JUNE GALLERY AUCTION - ACCEPTING SELECT ITEMS

auction house | 1 day sale | 28 days away
Address
The address for this sale in Ypsilanti, MI 48197 will be available after 9:00am on Friday, June 27th, 2025.
Dates
Sat
Jun 28
11am

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We accept Wire Transfers, Credit Cards, Personal Checks or Cash.
Schmidt's Antiques Inc Logo

Schmidt's Antiques Inc

Company Website
Company Details
(734) 434-2660

Description & Details

June Gallery Auction

 

Saturday June 28th at 11:00 a.m.

 

Featuring Art and Antiques from Estates and Private Collections in Bloomfield Hills, Grosse Pointe, Ann Arbor, MI and Gibsonburg, OH.  Includes Fine Art from the family and Studio of renowned printmaker Garner Tullis including works by Richard Diebenkorn, Emilio Vedova, Charles Arnoldi, Sean Scully, Friedel Zubas and others, additional Fine Art by Samuel Weiss, Carl Hoerman, Miguel Covarrubias, A. Braun and others, 18th & 19th century American Furniture, Lighting, Clocks, Glen Michaels 18k brooch, 1998 Mercedes Benz SLK230 automobile, Mid-Mod Furniture, Sterling Silver and Accessories.

 

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25% Buyer's Premium on all lots

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Schmidt's Antiques Inc.

5138 West Michigan Ave.

Ypsilanti, Michigan.

(734) 434-2660

Since 1911

 
 

