ReDesigned: Interiors

online only auction1 day sale 6 days away
  • Location Monrovia, CA 91016
Dates

Sale Starts

Tue
Apr 8
10am

Sale Ends

Tue
Apr 8

Terms

TERMS AND CONDITIONS OF SALE

These Terms and Conditionones of Sale ("Terms") set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. ("Moran") will be governed. These Terms constitute a legal and binding agreement between You and Moran.

1. AUCTION HOUSE AS AGENT. Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer.

2. BEFORE THE AUCTION
a. Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran.com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.
b. Buyer"s Responsibility. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.
c. Property Sold "As Is": Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD "AS IS." Condition reports are offered as a courtesy and are typically published in Moran"s catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others.

3. AT THE AUCTION
a. Admission. Moran"s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording.
b. Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer"s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment.
c. Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder"s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and"in the case of error or dispute, whether during or after the sale"determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran"s sale record shall be conclusive as to the successful bidder and the price of the successful bid.
d. Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.
e. Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller"s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized.

4. AFTER THE AUCTION
a. Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. The Buyer"s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer's Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.
Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States.

Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full.

If you choose to pay by check, it may be converted to an ACH payment. Both ACH and check payments will take five (5) business days to clear.
By agreeing to this, you authorize Moran to initiate debit entries to your bank account. In the event of a returned transaction, you further authorize debiting this account for non-sufficient fund fees according to applicable State Law. You acknowledge that the origination of ACH transactions to your account must comply with U.S. Law. You agree to abide by the ACH Rules as defined by the National ACH Association (NACHA). Please note that this authorization remains in full force and effect until the Moran has received written notice from you of its termination at least five (5) business days prior to the payment due date. It's important to understand that canceling your ACH authorization does not relieve you of the responsibility of paying your account in full. If you cancel or revoke this authorization before any remaining debt is paid in full, the Company may take additional actions, including legal actions, to secure the debt.

Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers" LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax.
b. Collection. Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause.
c. Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran"s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the "Retrieval Period"), Moran may, without further notice, (a) continue to store the lot in Moran"s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer"s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.
d. Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran"s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned ("Abandoned Property") and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period.
e. Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.
f. All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran"s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist"s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist"s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

5. LIABILITY AND LIMITED WARRANTY
a. Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer"s damages, if any, are limited exclusively to the original purchase price paid for the lot.
b. Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability.
c. Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.
d. Estimates. All estimates provided are carefully considered opinions of Moran"s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.
e. Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

6. ADDITIONAL MATTERS
a. Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.
b. Buyer"s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney"s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran"s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California.
c. Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California.
d. Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction.
This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision.
In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys" fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys" fees reasonably incurred by the prevailing party in connection with the arbitration.
e. Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.

