representative of AZAYA ART GALLERY. Except as expressly set forth in these Terms, the exercise by either party of any of its remedies under these Terms will be without prejudice to its other remedies under these Terms or otherwise. If for any reason a court of competent jurisdiction finds any provision of these Terms invalid or unenforceable, that provision will be enforced to the maximum extent permissible and the other provisions of these Terms will remain in full force and effect.

31. We may change these Terms of Use from time to time, at any time without notice to you, by posting such changes on the AZAYA ART GALLERY's Website. We highly suggest you periodically check the Terms of Use. It is your responsibility to do so.
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Azaya Art Gallery

Description & Details

Azaya Art Gallery is pleased to present our upcoming sale, featuring a refined selection of Chinese paintings, classical calligraphy, elegant ceramics, rare books, and scholarly works. This sale also includes a small but distinctive group of signed photographs, vinyl records, and contemporary prints - perfect for collectors seeking both cultural heritage and unique artistic expressions. Each piece in the auction has been thoughtfully sourced for its craftsmanship, historical significance, and aesthetic value. Whether you are expanding an established collection or discovering new artistic interests, this curated selection offers exceptional opportunities across a range of collecting categories. We warmly invite you to explore the sale and experience the timeless beauty of art presented by Azaya Art Gallery. For inquiries, please contact us at info@azayagallery.com
A BLUE AND WHITE WUCAI 'SWEET OLIVE' CUPWANG WEN (1497-1576), ATTRIBUTED TO, CALLIGRAPHY (FAN LEAF)TANG YIN (1470-1524), ATTRIBUTED TO, ZITHER MELODY UNDER A PINE TREE (FAN LEAF)LAN YING (1585-C.1664), ATTRIBUTED TO, FLOWER AND BIRD FANFAN YUNLIN (1558-1641), ATTRIBUTED TO, CALLIGRAPHY FANHUANG JISHUI (1509-1574), ATTRIBUTED TO, CALLIGRAPHY FANWANG JIAN (1598-1677), ATTRIBUTED TO, LANDSCAPE (FAN LEAF)WEN ZHENGMING (1470-1559), ATTRIBUTED TO, CALLIGRAPHY (FAN LEAF)MI YOUREN (1074-1153), ATTRIBUTED TO, LANDSCAPEZHANG BI (1425-1487), ATTRIBUTED TO, CALLIGRAPHY (FAN LEAF)A PAIR OF GILT-BRONZE WEIGHTSA GILT-BRONZE 'DRAGON AND PHOENIX' WINE SETA GILT-BRONZE TEA SETA GILT-BRONZE 'PHOENIX' FIGUREA GILT-BRONZE 'DRAGON' CUPA GILT-BRONZE 'DRAGON' SEALA GILT FEATHER-INLAID SCEPTREA CLOISONNE ENAMEL, JADE-INLAID 'LION' WINE POTA BLUE-GROUND TURQUOISE-ENAMELLED INCISED 'CLOUD AND DRAGON' BOWLA DOUCAI 'CLOUD AND DRAGON' BOWLA DOUCAI 'DRAGON AND PHOENIX' COVERED BOXA DOUCAI 'INTERLOCKING FLOWERS' OCTAGONAL DOUBLE-GOURD VASEA BLACK-GROUND GREEN-ENAMELLED 'DRAGON AMONG FLOWERS' MEIPINGA BLACK-GROUND WUCAI 'FIVE DRAGONS' GLOBULAR VASEA WUCAI 'FIVE DRAGONS' MEIPINGA WUCAI SQUARE VASEA RUBY-RED-GROUND ENAMEL 'FLOWERS' BRUSH POTAN IRON-RED, RESERVED 'TWO DRAGONS' NARCISSUS BOWLA CORAL-RED-GROUND 'CRANES' BOWLA SACRIFICIAL-RED-GLAZED VASEWANG SHIXIANG, SIGNED PRESENTATION COPY, "STUDIES OF MING FURNITURE", COMPLETE SET OF 2 VOLUMES INHUANG XUANLONG, "ANTIQUE INSTRUMENTS: JIANSONGGE STUDY APPARATUS CATALOGUE"1940, C.T. LOO COLLECTION, "EXHIBITION OF CHINESE STONE SCULPTURES THROUGH THE AGES" CATALOGUESADAAJIRÔ YAMANAKA, EDITOR, 1928, "TIANLONGSHAN GROTTOES BUDDHIST STONE SCULPTURES ALBUM"1990, FINE BOUND "MASTERPIECES OF ANCIENT JADE", SINGLE VOLUME IN CASE"ILLUSTRATED CATALOGUE OF CHINESE ARCHAIC JADES", 1950 FIRST EDITION, PUBLISHED BY C.T. LOO1940, FORMER COLLECTION OF FRENCH ANTIQUE DEALER C.T. LOO, "EXHIBITION OF ARCHAIC CHINESE JADES"BLUETT & SONS LONDON, 1970S, "THE WENG COLLECTION OF ARCHAIC JADES", SCARCE CATALOGUE2008 HONG KONG SOTHEBY'S, HUANG XUANLONG JIANSONGGE, "DAO FA ZI RAN: ANCIENT CHINESE SCHOLARS'2010 HONG KONG SOTHEBY'S SPRING AUCTION, "WATER, PINE AND STONE RETREAT COLLECTION OF SCHOLARS'YAMANAKA & CO., "SELECTED RELICS OF ANCIENT CHINESE BRONZES FROM COLLECTIONS IN EUROPE AND AMERICA",LIMITED