Jewelry, Art Glass, Sterling, Early English Imari, Books, Handbags, and more!

estate sale | 3 day sale | 10 days away
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The address for this sale in Evanston, IL 60201 will be available after 9:00am on Thursday, July 31st, 2025.
Dates
Fri
Aug 1
11am to 4pm
Sat
Aug 2
11am to 3pm
Sun
Aug 3
11am to 1pm

Terms & Conditions

No Pre-Sales. Anyone can come to shop anytime during our open hours. All are welcome! To set the initial order of entry when the sale opens we use Pickerty, the electronic sign-up sheet.
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A Little Unlimited, LLC

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Big Sale in Evanston!

Jewelry, Art Glass, Sterling, Early English Imari, Books, Handbags, Vintage Vinyl Records, and more!

 

  • Art Glass
    • A signed Lalique Filicaria crystal vase, blue green glass with raised leaf design
    • Lalique France 'Zagora' flower vase
    • Signed 'Formose' Lalique glass vase  by René Lalique circa 1924-1929. Spherical design features elegant koi fish intertwined upon its surface with an excellent tactile finish. Intaglio of R. LALIQUE and hand-inscribed "Lalique France"
    • A signed Lalique 'Arabesque' vase in rich ruby red color
    • A signed Lalique France 'Lucie' crystal vase
    • A signed Lalique France 'Biches' deer vase in black crystal glass, with original box
    • Esna vase by Lalique France – a lovely French art glass design made by Marie-Claude Lalique in 1985 to commemorate the 125th anniversary of her grandfather Rène Lalique's birth
    • A vintage Lalique France frosted crystal Pavie bud  vase, signed
    • A signed Louis Comfort Tiffany favrile art glass flower vase, gold iridescent favrile glass,  footed, ribbed cylindrical form with cupped mouth and wavy rim, signed in etch on base '1549' and "L. C. Tiffany - Favrile' for Tiffany Studios, first quarter 20th century; 13-1/2 inches high
    • Three signed Lalique France crystal sparrow figurines - head up, head under wing, and head down
    • A beautiful and large signed Lalique France pale gold brown crystal 'Marguerites' bowl
    • Vintage Lalique France round box, the lid an embossed Dahlia flower with black enameled stamens and pistils on the lid
    • Signed Lalique France 'Marguerites' bowl in pale gold brown crystal, 13 inches wide, etched Lalique France on the base
    • An incredible 15-inch tall art glass vase shading from clear to cranberry, beautifully wheel cut or engraved with detailed birds in flight amidst flowering branches and vines, likely Moser Glass works
    • A signed Lalique France crystal duck, frosted and clear crystal glass
    • A pair of antique French Baccarat crystal medallion pattern white enameled and gilded candlestick holders
    • Baccarat aqua blue crystal glass two-piece fairy lamp
    • Baccarat Deposé two piece Rose Tiente glass fairy lamp
    • Vintage Baccarat Deposé blue crystal glass swirl footed bowl
    • Baccarat Deposé signed Rose Tiente helical twist (swirl) footed compote
    • Baccarat Mille Nuits crystal coaster, designed by Mathias for Baccarat
    • A lovely Baccarat crystal Rose Tiente Bambous or 'Swirled Bamboo' water carafe and tumbler set
    • French art glass vase by Val St. Lambert, circa 1897, acid etched cranberry cameo glass in delicate seaweed motif
    • Vintage purple slag glass turtle covered dish, pressed glass
    • Fine vintage polychrome enameled and gilt art glass vase, stags in a forest setting, by Genis Cirera Casanovas (1890-1970), signed
    • A large Bohemian cut opaque-glass four-handled vase, late 19th century. Likely made for the Persian market. Applied with four loop handles, the opaque glass with pink stain; enameled and gilt with flowers, scrolls, buildings and trailing fruiting vines
    • A signed Emile Gallé cameo glass vase, yellow with greenish brown leaves and white fruit on vines; circa 1908-1920
    • Antique Mont Joye Legras art glass vase, round form with flared ruffled rim, acid etched surface, enameled and gilded with iris flowers and leaves; marked on the base with the Mont Joye L C
    • A breathtaking 15-inch high antique French art glass vase - a large Mont Joye Legras green glass vase enameled with a graceful chrysanthemum, acid etched surface, with Mont Joye L C mark on the base. Art Nouveau beauty. 
    • A large Legras Mont Joye art glass vase, beautiful art nouveau design of blooming purple and white irises with gilt leaves against a frosted green glass ground, the rim with organic forms and scrolls of gilt. Mont Joye L C mark to the base
    • Antique Harrach cameo glass vase circa 1890, cased blue over creamy white, cameo cut around the body with flowering petals on leafy vines
    • An exquisite Bohemian glass vase, shading warm pink to clear, hand painted with Art Nouveau era gold floral design and applied gold metal bees! Moser glass works.
    • A French Art Nouveau cameo glass vase, Legras 'Rubis' series circa 1910, acid etched surface and cameo carved purplish red trailing ivy vines, Legras signature
    • A J. Michel Paris cameo glass landscape vase circa 1925, beautifully overlaid and acid etched with sailing boats and gondolas (Venice?) in lagoon, seen through wisteria vines; signed in cameo J.Michel Paris
    • A Daum Nancy cameo glass vase decorated with sailboats on a lake seen through trees, in purple/black on an orange and yellow ground, acid etched, signed in cameo 'Daum Nancy' with the Croix de Lorraine mark
    • A Chinese Peking Glass red bowl, compressed globe form with curved, faceted sides. The base is engraved with a four-character Qianlong mark within a square.
    • A stunning and large antique Bohemian art glass vase (Moser? Harrach?) intricately painted overall with acanthus leaf scrolls in polychrome enamel, with cranberry glass panels containing wheel carved gilded flowers, and gold gilding at the flared rim
    • A 19th century Hobbs, Brockunier rubina verde hobnail glass bowl or 'bridal basket' in an Art Nouveau style metal stand
    • Antique bridal basket with cameo glass bowl of pink and white cased glass, square form with floral motif and flared ruffled edge; and silver plated metal basket handle stand by Rockford Silver Co. Illinois
    • A fabulous Art Nouveau era centerpiece – an iridescent art glass bowl (possibly Loetz) with sculpted bronzed metal stand  
  • Illuminated Medieval Manuscripts
    • Leafs from the Leber Bible, a Latin bible produced in 1230-1240 by the Leber Group or Leber Atelier in Paris, France
      • "Ordinary Leaves No. 2 Folio 447, interesting flourishes top recto of text." Verso has prologue to Daniel, recto has "Daniel in the Lion's Den"
      • Kings V with nice fine rubrication, crossed out paragraph on the verso
      • Ordinary Leaf No. 6, Folio 126 Kings III, example with double tailed rubrication
      • Historiated Initials No. 1, Folio 218, from Psalms depicting God, King pointing to Eye, excellent painting, red and blue versals and fine rubrication. This is from the finest part of the book in visual appearance.
      • Initials No. 1, Folio 392, illuminated initial with dragon head and body, fine red script, elegant flourishes upper recto of text, an excellent example. 
    • Framed pages from The Biblia Sacra Latina
      •  A page from the Latin Bible (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. Produced by the “Alexander atelier” in Paris, between 1220-1230. Recto: page heading “DRE” Verso: page heading “ES”
      • This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220. Recto: page heading “CHAB II” Verso: page heading “INCIPIUM”
      • This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220.