ReDesigned: Interiors is filled with a selection of items for collectors and interior decoration, including examples of Asian, American, and European furniture, decorative and fine art, including Academic European antique paintings and prints by artists including Edward Ladell, Louis Douzette, and Pierre-August Renoir. 20th Century Modernism by Itzchak Tarkay, Jean Sabalet, Lucia Fortuny, Andre Gisson, Tom Perkinson. Antique and contemporary Japanese woodcuts by Hiroshi Yoshida, Tadashi, Nakayama, Clifton Karhu and Toshi Yoshida including a highlight of six plates from Hiroshi Yoshida?s "The Inland Sea" series; Chinese ceramics including Qianlong period Chinese Export, Japanese Byobu screens, a collection of Japanese wood netsuke, a Chinese cloisonn? zimingzhong automaton clock, marble sculpture including a Cesare Lapini group, bronze works, fine sterling silver with Georgian, Victorian, and modern holloware; Lavar Kerman and Kashan rugs; porcelain including rare Le Tallec for Tiffany & Co. "Nuits de Chine" and Raynaud and Co. "Montezuma Green" dinner services, a Meissen Paul Scheurich figure of Pierrot; Gladding McBean oil jars, lighting including a Caldwell table lamp, mineral specimens, and a collection of maritime articles.
A Chinese Chippendale-style giltwood mirrorA Continental automaton singing bird boxTiffany Studios (1899-1930), A Favrile glass candlestick lamp, circa 1902-1918; New York, NYA group of Eurasian antiquitiesAldo Londi (1911-2003), A ceramic Buddha head for Bitossi, 1960s; Montelupo Fiorentino, ItalyA Palissy-style zoomorphic pottery vaseA Classical-style patinated metal bustLieutenant Long (1829-1891), North African scene, riders near a river, 1887Fernando Amarica (1866-1956), "Orillas del Rio Zadorra"Three Asian Buddha figuresTwo Asian carved wood figuresA late Renaissance carved wood panel of St. George and the dragonTwo petrified wood obelisk specimensA petrified wood slabA Chinese yingqing-glazed porcelain pitcher and teapotA George III partner's deskA George III-style mahogany cellaretteA set of Italian Rococo-style needlepoint side chairsA Chinese polychrome porcelain vaseA Shreve & Co. silver overlay Japanese porcelain vaseTwo Chinese enameled vasesA Chinese carved wood plant standRon Kent (1931-2018), A turned Norfolk pine bowl, 1994Two Islamic coco de mer kashkul begging bowlsA pair of Persian silver alloy pigeon figuresJean Luraat (1892-1966), "La Table," Mid/late 20th centuryA pair of Louis XV-style giltwood mirrorsLouis XV-style bombe commodeA Continental wrought-iron and marble console tableA North African mother of pearl inlaid easelA George III-style japanned tall case clockAttributed to Philippe Starck (b. 1949), A set of Modern barstools, late 20th centuryA Modern rosewood dining setA Le Tallec for Tiffany & Co porcelain "Nuits de Chine" partial dinner serviceA Baccarat glass "Massena" stemware setA Victorian sterling silver tazzaA George IV sterling silver tureenA Reed & Barton sterling silver "Francis I" bowlA Towle sterling silver "Fiddle Thread" partial flatware serviceTom Perkinson (b. 1940), "Venice," 1982Alexander Charles Stuart (1831-1898), "A Foggy Morning"Louis Douzette (1834-1924), "Landscape with Cottages in Moonlight"Heinrich Hartung (1851-1919), Village landscape, 1908A Victorian sailor's woolwork maritime embroidery "Yarn"A Louis XV provincial walnut commodeA Hendrix Allardyce Regency-style benchA Louis XV-style giltwood benchA Louis XV-style marquetry games tableFour brass and mahogany nautical telescopesFour brass nautical telescopesA John Bliss & Co. nautical taffrail log and two sample anchorsThree nautical telescopes and a hand bilge pumpFour nautical navigational lanternsFive nautical lanternsTwo nautical gimbaled compassesFour nautical optical instrumentsAn unusual English redware posset potA group of Pennsylvania redware pottery itemsA W. & A. K. Johnston 18 in. terrestrial globeA group of personal effects and smoking itemsA petrified wood heart-shaped specimenA petrified wood ovoid specimenSix spherical