NUMBERED EDITION, SCHROEDER, "INDO-TIBETAN BRONZES", 1 VOLUME IN CASEA FAMILLE ROSE 'NINE PEACHES' OLIVE-SHAPED VASEA FAMILLE ROSE 'BIRDS ON A ROCK' MOONFLASKA STIPPLED ENAMEL 'INTERLOCKING FLOWERS' YUHUCHUNPINGA FAMILLE ROSE 'PINE AND CRANES' BRUSH POTA FAMILLE ROSE 'CRANES' BOWLA WUCAI 'DRAGON AND PHOENIX HEADS' BOWLA YELLOW-GROUND BLUE AND WHITE 'CLOUD AND DRAGON' BOWLA DOUCAI 'LOTUS POND' BOWLA BLUE AND WHITE WUCAI 'APRICOT BLOSSOM' CUPA BLUE AND WHITE WUCAI 'PEACH BLOSSOM' CUPA BLUE AND WHITE WUCAI 'LOTUS' CUPA BLUE AND WHITE WUCAI 'ORCHID' CUPA PAIR OF SKY-BLUE-GLAZED TEACUPSA PAIR OF DOUCAI 'FLOWERS' CUPSA DOUCAI 'FLOWERS' BOWLAN UNDERGLAZED RED 'FLOWER HEADS' CUPA DOUCAI 'CLOUD AND DRAGON' STEM CUPA DOUCAI 'SANSKRIT' STEM CUPA FAMILLE ROSE, PERFORATED 'SCHOLARLY ARTS' BRUSH POTA YELLOW-GROUND FAMILLE ROSE, IRON-RED AND GILT 'FLOWERS AND POETRY' BRUSH POTAN IRON-RED, GILT, FAMILLE ROSE MEDALLION 'BUTTERFLIES AND FLOWERS' BRUSH WASHERA WOOD-GROUND FAMILLE ROSE MEDALLION 'FLOWERS AND BIRDS' HEXAGONAL BRUSH POTA DOUCAI 'LANDSCAPE, FIGURES AND SCHOLARLY OBJECTS' BRUSH POTA WUCAI 'LANDSCAPE AND FIGURES' BRUSH POTA FAMILLE ROSE 'LANDSCAPE AND PAVILION' SQUARE BRUSH POTA FAMILLE ROSE, GILT-GROUND MEDALLION 'FLOWERS AND POETRY' BRUSH POTA FAMILLE ROSE 'AUSPICIOUS ' BRUSH HOLDERA TURQUOISE-GROUND FAMILLE ROSE MEDALLION 'FLOWERS AND BIRDS' COVERED BOXPAN TIANSHOU (1897-1971), ATTRIBUTED TO, TEN LEAVES OF PINE AND EAGLE ALBUMPAN TIANSHOU (1897-1971), ATTRIBUTED TO, CORNER OF LINGYAN RAVINEPAN TIANSHOU (1897-1971), ATTRIBUTED TO, PINE AND EAGLEPAN TIANSHOU (1897-1971), ATTRIBUTED TO, RIVER AND SKY AFTER RAINQI BAISHI (1863-1957), ATTRIBUTED TO, PEACHES OF LONGEVITYQI BAISHI (1863-1957), ATTRIBUTED TO, EIGHT LEAVES OF FLOWER ALBUMQI BAISHI (1863-1957) & XU BEIHONG (1895-1953), ATTRIBUTED TO, LONGEVITYXU BEIHONG (1895-1953), ATTRIBUTED TO, TEN LEAVES OF EAGLE ALBUMXU BEIHONG (1895-1953), ATTRIBUTED TO, LIONPU RU (1896-1963), ATTRIBUTED TO, LANDSCAPEHONG YI (1880-1942), ATTRIBUTED TO, VERMILION ARHAT CALLIGRAPHYHONG YI (1880-1942), ATTRIBUTED TO, VERMILION ARHAT CALLIGRAPHYEMPEROR HUIZONG OF SONG (1082-1135), ATTRIBUTED TO, STANDING EAGLEDONG QICHANG (1555-1636), ATTRIBUTED TO, AFTER GAO FANGSHAN'S STYLETANG YIN (1470-1524), ATTRIBUTED TO, LANDSCAPEHUANG SHEN (1687-1772), ATTRIBUTED TO, FIGUREJIANG TINGXI (1669-1732), ATTRIBUTED TO, TWO EGRETSJIANG TINGXI (1669-1732), ATTRIBUTED TO, PEACOCKBADA SHANREN (1626-1705), ATTRIBUTED TO, DEER UNDER A PINE TREEBADA SHANREN (1626-1705), ATTRIBUTED TO, FLOWER AND BIRDBADA SHANREN (1626-1705), ATTRIBUTED TO, TWO EAGLESBADA SHANREN (1626-1705), ATTRIBUTED TO, TWO SPARROWSWANG DUO (1592-1652), ATTRIBUTED TO, CALLIGRAPHYWANG DUO (1592-1652), ATTRIBUTED TO, CALLIGRAPHYWANG MENG (1308-1385), ATTRIBUTED TO, RECLUSE IN SUMMER MOUNTAINSWANG SHIMIN (1592-1680), ATTRIBUTED TO, LANDSCAPEWEN ZHENGMING (1470-1559), ATTRIBUTED TO, BLUE-GREEN LANDSCAPEWEN ZHENGMING (1470-1559), ATTRIBUTED TO, LANDSCAPEXU WEI (1521-1593), ATTRIBUTED TO, PLANTAIN AND ROCKYUN SHOUPING (1633-1690), ATTRIBUTED TO, FLOWERSYUN SHOUPING (1633-1690), ATTRIBUTED TO, FLOWERSYUN BING (C.17TH-18TH C.), ATTRIBUTED TO, FLOWERS AND BIRDSZHANG DAQIAN (1899-1983), ATTRIBUTED TO, MOUNTAIN DWELLINGZHANG DAQIAN (1899-1983), ATTRIBUTED TO, GUANYIN ON BODHI LEAFZHANG DAQIAN (1899-1983), ATTRIBUTED TO, FLOWER AND BIRDZHANG DAQIAN (1899-1983), ATTRIBUTED TO, COLORFUL LOTUSHUANG YONGYU (1924-2023), ATTRIBUTED TO, LOTUS PONDHUANG YONGYU (1924-2023), ATTRIBUTED TO, LOTUS OF JIANGNANLU YANSHAO (1909-1993), ATTRIBUTED TO, LANDSCAPEPAN TIANSHOU (1897-1971), ATTRIBUTED TO, EIGHT LEAVES OF FLOWER AND BIRD ALBUMWANG SHIJIE, EDITOR, HONG KONG, "ART LEGACY: TREASURES OF CHINESE ART", COMPLETE SET OF 7 VOLUMES1970, CHUO KORON-SHA PUBLICATION, "COMPENDIUM OF LITERATI PAINTING", COMPLETE SET OF 10 VOLUMES INTAIWAN EARLY EDITION, "COLLECTED PAINTINGS AND CALLIGRAPHY BY ZHANG DAQIAN", 7 VOLUMESTAIWAN EARLY EDITION, "COMPLETE COLLECTION OF PAINTINGS AND CALLIGRAPHY BY PU XINYU", 4 VOLUMESSIX EARLY