Art of the American West

online only auction | 1 day sale | 17 days away
Location
Monrovia, CA 91016
Dates

Sale Starts

Tue
Jun 3
10am

Sale Ends

Tue
Jun 3

Terms & Conditions

TERMS AND CONDITIONS OF SALE

These Terms and Conditionones of Sale ("Terms") set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. ("Moran") will be governed. These Terms constitute a legal and binding agreement between You and Moran.

1. AUCTION HOUSE AS AGENT. Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer.

2. BEFORE THE AUCTION
a. Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran.com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.
b. Buyer"s Responsibility. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.
c. Property Sold "As Is": Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD "AS IS." Condition reports are offered as a courtesy and are typically published in Moran"s catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others.

3. AT THE AUCTION
a. Admission. Moran"s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording.
b. Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer"s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment.
c. Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder"s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and"in the case of error or dispute, whether during or after the sale"determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran"s sale record shall be conclusive as to the successful bidder and the price of the successful bid.
d. Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.
e. Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller"s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized.

4. AFTER THE AUCTION
a. Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. The Buyer"s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer's Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.
Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States.

Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full.

If you choose to pay by check, it may be converted to an ACH payment. Both ACH and check payments will take five (5) business days to clear.
By agreeing to this, you authorize Moran to initiate debit entries to your bank account. In the event of a returned transaction, you further authorize debiting this account for non-sufficient fund fees according to applicable State Law. You acknowledge that the origination of ACH transactions to your account must comply with U.S. Law. You agree to abide by the ACH Rules as defined by the National ACH Association (NACHA). Please note that this authorization remains in full force and effect until the Moran has received written notice from you of its termination at least five (5) business days prior to the payment due date. It's important to understand that canceling your ACH authorization does not relieve you of the responsibility of paying your account in full. If you cancel or revoke this authorization before any remaining debt is paid in full, the Company may take additional actions, including legal actions, to secure the debt.

Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers" LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax.
b. Collection. Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause.
c. Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran"s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the "Retrieval Period"), Moran may, without further notice, (a) continue to store the lot in Moran"s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer"s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.
d. Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran"s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned ("Abandoned Property") and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period.
e. Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.
f. All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran"s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist"s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist"s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

5. LIABILITY AND LIMITED WARRANTY
a. Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer"s damages, if any, are limited exclusively to the original purchase price paid for the lot.
b. Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability.
c. Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.
d. Estimates. All estimates provided are carefully considered opinions of Moran"s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.
e. Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

6. ADDITIONAL MATTERS
a. Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.
b. Buyer"s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney"s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran"s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California.
c. Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California.
d. Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction.
This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision.
In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys" fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys" fees reasonably incurred by the prevailing party in connection with the arbitration.
e. Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.
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Description & Details

