Art of the American West

online only auction | 1 day sale | 16 days away
Location
Monrovia, CA 91016
Dates

Sale Starts

Wed
Nov 19
10am

Sale Ends

Wed
Nov 19

Terms & Conditions

TERMS AND CONDITIONS OF SALE

These Terms and Conditions ("Terms") set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. ("Moran") will be governed. These Terms constitute a legal and binding agreement between You and Moran.
1. AUCTION HOUSE AS AGENT. Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer.

2. BEFORE THE AUCTION
a. Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran.com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.

c. Property Sold "As Is": Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD "AS IS." Condition reports are offered as a courtesy and are typically published in Moran's catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others.

3. AT THE AUCTION
a. Admission. Moran?s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording.

b. Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer?s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment. Successful bidders may be required to further verify their identity before property is released.

c. Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder?s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and?in the case of error or dispute, whether during or after the sale?determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran?s sale record shall be conclusive as to the successful bidder and the price of the successful bid.

d. Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

e. Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller?s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized.

4. AFTER THE AUCTION
a. Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer?s Premium, plus any applicable sales tax. The Buyer?s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer?s Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States.

Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full.

Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers? LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax.

b. Collection. Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause.

c. Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran?s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the ?Retrieval Period?), Moran may, without further notice, (a) continue to store the lot in Moran?s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer?s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.

d. Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran?s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned (?Abandoned Property?) and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period.

e. Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.

f. All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran?s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist?s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist?s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

5. LIABILITY AND LIMITED WARRANTY
a. Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer?s damages, if any, are limited exclusively to the original purchase price paid for the lot.

b. Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability.

c. Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.

d. Estimates. All estimates provided are carefully considered opinions of Moran?s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.

e. Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

6. ADDITIONAL MATTERS
a. Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.

b. Buyer?s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney?s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran?s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California.

c. Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California.

d. Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction.
This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision.
In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration.

e. Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.
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Description & Details