EXHIBITION CATALOGUES OF ZHANG DAQIANFOUR EARLY EXHIBITION CATALOGUES FROM JI GU ZHAITWO EXHIBITION CATALOGUES FROM CHANG LIU GALLERYHONG KONG EARLY EDITION, "MODERN CHINESE PAINTINGS FROM THE JIUYA TANG COLLECTION", 1 VOLUME"SELECTED PAINTINGS FROM DUOYUN XUAN COLLECTION" & "SELECTED CALLIGRAPHY AND SEALS FROM DUOYUN XUANREPUBLIC OF CHINA PERIOD, "FINE ARTS SERIES", COMPLETE SET OF 20 VOLUMES1988, ANTIQUE DEALER EDWARD T. CHOW, "EXHIBITION OF CHINESE TREASURES: PAINTINGS AND WORKS OF ART","CHINESE PAINTING & CALLIGRAPHY" MAGAZINE, 54 VOLUMESA TEAPOTA WHITE-GLAZED INCISED 'DRAGON' STEM CUPA WHITE-GLAZED INCISED 'DRAGON' COVERED JARA DOUCAI 'CLOUD AND DRAGON' FLOWER HOLDERA BLUE AND WHITE 'INTERLOCKING FLOWERS' FLOWER HOLDERA BLUE AND WHITE 'CLOUD AND DRAGON' GARLIC-HEAD VASEA BLUE AND WHITE RESERVED INCISED 'SEA AND DRAGON' MEIPINGA BLUE AND WHITE 'SEA' CENSERA BLUE AND WHITE UNDERGLAZED RED 'AUSPICIOUS BEASTS' BRUSH POTA BLUE AND WHITE, UNDERGLAZED RED 'FLOWERS' MEIPINGAN UNDERGLAZED RED 'CLOUD AND DRAGON' VASEAN UNDERGLAZED RED 'CLOUD AND DRAGON' VASEAN UNDERGLAZED RED 'FLOWER HEADS' VASEA RED-GROUND BLUE AND WHITE 'CLOUD AND DRAGON' VASEA SACRIFICIAL-RED GILT 'INTERLOCKING FLOWERS' BOWLA SACRIFICIAL-RED-GLAZED WATER POTA YELLOW-GROUND ENAMEL 'FLOWERS AND BIRDS' VASEA BLUE AND WHITE 'INTERLOCKING LOTUS' BOTTLEA BLUE AND WHITE UNDERGLAZED RED 'FLOWERS' APPLE-SHAPED VASEA SKY-BLUE-GLAZED APPLE-SHAPED VASEZHANG DAQIAN (1899-1983), ATTRIBUTED TO, SAILS IN GORGE RIVERZHANG DAQIAN (1899-1983), ATTRIBUTED TO, EVENING RETURN TO RIVERSIDE VILLAGEPAN TIANSHOU (1897-1971), ATTRIBUTED TO, EAGLEFU BAOSHI (1904-1965), ATTRIBUTED TO, VISITING FRIENDSQI BAISHI (1864-1957), ATTRIBUTED TO, AQUATIC CREATURESQI BAISHI (1864-1957), ATTRIBUTED TO, MANDARIN DUCKS AND LOTUSXU BEIHONG (1895-1953), ATTRIBUTED TO, INK BAMBOOWU HUFAN (1894-1968), ATTRIBUTED TO, LANDSCAPE IN COLORWANG XIZHI (303-361), ATTRIBUTED TO, JADE PALACE AND AZURE TOWERSFAN KUAN (C.950-1032), ATTRIBUTED TO, TRAVELERS AMONG STREAMS AND MOUNTAINSZHAO CHANG (C.10TH-11TH C.), ATTRIBUTED TO, SETTING OFF FOR BATTLEHUANG GONGWANG (1269-1354), ATTRIBUTED TO, LANDSCAPEZHANG DAQIAN (1899-1983), ATTRIBUTED TO, LOTUSCHEN SHAOMEI (1909-1954), ATTRIBUTED TO, FIGURES AND SCHOLARSFENG ZIKAI (1898-1975), ATTRIBUTED TO, FIGURESSHI TAO (1642-1707), ATTRIBUTED TO, BOATING IN AUTUMN MOUNTAINSTANG YIN (1470-1524), ATTRIBUTED TO, LANDSCAPE AND FIGURESHUANG GONGWANG (1269-1354), ATTRIBUTED TO, VISITING A FRIEND WITH A ZITHERLI TANG (C.1085-1165), ATTRIBUTED TO, LANDSCAPEWANG MENG (1308-1385), ATTRIBUTED TO, STONE LAKE MOUNTAIN RETREATCHA SHIBIAO (1615-1698), ATTRIBUTED TO, LANDSCAPECHEN BANDING (1876-1970), ATTRIBUTED TO, FLOWERS IN SUCCESSIONCHEN HONGSHOU (1598-1652), ATTRIBUTED TO, BOATING AT THE RED CLIFFHUANG BINHONG (1865-1955), ATTRIBUTED TO, LANDSCAPESHEN QUAN (1682-1760), ATTRIBUTED TO, PHOENIX ON A PARASOL TREEXU BEIHONG (1895-1953), ATTRIBUTED TO, GUANYINZHAO MENGFU (1254-1322), ATTRIBUTED TO, HORSE AT PLAYZHENG BANQIAO (1693-1765), ATTRIBUTED TO, BAMBOO AND ROCKZHANG RUITONG (1570-1641), ATTRIBUTED TO, LANDSCAPEFU BAOSHI (1904-1965), ATTRIBUTED TO, VIEWING THE SPRINGWU CHANGSHUO (1844-1927), ATTRIBUTED TO, PEACHESCHEN SHUREN (1884-1948), ATTRIBUTED TO, FISHING VILLAGEZHENG BANQIAO (1693-1765), ATTRIBUTED TO, INK BAMBOOSHEN ZHOU (1427-1509), ATTRIBUTED TO, LANDSCAPEBIAN JINGZHAO (C.1356-1428), ATTRIBUTED TO, TWO CRANESQIU YING (C.1494-1552), ATTRIBUTED TO, LANDSCAPEA DOUCAI 'QILIN AND PHOENIX' VASEA WHITE-GROUND FAMILLE ROSE 'FIVE DRAGONS' VASEA TURQUOISE-GROUND FAMILLE ROSE 'INTERLOCKING FLOWERS' GOURD-SHAPED VASEA FAMILLE ROSE 'CLOUD AND CRANES' VASEA DOUCAI 'BUTTERFLIES AND FLOWERS' HEXAGONAL VASEA SKY-BLUE-GLAZED GILT VASEA LOW-RELIEF FAMILLE ROSE 'TWO DRAGONS' MOONFLASKA DOUCAI 'INTERLOCKING FLOWERS' JARA DOUCAI 'FLOWERS' STEM CUPA DOUCAI 'CHICKEN' CUPJIAN TEA BOWLA BLUE AND WHITE, UNDERGLAZED RED 'AUSPICIOUS LANDSCAPE' CENSERA BLUE AND WHITE 'FLOWERS AND BIRDS' SQUARE VASEA BLUE AND WHITE 'PLUM BLOSSOM' MOONFLASKA BLUE