      • A framed page from the The Biblia Sacra Latina (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. It was produced by the “Alexander atelier” in Paris, between 1220-1230. Recto: psalms 124-131, vulgate numbering, Verso: psalms 132-138, vulgate numbering
    • Leaves From an East Anglian Psalter
      • A page from a Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310
    • Leaves from a Leber Atelier Bible circa 1240, Book of Kings IV - Ch 15-17
    • Two framed leaves from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Timothy and Hebrews leaves with fine gold initials and herringbone feathers emerging from the mouth of dragons
  • Jewelry
    • Platinum diamond and sapphire ring in original C.D. Peacock Chicago presentation box
    • Platinum and diamond ring in original C. D. Peacock Chicago presentation box
    • 18k white gold Bailey Banks & Biddle black and white diamond flower pendant necklace in original box
    • 18k yellow gold and turquoise omega back earrings
    • 18k white gold diamond ruby pendant
    • 18k yellow gold and cabochon moonstone pendant necklace, made in Italy
    • 18k yellow gold and diamond ring in original Marshall Field & Company box
    • 14k yellow gold flower form pendant necklace, with faceted gemstones and 14k yellow gold chain
    • 14k yellow gold diamond and colored gemstone flower pendant necklace
    • 14k yellow and white gold diamond and tanzanite pendant necklace with white gold chain 
    • Incredibly large selection of beautiful vintage costume jewelry including:
      • Earrings, brooches and necklaces from Dior, Diane Von Furstenberg, Crown Trifari, Givenchy, Miriam Haskell, Ciner, Ralph Lauren, Boucher, Coro, Lisner, Hobé, Napier, Trifari, Pell, Weiss, Les Bernard, Marvella, Swarovski, Monet, Anne Klein, Carolee, Erwin Pearl, Richelieu, Robert Rose, Swoboda, Liz Claiborne, Krementz, PearlCraft, and more
    • 14k white gold pendant with emeralds and diamonds
    • 14k yellow gold and citrine ring
    • Antique gold and diamond navette ring
    • Antique 19th c. gold filled pendant necklace
  • Porcelain and Ceramics
    • A rare Worcester Porcelain (Flight) lidded sauce tureen with stand from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  The Neo-Classical service consists of a soft-paste porcelain base, with a bold blue underglaze lobed border, with gilt patterae, and gilt arched panels and stars. The centre cartouche artwork features the Greek mythological Hope, painted in monochrome using the French-inspired grisaille style. Across the set, Hope is depicted in a variety of poses with an anchor, and often with a ship in the distance. The Duke of Clarence was affectionately nicknamed the ‘Sailor King’ when he came to the throne, as he had joined the Royal Navy at the young age of 13 as a midshipman; some speculated that he chose the “Hope” pattern with the ships at sea in a tribute to Horatio Nelson, in addition to a nod at his own Royal Navy service.
    • A massive antique Royal Doulton Lambeth stoneware baluster vase, 18-1/2 inches tall. Decorated with a graceful spray of flowers over a textured pale amber ground between a band of deep blue and brown lappets and roundels at the shoulder and points with roundels at the foot, a collar of white beaded overlapping blue roundels on the neck, two bands of white beading above the foot. Base with impressed Doulton Lambeth mark, artist's marks, and model numbers. Late 19th century.
    • A late 19th/early 20th century Chinese porcelain blue and white vase
    • A Wedgwood black basalt model of a blackbird circa 1920 modeled by Ernest Light, with applied glass eyes, finely modeled details to the feathers, standing on a shaped base, and a Wedgewood black basalt model of a heron, also by Ernest Light
    • Pair of Wedgwood black basalt dolphin candlestick holders, impressed "Wedgwood" signature to the  underside
  • Vintage Vinyl Records
    • 45 RPM singles from such artists as Herman's Hermits, Sam Cooke, Aretha Franklin, The Monkees, The Nightcaps, Sam & Dave, J.J. Jackson, The Capitols, Booker T. & The M.G.'s, Ray Charles, The Moonglows, Wilson Pickett, Diana Ross & The Supremes, Mary Wells, James Brown, The Marvelettes, Herb Alpert & The Tijuana Brass, Marvin Gaye, The Temptations, Dion, Gladys Knight & The Pips, Dionne Warwick, Jimmy Ruffin, Gene Pitney, Johnny Rivers, Aaron Neville, and more
    • Vinyl LP albums and EP singles from artists including Kate Bush, Laurie Anderson, Sarah Vaughan, Carole King, Duke Ellington, Janis Joplin, Donna Summer, Bessie Smith, Dan Hartman, Tangerine Dream, Bette Midler, Philip Glass, Joan Baez, The Pointer Sisters, Peter, Paul and Mary; Weather Report, Yazoo, Miquel Brown, Judy Collins, The Weather Girls, Anne Murray, Cris Williamson, The Specials, Sylvester, Maria Muldaur, Laura Nyro, Alicia Bridges, Tim Buckley, Mary Wells, The Shirelles, Heatwave, Madleen Kane, Melanie; soundtrack albums from the films Somewhere in Time, Chariots of Fire, The Year of Living Dangerously, Fame, The Sound of Music, Saturday Night Fever, Victor Victoria, and Flashdance 

 

A large Legras Mont Joye art glass vase, beautiful art nouveau design of blooming purple and white irises with gilt leaves against a textured frosted green glass ground, the rim with organic forms and scrolls of gilt. Mont Joye L C mark to the base.    Signed 'Formose' Lalique glass vase  by René Lalique circa 1924-1929. Spherical design features elegant koi fish intertwined upon its surface with an excellent tactile finish. Intaglio of R. LALIQUE and hand-inscribed "R. Lalique France".   Lalique displayed a Formose vase during the 1925 Exposition – the work of René Lalique has been universally hailed as representing the most chic and sophisticated qualities of French Art Deco styles.Just some of the collection of medieval illuminated manuscripts available – 12th century bible leaves produced by the Leber Group, Paris; the Blanche Atelier and Alexander Atelier, Paris; we also have illuminated pages from an East Anglian Latin Psalter and framed leaves from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240.A rare Worcester Porcelain (Flight) lidded sauce tureen with underplate from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  The Neo-Classical service consists of a soft-paste porcelain base, with a bold blue underglaze lobed border, with gilt patterae, and gilt arched panels and stars. The centre cartouche artwork features the Greek mythological Hope, painted in monochrome using the French-inspired grisaille style. Across the set, Hope is depicted in a variety of poses with an anchor, and often with a ship in the distance. The Duke of Clarence was affectionately nicknamed the ‘Sailor King’ when he came to the throne, as he had joined the Royal Navy at the young age of 13 as a midshipman.A signed Lalique 'Arabesque' vase in rich ruby red color (with original Lalique presentation box)14k yellow gold starburst form diamond and citrine pendant necklaceBaccarat aqua blue crystal glass two-piece fairy lampPickerty QR CodeVintage Lalique France round box, the lid an embossed Dahlia flower with black enameled stamens and pistilsAnother view of the vintage Lalique France round box, the lid an embossed Dahlia flower with black enameled stamens and pistilsAnother view of the vintage Lalique France round box, the lid an embossed Dahlia flower with black enameled stamens and pistilsA signed Lalique France 'Filicaria' crystal vase, blue green glass with raised leaf design (comes with original Lalique presentation box)Another view of the signed Lalique France 'Filicaria' crystal vase, blue green glass with raised leaf design (comes with original Lalique presentation box)A signed Emile Gallé cameo glass vase, yellow with greenish brown leaves and white fruit on vines. Circa 1908-1920.Another view of the signed Emile Gallé cameo glass vase, yellow with greenish brown leaves and white fruit on vines. Circa 1908-1920.Another view of the signed Emile Gallé cameo glass vase, yellow with greenish brown leaves and white fruit on vines. Circa 1908-1920.Another view of the signed Lalique France 'Filicaria' crystal vase, blue green glass with raised leaf design (comes with original Lalique presentation box)Esna vase by Lalique France. A lovely French art glass design made by Marie-Claude Lalique in 1985 to commemorate the 125th anniversary of her grandfather Rène Lalique's birth. Another view of the Esna vase by Lalique France. A lovely French art glass design made by Marie-Claude Lalique in 1985 to commemorate the 125th anniversary of her grandfather Rène Lalique's birth. Another view of the Esna vase by Lalique France. A lovely French art glass design made by Marie-Claude Lalique in 1985 to commemorate the 125th anniversary of her grandfather Rène Lalique's birth. A beautiful French art glass by Val St. Lambert, circa 1897, acid etched cranberry cameo glass in delicate seaweed motif.Another view of the beautiful French art glass by Val St. Lambert, circa 1897, acid etched cranberry cameo glass in delicate seaweed motif.Closeup of the beautiful French art glass by Val St. Lambert, circa 1897, acid etched cranberry cameo glass in delicate seaweed motif.Closeup of the base of the French art glass by Val St. Lambert, circa 1897, acid etched cameo glass in delicate seaweed motif.Another view of the beautiful French art glass by Val St. Lambert, circa 1897, acid etched cranberry cameo glass in delicate seaweed motif.A signed Lalique France 'Lucie' crystal vase Another view of the signed Lalique France 'Lucie' crystal vase Closeup of the signed Lalique France 'Lucie' crystal vase Closeup of the signed Lalique France 'Lucie' crystal vase Signed 'Formose' Lalique glass vase  by René Lalique circa 1924-1929. Spherical design features elegant koi fish intertwined upon its surface with an excellent tactile finish. Intaglio of R. LALIQUE and hand-inscribed 'R. Lalique France'.   Lalique displayed a Formose vase during the 1925 Exposition – the work of René Lalique has been universally hailed as representing the most chic and sophisticated qualities of French Art Deco styles.(shown with ruler for scale) Signed 'Formose' Lalique glass vase  by René Lalique circa 1924-1929. Spherical design features elegant koi fish intertwined upon its surface with an excellent tactile finish. Intaglio of R. LALIQUE and hand-inscribed 'R. Lalique France'.   