Discover paintings, pottery, textiles, sculpture, and jewelry from renowned Western and Native American artists, past and present, in Moran's Art of the American West auction. Highlights include more than 90 rugs and blankets, 70 lots of Pueblo pottery by Maria Martinez, Belen Tapia, Blue Corn, Alice Cling, Thomas Polacca, and Mark Tahbo, along with Southwest turquoise jewelry. The fine art selection features works by Maynard Dixon, Joseph Henry Sharp, Olaf Wieghorst, Reed, Lang, Doheny, Hartwig, John J. Audubon, Begay, De Grazia, Jim Nelson, and Bauman. Complementing the sale are furnishings by L. & J.G. Stickley and Dirk Van Erp, and bronze sculptures by Allan Houser, Gerald Balciar, Jim Jackson, Keith Christie, Dave McGary, and Ken Bjorge.
Marjorie Reed (1915-1996), "Sunset on the Old Stage Trail"Marjorie Reed (1915-1996), Red wagon through a western landscapeWilliam "Willie" Murphy (b. 20th century), Family outside the hogan in winter, 1997Richard Baerman (1929-2009), "Country Kitchen"Heinie Hartwig (b. 1937), Cooking beside a riverBill Neal (b. 1942), "An Extra Calf," 1996Robert Walton (1934-2019), Wagon train in red canyon, 2002Robert Hagen (b. 1947), "Startled"John Stanford (b. 1947), Mounted cowboy herding longhornsKaren Boylan (b. 1946), "Just Between You and Me," 2001Hans Ressdorf (1918-2011), Cowboy and packhorse at restFred William Quitta (1959-2018), "Leather Light," 1998Steven Lang (b. 1960), "God's Country"Bill Mittag (1935-2025), "Fleeting Moments"Don Brown (20th century), "Old Red Barn," 2000Don Brown (b. 20th century), "Long Day," 2001Frank Howard Marshall (1866-1945), "Vernal and Nevada Falls," 1925Heinie Hartwig (b. 1937), "Yosemite View"Heinie Hartwig (b. 1937), "Campfire"Heinie Hartwig (b. 1937), "Grand Teton Encampment"Heinie Hartwig (b.1937), "Light on the Ridge"James Lee (b. 1952), "Sunset Shadows"Dennis M. Doheny (b. 1956), "Snow Landscape with Indians," 1978Hulan Fleming (b. 1933), Moonlit river with teepees beneath a flat-topped mountain, 2002Joni Falk (b. 1933), "Sunrise Serenity"Gene Speck (b. 1937), "By the Grandfather Tree"Heinie Hartwig (b. 1937), Ranch in a sunset landscapeAntonio Zeno Shindler (1813-1899), Native Americans in a plains landscapeRandy Van Beek (b. 1958), "Blackfoot Lake Camp"Jorge Tarallo (b. 1951), "Before the Hunt," 1984John Sykes (1859-1934), "Wagon Trail Ambush"Ron Bailey (1943-1983), Three teepees by the river bend, 1971William Battermann (20th century), "Heading for the Shade"Nancy McLaughlin (1932-1985), Native American riders and horses, 1973Sheryl Bodily (b. 1936), "Drying Out"Steven Lang (b. 1960), "New Sun Rising"Walter Bambrook (1910-1984), New Mexican Adobe home, circa 1950sConrad Buff (1886-1975), Mountain landscapeAllan Houser (1914-1994, Chiricahua Apache), "Night Song," 1985Dave McGary (1958-2013), "Short Bull" from the "Warrior Series," 1993Ted DeGrazia (1909-1982), "Buffalo Kill," 1961Ted DeGrazia (1909-1982), "Big War Spaniards and Indians," 1961Ted DeGrazia (1909-1982), "Indians on Warpath," 1961Ted DeGrazia (1909-1982), "Indians Tan Hides," 1961Ted DeGrazia (1909-1982), "Old Indian and Wife Trade," 1961Ted DeGrazia (1909-1982), "Juan 1722-1762," 1961Ted DeGrazia (1909-1982), "Spirits War Dance," 1961Ken Bjorge (1943-2025), "Brothers of the Arrow," 1993Gerald Balciar (b. 1942), Cougar, 1993Cheri Christensen (20th century), "The End"William Cather Hook (b. 1948), "Canyon Road Garden"Hita von Mende (b. 20th century), Horses watering along a streamBaje Whitethorne (1951-2023, Dine/Navajo), "Middle Mesa," 1989-90Gabe Gabel (20th century), "Waterhorse," 2005Gabe Gabel (20th century), "Rising Wind [Skyhorse Variation]," 1995Jim Nelson (1943-2022), "High Mountain Sheep," 2000Jim Nelson (1943-2022), "SkyHorse"Jim Nelson (1943-2022), "Eye of the Hunter"Jim Nelson (1943-2022), "The Moon Dreamer"Jim Nelson (1943-2022), "Buffalo Heart," 