AND WHITE 'LANDSCAPE, FIGURES AND POETRY' VASEA BLUE AND WHITE, UNDERGLAZED RED 'LANDSCAPE' GLOBULAR VASEA TURQUOISE-GROUND WATER CHESTNUT VASEA BLUE-GLAZED, INCISED 'CLOUD AND DRAGON' VASEA MIRROR-BLACK-GLAZED VASEA SKY-BLUE-GLAZED BEAKERWU GUANZHONG (1919-2010), ATTRIBUTED TO, FIGUREWU GUANZHONG (1919-2010), ATTRIBUTED TO, TEN LEAVES OF LANDSCAPE ALBUMWU GUANZHONG (1919-2010), ATTRIBUTED TO, DUCKS, THE FIRST TO KNOW THE WARMTH OF THE SPRING RIVERWU GUANZHONG (1919-2010), ATTRIBUTED TO, HOUSEHOLD BY TAIHU LAKEWU GUANZHONG (1919-2010), ATTRIBUTED TO, PINE TREELIU HAISU (1896-1994), ATTRIBUTED TO, SUNFLOWERSJIN SHANGYI (1934-2024), ATTRIBUTED TO, PORTRAIT OF A FIGUREXIAO SHUFANG (1911-2005), ATTRIBUTED TO, FLOWERSLIN FENGMIAN (1900-1991), ATTRIBUTED TO, FLOWERS IN A VASELIN FENGMIAN (1900-1991), ATTRIBUTED TO, STILL LIFELIN FENGMIAN (1900-1991), ATTRIBUTED TO, FIGURELIN FENGMIAN (1900-1991), ATTRIBUTED TO, FLOWERSCYTSONG (B. 1957), ATTRIBUTED TO, FAMILYWU ZUOREN (1908-1997), ATTRIBUTED TO, BAUHINIAGUAN LIANG (1900-1986), ATTRIBUTED TO, ZHONG KUIZHOU CHUNYA (B. 1955), ATTRIBUTED TO, FIGURES. YASNJ , ATTRIBUTED TO, STILL LIFEMADSAKI (B.1974), "THE BIRTH OF VENUS", 2018TOM KELLY, "MARILYN MONROE ON RED VELVET"MARILYN MONROE, SIGNED STILL FROM "THE PRINCE AND THE SHOWGIRL"YUAN JIANG (C.1671-1746), ATTRIBUTED TO, SPENDING THE SUMMER IN WANGCHUANHUANG BINHONG (1865-1955), ATTRIBUTED TO, LANDSCAPEMEI LANFANG (1894-1961), ATTRIBUTED TO, FLOWER AND BIRDZHANG DAQIAN (1899-1983), ATTRIBUTED TO, SCHOLAR IN WINTER FORESTSU SHI (1037-1101), ATTRIBUTED TO, BAMBOO, ROCK, AND BANYAN TREEHUANG GONGWANG (1269-1354), ATTRIBUTED TO, SECLUDED DWELLING IN AUTUMN MOUNTAINSWANG XIANZHI (344-386), ATTRIBUTED TO, PINE-CLAD MOUNTAINS AND STREAM VALLEYLI TANG (C.1085-1165), ATTRIBUTED TO, SITTING IN MEDITATION IN A THATCHED PAVILIONWEI ZIXI (1915-2002), ATTRIBUTED TO, SEA OF CLOUDS OVER PINE MOUNTAINSSONG WENZHI (1919-1999), ATTRIBUTED TO, SAILING ON THE TAI LAKEZHANG DAQIAN (1899-1983), ATTRIBUTED TO, IMMORTALS OFFERING BIRTHDAY TRIBUTESGIUSEPPE CASTIGLIONE (1688-1766), ATTRIBUTED TO, EIGHT HORSESEMPRESS DOWAGER CIXI (1835-1908), ATTRIBUTED TO, QINGGONG (SCHOLAR'S OBJECTS)EMPRESS DOWAGER CIXI (1835-1908), ATTRIBUTED TO, QINGGONG (SCHOLAR'S OBJECTS)PU YI (1906-1967), ATTRIBUTED TO, CALLIGRAPHYYUAN SHIKAI (1859-1916), ATTRIBUTED TO, CALLIGRAPHYQIANLONG EMPEROR (1711-1799), ATTRIBUTED TO, CALLIGRAPHYQIANLONG EMPEROR (1711-1799), ATTRIBUTED TO, CALLIGRAPHYQIANLONG EMPEROR (1711-1799), ATTRIBUTED TO, IMPERIAL CALLIGRAPHYQIANLONG EMPEROR (1711-1799), ATTRIBUTED TO, CALLIGRAPHYQIANLONG EMPEROR (1711-1799), ATTRIBUTED TO, IMPERIAL CALLIGRAPHYCHU SUILIANG (596-658), ATTRIBUTED TO, CALLIGRAPHYDONG QICHANG (1555-1636), ATTRIBUTED TO, CALLIGRAPHYLIU YONG (1719-1804), ATTRIBUTED TO, CALLIGRAPHYA BLUE AND WHITE'PHOENIX AMONG PEONIES' DISHA BLUE AND WHITE'FIGURE' DISHA BLUE AND WHITE 'TWO DRAGONS' DISHA BLUE AND WHITE, GREEN-ENAMELLED 'CLOUD AND DRAGON' DISHA 'INTERLOCKING' WATER CHESTNUT SHAPED VASEA CARVED 'FLOWERS' MEIPINGA JIZHOU TYPE MEIPINGA LONGQUAN TYPE VASEA GREEN-GROUND YELLOW-ENAMELLED INCISED 'CLOUD AND PHOENIX' BOWLA YELLOW-GLAZED INCISED 'CLOUD AND DRAGON' BOWLA FAMILLE ROSE GOURD-SHAPED VASEA YELLOW-GLAZED BLUE AND WHITE 'FIVE DRAGONS' VASEA ROSE QUARTZ, GILT 'DRAGON' SEALA JADE FIGUREA JADE DISCAN INSCRIBED JADEA CLOISONNE ENAMEL VASEA BRONZE CENSERA GILT AND SILVER-INLAID BRONZE 'LION' CENSERA GILT-BRONZE FIGUREA YELLOW-GROUND FAMILLE ROSE MEDALLION 'FLOWERS AND BIRDS' VASEA RUBY-RED-GROUND FAMILLE ROSE MEDALLION 'FLOWERS' JARA YELLOW-GROUND FAMILLE ROSE 'LINGZHI AND INTERLOCKING FLOWERS' GARLIC-HEAD VASEA FAMILLE ROSE 'SPRING FESTIVAL' VASEQIU YING (C. 1505-1552), ATTRIBUTED TO, FIGURES IN PINE MOUNTAINSGU HONGZHONG (C.910-980), ATTRIBUTED TO, REHEARSING MUSIC IN THE TANG PALACEMI FU (1051-1107), ATTRIBUTED TO, JIN PAPER MANUSCRIPTEMPEROR HUIZONG OF SONG (1082-1135), ATTRIBUTED TO, THOUSAND-CHARACTER CLASSICLAN YING (1585-C.1664), ATTRIBUTED TO, LONG LANDSCAPESHEN ZHOU (1427-1509), ATTRIBUTED