Lalique displayed a Formose vase during the 1925 Exposition – the work of René Lalique has been universally hailed as representing the most chic and sophisticated qualities of French Art Deco styles.Closeup of the base of the signed 'Formose' Lalique glass vase  by René Lalique circa 1924-1929. Spherical design features elegant koi fish intertwined upon its surface with an excellent tactile finish. Intaglio of R. LALIQUE and hand-inscribed 'R. Lalique France'.   Lalique displayed a Formose vase during the 1925 Exposition – the work of René Lalique has been universally hailed as representing the most chic and sophisticated qualities of French Art Deco styles.A rare Worcester Porcelain (Flight) lidded sauce tureen with underplate from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  The Neo-Classical service consists of a soft-paste porcelain base, with a bold blue underglaze lobed border, with gilt patterae, and gilt arched panels and stars. The centre cartouche artwork features the Greek mythological Hope, painted in monochrome using the French-inspired grisaille style. Across the set, Hope is depicted in a variety of poses with an anchor, and often with a ship in the distance. A view of the rare Worcester Porcelain (Flight) lidded sauce tureen (not showing the with included stand) from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  The Neo-Classical service consists of a soft-paste porcelain base, with a bold blue underglaze lobed border, with gilt patterae, and gilt arched panels and stars. The centre cartouche artwork features the Greek mythological Hope, painted in monochrome using the French-inspired grisaille style. Across the set, Hope is depicted in a variety of poses with an anchor, and often with a ship in the distance. Closeup of one of two panels depicting the figure of "Hope" on the side of the rare Worcester Porcelain (Flight) lidded sauce tureen with underplate from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  Another view of the very rare Worcester Porcelain (Flight) lidded sauce tureen with (not shown with included underplate) from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  Closeup of one of two panels depicting the figure of "Hope" on the side of the  rare Worcester Porcelain (Flight) lidded sauce tureen with underplate from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  The stand or underplate from the Worcester Porcelain (Flight) lidded sauce tureen with stand from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later. Closeup of the stand or underplate from the Worcester Porcelain (Flight) lidded sauce tureen with stand from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later. The stand shows one of the three different scenes of the Greek mythological Hope, painted in monochrome using the French-inspired grisaille style, that adorn this lidded tureen and stand. Closeup of the Worcester Porcelain (Flight) lidded sauce tureen with stand from the ‘Hope service’ circa 1792 showing the bold blue underglaze lobed border, beautifully painted with gilt patterae, and gilt arched panels and stars.Another view of the rare Worcester Porcelain (Flight) lidded sauce tureen with underplate from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  The Neo-Classical service consists of a soft-paste porcelain base, with a bold blue underglaze lobed border, with gilt patterae, and gilt arched panels and stars. The centre cartouche artwork features the Greek mythological Hope, painted in monochrome using the French-inspired grisaille style. Across the set, Hope is depicted in a variety of poses with an anchor, and often with a ship in the distance. A top view of the rare Worcester Porcelain (Flight) lidded sauce tureen with underplate from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  The Neo-Classical service consists of a soft-paste porcelain base, with a bold blue underglaze lobed border, with gilt patterae, and gilt arched panels and stars. The centre cartouche artwork features the Greek mythological Hope, painted in monochrome using the French-inspired grisaille style. Across the set, Hope is depicted in a variety of poses with an anchor, and often with a ship in the distance. Another view of the three piece Worcester Porcelain (Flight) lidded sauce tureen with stand from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. Closeup of the blue crowned script Flight mark on the base of the Hope service tureenCloseup of the blue crowned script Flight mark on the base of the Hope service lidded sauce tureen standA large Bohemian cut opaque-glass four-handled vase, late 19th century. Likely made for the Persian market. Applied with four loop handles, the opaque glass with pink stain; enameled and gilt with flowers, scrolls, buildings and trailing fruiting vines.Closeup of the large Bohemian cut opaque-glass four-handled vase, late 19th century. Likely made for the Persian market. Applied with four loop handles, the opaque glass with pink stain; enameled and gilt with flowers, scrolls, buildings and trailing fruiting vines.More views of the large Bohemian cut opaque-glass four-handled vase, late 19th century. Likely made for the Persian market. Applied with four loop handles, the opaque glass with pink stain; enameled and gilt with flowers, scrolls, buildings and trailing fruiting vines.A trio of Lalique France frosted crystal sparrow figurines in different posturesAnother view of the trio of Lalique France frosted crystal sparrow figurines in different postures. Please note this photo includes old price tags from when our client originally purchased the pieces, and does not reflect the current sale price.Fine vintage polychrome enameled and gilt art glass vase, stags in a forest setting, by Spanish artist Genis Cirera Casanovas (1890-1970), signed.  Cirera won the Bilbao Decorative Arts prize in 1928.Closeup of fine vintage polychrome enameled and gilt art glass vase, stags in a forest setting, by Genis Cirera Casanovas (1890-1970), signed.  Closeup of fine vintage polychrome enameled and gilt art glass vase, stags in a forest setting, by Genis Cirera Casanovas (1890-1970), signed.  Closeup of the fine vintage polychrome enameled and gilt art glass vase, stags in a forest setting, by Genis Cirera Casanovas (1890-1970), signed.  A signed Louis Comfort Tiffany favrile art glass flower vase, gold iridescent favrile glass,  footed, ribbed cylindrical form with cupped mouth and wavy rim, signed in etch on base '1549' and "L. C. Tiffany - Favrile' for Tiffany Studios, first quarter 20th century; 13-1/2 inches highAnother view of the signed Louis Comfort Tiffany favrile art glass flower vase, gold iridescent favrile glass,  footed, ribbed cylindrical form with cupped mouth and wavy rim, signed in etch on base '1549' and "L. C. Tiffany - Favrile' for Tiffany Studios, first quarter 20th century; 13-1/2 inches highCloseup of base of the signed Louis Comfort Tiffany favrile art glass flower vase, gold iridescent favrile glass,  footed, ribbed cylindrical form with cupped mouth and wavy rim, signed in etch on base '1549' and "L. C. Tiffany - Favrile' for Tiffany Studios, first quarter 20th century; 13-1/2 inches highBreathtaking 15-inch high antique French art glass vase - a large Mont Joye Legras green glass vase enameled with a graceful chrysanthemum, acid etched surface, with Mont Joye L C mark on the base. Art Nouveau beauty.Closeup of the breathtaking 15-inch high antique French art glass vase - a large Mont Joye Legras green glass vase enameled with a graceful chrysanthemum, acid etched surface, with Mont Joye L C mark on the base. Art Nouveau beauty.Closeup of the breathtaking 15-inch high antique French art glass vase - a large Mont Joye Legras green glass vase enameled with a graceful chrysanthemum, acid etched surface, with Mont Joye L C mark on the base. Art Nouveau beauty.Closeup of the breathtaking 15-inch high antique French art glass vase - a large Mont Joye Legras green glass vase enameled with a graceful chrysanthemum, acid etched surface, with Mont Joye L C mark on the base. Art Nouveau beauty.Closeup of the breathtaking 15-inch high antique French art glass vase - a large Mont Joye Legras green glass vase enameled with a graceful chrysanthemum, acid etched surface, with Mont Joye L C mark on the base. Art Nouveau beauty.Vintage Baccarat Deposé blue crystal glass swirl footed bowlClose up of vintage Baccarat Deposé blue crystal glass swirl footed bowlBaccarat Deposé signed Rose Tiente helical twist (swirl) footed compoteCloseup of the Baccarat Deposé signed Rose Tiente helical twist (swirl) footed compoteBaccarat Rose Tiente swirled crystal glass bowlCloseup of Baccarat Rose Tiente swirled crystal glass bowlA signed Lalique France 'Arabesque' vase in rich ruby red color (with original Lalique presentation box)Another view of the signed Lalique France 'Arabesque' vase in rich ruby red color (with original Lalique presentation box)A signed Lalique France 'Arabesque' vase in rich ruby red color, with original Lalique presentation boxA signed Lalique France Marguerites bowl in pale gold brown crystal, 13 inches wide, etched Lalique France on the baseAnother view of the signed Lalique France Marguerites bowl in pale gold brown crystal, 13 inches wide, etched Lalique France on the baseCloseup of the signed Lalique France Marguerites bowl in pale gold brown crystal, 13 inches wide, etched Lalique France on the baseCloseup of the signed Lalique France Marguerites bowl in pale gold brown crystal, 13 inches wide, etched Lalique France on the baseLalique France 'Zagora' flower vaseAnother view of the Lalique France 'Zagora' flower vaseA vintage signed Lalique France frosted crystal Pavie bud vase, with original presentation boxAnother view of the vintage signed Lalique France frosted crystal Pavie bud vase, with original presentation boxAnother view of the vintage signed Lalique France frosted crystal Pavie bud vase, with original presentation boxAnother view of the vintage signed Lalique France frosted crystal Pavie bud vase, with original presentation boxBaccarat Mille Nuits crystal coaster, designed by Mathias for Baccarat; original presentation box.  