1994Jim Nelson (1943-2022), Native American wearing a blue robe with shells, 1993Jim Nelson (1943-2022), "Keeper of the Shield," 1991Jim Nelson (1943-2022), Four Indigenous warriors and a crowJim Nelson (1943-2022), "Top of the Order"Jim Nelson (1943-2022), Warrior with wolf skin headdress, 1993Mike Toledo (1966-2025, Navajo/Dine), Five ceremonial men, 1994Alvin Marshall (b. 1959, Navajo/Dine), Male bust in wolf headdressAmy Burnett (b. 1944), Abstract composition of man and elkAmy Burnett (b. 1944), "From a Train Window," 1991Jim Thomason (b. 20th century), "Reading Signs on the War Path," 1993Mike Larsen (b. 1945), "Chief Gall"William Matthews (b. 1949), "Ute Elder"John Manuel Gutierrez (b. 1963), Shaman figureA Dirk van Erp hammered copper table lampAn L. & J.G. Stickley oak sideboard, no. 734An L. & J. G. Stickley oak dining tableFour Stickley Brothers side chairs, no. 479 1/2 and an armchair, no. 479 1/4An Arts & Crafts oak armchair and rocking chairA Western-style tooled leather and wrought iron chairA Bushere & Son wrought iron and tile wall hangingA Tiffany Studios gilt-brass and slag glass 'Pine Needle' desk setJoseph Henry Sharp (1859-1953), "Delphiniums"Gustave Baumann (1881-1971), "Punch Hunting Chipmunks," 1926Gustave Baumann (1881-1971), "Live Oak Landa Park," 1926A Rookwood pottery vaseGeorge E. Ohr (1857-1918), A small glazed earthenware bowl, early 20th centuryA Bauer pottery oil jarA group of California Rainbow ceramic dishwareDonald "Putt" Putman (1926-2007), Portrait of Harold McCrackenLarry Pirnie (b. 1940), "When Everything is Perfect," 1999Michael Baum (b. 1950), "Backroad Service"David Scott Rogers (b. 1961), "They Put the Wild in the West," 2004Greg Kelsey (b.1971), "Get Off My Back," 2001Keith Christie (1935-2017), "La Tradiciun?de Vaquero," 2006Craig Bergsgaard (b. 1952), "Each Star's a Pool of Water," Circa 2010A natural wood and hide pedestal tableA Sioux carved catlinite pipeA Santa Fe sterling silver salad serving setA Plains quilled armbandA Plains beaded arm bandAlvin Marshall (b. 1959, Navajo/Dine), Bust of a woman as a birdTed De Grazia (1909-1982), "A Work Sketch El Padre de California," 1968Ted De Grazia (1909-1982), "20 Soldiers, 2 Chaplin, Mule Train, Battle," 1966Ted De Grazia (1909-1982), Native American and his horse at rest, 1969Ted De Grazia (1909-1982), "A Work Sketch Los Padres de California," 1967Ace Powell (1912-1978), Two Portraits of Native American menMichael (Oyegi Pin) Padilla (b. 1960, Tewa), Three Native American dancersBev Doolittle (b. 1947), "Guardian Spirits," 1986-87Harrison (Haskay Yahne Yah) Begay (1917-2012, Navajo/Dine), Shepherdess and lambHarrison (Haskay Yahne Yah) Begay (1917-2012, Navajo/Dine), Shepherd and lambHarrison (Haskay Yahne Yah) Begay (1917-2012, Navajo/Dine), Mashing cornR.C. Gorman (1932-2005, Navajo/Dine), "Frida," 2003R.C. Gorman (1932-2005, Navajo/Dine), "Salina," 1989R.C. Gorman (1932-2005, Navajo/Dine), "Santa Fe Woman (State II)," 1978Beatien Yazz (1928-2013, Navajo/Dine), Young dancerBeatien Yazz (1928-2013, Navajo/Dine), Young hunter with bow and arrowGene Kloss (1903-1996), "Far Across the Rio Grande," 1939Tomas de Suria (1761-1835), Monterey area Native American (Malaspina Expedition of 1789-94)Tomas de Suria (1761-1835), Monterey area soldier on horseback (Malaspina Expedition of 1789-94)John James Audubon (1785-1851), "Virginian Partridge," Plate 76 from "The Birds of America, fromJohn James Audubon (1785-1851), "Virginian Partridge," Plate 203 from "The Birds of America, fromAlexandre Hogue (1898-1994), "Cap Rock Ranch," 1945Reginald Neal (1909-1992), "The Gold Train," 1945Edward Borein (1872-1945), "The Overland Mail," 1922Attributed to Carl Clemens Moritz Rungius (1869-1959), Elk buglingCarl Oscar Borg (1879-1947), "On the South Rim Trail," circa 1935A bound collection of twelve "Touring Topics" magazines