TO, LANDSCAPE HANDTANG YIN (1470-1524), ATTRIBUTED TO, STUDYING BY A STREAM AND MOUNTAINWEN ZHENGMING (1470-1559), ATTRIBUTED TO, LANDSCAPE HANDLAI SHAOQI (1915-2000), ATTRIBUTED TO, EIGHT LEAVES OF FLOWER ALBUMQI GONG (1912-2005), ATTRIBUTED TO, TWELVE LEAVES OF LANDSCAPE ALBUMZHENG BANQIAO (1693-1765), ATTRIBUTED TO, FOUR SCENES OF ROCK AND FLOWERSHUANG BINHONG (1865-1955), ATTRIBUTED TO, SIX LEAVES OF LANDSCAPE IN COLORQIAO ZHONGCHANG (ACT. 11TH-12TH C.), ATTRIBUTED TO, FIGURESYAN HUI (ACT. 13TH C.), ATTRIBUTED TO, COURT LADY HOLDING A FANLIU SONGNIAN (C.1155-1218), ATTRIBUTED TO, FIGURESQIAN WEICHENG (1720-1772), ATTRIBUTED TO, SHORT REST BY A STREAMSIDE PAVILIONGIUSEPPE CASTIGLIONE (1688-1766), ATTRIBUTED TO, GREY EAGLELI DI (C.12TH C.), ATTRIBUTED TO, ANIMALMA YUAN (C.1160-1225), ATTRIBUTED TO, LANDSCAPEWANG HUI (1632-1717), ATTRIBUTED TO, LANDSCAPEWANG WU (1632-1690), ATTRIBUTED TO, FLOWERS AND BIRDSWANG YUAN (C.13TH-14TH C.), ATTRIBUTED TO, PINE TREE AND CRANEZHAO CHANG (C. 11TH CENTURY), ATTRIBUTED TO, FLOWER AND BIRDZHAO MENGFU (1254-1322), ATTRIBUTED TO, GALLOPING HORSE IN WILLOW SHADEALBERT EINSTEIN, SIGNED PRESENTATION COPY, "THE MEANING OF RELATIVITY"PRINCESS DIANA AND KING CHARLES III, JOINTLY SIGNED ENVELOPEI.M. PEI, SIGNED PRESENTATION COPY, "MANDARIN OF MODERNISM"HU SHI, SIGNED PRESENTATION COPY, "EXPERIMENTS", FIRST EDITIONXU ZHIMO, SIGNED PRESENTATION COPY, "THE POETICAL WORKS OF ELIZABETH BARRETT BROWNING"YE JIAYING, SIGNED POETIC INSCRIPTION ON ENVELOPEHU LANCHENG, SIGNED PRESENTATION COPY, "HEART SUTRA WITH DELIGHT"SOONG MEI-LING, SIGNED "TIME" MAGAZINE COVERCHIANG KAI-SHEK, VINTAGE SIGNED PHOTOGRAPHZHOU XUAN, VINTAGE SIGNED PHOTOGRAPHAUDREY HEPBURN, SIGNED PHOTOGRAPHKOBE BRYANT, OFFICIALLY SIGNED NBA PHOTOGRAPHLESLIE CHEUNG, SIGNED LP "A BETTER TOMORROW"YOKO ONO, SIGNED LPTERESA TENG, SIGNED LP "NIGHT FOG"MICHAEL JORDAN, SIGNED "LEAP OF FAITH" FREE-THROW LINE LIMITED EDITION ACTION FIGUREDONG QIAO, SIGNED AND SEALED PRESENTATION COPY, "A FAMILY OF READERS"MO YAN, SIGNED, SEALED AND UNCUT EDITION, "SCENT OF WINE"QI GONG, SIGNED PRESENTATION COPY, "QI GONG'S CURSIVE SCRIPT THOUSAND CHARACTER CLASSIC"ZHANG LEPING, INSCRIBED AND SEALED PRESENTATION COPY, "SANMAO JOINS THE ARMY"TAKEHISA YUMEJI (1884–1934), "BLACK CAT", WOODBLOCK PRINTTAKEHISA YUMEJI (1884–1934), "FAIRY TALE", WOODBLOCK PRINTTAKEHISA YOMEJI, LIMITED EDITION OF 200, "KURONEKOYA" (BLACK SHIP HOUSE), SHOWA 6 EDITIONANDY WARHOL (1928–1987), "MARILYN MONROE", 1982HAJIME SORAYAMA (B.1947), "SEXY ROBOT"HAJIME SORAYAMA (B.1947), "FIERCE MONROE"LIU YING NUTTSH, "BLEU MORTEL"MR. DOODLE (B.1994), "PINK BIRD", 2019HIROSHI SUGIMOTO, "POLAR BEAR"HIROSHI SUGIMOTO, "GRAVITY SENSOR"HIROSHI SUGIMOTO, "HISTORY OF HISTORY"HIROSHI SUGIMOTO, "TIME'S ARROW, 1987"A BRUSH WASHERA BRUSH WASHERA RU TYPE VASEA RU TYPE VASEA FLAMBÉ-GLAZED WATER POTA FLAMBÉ-GLAZED VASEA FLAMBÉ-GLAZED VASEA SKY-BLUE-GLAZED VASEA FAMILLE ROSE 'HUNDRED SONS' HEXAGONAL COVERED JARA FAMILLE ROSE 'MILLEFLEURS' GOURD-SHAPED VASEA BLACK-GROUND FAMILLE ROSE GILT 'FLOWERS' VASEA MARBLE-GROUND FAMILLE ROSE MEDALLION 'LANDSCAPE AND RAM' VASEA GILT-BRONZE FIGUREA SILVERED-BRONZE FIGUREA 'DRAGON' INKSTONE WITH BOX1961-1966, "CATALOGUE OF PORCELAIN WARES IN THE NATIONAL PALACE MUSEUM", COMPLETE SET OF 5 VOLUMESLIMITED NUMBERED EDITION, "ZHUSHI SHANFANG: ILLUSTRATED CATALOGUE OF CHINESE METALWORK, STONE, AND"CHINESE CERAMICS IN THE TOPKAPI SARAY MUSEUM", COMPLETE SET OF 2 VOLUMES2011-2014 HONG KONG SOTHEBY'S MEIYINTANG COLLECTION CATALOGUE OF CHINESE CERAMICS, COMPLETE SET OF 6TAIPEI NATIONAL PALACE MUSEUM, "RARE AS THE MORNING STAR: 12TH-14TH CENTURY CELADONS FROM THEHONG KONG SOTHEBY'S, AUTUMN 2016, "EARLY BUDDHIST BRONZES FROM THE SAKAMOTO COLLECTION" AUCTIONHONG KONG SOTHEBY'S, "DAO FA ZI RAN: JIANSONGGE COLLECTION OF SCHOLARS' ROCKS", APRIL 11, 2008HONG KONG CHRISTIE'S, AUTUMN 2019, "A STUDIO'S ASSEMBLAGE: PROPERTY FROM THE COLLECTION OF I.M. PEI"HONG KONG SOTHEBY'S, SPRING 2010, "WATER, PINE AND STONE RETREAT COLLECTION OF