Mille Nuits is a reference to the 1001 Tales of The Arabian Nights. Closeup showing the Baccarat Mille Nuits crystal coaster, designed by Mathias for Baccarat; original presentation box.Another view of the Baccarat Mille Nuits crystal coaster, designed by Mathias for Baccarat; comes with original presentation box. A lovely Baccarat crystal Rose Tiente Bambous or 'Swirled Bamboo' water carafe and tumbler set Another view of the lovely Baccarat crystal Rose Tiente Bambous or 'Swirled Bamboo' water carafe and tumbler set Closeup of the lovely Baccarat crystal Rose Tiente Bambous or 'Swirled Bamboo' water carafe and tumbler set Closeup of the lovely Baccarat crystal Rose Tiente Bambous or 'Swirled Bamboo' water carafe and tumbler set Baccarat Deposé two piece Rose Tiente glass fairy lampAnother view of the Baccarat Deposé two piece Rose Tiente glass fairy lampCloseup of the Baccarat Deposé two piece Rose Tiente glass fairy lampBaccarat aqua blue crystal glass two-piece fairy lampBaccarat aqua blue crystal glass two-piece fairy lampCloseup of the Baccarat aqua blue crystal glass two-piece fairy lampA signed Lalique France crystal duck, frosted and clear crystal glassAnother view of the signed Lalique France crystal duck, frosted and clear crystal glassCloseup of the signed Lalique France crystal duck, frosted and clear crystal glassCloseup of the signed Lalique France crystal duck, frosted and clear crystal glassA late 19th/early 20th century Chinese porcelain blue and white vaseAnother view of the late 19th/early 20th century Chinese porcelain blue and white vaseA signed Lalique France 'Biches' deer vase in black crystal glass, with original boxA closer look at the signed Lalique France 'Biches' deer vase in black crystal glass, with original box(Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) A closer look at the signed Lalique France 'Biches' deer vase in black crystal glass, with original boxVintage purple slag glass turtle covered dish, pressed glassAnother view of the vintage purple slag glass turtle covered dish, pressed glassCloseup of the vintage purple slag glass turtle covered dish, pressed glass14k yellow gold flower form pendant necklace, with faceted gemstones and 14k yellow gold chainA closer look at the 14k yellow gold flower form pendant necklace, with faceted gemstones and 14k yellow gold chain14k yellow gold diamond and colored gemstone flower pendant necklace Closeup of 14k yellow gold diamond and colored gemstone flower pendant necklace 14k yellow gold starburst form diamond and citrine pendant necklaceCloseup of the 14k yellow gold starburst form diamond and citrine pendant necklace14k yellow and white gold diamond and tanzanite pendant necklace with white gold chainCloseup of the 14k yellow and white gold diamond and tanzanite pendant necklace with white gold chain14k white gold pendant with emeralds and diamonds18k white gold Bailey Banks & Biddle black and white diamond flower pendant necklace in original boxMore views of the 18k white gold Bailey Banks & Biddle black and white diamond flower pendant necklace in original boxCloseup of the 18k white gold Bailey Banks & Biddle black and white diamond flower pendant necklace in original box18k white gold diamond ruby pendant18k yellow gold and cabochon moonstone pendant necklace, made in ItalyCloseup of 18k yellow gold and cabochon moonstone pendant necklace, made in Italy14k yellow gold and citrine ringAnother view of the 14k yellow gold and citrine ring18k yellow gold and turquoise omega back earringsAntique gold and diamond navette ringCloseup view of the antique gold and diamond navette ring18k yellow gold and diamond ring in original Marshall Field & Company boxCloseup of the 18k yellow gold and diamond ring in original Marshall Field & Company boxPlatinum and diamond ring, in original C. D. Peacock Chicago presentation boxCloseup view of the platinum and diamond ring, in original C. D. Peacock Chicago presentation boxPlatinum diamond and sapphire ring in original C.D. Peacock Chicago presentation boxCloseup of the platinum diamond and sapphire ring in original C.D. Peacock Chicago presentation boxAntique 19th c. gold filled pendant necklaceAnother view of the antique 19th c. gold filled pendant necklaceFramed leaves from a Leber Atelier Bible circa 1240, Book of Kings IV - Ch 15-17Closer view of the framed leaves from a Leber Atelier Bible circa 1240, Book of Kings IV - Ch 15-17Reverse view of the framed leaves from a Leber Atelier Bible circa 1240, Book of Kings IV - Ch 15-17Another view of the reverse view of the framed leaves from a Leber Atelier Bible circa 1240, Book of Kings IV - Ch 15-17A page from an East Anglian Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310.A closer look at the page from a Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310.Reverse side of the page from a Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310.Another view of the reverse side of the page from a Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310.A page from a East Anglian Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310. 
Closer view of the framed page from a East Anglian Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310. 
The reverse side of the framed page from a East Anglian Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310. 
Another view of the reverse side of the framed page from a East Anglian Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310. A framed leaf from a 13th century The Biblia Sacra Latina – This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220.
Closer view of the framed leaf from a 13th century The Biblia Sacra Latina – This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220.Reverse side (verso) of the framed leaf from a 13th century The Biblia Sacra Latina – This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220.Another view of the framed leaf from a 13th century The Biblia Sacra Latina – This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220.A framed page from the The Biblia Sacra Latina (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. It was produced by the “Alexander atelier” in Paris, between 1220-1230. Recto: psalms 124-131, vulgate numbering, Verso: psalms 132-138, vulgate numberingCloser view of the framed page from the The Biblia Sacra Latina (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. It was produced by the “Alexander atelier” in Paris, between 1220-1230. Recto: psalms 124-131, vulgate numbering, Verso: psalms 132-138, vulgate numberingReverse side (verso) of the framed page from the The Biblia Sacra Latina (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. It was produced by the “Alexander atelier” in Paris, between 1220-1230. Recto: psalms 124-131, vulgate numbering, Verso: psalms 132-138, vulgate numberingAnother view of the reverse side (verso) of the framed page from the The Biblia Sacra Latina (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. It was produced by the “Alexander atelier” in Paris, between 1220-1230. Recto: psalms 124-131, vulgate numbering, Verso: psalms 132-138, vulgate numberingIlluminated manuscript – A framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Hebrews leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. Closer view of the framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Hebrews leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. Reverse view of the framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Hebrews leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. Reverse view of the framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Hebrews leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. Illuminated manuscript – A framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Timothy leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. A closer look at a framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Timothy leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. Reverse view of the framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Timothy leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. Reverse view of the framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Timothy leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. Framed page from The Biblia Sacra Latina, a Latin Bible produced by the “Alexander atelier” in Paris, between 1220-1230. The page from the Latin Bible (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. Recto: page heading “DRE” Verso: page heading “ES” Closer view of the framed page from The Biblia Sacra Latina, a Latin Bible produced by the “Alexander atelier” in Paris, between 1220-1230. The page from the Latin Bible (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. Book of Ezra aka Nehemiah. Recto: page heading “DRE” Verso: page heading “ES” Reverse view of the framed page from The Biblia Sacra Latina, a Latin Bible produced by the “Alexander atelier” in Paris, between 1220-1230. The page from the Latin Bible (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. Book of Ezra aka Nehemiah. Recto: page heading “DRE” Verso: page heading “ES” Reverse view of the framed page from The Biblia Sacra Latina, a Latin Bible produced by the “Alexander atelier” in Paris, between 1220-1230. The page from the Latin Bible (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. Book of Ezra aka Nehemiah. Recto: page heading “DRE” Verso: page heading “ES” Framed illuminated manuscript - This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220. Recto: page heading “CHAB II” Verso: page heading “INCIPIUM”Closer view of the Framed illuminated manuscript - This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220. Recto: page heading “CHAB II” Verso: page heading “INCIPIUM”View of the other side (verso) of framed illuminated manuscript - This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220. Recto: page heading “CHAB II” Verso: page heading “INCIPIUM”View of the other side (verso) of framed illuminated manuscript - This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220. Recto: page heading “CHAB II” Verso: page heading “INCIPIUM”Illuminated manuscript page from a "Leber Bible," circa 1230-1240. "Ordinary Leaves No. 2 Folio 447, interesting flourishes top recto of text." Verso has prologue to Daniel, recto has "Daniel in the Lion's Den". Bible crafted in the Leber Atelier, Paris, circa 1230-1240.(This is the reverse view of leaf shown in the previous image.) Illuminated manuscript page from a "Leber Bible," circa 1230-1240. "Ordinary Leaves No. 2 Folio 447, interesting flourishes top recto of text." Verso has prologue to Daniel, recto has "Daniel in the Lion's Den". Page is from bible created in the Leber Atelier, Paris.