from 1931 with covers illustrated by CarlOlaf Wieghorst (1899-1988), Roper on horseback, 1920After Ansel Adams (1902-1984), "Bridalveil Fall, Yosemite National Park," circa 1927Ansel Adams (1902-1984), "Maynard Dixon, Tucson, Arizona," 1945, Gelatin silver print on paperMaynard Dixon (1875-1946), "Hunter and Bear," 1916Maynard Dixon (1875-1946), "Lone Pine," 1924William Willmarth (1898-1984), "New Mexico and Arizona Rockies," 1934Maynard Dixon (1875-1946), "Overland Monthly August," 1895Maynard Dixon (1875-1946), "Overland Monthly for August," circa 1895Joseph A. Munk (1847-1927), "Arizona Sketches," 1905, Inscribed to Maynard Dixon"Overland Monthly" and "Out West" magazines with covers illustrated by Maynard Dixon (1875-1946)"Maynard Dixon: Painter of the West" exhibition booklet Signed by Edith Hamlin DixonA San Francisco earthquake issue of "Sunset" magazine with cover illustrated by Maynard DixonRoss Santee (1888-1965), "Cowboy," 1928, Signed by Author and inscribed to Harry F. OlmsteadW. C. Morrow (1854-1923) & Maynard Dixon (1875-1946), "Lentala of the South Seas: The Romantic TaleMaynard Dixon (1875-1946), "Injun Babies," 1923"American Ethnology 1898-1899" ex-libris Maynard Dixon (1875-1946)Three Western books illustrated by Maynard Dixon (1875-1946) & Frederic Remington (1861-1909)"Maynard Dixon: Artist of the West," 1974"The Lark" books 1-24 in two volumesA collection of "Standard Oil" bulletins with covers illustrated by Maynard Dixon (1875-1946)A collection of 13 "Touring Topics" magazines from 1930 with covers illustrated by Maynard DixonA group of Maynard Dixon reference booksA group of Western books illustrated by Maynard Dixon (1875-1946)Four publication illustrations by Maynard Dixon (1875-1946)Maynard Dixon (1875-1946)A group of publications with cover illustrations by Maynard Dixon (1875-1946)A group of Western art books, magazines, and ephemeraH. P. Mera (1875-1951), A collection of "General Series Bulletin" pamphlets on Native AmericanMargaretta Starrs (b. 20th century), "Cowgirl," 1982Willard Page (1885-1958), "Adobe Hut"Willard Page (1885-1958), "St. Vrain Canyon" (Colorado)Willard Page (1885-1958), "Giant Cactus - Arizona"Willard Page (1885-1958), "Aspen Trail"Willard Page (1885-1958), "Pikes Pk. Highway"Tim Solliday (b. 1952), Lakeside landscapeJohn Hilton (1904-1983), Smoke trees in a desert landscapeRaphael Lillywhite (1891-1958), "The Hogback"Howard H. Koehl (1889-1967)After Frederic Remington (1861-1909), "The Broncho Buster," original 1895A faux antler floor lampA tree stump stoolA tree stump stoolA Gus* Modern cow hair cube stoolA Folk Art carved wood window viewA carved wood swan decoyA Folk Art wood carving of an eagle and snakeA Folk Art carved wood bird figural groupA Folk Art large carved wood doveA Bertha Harvey Navajo US flag pictorial weavingA near pair of ram's horn candlesticksA saguaro cactus skeleton fragmentA Native American hide and wood drumJim Jackson (b. 1963, Klamath/Modoc) & Baje Whitethorne (1950-2023, Navajo/Dine), "The First TwoAn Ella Yazzie Navajo Yei Bi Chei-style pictorial textileA Navajo Yei weavingA Navajo Yei textileA Navajo pictorial weavingCecilia Valencia Trujillo (b. 1954, Cochiti Pueblo)Two Jemez Pueblo pottery figuresA group of Southwest Pueblo pottery storytellersA Rio Grande blanketA Rio Grande blanketA pair of Rio Grande textilesA Navajo child's blanketA Navajo wearing blanket variant with spider woman crossesA Navajo Transitional woman's wearing blanketA Navajo Third Phase variant wearing blanketA Navajo Third Phase Transitional wearing blanketA Navajo Third Phase variant wearing blanketA Navajo Third Phase Revival wearing blanketA Navajo Third Phase wearing blanketA Navajo Third Phase revival wearing blanketA Navajo banded twill child's blanketA Navajo Germantown child's blanketA Navajo Germantown weavingA Navajo