SCHOLARS' ROCKS""COMPLETE COLLECTION OF CHINESE JADES", FULL SET OF 6 VOLUMES2022 HONG KONG CHRISTIE'S, "A FEAST OF JADE IN THE CLOUDS" SPECIAL SALE CATALOGUE, 1 VOLUMECOLLECTED PAINTINGS OF LU YANSHAOXU BEIHONG PAINTING EXHIBITIONHONG KONG SOTHEBY'S, SPRING 2017, "THE KUNGMU SHAN FANG COLLECTION OF MING-STYLE FURNITURE" AUCTION"THE KUNGMU SHAN FANG COLLECTION OF HUANGHUALI FURNITURE", 3 VOLUMESHUANG BINHONG (1865-1955), ATTRIBUTED TO, LANDSCAPELU YANSHAO (1909-1993), ATTRIBUTED TO, BLUE-AND-GREEN LANDSCAPEPAN TIANSHOU (1897-1971), ATTRIBUTED TO, TWO EAGLESQI BAISHI (1863-1957), ATTRIBUTED TO, FULL OF COLOR AND FLAVORZHANG SHANZI (1882-1940), ATTRIBUTED TO, FIVE TIGERSFU BAOSHI(1904-1965), ATTRIBUTED TO, UNABLE TO DISTINGUISH SPRING SOUND FROM RAINYUAN JIANG (C.1671-1746), ATTRIBUTED TO, LANDSCAPEWANG YUANQI (1642-1715), ATTRIBUTED TO, SPRING DAWN OVER STREAMS AND MOUNTAINSKANG YOUWEI (1858-1927), ATTRIBUTED TO, RUNNING SCRIPT (TEN SCREENS)ZHENG BANQIAO (1693-1765), ATTRIBUTED TO, BAMBOO AND ROCKWU CHANGSHUO (1844-1927), ATTRIBUTED TO, SIX LEAVES OF FLOWER ALBUMWU CHANGSHUO (1844-1927), ATTRIBUTED TO, FLOWERS AFTER RUBBINGSA DOUCAI 'PHOENIX HEADS' BOWLA GOLD-GROUND FAMILLE ROSE MEDALLION 'FLOWERS' BOWLA RUBY-RED-GROUND FAMILLE ROSE 'FERN AND AUSPICIOUS ' BOWLA WHITE-GLAZED FAMILLE ROSE AND GILT 'FLOWERS' BOWLA DOUCAI 'DRAGON AND PHOENIX' GLOBULAR VASEA BLUE AND WHITE, IRON-RED, GILT 'DRAGON AMONG FLOWERS' MEIPINGA MARBLE-GROUND FAMILLE ROSE MEDALLION 'FLOWERS, BIRDS AND POETRY' VASEA FAMILLE ROSE, GILT 'POETRY' GARLIC-HEAD VASEAN ENAMEL GILT 'MASTER AND PUPIL LIONS' MEIPINGA YELLOW-GLAZED CONG-FORM VASEA CELADON-GLAZED, CARVED 'TWO DRAGONS' MOONFLASKA FAMILLE ROSE 'TRIBUTE BEARERS' MEIPINGA WUCAI 'ERLANG SHEN' GARLIC-HEAD VASEA GRISAILLE 'ROCK AND BAMBOO' INCENSE HOLDERA FAMILLE ROSE 'LITERARY GOD' VASEA TURQUOISE-GROUND GRISAILLE 'LANDSCAPE' YUHUCHUNPINGA DOUCAI 'EIGHT IMMORTALS' GLOBULAR VASEA CLOISONNE ENAMEL CENSERA SKY-BLUE-GLAZED LOW-RELIEF 'FLOWERS AND BIRDS' SQUARE BRUSH POTA BLUE-GROUND FAMILLE ROSE 'PRUNUS' TEAPOTKOBE BRYANT, SIGNED NBA PHOTOGRAPHKOBE BRYANT, OFFICIALLY SIGNED NBA PHOTOGRAPHHIKARI SHIMODA (B.1984), "BOY WITH BASEBALL CAP"YUYA HASHIZUME (B.1983), "EYEWATER – FOUR SEASONS"YOSHITOMO NARA (B.1959), OFFSET LITHOGRAPHYOSHITOMO NARA, "REAL ONE" POSTERKAWS, "URGE", 2020 EDITION OF 250TAKASHI MURAKAMI, SIGNED POSTCARDTADAO ANDO, ARCHITECTURAL SKETCHYOSHITOMO NARA, SIGNED GRAFFITI COPY, "SELF-SELECTED WORKS OF YOSHITOMO NARA"FENG ZIKAI, INSCRIBED AND ILLUSTRATED PRESENTATION COPY, "COMPLETE COLLECTION OF MASTER MANSHU"QI GONG, SIGNED AND SEALED PRESENTATION COPY, "SELECTED CALLIGRAPHY WORKS OF QI GONG"J.K. ROWLING, SIGNED PRESENTATION COPY, "FANTASTIC BEASTS AND WHERE TO FIND THEM: THE ORIGINALBA JIN, SIGNED PRESENTATION COPY, "THE FAMILY TRILOGY: FAMILY, SPRING, AUTUMN", COMPLETE SET OF 3BING XIN, SIGNED PRESENTATION COPY, "THE STARS"LIMITED EDITION OF 100 SETS, DONG QIAO AND ZHAO HENG, DOUBLE SIGNED AND SEALED IN INK, "MEMORIES OFHE YINGQIN (1890-1987), ATTRIBUTED TO, CALLIGRAPHYHUANG BINHONG (1865-1955), ATTRIBUTED TO, EIGHT LEAVES OF FLOWER ALBUMPU QUAN (1913-1991), ATTRIBUTED TO, LANDSCAPE OF RECLUSION IN STREAMS AND MOUNTAINSZHANG DAQIAN (1899-1983), ATTRIBUTED TO, LOTUS PONDHUANG BINHONG (1865-1955), ATTRIBUTED TO, SECLUDED DWELLING IN AUTUMN MOUNTAINSSONG WENZHI (1919-1999), ATTRIBUTED TO, SPRING WIND GREENING THE SOUTH BANKZHANG DAQIAN (1899-1983), ATTRIBUTED TO, LOTUSHONGYI (1880-1942), ATTRIBUTED TO, BODHIDHARMA (TWO  LEAVES)ZHANG DAQIAN (1899-1983), ATTRIBUTED TO, FRAGRANT LOTUS PONDQIU YING (C.1494-1552), ATTRIBUTED TO, LONG LANDSCAPETANG YIN (1470-1524), ATTRIBUTED TO, LONG LANDSCAPEWEN ZHENGMING (1470-1559), ATTRIBUTED TO, LONG LANDSCAPEZHANG DAQIAN (1899-1983), ATTRIBUTED TO, LOTUSZHANG DAQIAN (1899-1983), ATTRIBUTED TO, AUTUMN COLORSZHANG DAQIAN (1899-1983), ATTRIBUTED TO, COLORFUL LOTUSZHANG DAQIAN (1899-1983), ATTRIBUTED TO, LOTUSWU PEIFU (1874-1939), ATTRIBUTED TO, PLUM BLOSSOMSXIA GUI (ACT. C.1195-1230), ATTRIBUTED TO, GAZING