mineral specimensTwo septarian mineral specimensSix nautical navigating rulersThree brass nautical instrumentsA group of nautical charting and ship's navigational instrumentsA group of nautical charting and ship's navigational instrumentsTwo pocket barometers and a chartometerA group of navigational compassesA group of navigational compasses and measuring instrumentsA collection of brass miner's lanterns and blowtorchesTwo tridacna squamosa clam shellsA Moroccan fossilized shark teeth specimenTwo ammonite fossilsA Japanese carved hardwood toad netsukeA Japanese carved hardwood Oni netsukeA Japanese carved hardwood Noh mask netsukeA Japanese polychrome carved wood crane netsukeA Japanese carved hardwood cricket netsukeA Japanese carved stag antler netsukeHiroshi Yoshida (1876-1950), "Sailing Boats -- Morning, " from the "Inland Sea" series, 1926Hiroshi Yoshida (1876-1950), "Sailing Boats -- Forenoon," from the "Inland Sea" series, 1926Hiroshi Yoshida (1876-1950), "Sailing Boats -- Afternoon," from the "Inland Sea" series, 1926Hiroshi Yoshida (1876-1950), "Sailing Boats -- Mist," from the "Inland Sea" series, 1926Hiroshi Yoshida (1876-1950), "Sail Boats -- Evening, " from the "Inland Sea" series, 1926Hiroshi Yoshida (1876-1950), "Sailing Boats -- Night," from the "Inland Sea" series, 1926A Regence-style mahogany bureau platA Japanese carved wood figure of a Shinto priestA Japanese bronze elephant standA Chinese bronze and cloisonne enamel vaseA pair of Satsuma pottery vasesA Japanese ceramic charger with moriage decorationA Japanese Satsuma pottery vase and dishA Japanese blue and white porcelain plateAfter Émile-Victor Blavier (1821-1887)Loet Vanderveen (1921-2015), "New Cheetah Pair"Loet Vanderveen (1921-2015), "Polar Bear and Baby," 2002Hiroshi Yoshida (1876-1950), "Fujiyama -- First Light of the Sun," from the "Ten Views of MountHiroshi Yoshida (1876-1950), "Himeji Castle, Evening," 1928Hiroshi Yoshida (1876-1950), "Numazaki Pasture," 1928Three Japanese woodcutsToshi Yoshida (1911-1995), "Friendly Garden" triptych: ("Plum Tree," "Pine Tree," and "BambooOhara Shoson (1877-1945), "Scops Owl Flying under Cherry Blossoms with Full Moon"Ohara Shoson (1877-1945)Ohara Shoson (1877-1945)A Chinese cloisonne zimingzhong automaton clockAn Alfonso Marina parquetry side tableAn Alfonso Marina marquetry coffee tableAn Alfonso Marina Pembroke tableA Samuel Marti champleve and gilt-brass regulator mantel clockA pair of Japanese six-panel byobu screensA pair of Japanese six-panel screensA pair of Asian découpage fan-mounted screensA pair of Japanese six-panel narrative byobu screensA Japanese Iwayado-style tansu chestA Japanese Iwayado-style tansu chestA Japanese tansu stacking chestAfter Eugene Delacroix (1798-1863), Interior figural sceneStyle of Carlo Dolci (1616-1686), The Magdalene in Prayer, 19th CenturyEduard Charlemont (1848-1906), Portrait of a gentleman, 1891Enrico Tarenghi (1848-1938), "The Mother"Adolf Brougier (1870-1926), Spanish dancer with fanRobert John Thorton (1768-1837), "Dragon Arum" from "The Temple of Flora," 1801A Debir Kashan pictorial rugA Lavar Kerman prayer rugA Lavar Kerman pictorial rugA Kashan rugA Nepalese stele of Durga slaying the demon MahishasuraA Nepalese stele of Chakrasamvara with his consort VajravarahiStyle of Omura Taiun (1883-1938), Mt. Fuji landscape, Circa 20th CenturyStyle of Wu Li (1632-1718), Mountainous landscape with several buildings, Circa 20th CenturyA Northern Chinese pottery funerary sculptureAn Asian carved wood figure of an attendantTwo Chinese pottery attendant figuresA pair of Chinese pottery court lady figuresTwo Chinese sancai-glazed pottery figuresThree Chinese pottery horse figuresThree Chinese glazed pottery figuresA Chinese folio of ten landscapes with embroidered coverA Councill Craftsman George III-style buffetA Chinese blue and white porcelain fan plaqueA Chinese blue and white porcelain plaqueA Chinese blue and white porcelain plaqueA Chinese blue and white porcelain bowlA Chinese cloisonne chargerTwo Chinese porcelain