Hubble Revival Moki-style textileA Navajo traditional dressA Navajo dress half weavingA Navajo double saddle blanketA Navajo saddle blanketA Navajo saddle blanketA Navajo double saddle blanketA group of Southwest Pueblo pottery storytellersIvan & Rita Lewis (1919-2001 & 1920-1991, Cochiti Pueblo)A group of Haudenosaunee beaded whimseysTwo Native American beaded pouchesA Navajo regional rugA Navajo Ganado rugA Navajo regional rugA Navajo regional rugA Navajo regional rugA Navajo regional rugA Navajo regional rugA Navajo regional rugA Navajo regional rugA Navajo regional rugA Navajo regional storm pattern rugA Navajo regional rugA Navajo regional rugA Navajo regional weavingA Navajo regional rugA Navajo Two Grey Hills rugA Veloria Nez Navajo Two Grey Hills rugA Marilyn Manhiemes Navajo regional rugA Navajo Two Grey Hills rugA Navajo regional rugAn Annie Watchman Navajo Two Grey Hills weavingA Nellie Glasses Navajo regional rugA Navajo Ganado rugA Navajo Two Grey Hills rugA Navajo Two Grey Hills rugA large Navajo regional rugA Navajo regional rugA Hairston Roberson Ropa fully beaded fringed coatA Native American Plains wool dress with shellsTwo Western-style leather and fur vestsA pair of Early American cowboy leather chaps and a lariatA Northern Plains roach headdressA Navajo Two Grey Hills rugA Dorothy Cody Navajo regional rugA Mary "Little Water" Henderson Navajo Two Grey Hills rugA Navajo Red Mesa rugA Navajo Red Mesa rugA Navajo Red Mesa rugA Betty Scott Navajo Teec Nos Pos rugA Jackie Begay Navajo Teec Nos Pos rugA Darlene Littleben Navajo Teec Nos Pos rugA Roselinda Benally Navajo Ganado sampler textileA Patricia Desiderio Navajo regional weavingA Susan Burbank Navajo regional weavingA Mazie Begay Navajo weavingA Navajo Ganado rugA Navajo Ganado rugA Navajo Ganado rugA Navajo J.B. Moore-style regional rugA Sharron Bahe Navajo Ganado rugA Sarah Ashie Navajo Ganado rugA Navajo regional rugA Nancy Beyale Navajo storm pattern weavingA Marilyn Manhiemes Navajo regional weavingTwo Navajo Ganado textilesA Lydia Peshlakai Navajo Crystal rugA Mary Arthur Navajo Crystal rugA Louise Mike Navajo Crystal rugTwo early Hopi Pueblo polychrome dance rattlesA group of Hopi Pueblo dance wandsA Sioux dance wandA Navajo Chinle rugA Navajo regional weavingA Navajo regional rugA Navajo regional rugA small Gallup throwA Gallup throwA Marilyn Manhiemes Navajo regional rugTwo Navajo regional rugsTwo Navajo textilesTwo Navajo saddle blanketsA group of Navajo textilesA group of Navajo regional weavingsA polychrome Washoe basketry bowlA large polychrome Mission basketry bowlA Klamath basketry hatA polychrome Hupa/Yurok/Karuk basketA polychrome Jicarilla Apache basketry trayA large Pima basketA group of Papago basketsA Northwest Coast polychrome totemA Northwest Coast carved cedar grease bowlRichard Ebelacker (1946-2010, Santa Clara Pueblo), A blackware pottery jar, late 20th/early 21stMaria & Santana Martinez (1887-1980 & 1909-2002, San Ildefonso Pueblo), A blackware pottery smallCrucita "Blue Corn" Calabaza (1921-1999, San Ildefonso Pueblo), Two blackware pottery vessels,Maria Martinez & Popovi Da (1887-1980 & 1923-1971, San Ildefonso Pueblo), Two blackware potteryVicky Martinez Tafoya (b. 1967, Santa Clara Pueblo), A blackware pottery jar, early 21st centuryMaria Martinez (1887-1980, San Ildefonso Pueblo), A blackware pottery jar, circa 1920-1925Rose Gonzales (1900-1989, San Ildefonso Pueblo), A blackware pottery jar, mid-20th centurySharon Naranjo Garcia (b. 1951, Santa Clara Pueblo), A large blackware pottery jar, late 20th/earlyPhyllis & Marlin Hemlock (b. 20th century, Santa Clara Pueblo/Seneca Iroquois), A carved blackwareStella Chavarria (b. 1939, Santa Clara Pueblo), A blackware pottery bowl, mid/late 20th centuryStella Chavarria (b. 1939, Santa Clara Pueblo), A blackware pottery jar, late 20th centuryDenise