Illuminated manuscript - a leaf from Latin Bible, Kings V with nice fine rubrication, crossed out paragraph on the verso. Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum.(This is the reverse view of leaf shown in the previous image.) Illuminated manuscript - a leaf from Latin Bible, Kings V with nice fine rubrication, crossed out paragraph on the verso. (This is the reverse view of leaf shown in the previous image.) Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum.A leaf from a 13th Century Latin Bible, "Ordinary Leaf No. 6, Folio 126 Kings III, example with double tailed rubrication." Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum.(This is the reverse view of leaf shown in the previous image.) A leaf from a 13th Century Latin Bible, "Ordinary Leaf No. 6, Folio 126 Kings III, example with double tailed rubrication." Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum.Illuminated manuscript – leaf from a Leber Bible, "Historiated Initials No. 1, Folio 218, from Psalms depicting God, King pointing to Eye, excellent painting, red and blue versals and fine rubrication. This is from the finest part of the book in visual appearance."
Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum. (This is the reverse view of leaf shown in the previous image.) Illuminated manuscript – leaf from a Leber Bible, "Historiated Initials No. 1, Folio 218, from Psalms depicting God, King pointing to Eye, excellent painting, red and blue versals and fine rubrication. This is from the finest part of the book in visual appearance." Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum.13th century illuminated manuscript – a leaf from a Leber Bible, Initials No. 1, Folio 392, illuminated initial with dragon head and body, fine red script, elegant flourishes upper recto of text, an excellent example. Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum.
 (This is the reverse view of leaf shown in the previous image.) 13th century illuminated manuscript – a leaf from a Leber Bible, Initials No. 1, Folio 392, illuminated initial with dragon head and body, fine red script, elegant flourishes upper recto of text, an excellent example. Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum.Ben-Amun enamel flower dangle earringsVintage Boucher clip earrings and matching brooch set – gold tone circle with green and clear rhinestonesBeautiful costume jewelry necklaces in various lengths including a gold star and black stone pendant on a gold link chain (Erwin Pearl), a long gold chain knotted in lariat style (Marshall Field), and two different length round-cut rhinestone chain necklaces (Les Bernard)  Closeup of the beautiful costume jewelry necklaces in various lengths including a gold star and black stone pendant on a gold link chain (Erwin Pearl), a long gold chain knotted in lariat style (Marshall Field), and two different length round-cut rhinestone chain necklaces (Les Bernard)  Vintage Ciner jade green bead cluster and gold tone clip earrings Costume jewelry earrings and brooches from Anne Klein, Lisner, Liz Claiborne, Richelieu, Carolee, Vogue, Erwin Pearl, Swoboda, Robert RoseEarrings and brooches and pins from Anne Klein, Laguna, Carolee, Ralph Lauren, Liz Claiborne, Erwin PearlCostume jewelry earrings and brooches from Crown Trifari, Napier, Monet, Swarovski, TrifariCostume jewelry earrings and brooches from Crown Trifari, Swarovski, Napier, Trifari, MonetVintage earrings and brooches from Crown Trifari, Napier, Monet, SwarovskiVintage costume jewelry earrings, brooches, and sweater clips from Crown Trifari, Napier, Monet, SwarovskiPair of vintage Hobé cobalt blue glass bead clip earringsMid century vintage Coro brooch and earrings set of blue enamel and rhinestone 3D flowersAnother view of mid century vintage Coro brooch and earrings set of blue enamel and rhinestone 3D flowersFashion earrings from hoops to AB crystals, rhinestone dangles to silver tassels, enameled buttons to natural stonesFabulous costume jewelry earrings in a variety of colors and stylesVintage fashion earrings from Napier, Richelieu, and more - some sterling silver, some with bead dangles and hoops, faceted crystals, enameled colors, and faux pearlsLikely Juliana watermelon glass and deep blue AB crystal clip earringsStunning Diane Von Furstenberg glass faux pearl pendant necklaceMore views of the stunning Diane Von Furstenberg glass faux pearl pendant necklaceVintage Dior gold tone double circle brooch Dior gold tone teardrop clip earringsA beautiful Miriam Haskell faux baroque pearl necklaceA charming vintage Miriam Haskell daisy form gold tone and faux pearl stickpin with original bottom flower and pearl clasp, unsigned.  Sandor Co. enamel floral broochEnamel flower brooches and earrings, Sandor Co roses, camelias; small sculptural yellow roses and orange pansiesIncredible mid century fashion enameled flower earrings and brooch sets from Cara China, Crown Trifari, Sandor CoBijoux Givenchy vintage signed brown topaz crystal and satin faux pearl gold tone clip on earringsVintage 1980s Givenchy Fleur de Lis pin. Terrific to adorn a scarf, coat or purse!Vintage Givenchy jewel tone clip earringsGivenchy vintage satin brushed gold dangle clip earringsSparkle, gleam and shine – great costume jewelry earrings and brooches from Coro, Art, Marvella, Laguna, Krementz, Winard, Anne Klein, and BrooksMiriam Haskell signed chunky Faux Pearl necklace Signed Miriam Haskell 1950s mother of pearl and gold round encircled chain clip-on earrings, mid-century rare and collectableVintage signed Miriam Haskell encircled flowers and faux pearl necklace Miriam Haskell signed faux pearl, black bead and rhinestone cluster clip on earringsMiriam Haskell vintage gold flower faux Mabé pearl clip on earringsVintage Miriam Haskell gold tone flora teardrop dangle earringsMiriam Haskell goldtone medallion clip earrings A Lisner pastel beaded choker necklace, a Lisner two-strand pastel beaded necklace, and an Etienne Aigner purple tone beaded and silver link necklaceKalan faux pearl multicolor necklace and a Lauren Ralph Lauren beaded necklaceCrown Trifari white enameled earrings and pendant necklace setCostume jewelry necklaces from Monet, Jomaz, Trifari, and Key TrifariVintage Napier necklace, earrings and braceletCostume jewelry necklaces in all lengths to suit your style, from Crown Trifari, Monet, Anne Klein, Marshall Field, Trifari ZPC  Bracelets - faux pearls, stylized link, and charm bracelets from Crown Trifari and MonetVintage Lisner green bead cluster clip earringsTruly marvelous - a blue swirled glass and rhinestone  statement brooch from MarvellaEarrings (and brooch), new with tags, from Monet, Trifari, Edgar Berébi, Swarovski, The Edelweiss CollectionVintage fashion necklaces, lots of colors and lengths to suit your style More vintage costume jewelry necklaces from choker length to 70's boho beadsCostume jewelry necklaces – vintage and retro styles, colors, lengths, demure to bright colors, single to multiple strands From Faux Pearls to funky, bold pendant necklaces to fashion rings, earrings and broochesAnd more colorful vintage costume jewelry necklaces - purples, blues, greens, pinks, silver, goldFashion necklaces of wooden beads, faux pearls, glass beads, chain link, chokers to lariats, boho to Ladies Who Lunch! Earrings from Crown Trifari, Richelieu, Napier, ORA, Monet, West German and Austria crystal and glass Costume jewelry earrings from Coro, Monet, Bergére, Richelieu, Krementz, Napier, Swarovski, W. GermanyVintage costume jewelry earrings - some sterling silver - from Napier, Monet, Pell, Dalsheim, Lisner, Crown Trifari, and SpainVintage fashion earrings, some 12k gold-filled, from Crown Trifari, Pearlcraft, Swarovski, W. Germany, Vogue, Monet, Liz ClaiborneA pair of Weiss sterling silver modernist clip earringsA beautiful Weiss snowflake broochWeiss sterling silver clip earringsA trio of sterling silver rings with faceted colored stonesFashion rings costume jewelry faux pearl, natural stonesFashion rings, cocktail rings, statement rings, glamor rings!Vintage rings, retro fashionBig bold fashion rings that get attentionSilver tone fashion ringsAssorted beaded necklacesAssorted beaded necklaces costume jewelryAssorted beaded necklaces, retro vintage fashionA variety of beaded necklaces available - natural stone including