Featuring over 380 lots of historic and contemporary Western art, sculpture, Native American artifacts, and decorative arts. Highlights include two 1943 Maynard Dixon oils, Edith Hamlin?s 1932 Night Blooming Cereus (Taos), works by Gerard Curtis Delano and Michael Stack, and others as well as Western bronzes by David Lemon and John Coleman, and a Gustav Stickley settle. Other indigenous objects include a Hopi Hemis katsina, fine Navajo and Pueblo jewelry, Zuni fetishs and over 90 lots of Native American baskets from California Missions to the Southwest.
A Northwest Coast carved horn and wood spoonAn Inuit dollTresham Gregg (b. 20th century), "Sea Wolf Battles the Giant Killer Whale," 1986A Southwest-style silver and set stone picture frame, Late 20th/21st centuryA small California Mission basketA small polychrome California Mission pictorial basketA polychrome California Mission basketry trayA polychrome California Mission pictorial basketA polychrome California Mission basketA polychrome California Mission basketry trayA polychrome California Mission basketry bowlA polychrome California Mission pictorial basketTwo small polychrome California Mission basketsMarion Kavanagh Wachtel (1870-1954), "Street in Walpi -- No 21"Marion Kavanagh Wachtel (1870-1954), Young Native American womanGene Speck (b. 1937), "Breaking Through the Mist," 2000Gerald Cassidy (1879-1934), Navajo weaverJohn Coleman (b. 1949), "The Navajo Dance," 2006John Coleman (b. 1949), "Maiden from Second Mesa," 2020John Coleman (b. 1949), "Girl from Wind River," 2012John Coleman (b. 1949), "Sister of the Plains," 2022John Coleman (b. 1949), "Ghost Dancer," 2000Gerard Curtis Delano (1890-1972), "Navajo Boy and his Burros"A framed vintage Hermes "Pani La Shar Pawnee" Carre silk scarfA pair of Plateau-style beaded gauntlet cuffsA Plateau beaded bagA pair of Cree beaded hide mittensBurel Naha (b. 1944, Hopi-Tewa), A Hopi polychrome pottery bowl, late 20th/21st centuryBurel Naha (b. 1944, Hopi-Tewa), A Hopi polychrome pottery seed pot, late 20th/21st centuryA Gila polychrome pottery bowlA polychrome Hupa/Yurok/Karuk basketry bowlA polychrome Hupa/Yurok/Karuk basketA polychrome Hupa/Yurok/Karuk basketA polychrome Hupa/Yurok/Karuk basketry bowlA polychrome Hupa/Yurok/Karuk lidded basketA polychrome Hupa/Yurok/Karuk basketA polychrome Hupa/Yurok/Karuk basketry hatA polychrome Hupa/Yurok/Karuk basketry hatA large polychrome Hupa/Yurok/Karuk basketA large polychrome Hupa/Yurok/Karuk basketry bowlTwo small polychrome Hupa/Yurok/Karuk basketsA group of Hupa/Yurok/Karuk basketsA large Hupa/Yurok/Karuk basketry trayA large polychrome Hupa/Yurok/Karuk basketry trayA Hupa/Yurok/Karuk mush bowlHeinie Hartwig (b. 1937), "Blackfoot Encampment"Heinie Hartwig (b. 1937), "Kiowa Sundown"Heinie Hartwig (b. 1937), "Winter Sundown"Heinie Hartwig (b. 1937), "Prairie Sundown"Heinie Hartwig (b. 1937), "Abstract #250"Hulan Fleming (b. 1933), Teepees in a landscape at sunset, 2002Skip Glomb (1935 - 1988), "The Spring of '73," 1979Mehl Lawson (b. 1942), "Vaquero Country"Fred Fellows (b. 1934), "Rearranging the Kitchen"Ray Swanson (1937-2004), "Cold November"Nicholas Samuel Firfires (1917-1990), Roper on horseback, 1970Charles Marion Russell (1864-1926), "At the End of the Rope," 1919A stag antler console tableA set of carved antler fireplace toolsMichael Stack (b. 1947), "Sunset and Shadows Monument Valley," 2002Michael Albrechtsen (b. 1962), "Taking in the View"A Contemporary Mission-style sideboardA Contemporary Mission-style wardrobeHerb Mignery (b. 1937), "Boots Off," 1981Dale William Nichols (1904-1995), Saguaro cacti in an Arizona landscape, 1944Maynard Dixon (1875-1946), "Road to the Mountains (Santa Catalina Range)," 1943Maynard Dixon (1875-1946), "Catalinas at Sundown" (Arizona), 1943William Edward Dassonville (1879-1957), "Maynard Dixon," printed 1901A photographic album of The San Carlos Apache Indian Reservation with photographs by John EdwardA group of magic lantern glass photo slidesEdith Hamlin (1902-1992), "Night Blooming Cereus" (Taos), 1932An Old Hickory-style table and pair of side chairsAn Iroquois carved burlwood bowlMillard Sheets (1907-1989), "Street Scene," 1926, Oil on canvas, 16" H x 19" WJames Swinnerton (1875-1974), Smoke tree in a desert landscapeMarjorie Reed (1915-1996), "Star Lit Train"Marjorie Reed (1915-1996), "In Apache Territory"Marjorie Reed (1915-1996), "Down into the San Pedro Valley"Marjorie Reed (1915-1996), "A Western Rancho," 1940Marjorie Reed (1915-1996)Marjorie Reed (1915-1996)Joe Beeler (1931-2006), "Joe Beeler Portfolio," 1978A Stetson Western cowboy hatCarl Kauba (1865-1922), "True Blue," 1915Carl Kauba (1865-1922), Bronco RiderBob Scriver (1914-1999), "To Ride a Bronc," 1984Star Liana York (b. 1952), "Midnight Smoke"Olaf Wieghorst (1899-1988), Rider and horse in a snowstorm, 1985Olaf Wieghorst (1899-1988), "Plains Warrior on horseback with feathered lance"Olaf Wieghorst (1899-1988), Native man on horsebackOlaf Wieghorst (1899-1988), "Thank You Note (Cowboy on horse)," 1960Edward Borein (1872-1945), Three works: Studies of western figures and horses, 1917Edward Borein (1872-1945), "Indians on the Warpath"Edward Borein (1872-1945), Cowboy with lasso on horsebackSuanne Wamsley (20th century)Ada Rigden (1886-1962)Harley M. Brown (b. 1939)Velmalee "Vel" Miller (1936-2025), Moccasins / Pipe and Tobacco Bag, 1986 / 1987Joe Beeler (1931-2006), "Longhorn"Gerald Harvey Jones (1933-2017), "Journey's End," 1984Sergei Bongart (1918-1985), Lightning strikeSergei Bongart (1918-1985), House and autumnal treesSergei Bongart (1918-1985), Green hills pastoralMatt Smith (b. 1960), "Along Kings Ranch Road," 1987Arthur William Best (1859-1935), "Sonora Pass," 1934James Everett Stuart (1852-1941), "Pyramid Peak and Lyons Creek from near Wilson's Cattle Camp,James Regimbal (b. 1949), "Highway to Home," 1998James Regimbal (b. 1949), "Peace Maker," 1997A Hopi polychrome carved wood tabletaA Hopi polychrome Hemis katsina figureTwo Hopi polychrome carved wood figuresA polychrome Hopi pictorial basketA group of Hopi Pueblo itemsTheodore Roosevelt Lambert (1905-1960), Snow-covered trees in Alaska, 1945Pat Mathiesen (b. 1934), "Partners"Sheri Greves-Neilson (b. 1948), "In Mother's Care," 1995A polychrome Chemehuevi basketry ollaA Chemehuevi basketry ollaA Pomo basketA polychrome Chemehuevi basketA California basketry trayA Chemehuevi basketA Gustav Stickley settle, no. 291An Arts & Crafts armchairDavid Graham (20th/21st century), "Close Quarters"Dustin Van Wechel (b. 1974), "Lofty Goals"Dustin Van Wechel (b. 1974), "The Wait," 2013Dustin Van Wechel (b. 1974), "Hunting Buddies"Dustin Van Wechel (b. 1974), "To Higher Ground"Dustin Van Wechel (b. 1974), "Chasing Shadows," 2020Dustin Van Wechel (b. 1974), "Vagabonds," 2021Dustin Van Wechel (b.1974), "Ivory Down," 2017Dustin Van Wechel (b.1974), Goose in a streamDustin Van Wechel (b. 1974), "Clean Up Crew," 2016After Jules Moigniez (1835-1894), "Owl"Chris Navarro (b. 1956), "This Stinks," 2010A pair of tripod floor lampsA Contemporary Mission-style trestle dining table and chairsA Contemporary Mission-style modular hutchRay Hare (b. 1950), "Follow," 2016Carrie L. Ballantyne (b. 1956), "Cross Bell Baby"Shawn Cameron (b. 1950), Horse in an atmospheric landscapeLindsay Scott (b. 1955), Herding cattleLindsay Scott (b. 1955), A running herd of zebraGary Ernest Smith (b. 1942), "Potato Bucket"David Lemon (b. 1945), "Cheyenne Courtship"David Lemon (b. 1945), "The Omen"David Lemon (b. 1945), "Sunshine"Cliff Fragua (b. 1955, Jemez Pueblo), Figure of a womanA Wasco sally bag basketA polychrome Klamath basketA polychrome Klamath basketry bowlA polychrome Klamath basketA polychrome Pit River basketry bowlA polychrome Pit River basketA polychrome Pit River basketA polychrome Pit River basketry bowlA polychrome Pit River basketAn extra-large polychrome Pit River basketA group of large Pit River basketsThree Pit River basketsA Maidu basketA Maidu basket trayA group of Maidu basketsA group of Klamath basketsA group of polychrome Klamath/Pit River basketsWalter Bambrook (1910-1984), New Mexican Adobe home, circa 1950sWillard Page (1885-1958), "Adobe Hut"Willard Page (1885-1958), "Beaver Lake/Pond"Willard Page (1885-1958), "View through Aspens at Mount Taylor"Willard Page (1885-1958), "Aspen Trail"Willard Page (1885-1958), "Mount Longs Peak"Willard Page (1885-1958), "Mount Ypsilon"Bill Nebeker (b. 1942), "Pawnee Bow Maker," 1991Bill Nebeker (b. 1942), "The Medicine Shield," 1989After John James Audubon (1785-1851), "Hare Squirrel," plate 43 from "The Viviparous Quadrupeds†ofAfter John James Audubon (1785-1851), "Long Haired Squirrel," plate 27 from "The ViviparousAfter George Catlin (1796-1872), "Buffalo Hunt, Surround," No. 9 from "Catlin's N. A. IndianAfter George Catlin (1796-1872), "Buffalo Hunt, Under the White Wolf Skin," No. 13 from "Catlin's N.Elbridge Ayer (E.A.) Burbank (1858-1949)Charles Henry Humphriss (1867-1934), "Appeal to the Great Spirit," 1906Dave McGary (1958-2013), "Iron That Walks," 1991A James Hutchinson 14k gold Sitting Bull portrait medallion pendant necklaceA James Hutchinson 14k gold Black Hawk portrait medallion pendantA polychrome Yokuts basketA polychrome Washoe pictorial basketA polychrome Washoe basketry bowlA Washoe basketry bowlA Washoe basketA Washoe basketry bowlA polychrome Washoe burden basketA Miwok basketA polychrome Mono/Paiute basketA Navajo Germantown pictorial loomerA large Navajo Germantown eyedazzler rugA Navajo transitional regional textileA Navajo saddle blanketA Navajo regional rug/double saddle blanketA Navajo regional rugA Navajo regional rugA Navajo double saddle blanketA Navajo regional rugAttributed to Lynn Brown (b. 20th century), "Canvas Parfleche"A Cochiti Pueblo polychrome drumA polychrome Modoc/Klamath painted bowA Navajo transitional saddle blanketA Navajo "Sunday" saddle blanketTwo Navajo Sunday saddle blanketsA Navajo Yei textileA Lim Tsosie Navajo Yei weavingA Navajo Yei pictorial textileA Navajo regional rugA small Navajo Two Grey Hills textileA Navajo Chinle textile runnerA Navajo sand painting on hideAn Anthony Kee Navajo lapis lazuli, sterling silver & 14k gold ringA Southwest sterling silver and turquoise cuff braceletAn Allison Lee Navajo sterling silver cuff braceletA Southwest sterling silver and turquoise cuff braceletTwo Southwest sterling silver and turquoise cuff braceletsA group of Southwest-style sterling silver and stone set cuff braceletsThree Southwest-style silver and set stone cuff braceletsA Northern Plains beaded buffalo hide awl caseA pair of Sioux beaded and quilled hide moccasinsA pair of Sioux beaded hide tall moccasinsA Plains beaded hide tobacco bagA pair of Woodlands beaded moccasinsA pair of Blackfoot beaded hide high-top moccasinsAn Apache contemporary beaded hide dressTwo Crow beaded hide itemsA Crow beaded hide bagA group of Native American beaded bagsA group of Native American beaded dress accessoriesA group of Plains beaded hide bags and pouchesA group of Paiute beaded glass and basketry itemsBuck McCain (b. 1943), Pueblo dancer20th Century Western SchoolNeil Boyle (1931-2006), Portrait with headdressCarl Glen Bray (1917-2011), Navajo cloudlandA large Hopi pottery canteenA large Hopi Pueblo polychrome pottery vesselPriscilla Namingha Nampeyo (1924-2008, Hopi-Tewa), A large Hopi polychrome jar, mid/late 20thDawn Navasie (b. 1961, Hopi-Tewa), A polychrome yellowware pottery low bowl, late 20th/21st centuryVerla Dewakuku (b. 1932, Hopi-Tewa), A Hopi pottery bowl, late 20th centuryA large Salado Tonto polychrome storage jarA Zuni Pueblo polychrome pottery olla20th Century American SchoolAn Acoma Pueblo polychrome pottery jarA group of Acoma Pueblo pottery bowlsA group of Hopi Pueblo pottery vesselsA group of Hopi Pueblo pottery vesselsA group of Hopi polychrome pottery vesselsFour Hopi Pueblo yellowware pottery vesselsA group of Southwest Pueblo pottery vesselsA group of Southwest Pueblo pottery vesselsA group of Santo Domingo Pueblo polychrome pottery vesselsTwo Jemez Pueblo pottery owls and a pottery lizard ocarinaA large group of Acoma Pueblo polychrome pottery itemsCaroline Loretto (b.1953, Jemez Pueblo), Three redware pottery seed pots, early 21st centuryFour Southwest Pueblo pottery bowlsA Roseville pottery "Montacello" vaseEsquivel Toscano (20th century), "La Olla" Sanctuary of Souls, 2009/2011A group of Zuni & Navajo carved stone fetish figuresA group of Zuni carved stone fish fetish figuresA group of Zuni carved stone horned toad fetish figuresA group of Zuni & Inuit carved stone sea animal fetish figuresA group of Southwest silver jewelryA group of Southwest-style silver and turquoise jewelryA group of Southwest-style jewelryRita Sue Powell (20th century), "Shootin' the Bull"Karen Damyanovich (b. 1952), Neon cowboyJohn Doyle (1939-2010), "Cowboys," frontispiece/plate 1 from the "Cowboys" suite, 1974James Neil Boyle (1931-2006), Saloon sceneAn Old Hickory-style rocking chairA pair of Old Hickory side chairsAn Arts & Crafts bow arm Morris chairA Bradley & Hubbard slag glass table lampA pair of Buffalo Studios wall sconcesA Southwest Pueblo