Chavarria (b. 1959, Santa Clara Pueblo), Two blackware pottery vessels, late 20th/early 21stBarbara "Jo-Povi" "Cactus Flower" Martinez (b. 1947, Santa Clara Pueblo), A blackware potteryA group of Southwest Pueblo blackware pottery vesselsBelen Tapia (1914-1999, Santa Clara Pueblo), A redware pottery jar, late 20th centuryVicky Martinez Tafoya (b. 1967, Santa Clara Pueblo), A redware pottery jar, early 21st centuryVicky Martinez Tafoya (b. 1967, Santa Clara Pueblo), A redware pottery bowl, early 21st centuryBelen Tapia (1914-1999, Santa Clara Pueblo), A redware pottery seed jar, mid-20th centuryRose Naranjo & Polly Rose Folwell (1917-2004 & b. 1962, Santa Clara Pueblo), A sienna pottery jar,Andrew Padilla (1956-2021, Santa Clara/Laguna Pueblo), A whiteware "melon" jar, early 21st centuryLorenzo Gonzalez (1922-1995, San Ildefonso Pueblo), A redware pottery bowl, mid/late 20th centuryMargaret & Luther Gutierrez (1936-2017 & 1911-1987, Santa Clara Pueblo), Three polychrome potteryGloria Kahe (b. 1951, Navajo/Dine), A polychrome pottery seed pot, late 20th/early 21st centuryAlice Cling (b. 1946, Navajo/Dine), A redware pottery jar, late 20th/early 21st centuryAlice Cling (b. 1946, Navajo/Dine), A wide-shouldered redware pottery vase, late 20th/early 21stAlice Cling (b. 1946, Navajo/Dine), Three redware pottery vessels, late 20th/early 21st centurySusie Crank (b. 1966, Navajo/Dine), A tall redware pottery vase, 1998Susie Crank (b. 1966, Navajo/Dine), A tall redware pottery vase, late 20th/early 21st centuryTwo Navajo redware pottery jarsTony Dallas (b. 1956, Hopi Pueblo)Alma "Painted Parrot" Loretto (Concha) Maestas (b. 1941, Laguna/Taos & Jemez Pueblo)Thomas Polacca (1935-2003, Hopi-Tewa), Two carved pottery jars, circa 1990Lawrence Namoki (1949-2020, Hopi-Tewa), "Anasazi"Lawrence Namoki (1949-2020, Hopi-Tewa), "Rainmakers"Delaine "Dee" Tootsie-Chee (b. 1962, Hopi-Tewa), A shaped rim pottery jar, early 21st centuryMark Tahbo & Grace Chapella (1958-2017 & 1874-1980, Hopi-Tewa), A polychrome yellowware pottery jar,Mark Tahbo (1958-2017, Hopi-Tewa), A polychrome yellowware pottery jar, 1989Ramon Tahbo Howato (b. 1978, Hopi-Tewa), A polychrome pottery flat shouldered jar, early 21stFawn "Little Fawn" Navasie Garcia (b. 1959 Hopi-Tewa), A polychrome pottery jar, late 20th/earlyPriscilla Namingha Nampeyo (1924-2008, Hopi-Tewa), A polychrome pottery jar, mid/late 20th centuryGrace Chapella (1874-1980, Hopi-Tewa), A polychrome yellowware pottery jar, 1975James Garcia Nampeyo (1958-2019, Hopi-Tewa), A polychrome pottery jar, late 20th/early 21st centuryClinton Polacca Nampeyo (1958-2022, Hopi-Tewa), A polychrome pottery jar, late 20th centuryAntoinette Silas Honie (b. 20th century, Hopi-Tewa), A polychrome pottery low olla jar, late 20thGarrett Maho (b. 20th century, Hopi-Tewa), A polychrome pottery seed pot, late 20th/early 21stStetson Setalla (b. 1962, Hopi-Tewa), A polychrome pottery low bowl, late 20th/early 21st centuryRondina Huma (b. 1947, Hopi-Tewa), A polychrome pottery jar, late 20th centuryGarnet Pavatea (1915-1981, Hopi-Tewa), A redware pottery bowl, mid-20th centuryLouden Silas (b. 20th century, Hopi-Tewa), A polychrome pottery jar, 2020Stella Huma (1929-1996, Hopi-Tewa), A polychrome pottery water pitcher, mid/late 20th centuryDorothy Torivio (1946-2011, Acoma Pueblo), A geometric pottery seed jar, early 21st centuryRobert Patricio (b. 1976, Acoma Pueblo), An Anasazi-style pottery olla, early 21st centuryNelda Lucero (b. 20th century, Acoma Pueblo), A fine-line pottery olla, late 20th centurySandra Victorino (b. 1958, Acoma Pueblo), A polychrome pottery jar, late 20th/early 21st centuryDorothy Sanchez (b. 20th century, Acoma Pueblo), A polychrome canteen-form pottery vessel, earlyAn Acoma Pueblo polychrome pottery jarJuana Leno (1917-2020, Acoma Pueblo), A polychrome pottery jar, late 20th/early 