eggshell bowlsA group of Chinese carved hardstone itemsA Chinese carved lapis figure of a seated GuanyinA Continental patinated bronze relief plaqueAfter Jules Moigniez (1835-1894), "Race Horse"Warren B. Davis (1865-1928), "The Rose," 1905Paul Clemens (1911-1992), "Ballerina Resting," 1969Lucia Fortuny (b. 1937), "Voilier," 1970Lucia Fortuny (b. 1937), "Port de Plaisance," 1972Lucia Fortuny (b. 1937), "Village Provenaal," 1970Jean Salabet (1913-1995), "Montmartre," circa 1950sJean Salabet (1913-1995), "Cafe de la Paix, Opera," circa 1950sJean Salabet (1913-1995), "Notre Dame, St. Michel," circa 1950sA Tetard Freres sterling silver jardiniereA George III sterling silver covered serving dishA George IV sterling silver oval platterTwo George III sterling silver tea caddiesTwo Wedgwood black basalt figures of faunsCesare Lapini (1848-1893), Innocence tormented by Love, 1893Leone Clerici (19th century), An Italian carved marble bust of the young Octavian, 1879Tsukioka Yoshitoshi (1839-1892), Six plates from "One Hundred Aspects of the Moon" ("Tsuki noTsukioka Yoshitoshi (1839-1892), Eight plates from "One Hundred Aspects of the Moon" ("Tsuki noTsukioka Yoshitoshi (1839-1892), Four plates from "New Forms of Thirty-Six Ghosts,", 1889-92; andTsukioka Yoshitoshi (1839-1892), One plate from "Sketches by Yoshitoshi," 1886; and two other platesAfter Franaois Auguste-Hippolyte Peyrol (1856-1929), Man fighting a cougar "L'homme vainquant laAfter Auguste Nicolas Cain (1821-1894), Lioness feeding her cubAttributed to Heinrich Schlitt (1849-1923), Gnomes and animals in a naturalistic settingA pair of Chinese carved jade bowlsA Chinese carved nephrite cupA Chinese Export polychrome porcelain sweet-meat setA group of Chinese Export Famille Rose dinnerware itemsAn E. J. Victor tableA Rococo-style bureau plat with side chairA Rococo-style table vitrineA metal-mounted marquetry etagereEdward Ladell (1821-1886), Still life with grapes and peachesLucien-Victor Guirand de Scevola (1871-1950), "Vase of Flowers"Henry John Stock (1853-1930), "Dante's Vision," 1923A Raynaud and Co. porcelain "Montezuma Green" dinner serviceA Chinese embroidered silk ceremonial robeA Chinese embroidered silk woman's skirtAn American Empire-style carved wood recamierA French Renaissance style gilt-metal ewer and basinA Renaissance Revival-style bar and pair of stoolsA Continental Baroque-style carved wood coffee tableA Rococo-style giltwood overmantel mirrorA pair of French provincial-style giltwood nightstandsA Louis XV-style lady's writing deskA Contemporary lacquered coffee tableSabatino De Angelis (b. 1838-n.d.), NarcissusAfter Destrier de Blezer (b. 19th century), The SwordsmanSacheverell Sitwell and Wilfrid Blunt (1897-1988 and 1901-1987), "Great Flower Books 1700-1900,"Lewis Carroll and Salvador Dali (1832-1898 and 1904-1989), "Alice's Adventures in Wonderland," 1969Knowing Darkness: Artists Inspired by Stephen KingA Chinese four-panel floor screenA Chinese polychrome porcelain plaqueA hand-wrought gilt tole mirror and consoleA Renaissance Revival settee and armchairA Renaissance Revival carved mahogany hall standA Walter H. Durfee banjo clockAfter Gian Lorenzo Bernini (1598-1680), A figure of David, 20th/21st centuryAfter Rudolf Kaesbach (1873-1955), "Bogensch?tze"A group of sterling silver table itemsA palace-sized Egyptian rugA pair of Renaissance-style brass figural andironsA group of glass stemware and tumblersA Japanese six-panel narrative byobu screenA pair of Japanese six-panel decoupage byobu screensA pair of Japanese six-panel narrative byobu screensPaul Jacoulet (1896-1960), "Le Billet Doux. Mongole," 1955Paul Jacoulet (1902-1960), ''Marionettes Chinoises, Chinois," 1935Paul Jacoulet (1902-1960), ''Le Bonze Errant, Coree,'' 1948A malachite mineral specimenA malachite and chrysocolla mineral specimenA Gladding-McBean pottery oil jarA Gladding-McBean pottery oil jarA massive Chinese celadon porcelain nine-peach fishbowlPierre-Auguste Renoir (1841-1919), "?tude pour une baigneuse," circa 1906After Henri