tigers eye and mother of pearlMore from the large collection of vintage costume jewelry earrings available at this saleStill more from the large collection of vintage costume jewelry earringsAnd still more from the very very large collection of vintage costume jewelry earringsA graceful flower form sterling silver and gold filled demi parure, brooch and earrings setA signed Stephen Dweck sterling silver and hand carved mother of pearl pendant with original fabric pouchA beautiful carved flower form sterling brooch by Stephen DweckA fun selection of gold tone and enamel costume jewelry brooches pins and braceletCostume earrings, many brilliantly enameledSterling silver braceletsSterling silver fashion braceletsSterling silver brooches, bracelets and pendantsAntique Harrach or Thomas Webb & Sons cameo glass vase circa 1890, cased blue over creamy white, cameo cut around the body with flowering petals on leafy vines. A banded blue rim at the top and a polished pontil on the base. Another view of the antique Harrach or Thomas Webb & Sons cameo glass vase circa 1890, cased blue over creamy white, cameo cut around the body with flowering petals on leafy vines. A banded blue rim at the top and a polished pontil on the base. (Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) Another view of the antique Harrach or Thomas Webb & Sons cameo glass vase circa 1890, cased blue over creamy white, cameo cut around the body with flowering petals on leafy vines. A banded blue rim at the top and a polished pontil on the base. A petite antique cameo art glass Art Deco era vase by André Delatte, Nancy, FranceAnother view of the petite antique cameo art glass Art Deco era vase by André Delatte, Nancy, FranceAnother view of the petite antique cameo art glass Art Deco era vase by André Delatte, Nancy, FranceAnother view of the petite antique cameo art glass Art Deco era vase by André Delatte, Nancy, France. Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.A vintage Chinese Peking Glass brush pot or bitong, hexagonal form, featuring dark green over red cameo glass carved in a birds and flowering peony design Another view of the vintage Chinese Peking Glass bitong or brush pot, hexagonal form, featuring dark green over red cameo glass carved in a birds and flowering peony design Another view of the vintage Chinese Peking Glass brush pot or bitong, hexagonal form, featuring dark green over red cameo glass carved in a birds and flowering peony designAnother view of the vintage Chinese Peking Glass bitong or brush pot, hexagonal form, featuring dark green over red cameo glass carved in a birds and flowering peony designBase of the vintage Chinese Peking Glass bitong or brush pot, hexagonal form, featuring dark green over red cameo glass carved in a birds and flowering peony designAn exquisite Art Nouveau era vase shading from warm pink to clear, gilded with floral design and applied gold metal bees! Likely Bohemia glass from Moser.Another view of the An exquisite Bohemian glass vase, shading warm pink to clear, hand painted with gold floral design and applied gold metal bees! Moser glass works produced this stunning Art Nouveau era art glass vase.(Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) Another view of the exquisite Bohemian glass vase, shading warm pink to clear, hand painted with gold floral design and applied gold metal bees! Moser glass works produced this stunning Art Nouveau era art glass vase.A beautiful cameo carved art glass vase, cased glass of warm rosy pink over white and carved with trailing ivy vinesAnother view of the beautiful cameo carved art glass vase, cased glass of warm rosy pink over white and carved with trailing ivy vinesCloseup of the beautiful cameo carved art glass vase, cased glass of warm rosy pink over white and carved with trailing ivy vinesA French Art Nouveau cameo glass vase, Legras 'Rubis' series circa 1910, acid etched surface and cameo carved purplish red trailing ivy vines, Legras signatureAnother view of the French Art Nouveau cameo glass vase, Legras 'Rubis' series circa 1910, acid etched surface and cameo carved purplish red trailing ivy vines, Legras signatureCloseup of the Legras French Art Nouveau cameo glass vase, Legras 'Rubis' series circa 1910, acid etched surface and cameo carved purplish red trailing ivy vines, Legras signatureA J. Michel Paris cameo glass landscape vase circa 1925, beautifully overlaid and acid etched with sailing boats and gondolas (Venice?) in lagoon, seen through wisteria vines; signed in cameo J.Michel ParisAnother view of the J. Michel Paris cameo glass landscape vase circa 1925, beautifully overlaid and acid etched with sailing boats and gondolas (Venice?) in lagoon, seen through wisteria vines; signed in cameo J.Michel ParisMore views of the J. Michel Paris cameo glass landscape vase circa 1925, beautifully overlaid and acid etched with sailing boats and gondolas (Venice?) in lagoon, seen through wisteria vines; signed in cameo J.Michel ParisCloseups of the J. Michel Paris cameo glass landscape vase circa 1925, beautifully overlaid and acid etched with sailing boats and gondolas (Venice?) in lagoon, seen through wisteria vines; signed in cameo J.Michel ParisBase of the J. Michel Paris cameo glass landscape vase circa 1925, beautifully overlaid and acid etched with sailing boats and gondolas (Venice?) in lagoon, seen through wisteria vines; signed in cameo J.Michel ParisA Daum Nancy cameo glass vase decorated with sailboats on a lake seen through trees, in purple/black on an orange and yellow ground, acid etched, signed in cameo 'Daum Nancy' with the Croix de Lorraine markCloseup of signature on the Daum Nancy cameo glass vase decorated with sailboats on a lake seen through trees, in purple/black on an orange and yellow ground, acid etched, signed in cameo 'Daum Nancy' with the Croix de Lorraine markAnother view of the Daum Nancy cameo glass vase decorated with sailboats on a lake seen through trees, in purple/black on an orange and yellow ground, acid etched, signed in cameo 'Daum Nancy' with the Croix de Lorraine markAnother view of the Daum Nancy cameo glass vase decorated with sailboats on a lake seen through trees, in purple/black on an orange and yellow ground, acid etched, signed in cameo 'Daum Nancy' with the Croix de Lorraine mark(Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) Another view of the Daum Nancy cameo glass vase decorated with sailboats on a lake seen through trees, in purple/black on an orange and yellow ground, acid etched, signed in cameo 'Daum Nancy' with the Croix de Lorraine markA Chinese Peking Glass ruby red bowl, compressed globe form with curved, faceted sides. The base is engraved with a four-character Qianlong mark within a square.  Another view of the Chinese Peking Glass ruby red bowl, compressed globe form with curved, faceted sides. The base is engraved with a four-character Qianlong mark within a square.  Another view of the Chinese Peking Glass ruby red bowl, compressed globe form with curved, faceted sides. The base is engraved with a four-character Qianlong mark within a square.  