21st centuryJolene Cerno (b. 20th century, Acoma Pueblo), A polychrome pottery seed jar, circa 1992Lilly Maria Salvador (b. 1944, Acoma Pueblo), "Winter Parrots"Lee Ann Cheromiah (b. 1954, Laguna Pueblo), A polychrome pottery olla, early 21st centuryArthur & Hilda Tenorio Coriz (1948-1998 & 1949-2007, Kewa/Santo Domingo Pueblo), A polychromeRobert Tenorio (b. 1950, Kewa/Santo Domingo Pueblo), A polychrome pottery jar, late 20th/early 21stA Casas Grandes polychrome pottery jarA Gila polychrome pottery dough bowlA large Gila/Southwest polychrome pottery dough bowlTwo Zuni Pueblo pottery jarsRosita de Herrera (b. 1940, San Juan Pueblo), A redware pottery jar, late 20th/early 21st centuryChristine Tosa (b. 1950, Jemez Pueblo), A large redware pottery vase, late 20th/early 21st centuryElizabeth Toya Medina (b. 1956, Jemez/Zia Pueblo), A polychrome pottery jar, circa 1985Two Southwest Pueblo pottery jarsTwo Southwest sgraffito pottery vesselsTwo Southwest Pueblo pottery jarsA group of Southwest Pueblo pottery vesselsTwo Southwest Pueblo polychrome pottery seed jarsTwo Southwest Pueblo pottery jarsAndy Abeita (b. 20th century, Isleta Pueblo), A large carved hardstone bear fetish figure, lateFour Southwest Pueblo carved stone bear fetish figuresA Southwest Navajo sterling silver and turquoise cuff braceletA Benson Boyd Navajo sterling silver and stone inlay storyteller belt buckleA Wilford J. Henry Navajo cast silver and turquoise belt buckleA group of Southwest-style belt bucklesA Juliana Williams & Martha Smiley Navajo silver and cluster turquoise necklaceA Juliana Williams & Martha Smiley Navajo sterling silver and turquoise concho beltA Navajo sterling silver "Peyote Bird" squash blossom necklaceA set of Southwest sterling silver and turquoise squash blossom jewelryA Southwest sterling silver and turquoise squash blossom necklaceA Southwest Pueblo-style carved turquoise necklaceA Tony Aguilar Sr. Kewa sterling silver and turquoise pendant necklaceA Southwest-style sterling silver and gem set necklaceA Southwest sterling silver and turquoise naja pendant necklaceMary Tapia Trujillo (1937-2021, Ohkay Owingeh/San Juan Pueblo) & Leonard Trujillo (1936-2017,A group of Southwest Pueblo pottery storyteller figuresA group of Southwest-style silver and stone set ringsA group of Southwest sterling silver and turquoise dress itemsA group of Southwest-style silver and turquoise jewelryA group of Southwest sterling silver and set coral jewelryEdwin Herrera (b. 1966, Cochiti Pueblo)Three Southwest pottery storyteller figuresA group of Southwest-style silver and stone set ringsA group of Southwest-style jewelryA group of Southwest silver and stone-set jewelryA group of Southwest silver and turquoise jewelryMarie Gachupin Romero (1927-2007, Jemez Pueblo)Two Jemez Pueblo pottery storytellersA group of Southwest-style silver and stone set ringsA group of Southwest-style silver and stone set ringsEdwina Tosa Tortalita (b. 1966, Jemez Pueblo)Matthew Fragua & Reyes Panana (1963-2015 & b. 1961, Jemez Pueblo)Edwina A. Tosa (b. 20th century, Jemez Pueblo)A group of Isleta Pueblo storyteller pottery figuresA group of Southwest Pueblo carved stone frog fetish figuresA group of Southwest Pueblo carved stone horse fetish figuresA group of Southwest Pueblo carved stone fox & badger fetish figuresA group of Southwest Pueblo carved stone horse fetish figuresBuffy Cordero Suina (b. 1969, Cochiti Pueblo)Dorothy Herrera (b. 1970, Cochiti Pueblo)A group of Southwest Pueblo carved stone animal fetish figuresEmily "Corn Pollen" Fragua Tsosie (b. 1951, Jemez Pueblo)A group of Southwest Pueblo pottery storyteller figuresA group of Southwest Pueblo carved stone horse fetish figuresA group of Southwest Pueblo pottery storytellersA group of Southwest Pueblo pottery storyteller figures

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