AT THE DISTANT RIVER AND MOUNTAINSWANG HUI (1632-1717), ATTRIBUTED TO,  LEAFZHANG DAQIAN (1899-1983), ATTRIBUTED TO, LOTUSLI KERAN (1907-1989), ATTRIBUTED TO, LANDSCAPEWU GUANZHONG (1919-2010), ATTRIBUTED TO, SPRING SCENEZHANG DAQIAN (1899-1983), ATTRIBUTED TO, SPLASHED COLOR LANDSCAPEZHANG DAQIAN (1899-1983), ATTRIBUTED TO, SPLASHED COLOR LANDSCAPEWU CHANGSHUO (1844-1927), ATTRIBUTED TO, CRANE'S CREST RED ON THE BRANCHWU CHANGSHUO (1844-1927), ATTRIBUTED TO, PLUM BLOSSOMSWU CHANGSHUO (1844-1927), ATTRIBUTED TO, PEONY AND PLUM BLOSSOMS (PAIR OF SCREENS)ZHANG DAQIAN (1899-1983), ATTRIBUTED TO, LOTUSZHAO BOJU (1120-1182), ATTRIBUTED TO, BLUE-AND-GREEN LANDSCAPEZHAO WENSHU (C.16TH-17TH C.), ATTRIBUTED TO, FLOWERS AND BIRDSZHAO WENSHU (C.16TH-17TH C.), ATTRIBUTED TO, FLOWERSZHAO YONG (1289-1360), ATTRIBUTED TO, HORSE WASHINGZHENG BANQIAO (1693-1765), ATTRIBUTED TO, PINE AND ROCKZHENG BANQIAO (1693-1765), ATTRIBUTED TO, BAMBOO AND CLIFFZHU ZHISHAN (1460-1526), ATTRIBUTED TO, CALLIGRAPHYZOU YIGUI (1686-1772), ATTRIBUTED TO, PEACOCKZHAO BOJU (1120-1182), ATTRIBUTED TO, LANDSCAPEGUO XI (C. 1020-1090), ATTRIBUTED TO, LANDSCAPELI DI (C. 12TH CENTURY), ATTRIBUTED TO, FLOWER AND BIRDLI YIN (1616-1685), ATTRIBUTED TO, FLOWER AND BIRDAN INSCRIBED WOOD SEALA STONEWARE 'LANDSCAPE' TEAPOTA LONGQUAN TYPE EWERA RU TYPE DISHA FAMILLE ROSE FIVE-PIECE ALTAR SETA BLUE-GROUND FAMILLE ROSE 'CRANES' VASEA CELADON-GLAZED FAMILLE ROSE 'CHI DRAGON AND AUSPICIOUS ' GOURD-SHAPED VASEA GOLD-GROUND FAMILLE ROSE 'AUSPICIOUS ' INCENSE HOLDERA FAMILLE ROSE 'FLOWERS, BIRDS AND POETRY' VASEA TURQUOISE-GROUND, CARVED 'BEAST MASK' CHESS BOXA YELLOW-GROUND, IRON-RED 'DRAGON' CENSERA FAMILLE ROSE 'FLOWERS AND BIRDS' CONG-FORM VASE"THE AGE OF ELEGANCE: THE ROBERT H. ELLSWORTH COLLECTION OF CHINESE ART", AUCTION CATALOGUE,"EXHIBITION OF LATE MING DYNASTY DISTORTIONIST PAINTERS", PRIVATE COLLECTION, THICK VOLUMEJAPAN 1978, "THE THOUSAND BUDDHA CAVES: EXCAVATED SILK BUDDHIST PAINTINGS FROM THE DUNHUANG"EXHIBITION OF INDIAN SCULPTURE", C.T. LOO1950, C.T. LOO, "EXHIBITION CATALOGUE OF ARCHAIC CHINESE JADES"ARCHAIC JADES UNEARTHED IN CHINATEISUKE TAKAHASHI, "DENSO-SEKI (TRANSMISSION STONES)", 1988 LIMITED EDITIONSPIRIT STONES OF CHINA: THE IAN AND SUSAN WILSON COLLECTION OF SCHOLARS' ROCKSYAN ZHENQING (709-785), ATTRIBUTED TO, LIU ZHONGSHI MANUSCRIPTTANG YIN (1470-1524), ATTRIBUTED TO, LANDSCAPEZHAO SHILEI (ACT. 11TH C.), ATTRIBUTED TO, TRAVELING INCOGNITOZHAO MENGFU (1254-1322), ATTRIBUTED TO, LANDSCAPEXU SHICHANG (1855-1939), ATTRIBUTED TO, RED BAMBOOXU YANG (ACT. 18TH C.), ATTRIBUTED TO, PEACOCKEMPEROR HUIZONG OF SONG (1082-1135), ATTRIBUTED TO, EAGLEBADA SHANREN (1626-1705), ATTRIBUTED TO, BIRD AND ROCKCHEN CHUN (1483-1544), ATTRIBUTED TO, FLOWERSZHANG DAQIAN (1899-1983), ATTRIBUTED TO, SPLASHED COLOR LANDSCAPEZHANG DAQIAN (1899-1983), ATTRIBUTED TO, SPLASHED COLOR LANDSCAPEWU DACHENG (1835-1902), ATTRIBUTED TO, LANDSCAPEWU CHANGSHUO (1844-1927), ATTRIBUTED TO, LONGEVITY PEACHESWU CHANGSHUO (1844-1927), ATTRIBUTED TO, FRUIT AND CALLIGRAPHY FOLDING FANWU CHANGSHUO (1844-1927), ATTRIBUTED TO, NATIONAL BEAUTY AND HEAVENLY FRAGRANCE (PEONY)WU CHANGSHUO (1844-1927), ATTRIBUTED TO, FLOWERSSU SHI (1037-1101), ATTRIBUTED TO, INK BAMBOOBADA SHANREN (1626-1705), ATTRIBUTED TO, EAGLE ON A PINE TREEXU BEIHONG (1895-1953), ATTRIBUTED TO, SPARROWSWU CHANGSHUO (1844-1927), ATTRIBUTED TO, WEALTH AND GREAT PROFITZHAO PUCHU (1907-2000), ATTRIBUTED TO, CALLIGRAPHYGUAN SHANYUE (1912-2000), ATTRIBUTED TO, FOREST IN SPRINGGAO KEGONG (1248-1310), ATTRIBUTED TO, AUTUMN MOUNTAINS AND WHITE CLOUDSQIAN HUAFO (1884-1964), ATTRIBUTED TO, ARHATAI QIMENG (1708-1780), ATTRIBUTED TO, EAGLE STANDING ALONEBIAN JINGZHAO (C.1355-C.1428), ATTRIBUTED TO, FLOWER AND BIRDQIU YING (C.1494-1552), ATTRIBUTED TO, BLUE-AND-GREEN LANDSCAPEDING GUANPENG (C.18TH C.), ATTRIBUTED TO, PORTRAIT OF MAZUQI BAISHI (1863-1957), ATTRIBUTED TO, ABUNDANT LONGEVITY AND OFFSPRINGQI BAISHI (1863-1957), ATTRIBUTED TO, INSECT ON A LEAFQI BAISHI (1864-1957), ATTRIBUTED