A beautiful antique pulled feather design art glass vase with flared ruffled rim, iridescent gold interior(Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) A beautiful antique pulled feather design art glass vase with flared ruffled rim, iridescent gold interiorA Chinese carved rock crystal censer and cover, early 20th century, of compressed globular form, resting on three short paw-shaped feet, the lid surmounted with a seated mythical beast, shoulders are flanked by mythical beast mask handles. Both the lid and body are carved with taotie mask designs. Another view of the Chinese carved rock crystal censer and cover, early 20th century, of compressed globular form, resting on three short paw-shaped feet, the lid surmounted with a seated mythical beast, shoulders are flanked by mythical beast mask handles. Both the lid and body are carved with taotie mask designs. Another view of the Chinese carved rock crystal censer and cover, early 20th century, of compressed globular form, resting on three short paw-shaped feet, the lid surmounted with a seated mythical beast, shoulders are flanked by mythical beast mask handles. Both the lid and body are carved with taotie mask designs. Closeup of the lid of the Chinese carved rock crystal censer and cover, early 20th century, of compressed globular form, resting on three short paw-shaped feet, the lid surmounted with a seated mythical beast, shoulders are flanked by mythical beast mask handles. Both the lid and body are carved with taotie mask designs. Closeups of the handles on the Chinese carved rock crystal censer and cover, early 20th century, of compressed globular form, resting on three short paw-shaped feet, the lid surmounted with a seated mythical beast, shoulders are flanked by mythical beast mask handles. Both the lid and body are carved with taotie mask designs. More views of the Chinese carved rock crystal censer and cover, early 20th century, of compressed globular form, resting on three short paw-shaped feet, the lid surmounted with a seated mythical beast, shoulders are flanked by mythical beast mask handles. Both the lid and body are carved with taotie mask designs. An Art Nouveau cameo glass amber tulip vase made by English glassmakers Thomas Webb & SonsCloseup of the base of the Art Nouveau cameo glass amber tulip vase made by English glassmakers Thomas Webb & SonsA stunning and large antique Bohemian art glass vase (Moser? Harrach?) intricately painted overall with acanthus leaf scrolls in polychrome enamel, with cranberry glass panels containing wheel carved gilded flowers, and gold gilding at the flared rim.Closeup of the stunning and large antique Bohemian art glass vase (Moser? Harrach?) intricately painted overall with acanthus leaf scrolls in polychrome enamel, with cranberry glass panels containing wheel carved gilded flowers, and gold gilding at the flared rim.Closeup of the stunning and large antique Bohemian art glass vase (Moser? Harrach?) intricately painted overall with acanthus leaf scrolls in polychrome enamel, with cranberry glass panels containing wheel carved gilded flowers, and gold gilding at the flared rim.Closeup of the stunning and large antique Bohemian art glass vase (Moser? Harrach?) intricately painted overall with acanthus leaf scrolls in polychrome enamel, with cranberry glass panels containing wheel carved gilded flowers, and gold gilding at the flared rim.An incredible 15-inch tall art glass vase shading from clear to cranberry, beautifully wheel cut or engraved with detailed scene of birds in flight amidst flowering branches and vines. Possibly Moser Glass.Closeup of the incredible 15-inch tall art glass vase shading from clear to cranberry, beautifully wheel cut or engraved with detailed scene of birds in flight amidst flowering branches and vines. Possibly Moser Glass.Closeup of the incredible 15-inch tall art glass vase shading from clear to cranberry, beautifully wheel cut or engraved with detailed scene of birds in flight amidst flowering branches and vines. Possibly Moser Glass.An antique Mont Joye Legras art glass vase, acid etched and enameled with iris flowers and leaves; marked on the base with the Mont Joye L C (Legras et Cie)  Closeup of the antique Mont Joye Legras art glass vase, acid etched and enameled with iris flowers and leaves; marked on the base with the Mont Joye L C (Legras et Cie)  Another view of the antique Mont Joye Legras art glass vase, acid etched and enameled with iris flowers and leaves; marked on the base with the Mont Joye L C (Legras et Cie)  Closeup of the antique Mont Joye Legras art glass vase, acid etched and enameled with iris flowers and leaves; marked on the base with the Mont Joye L C (Legras et Cie)  A massive Legras Mont Joye art glass vase, beautiful art nouveau design of blooming purple and white irises with gilt leaves against a textured frosted green glass ground, the rim with organic forms and scrolls of gilt. Mont Joye L C mark to the base.    Closeup of the large Legras Mont Joye art glass vase, beautiful art nouveau design of blooming purple and white irises with gilt leaves against a textured frosted green glass ground, the rim with organic forms and scrolls of gilt. Mont Joye L C mark to the base.    Closeup of the large Legras Mont Joye art glass vase, beautiful art nouveau design of blooming purple and white irises with gilt leaves against a textured frosted green glass ground, the rim with organic forms and scrolls of gilt. Mont Joye L C mark to the base.    Another closeup of the large Legras Mont Joye art glass vase, beautiful art nouveau design of blooming purple and white irises with gilt leaves against a frosted textured green glass ground, the rim with organic forms and scrolls of gilt. Mont Joye L C mark to the base.    Closeup of the large Legras Mont Joye art glass vase, beautiful art nouveau design of blooming purple and white irises with gilt leaves against a frosted textured green glass ground, the rim with organic forms and scrolls of gilt. Mont Joye L C mark to the base.    A pair of antique French Baccarat crystal medallion pattern white enameled and gilded candlestick holdersAnother view of the pair of antique French Baccarat crystal medallion pattern white enameled and gilded candlestick holdersCloseup of the pair of antique French Baccarat crystal medallion pattern white enameled and gilded candlestick holdersA massive antique Royal Doulton Lambeth stoneware baluster vase, 18-1/2 inches tall. Decorated with a graceful spray of flowers over a swirl textured pale amber ground between a band of deep blue and brown lappets and roundels at the shoulder and points with roundels at the foot, a collar of white beaded overlapping blue roundels on the neck, two bands of white beading above the foot. Base shows impressed Doulton Lambeth mark, artist's marks, and model numbers. Late 19th century. Closeup of the massive antique Royal Doulton Lambeth stoneware baluster vase, 18-1/2 inches tall. Decorated with a graceful spray of flowers over a textured pale amber ground between a band of deep blue and brown lappets and roundels at the shoulder and points with roundels at the foot, a collar of white beaded overlapping blue roundels on the neck, two bands of white beading above the foot. Base with impressed Doulton Lambeth mark, artist's marks, and model numbers. Late 19th century. Closeup of the massive antique Royal Doulton Lambeth stoneware baluster vase, 18-1/2 inches tall. Decorated with a graceful spray of flowers over a textured pale amber ground between a band of deep blue and brown lappets and roundels at the shoulder and points with roundels at the foot, a collar of white beaded overlapping blue roundels on the neck, two bands of white beading above the foot. Base with impressed Doulton Lambeth mark, artist's marks, and model numbers. Late 19th century. Closeup of the massive antique Royal Doulton Lambeth stoneware baluster vase, 18-1/2 inches tall. Decorated with a graceful spray of flowers over a textured pale amber ground between a band of deep blue and brown lappets and roundels at the shoulder and points with roundels at the foot, a collar of white beaded overlapping blue roundels on the neck, two bands of white beading above the foot. Base with impressed Doulton Lambeth mark, artist's marks, and model numbers. Late 19th century. Closeup of the massive antique Royal Doulton Lambeth stoneware baluster vase, 18-1/2 inches tall. Decorated with a graceful spray of flowers over a textured pale amber ground between a band of deep blue and brown lappets and roundels at the shoulder and points with roundels at the foot, a collar of white beaded overlapping blue roundels on the neck, two bands of white beading above the foot. Base with impressed Doulton Lambeth mark, artist's marks, and model numbers. Late 19th century. (Please note this photo includes an old price mark from when our client originally purchased the piece, and does not reflect the current sale price.) Closeup of the massive antique Royal Doulton Lambeth stoneware baluster vase, 18-1/2 inches tall. Decorated with a graceful spray of flowers over a textured pale amber ground between a band of deep blue and brown lappets and roundels at the shoulder and points with roundels at the foot, a collar of white beaded overlapping blue roundels on the neck, two bands of white beading above the foot. Base with impressed Doulton Lambeth mark, artist's marks, and model numbers. Late 19th century. A fabulous Art Nouveau era centerpiece of an iridescent art glass bowl (possibly Loetz) with sculpted bronzed metal stand.  