carved stone fetish necklaceA Southwest Pueblo carved jet fetish necklaceA Southwest Zuni-style carved jet bear fetish necklaceA group of Southwest Pueblo carved jet and stone fetish figuresA group of small Zuni carved stone bear fetish figuresA group of large Zuni carved stone bear fetish figuresA group of Zuni carved stone fetish figuresA Southwest-style snake figureA petrified wood bowlTwo Native American pipe endsA group of Plains carved catlinite pipe endsHistory of the Indian Tribes of North AmericaR. C. Gorman (1932-2005, Navajo/Dine), "Women Walking (first state)," 1979Mary E. Wyant (b. 1939), Building facades (triptych)Rob Waters (20th Century), "Fort Lowell Commissary"Grandma Fran (1925-2012), "Overnight Stop," circa 1979A group of Southwest Pueblo turquoise necklacesA group of Southwest heishi bead necklacesDonald "Putt" Putman (1926-2007), "Chief Joseph of the Nez Perces"Buckeye Blake (b.1946), "The Big Open," 1987Buckeye Blake (b. 1946), "Navajo Family," 1987Buckeye Blake (b. 1946), "Crow Fair Princess," 1987A polychrome Apache pictorial basketry trayAn Apache pictorial basketry trayAn Apache pictorial basketry trayAn Apache basketry trayAn Apache basketry trayAn Apache basketry trayAn Apache basketry trayAn Apache basketry trayAn Apache basketry trayAn Apache basketry bowlTwo Apache basketsTwo Southwest basketsA large Apache burden basketAn Apache burden basketTwo Navajo sandcast sterling silver belt bucklesTwo Southwest sterling silver dress accessoriesA Navajo sterling silver concho beltA Southwest sterling silver and turquoise concho beltA group of Zuni carved tagua nut and stone fetish figuresA group of Zuni carved stone buffalo fetish figuresA group of Zuni carved stone and jet fetish figuresA group of Zuni carved stone rabbit fetish figuresA Navajo sterling silver and turquoise squash blossom necklaceA Southwest sterling silver and turquoise squash blossom necklaceA Southwest sterling silver and turquoise squash blossom necklaceA Navajo sterling silver and turquoise squash blossom necklaceTwo Western horsehair hat bandsA group of Prix de West bolo tiesTwo Southwest sterling silver and turquoise bolo tiesA group of Western-style sterling silver bolo ties and accessoriesA large Pima basketry trayA Pima basketry trayA large Pima basketA Pima pictorial trayA group of Pima & Papago Southwest basketsA large Pima basketry bowlA group of Pima basketsA group of Pima basketsA group of Pima basketsA group of Pima & Papago basketsTwo polychrome Navajo wedding basketsA polychrome Southwest pictorial basketry trayPeggy Rock Black (b. 20th century, Dine), A polychrome Navajo pictorial basketry trayTwo polychrome Navajo pictorial basketsA group of Southwest pictorial basketsA group of Southwest basketry traysTwo Papago basketsTwo Great Lakes lidded sweetgrass baskets with beadworkA group of miniature Native American basketsAfter Frederic Remington (1861-1909), "The Broncho Buster," modeled 1895After Frederic Remington (1861-1909), "The Savage," modeled 1908After Carl Kauba (1865-1922), "Fill your Hands"After Charles Marion Russell (1864-1926), "The Bluffers"20th Century Western SchoolA group of Zuni & Navajo carved stone bear fetish figuresA group of Zuni carved stone and wood bird fetish figuresA group of Southwest silver and set stone ringsA group of Southwest silver and set stone ringsA group of Southwest silver and stone set jewelryLynn Schrameyer (20th century), "Spirits of the People," 1991Francis J. Yellow (1956-2023, Lakota), Modern ledger painting, 1992A group of African American quilts, Early 20th century, Illinois, USAA group of Amish and early American quilts, Late 19th/early 20th centuryA group of American quilts, Late 19th/early 20th centuryTwo polychrome Southeast basketsA polychrome Tlingit basketA group of Makah/Tlingit bottle baskets and basketry itemsA group of Northwest Coast basketsA pine needle and feather basketA group of California basketsA large Papago pictorial lidded basketThree Southwest pottery vesselsA group of Southwest pottery vesselsA large group of Southwest-style silver jewelryA group of miniature Zuni carved stone fetish figuresA group of Southwest silver and set stone ringsA group of Southwest silver and stone set ringsA group of Southwest silver and set stone ringsA group of Southwest silver and stone set rings

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