TO, GRASSES AND INSECTSWU HUFAN (1894-1968), ATTRIBUTED TO, VERMILION BAMBOOWU CHANGSHUO (1844-1927), ATTRIBUTED TO, CHRYSANTHEMUMS AND ROCKWU CHANGSHUO (1844-1927), ATTRIBUTED TO, WEALTH AND HONOR (PEONY)SOONG MAY-LING (1897-2003), ATTRIBUTED TO, PEONY, SYMBOL OF WEALTH AND HONORZHANG DAQIAN (1899-1983), ATTRIBUTED TO, LOTUSFU BAOSHI (1904-1965), ATTRIBUTED TO, SU WU TENDING SHEEPZHANG DAQIAN (1899-1983), ATTRIBUTED TO, LOTUSWU GUANZHONG (1919-2010), ATTRIBUTED TO, LANDSCAPEKANG YOUWEI (1858-1927), ATTRIBUTED TO, CALLIGRAPHYZHANG DAQIAN (1899-1983), ATTRIBUTED TO, FIGURESIMA ZHONG (ACT. QING DYNASTY), ATTRIBUTED TO, DOUBLE AUSPICIOUSNESSHUANGBO DAOYUAN (ACT. 17TH C.), ATTRIBUTED TO, CALLIGRAPHYPAN TIANSHOU (1897-1971), ATTRIBUTED TO, GAZING INTO THE DISTANCEQI BAISHI (1864-1957), ATTRIBUTED TO, GRASSES AND INSECTSKOXINGA (1624-1662), ATTRIBUTED TO, CALLIGRAPHY: DU FU'S POEMPU RU (1896-1963), ATTRIBUTED TO, LETTER (TWO PAGES)SU SHI (1037-1101), ATTRIBUTED TO, CALLIGRAPHYPU RU (1896-1963), ATTRIBUTED TO, CALLIGRAPHYANONYMOUS, SUTRA FRAGMENTANONYMOUS, SUTRA FRAGMENTZHA SHIBIAO (1615-1698), ATTRIBUTED TO, CALLIGRAPHYLIU RUSHI (1618-1664), ATTRIBUTED TO, PEACOCKSMIAO JIAHUI (C.1842-1918), ATTRIBUTED TO, BIRTHDAY CONGRATULATIONSXUE SUSU (C.16TH-17TH C.), ATTRIBUTED TO, FLOWERS AND BIRDSYAO WENHAN (ACT. 1736-1795), ATTRIBUTED TO, LADIESHONGYI (1880-1942), ATTRIBUTED TO, VERSES FROM AVATAMSAKA SUTRAHONGYI (1880-1942), ATTRIBUTED TO, CALLIGRAPHY COUPLETHONGYI (1880-1942), ATTRIBUTED TO, CALLIGRAPHYHONG YI (LI SHUTONG) (1880-1942), ATTRIBUTED TO, GUANYIN BODHISATTVAQI BAISHI (1864-1957), ATTRIBUTED TO, SHRIMPSZHANG DAQIAN (1899-1983), ATTRIBUTED TO, PEONYZHANG DAQIAN (1899-1983), ATTRIBUTED TO, NOBLE SCHOLAR UNDER A PINE TREEQI BAISHI (1864-1957), ATTRIBUTED TO, GRASSES AND INSECTSWU CHANGSHUO (1844-1927), ATTRIBUTED TO, PURPLE RIBBONWU CHANGSHUO (1844-1927), ATTRIBUTED TO, LUMINOUS NIGHT PEARL AND EXQUISITE JADEZHANG DAQIAN (1899-1983), ATTRIBUTED TO, BODHIDHARMAZHANG DAQIAN (1899-1983), ATTRIBUTED TO, LANDSCAPEPU RU (1896-1963), ATTRIBUTED TO, ZHONG KUISHI TAO (1642-1707), ATTRIBUTED TO, NOBLE SCHOLARS ON A JOURNEYWANG XUEHAO (1754-1832), ATTRIBUTED TO, LANDSCAPE IN COLORWU CHANGSHUO (1844-1927), ATTRIBUTED TO, CALLIGRAPHY COUPLET WITH SEVEN-CHARACTER LINESZHANG DAQIAN (1899-1983), ATTRIBUTED TO, DUNHUANG FLYING APSARASWANG MENG (1308-1385), ATTRIBUTED TO, DWELLING IN THE SUMMER MOUNTAINSZHANG RUITONG (1570-1641), ATTRIBUTED TO, CALLIGRAPHYZHAO MENGFU (1254-1322), ATTRIBUTED TO, CALLIGRAPHYSUN YAT-SEN (1866-1925), ATTRIBUTED TO, CALLIGRAPHYZOU YIGUI (1686-1772), ATTRIBUTED TO, FLOWERSLI HONGZHANG (1823-1901), ATTRIBUTED TO, CALLIGRAPHYZHAO HENGTI (1880-1971), ATTRIBUTED TO, CALLIGRAPHY: "LONGEVITY"EMPRESS DOWAGER CIXI (1835-1908), ATTRIBUTED TO, FLOWERS IN A VASEJIAO BINGZHEN (1689-1726), ATTRIBUTED TO, FLOWERS AND ANTIQUESHUANG BINHONG (1865-1955), ATTRIBUTED TO, LANDSCAPEYUN SHOUPING (1633-1690), ATTRIBUTED TO, FLOWERSZHANG FU (1546-1631), ATTRIBUTED TO, LANDSCAPEDONG QICHANG (1555-1636), ATTRIBUTED TO, LANDSCAPEWANG MIAN (1287-1359), ATTRIBUTED TO, INK PLUM BLOSSOMSLü JI (1490-1577), ATTRIBUTED TO, FLOWER AND BIRDANONYMOUS, 17TH CENTURY THANGKAZHANG DAQIAN (1899-1983), ATTRIBUTED TO, CALLIGRAPHY SETDING YUNPENG (1547-1628), ATTRIBUTED TO, BUDDHA FIGUREDING GUANPENG (C.1700-1770), ATTRIBUTED TO, ARHATLü JI (C.1439-1505), ATTRIBUTED TO, ROOSTERLU HUI (1851-1920), ATTRIBUTED TO, AUTUMN MOUNTAINSFU BAOSHI (1904-1965), ATTRIBUTED TO, LOOKING UP TO THE HIGH MOUNTAINXU WEI (1521-1593), ATTRIBUTED TO, FLOWERSWANG HUI (1632-1717), ATTRIBUTED TO, IN THE STYLE OF JURANSHEN ZHOU (1427-1509), ATTRIBUTED TO, LANDSCAPEZHANG DAQIAN (1899-1983), ATTRIBUTED TO, FIGUREWU CHANGSHUO (1844-1927), ATTRIBUTED TO, GOURDSWANG HUI (1632-1717), ATTRIBUTED TO, LIN'AN MOUNTAIN SCENERYWANG HUI (1632-1717), ATTRIBUTED TO, LANDSCAPELI KERAN (1907-1989), ATTRIBUTED TO, HERDING IN SPRING RAINHUANG BINHONG (1865-1955), ATTRIBUTED TO, LANDSCAPE

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