Another view of the fabulous Art Nouveau era centerpiece – an iridescent art glass bowl (possibly Loetz) with sculpted bronzed metal stand.  Antique bride's basket with cameo glass bowl of pink and white cased glass, square form with floral motif and flared ruffled edge; and silver plated metal basket handle stand by Rockford Silver Co. IllinoisAnother view of the antique bride's basket with cameo glass bowl of pink and white cased glass, square form with floral motif and flared ruffled edge; and silver plated metal basket handle stand by Rockford Silver Co. IllinoisCloseup of the antique bride's basket with cameo glass bowl of pink and white cased glass, square form with floral motif and flared ruffled edge; and silver plated metal basket handle stand by Rockford Silver Co. IllinoisCloseup of the antique bride's basket with cameo glass bowl of pink and white cased glass, square form with floral motif and flared ruffled edge; and silver plated metal basket handle stand by Rockford Silver Co. Illinois19th century ruffled art glass bowl bride's basket with silver plated basket handle standCloseup of 19th century ruffled art glass bowl bride's basket with silver plated basket handle standCloseup of 19th century ruffled art glass bowl bride's basket with silver plated basket handle standCloseup of 19th century ruffled art glass bowl bride's basket with silver plated basket handle standA 19th century Hobbs, Brockunier rubina verde hobnail glass bowl or 'bride's basket' in an Art Nouveau style metal stand Another view of the 19th century Hobbs, Brockunier rubina verde hobnail glass bowl or 'bride's basket' in an Art Nouveau style metal stand (Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) Another view of the 19th century Hobbs, Brockunier rubina verde hobnail glass bowl or 'wedding basket' in an Art Nouveau style metal stand Sale PictureA lovely crystal art glass vase, green cut to clearAnother view of the lovely crystal art glass vase, green cut to clearCloseup of the lovely crystal art glass vase, green cut to clear45s from Roy Head, Herman's Hermits, The Dubbs, Billy HarnerVinyl 45 singles from Robert Maxwell His Harp and Orchestra, Boots Randolph, Sam Cooke, Bobby Vee45 RPM vinyl singles - Barbara Lynn, Aretha Franklin, The Monkees, The NightcapsVintage vinyl singles by Sam & Dave, J.J. Jackson, The Capitols, Booker T. & The M.G.'s45s singles by The Essex, Ray Charles, The Moonglows, The Shields45 records by King Curtis, Little Anthony and the Imperials, Herb Alpert and The Tijuana Brass, and Mary Wells45 records by Diane Remay, Billie Stewart, Jimmie Gilmer and The Fireballs, Shelley Fabares Vintage vinyl singles by Dee Dee Sharp, Patty Labelle & The Blue Belles, James Brown, The VolcanosLittle Anthony and the Imperials, Sam Cooke, The Marvelettes, Herb Alpert & The Tijuana Brass45s single records by Marvin Gaye & Tammi Terrell, Dyke and The Blazers, The Crystals, The Temptations Singles by The Contours, The Happenings, Inez Foxx, Bobby HebbVintage vinyl singles by The Marvelettes, Aretha Franklin, The Elgins, DionThe O'kaysions, Brenda Lee, Alpha Zoe, Cliff Nobles45 singles by Shirley Ellis, The Temptations, Gladys Knight & The Pips, Nancy WilsonOhio Express, Marvin Gaye, Dionne Warwick, The TemptationsMarvin Gaye & Kim Weston, Jr. Walker& The All Stars, Dee Dee Sharp, Jimmy Ruffin45 RPM records by The Duprees, Gene Pitney, Crispian St. Peters, The Four Seasons45s by Deon Jackson, Felice Taylor, Johnny Rivers, Aaron NevilleVintage vinyl by Wilson Pickett, The Foundations, Diana Ross & The Supremes, The HesitationsSingles by Richard Chamberlain, Shorty Long, James Brown and The Famous Flames, The Rivieras45s by Sam Cooke, The Four Seasons, Herb Alpert & The Tijuana Brass, Jr. Walker & The All StarsDyke & The Blazers, Little Anthony and The Imperials, The Temptations, The Marvelettes45 RPM records by Nancy Wilson, Shirley Ellis, The Temptations, Gladys Knight & The PipsVinyl records by The Elgins, Brenda Lee, Alpha Zoe, Cliff Nobles,Vinyl singles by The Happenings, Inez Foxx, Dion, Aretha FranklinThe Crystals, Bobby Hebb, Marvin Gaye & Tammi TerrellA Wedgwood black basalt model of a blackbird circa 1920 modeled by Ernest Light, with applied glass eyes, finely modeled details to the feathers, standing on a shaped base, and a Wedgewood black basalt model of a heron, also by Ernest Light
Another view of the Wedgwood black basalt model of a blackbird circa 1920 modeled by Ernest Light, with applied glass eyes, finely modeled details to the feathers, standing on a shaped base, and a Wedgewood black basalt model of a heron, also by Ernest LightAnother view of the Wedgwood black basalt model of a blackbird circa 1920 modeled by Ernest Light, with applied glass eyes, finely modeled details to the feathers, standing on a shaped base, and a Wedgewood black basalt model of a heron, also by Ernest LightPair of Wedgwood black basalt dolphin candlestick holders, in the form of a dolphin resting on a rectangular plinth decorated with scallop shells; impressed "Wedgwood" signature to the  undersideAnother view of the pair of Wedgwood black basalt dolphin candlestick holders, impressed "Wedgwood" signature to the  undersideAnother view of the pair of Wedgwood black basalt dolphin candlestick holders, impressed "Wedgwood" signature to the  undersideSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureVintage vinyl LP records: Narada Michael Walden, Peter Brown, Dan Hartman, Philip GlassVintage vinyl LP and EP records: Patrick Cowley featuring Sylvester, Vendetta Records / Maurice / This is Acid, C-Bank / One More Shot, and Hazell Dean Vinyl from Weather Report, Yazoo, Miquel Brown, The Weather GirlsVintage vinyl from Cris Williamson, and Joy of Cooking 'Joy of Cooking Toni, David, Terry, Fritz & Ron'Vinyl records from Anthem, The Specials, Sylvester, and WarVinyl records from Anne Murray, Tracy Nelson, and Maria MuldaurVinyl records from Laura Nyro, Alicia Bridges, Tim Buckley, and Marcia RavenVintage vinyl from Angela Clemmons, The S.O.S. Band, Yarborough & Peoples, and Zinga WashingtonVintage vinyl from Mary Wells, WDAS 22 Original Soul Sounds, Orbit, and The ShirellesVintage LP albums from Sarah Vaughan, Bessie Smith, and SlingshotKaren Young, Pamala Stanley, Pipedream, Vicki Sue RobinsonDisco Party ‘83, Kelly Marie, Heatwave, and Van McCoyVintage vinyl from Madleen Kane, and MelanieLP albums on vinyl from Judy Collins, Third WorldRecord albums from The Pointer Sisters, and Diana RossVintage Peter, Paul and Mary albumsVintage Peter, Paul and Mary albumsMary Travers, Carole KingClassic vintage LP albums from Joan BaezClassic vintage LP albums from Joan Baez'Blessed Are...' vinyl 2-disc album by Joan BaezBette Midler albums, and Margie Adams albumKate Clinton, Lianna sountrack, Lesbian Concentrate, and Suzi QuatroVintage vinyl from Howard Jones, Ronny Dyson, Kate BushVinyl LP albums from George Winston, Bill Quist, Ira Stein and Russell WalderWindham Hill Records Sampler ‘81, Tangerine Dream, Paul Dresher, Sanford Ponder 
Awinul / Di•a•lects, James Galway / Annie’s Song, Powaqqatsi / Film Music by Philip Glass, Koyaanisqatsi / Life Out of BalanceSoundtrack albums from the films Somewhere in Time, Chariots of Fire, The Year of Living Dangerously, and FameSoundtrack albums from The Sound of Music, Saturday Night Fever, Victor Victoria, and FlashdanceVintage vinyl: The Hitchhiker’s Guide to the Galaxy, Lily Tomlin On Stage, Gloria Gaynor, Laurie AndersonVinyl LPs from Laurie AndersonLaurie Anderson / United States ​​Art Music Installation Companion Book, Laurie Anderson / Stories from the Nerve Bible, Laurie Anderson / United States (book)
Vinyl records: Laurence Harvey / This Is My Beloved, Lenny Bruce / The Midnight Concert, Milton Berle & Hugh Downs with Arlene Francis / The Age of Television
Vinyl records for sale: Duke Ellington / 1941 Classics, Perry Como / Como Swings, Little Anthony and the Imperials / I’m On The Outside (Looking In) Donna Summer LP albums, #vintagevinyl disco timeVinyl records by Janis Joplin, Eleanor Grant, Margie Adams, MtumeThe Saturday Evening Post Magazine / The Beatles cover story August 1964, The Beatles poster and 4 promotional color photographs

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