de Toulouse-Lautrec (1864-1901), "Le Baron Moise - La Loge" plate one from GeorgesItzchak Tarkay (1935-2012), "Woman Reclining," 1993Fred Rodger (b. 1952), House in a landscapeMaurizio Tempestini (1908-1960), A "Radar" lounge chair for Salterini, circa 1950sTwo cobalt glazed pottery oil jarsTwo Mexican carved wood doorsTwo cast concrete figures of Apollo and DianaTwo molded plastic sculptures of Classical figuresThree Neoclassical-style Italian terracotta plantersA pair of Neoclassical-style Italian terracotta plantersA Japanese ikekomi-doro stone garden lanternA Japanese ikekomi-doro stone garden lanternA Japanese ikekomi-doro stone garden lanternA Japanese ikekomi-doro stone garden lanternA Japanese ikekomi-doro stone garden lanternA Japanese ikekomi-doro stone garden lanternThree Aboriginal polychrome wood boardsThree large studio pottery vasesA group of mineral specimensA septarian spherical mineral specimenClifton Karhu (1927-2007), "Junks of Hong Kong," 1973Clifton Karhu (1927-2007), "Kyomeisho-Kiyomizu," 1975Clifton Karhu (1927-2007), "Osaka-Jo," 1974Kiyoshi Saito (1907-1997), "Gate Horyu-ji Nara," 1970Rokushu Mizufune (1912-1980), "Bush"Group of 13 Contemporary Japanese PrintsA Kashan rugA Qum silk garden rugA painted leather three-panel dressing screenA pair of Continental processional lanternsA Jamestown Furniture Co cellaretteA Korean carved hardwood etagereA Chinese chicken coop cabinetAn Asian carved wood sculpture of a deity and attendantAn East Asian painted chestA Chinese carved wood panelA Chinese carved hardwood hanging lanternA Chinese inlaid Huali brush potA Chinese Guyuexuan-style glass snuff bottleA group of Chinese glass snuff bottlesA group of lapidary bird figuresTwo Chinese polychrome porcelain plaquesThree Chinese carved hardstone itemsTwo Chinese polychrome paper wall fansRomain (Erte) de Tirtoff (1892-1990), Tassels, 1988A Paul Scheurich for Meissen porcelain figure of PierrotA. Jeffrey Zigulis (b. 1954), Two Dream MasksA Continental walnut drop-front secretaryA Chinese six-panel cloisonne-mounted lacquered screenA pair of Chinese gilt and red lacquered wood panelsA Chinese Famille Verte polychrome porcelain plaqueA group of Chinese sancai-glazed pottery itemsTwo Chinese green glazed pottery figuresTwo Chinese hardstone carvingsEight vintage Chinese propaganda postersWilson Chu (b. 1946), "Garden by the Ocean"Allen Sapp (1929-2015), "Going Someplace," 1969A Chinese carved stone standing Bodhisattva steleA group of Chinese carved hardstone figuresA group of Chinese carved hardstone figuresTwo Chinese carved hardstone dog figuresA Tibetan thangkaIwao Akiyama (1921-2014), "Two Owls," 1971Iwao Akiyama (1921-2014), "To the Sea," 1971Iwao Akiyama (1921-2014), "Aizen Myo'o," 1976Iwao Akiyama (1921-2014), "Guardian Deity," 1972Iwao Akiyama (1921-2014), "Owl and Girl," 1972Iwao Akiyama (1921-2014), "Running Horse," 1972Jun'ichiro Sekino (1914-1988), Cats, 1960A pair of Chinese porcelain fishbowl jardinieresA pair of Chinese porcelain fishbowl jardinieresTwo Chinese porcelain fishbowl jardinieresA group of Hermes and Versace designer silk throw pillowsTwo Atelier Versace silk throw pillowsA Chinese Famille Rose porcelain vaseA Chinese Famille Jaune porcelain vaseA pair of Chinese Famille Verte porcelain vasesA pair of Chinese black lacquered stoolsA Yok Sang Chinese Export silver compoteA group of seven Indian miniaturesMale chakra chartA pair of Korean four-panel scroll screensA Chinese four-panel screenTadashi Nakayama (1927-2014), Butterfly, 1964Tadashi Nakayama (1927-2014), Two horses, 1968Tadashi Nakayama (1927-2014), "Herd of Horses," 1963Jun'ichiro Sekino (1914-1988), "My Family," 1956Jun'ichiro Sekino (1914-1988), Group of zebras, 1965A Martin 00-17 acoustic guitar20th Century Modern SchoolLiu Xinting (b. 1959), Summer gourds, 2016Shigeki Kuroda (b. 1953), "Splash Street 102"Shigeki Kuroda (b. 1953), "Golden Avenue 56"Maeda Masao (1904-1974), "Rashomon-ten," 1967Un'ichi Hiratsuka (1895-1997), "Stone Image of Buddha at Usuki," 1940Yamamura Koka (Toyonari) (1885-1942), "Ichikawa Ennosuke II as Hayami Tota" from "Flowers of theThree Japanese Kabuki woodblock printsGroup of Three Japanese Woodblock PrintsA group of Filipino Ifugao woven basketry vesselsA group of Filipino Ifugao woven basketry vesselsAn Edward F. Caldwell Neoclassical-style table lampAn Italian carved alabaster and marble figural lampAn Italian carved alabaster figural table lampAn Empire gilt-bronze-mounted mahogany dresserAn Empire upholstered mahogany canapeAn Empire-style occasional tableYoshitoshi Mori (1898-1992), Shibaraku kabuki, 1965Yoshitoshi Mori (1898-1992), "Festival Dancer," 1973Yoshitoshi Mori (1898-1992), Samurai, 1971Yoshitoshi Mori (1898-1992), Whispering, 1976Yoshitoshi Mori (1898-1992), Fight scene, 1977Yoshitoshi Mori (1898-1992), Samurai, 1977Yoshitoshi Mori (1898-1992), "Kamiarai," 1977A William & Mary-style oak secretaryA Baroque-style part ebonized and gold mirrorYoshitoshi Mori (1898-1992), Shinto music and dance, 1978Yoshitoshi Mori (1898-1992), Sukeroku, 1978Yoshitoshi Mori (1898-1992), Seated figure with pipe, 1979Yoshitoshi Mori (1898-1992), Untitled portraitYoshitoshi Mori (1898-1992), Sandogasa, 1982Yoshitoshi Mori (1898-1992), GeishaAn Indonesian mahogany dining table and chairsAn Indonesian mahogany china cabinetA Victorian burlwood and marquetry etagere cabinetFour Contemporary ribbon-back armchairsYoshitoshi Mori (1898-1992), Dancing beauty, 1980Yoshitoshi Mori (1898-1992), "Big Mouth" ("Oh-guchi")Fumio Kitaoka (1918-2007), "Tea Stall at Miidera" (Temple), 1970Gyojin Murakami (1911-1998)Mitsuhiro Unno (b. 1939)Senpan Maekawa (1888-1960), "Kaigan no Akaushi" (Red Cow at the Seashore), 1957Three Chinese polychrome porcelain plaquesAndre Gisson (1921-2003), Children in a fieldJohn Milne Donald (1819-1866), Landscape vista with ruins and figures at sunsetEarly 20th Century French SchoolAlfred Edward Emslie (1848-1917), Man and woman harvesting wheatJennie Tomao (1934-2011), Cats in a gardenWilliam Rowland (Late 19th/Early 20th century), A set of four coaching scenesA pair of Japanese six-panel byobu screensAn A. Rudin swivel chair no. 628 and ottomanA Baroque-style giltwood mirrorA Neoclassical style eight-light chandelierA pair of Neoclassical style gilt-bronze mounted pedestalsAfter Eugene Marioton (1857-1933), "Vainqueur"After Hippolyte Franaois Moreau (1832-1927), "L'Oiseau Blesse"An Edwardian carved mahogany etagere cabinetA Tiffany & Co. sterling silver centerpiece bowlYoshisuke Funasaka (b. 1939), "Mt. Fuji, No. 480," 1976Morikazu Maeda (b. 1932), Two ducks on calm waters in a gentle rain, 1981Tomio Kinoshita (1923-2014), "Kuro ni kakomarete," 1972Reika Iwami (1927-2020), Moon and butterfly, 1973Murai Masanari (1905-1999), Abstract Shapes, 1964Shinagawa Takumi (1908-2009)A Curtis Jere sculpture of two birdsFour Chinese polychrome porcelain plaquesFour Chinese polychrome porcelain plaquesFour Chinese polychrome porcelain plaquesThree 20th Century Asian hanging scrollsFour Neoclassical carved wood columnsA pair of Continental Baroque altar pricket sticksA French marquetry and ebonized wood jardiniereA group of Japanese woodcutsGroup of five Japanese woodcutsGroup of Five Japanese Woodblock PrintsThree Japanese woodcutsUtagawa Kunisada (Toyokuni III) (1786-1864), Two works: "Ashikae Tsuru Chiyo-kun" (Beauty), andUtagawa Kunisada (1786-1865), "Genji Incense Pictures (Genji ko no zu)"Utagawa Kunisada (1786-1865), "Enjoying Flowers in the Inner Garden" (Oniwa hana no asobi), triptychUtagawa Kunisada (1786-1865), "Snow Fight," triptychThree brass and copper cookware vesselsA group of Cordon Bleu hammered copper cookwareA group of seven Japanese woodcutsToshihide Migita (1863-1925)Utagawa (Ando) Hiroshige (1797-1858)Katsushika Hokusai (1760-1849)Kawase Hasui (1883-1957)Three Japanese worksThree Japanese School paintings of figures in architectural and garden views, late 19th/early 20thStyle of Hua Ziyou (19th Century)Four Japanese woodcutsFour Japanese woodcuts

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