www.SchmidtsAntiques.com

A 1920's Rene Lalique "Ceylan" glass vase. Opalescent glass with tapered form and molded songbird design. Wheel cut "R. Lalique France" mark and incised model "905". Minor surface wear, a few micro-flakes along edges of body. 9 1/2" high.A 1998 Mercedes-Benz SLK-Class 230 Convertible. Two door with Black exterior and charcoal leather interior, 4 cylinder engine, 5 speed automatic transmission, odometer shows 29,319 miles. CONDITION: Previous accident history at rear, fully repaired with paperwork, slight wear to interior, minor scratches to exterior paint, starts and drives, not road tested. Retains original owner's manual, purchase paperwork and extensive service records up to 28,944 miles in 2024, includes two sets of keys.Samuel A. Weiss, Polish/American, 1874-1918. A turn of the century Impressionist oil on canvas New York cityscape. Signed "S.A. Weiss" lower left. Some craquelure, minor surface grunge, small flake with in-painting mid right. Image 21 1/2 x 29 1/2" high, in a painted molded wood frame with some wear, 27 1/4 x 35 1/4" high overall.Clinton Storm, American, b. 1953. A 1980's sculpted acrylic Color Field diptych on canvas, untitled from the "Tabula Rasa" (Blank Slate) series. Signed "Storm", dated "1985" and annotated at verso of lower panel. Some craquelure, slight flaking. Panels each 72 x 60" high overall. PROVENANCE: From the family of printmaker Garner Tullis.Richard Diebenkorn, American, 1922-1993. A 1980's soap ground etching and aquatint on heavy Rives paper, titled "Center Square". Printed by Marcia Bartholme at Crown Point Press, San Francisco. Initialed "RD" and dated "85" lower right, numbered "23/25" lower left, paper blind stamped "Rives" and "Crown Point Press / Marcia Bartholme" lower right. Slight foxing and rippling, not examined out of frame. Image 7 3/4 x 10 1/4" high on a 19 1/2 x 26" high sheet, in a lacquered wood frame with some wear frame and interior debris, 21 1/2 x 28" high overall. PROVENANCE: From the family of printmaker Garner Tullis.Michael Goldberg, American, 1924-2007. A 1980's monotype abstract in colors on Tullis Workshop paper, printed and published by Garner Tullis, New York City. Signed "Goldberg" and dated "88" lower right. Very slight toning and rippling, not examined out of frame. Sheet 30 x 31 1/2" high, in a lacquered wood frame with some wear and interior debris, 36 1/2 x 38 1/2" high overall. PROVENANCE: From the Studio of printmaker Garner Tullis.Emilio Vedova, Italian, 1919-2006. A late 20th century monotype abstract in colors on Tullis Workshop paper with deckled edges, printed and published by Garner Tullis, New York City. Signed "Vedova" lower right. Some discoloration, plexi with scratches and mounting board with foxing, not examined out of frame. Sheet 22 1/2 x 29" high, in a wooden float frame, 27 1/4 x 35 1/2" high overall. PROVENANCE: From the Studio of printmaker Garner Tullis.Sean Scully, Irish, b. 1945. A 1990's woodcut in colors on Tullis Workshop paper with deckled edges, titled "Narcissus". Printed and published by Garner Tullis, New York City. Signed "Sean Scully", dated "91", titled and numbered "AP 9/9" in the lower margin. Some foxing particularly to lower half, minor toning, plexi with scratches, not examined out of frame. Image 8 x 10 3/4" high on a 14 1/4 x 18 1/2" high sheet, in a wooden float frame, 16 1/2 x 21 1/4" high overall. PROVENANCE: From the Studio of printmaker Garner Tullis.Friedel Dzubas, German/American, 1915-1994. A late 20th century woodcut abstract in colors on Tullis Workshop Japan paper, printed and published by Garner Tullis, New York City. Signed "F. Dzubas" and numbered "41/45" lower right. Minor toning, very slight foxing. Image 16 3/4 x 6 1/2" high, in a contemporary wooden frame, 27 x 17" high overall. PROVENANCE: From the Studio of printmaker Garner Tullis.Charles Arnoldi, American, b. 1946. A 1980's acrylic and wood on plywood wall sculpture. Signed "Arnoldi" and dated "1986" verso with original "Charles Arnoldi Studio" label. Minor wear. 18 x 4 x 14 1/2" high overall. PROVENANCE: From the family of printmaker Garner Tullis.Clinton Storm, American, b. 1953. Two 1980's sculpted acrylic Color Field paintings on canvas. Unsigned. Some craquelure, slight flaking. Unframed, both 18 x 24" high overall. PROVENANCE: From the family of printmaker Garner Tullis.Clinton Storm, American, b. 1953. Three 1980's sculpted acrylic abstracts on canvas. Unsigned, two dated "1987" and one "1986". Some craquelure, slight flaking. Unframed, up to 18 x 24" high overall. PROVENANCE: From the family of printmaker Garner Tullis.David Lasry, American, b. 1958. A 1980's oil on assembled wooden panel abstract. Signed "Lasry" and dated "1989" verso. Minor discoloration and surface grunge. 21 x 24" high overall. PROVENANCE: From the family of printmaker Garner Tullis.Peggy Wirta Dahl, American, b. 1952. A 1980's oil on canvas abstract. Signed "P.W.D.", annotated "Untitled No. 987A" and dated "1987" verso, stamped "Peggy Wirta Dahl" with copyright at stretcher. Minor surface grunge, a couple tiny flakes. 9 x 12" high overall. PROVENANCE: From the family of printmaker Garner Tullis.Kenneth Noland, American, 1924-2010. A 1970's Color Field silkscreen on paper, untitled from The New York Collection for Stockholm portfolio. Signed "Kenneth Noland", dated "8 Aug 1976" and numbered "A.P. 22/25" verso. Also dedicated "For Garner and Ann with love - Shaftsbury VT" and stamped "Copyright 1973 by Kenneth Noland / Printed at Styria Studio" verso, additionally dedicated "With Garner and Anne xx Kenneth Noland / Easter Sunday / 26 March / San Francisco 1978" at artist board backing. Slight rippling, plexi with some scratches. Sheet 11 1/2 x 9" high, in a plastic float frame, 12 x 9 1/2" high overall. PROVENANCE: From the family of printmaker Garner Tullis.Jean-Charles Blais, French, b. 1956. A late 20th century monotype in colors on Tullis Workshop paper with deckled edges, printed and published by Garner Tullis, Santa Barbara. Abstract depiction of a man's arm grasping a root with the word "SANT" (Health) written down the right side. Signed "J. C. Blais" lower left. Toning, very slight foxing, plexi with a few scratches, not examined out of frame. Sheet 22 x 29 1/2" high, in a wooden float frame, 31 x 38 3/4" high overall. PROVENANCE: From the family of printmaker Garner Tullis.David Row, American, b. 1976. A late 20th century monotype in color on Tullis Workshop paper with deckled edges, printed and published by Garner Tullis, New York City. Signed "David Row" lower right. Minor toning and rippling, pinholes at upper corners, plexi with some light scratches, not examined out of frame. Sheet 30 1/4 x 42" high, in a wooden float frame with slight wear, 33 1/2 x 45 1/4" high overall. PROVENANCE: From the Studio of printmaker Garner Tullis.Tom Lieber, American, b. 1949. A 1980's monotype abstract in colors on Tullis Workshop paper with deckled edges, printed and published by Garner Tullis, Santa Barbara. Initialed "T.L." and dated "86" lower right, retains two gallery tags from "Thomas Segal Gallery" Boston, MA and "Pamela Auchincloss Gallery" New York, NY verso. Minor toning and rippling, plexi with some scratches, mounted board with minor foxing, not examined out of frame. Sheet 43 1/2 x 30" high, in a wooden float frame with minor fading, 48 3/4 x 35 1/4" high overall. ESTIMATE PROVENANCE: From the Studio of printmaker Garner Tullis.Joseph Haske, American, b. 1945. A 1980's acrylic on panel abstract. Signed "J. Haske" and dated "'86" verso. Minor flaking to corners. 6 x 7 1/2" high overall. PROVENANCE: From the family of printmaker Garner Tullis.Italo Scanga, Italian/American, 1932-2001. A 1980's acrylic on paper abstracted landscape. Signed "Italo Scanga" and dated "1985" lower right. Very slight foxing, not examined out of frame. Image 17 x 16 1/4" high, in the original painted softwood frame, 15 1/4 x 20" high overall. PROVENANCE: From the family of printmaker Garner Tullis.Wendy Mark, American, 20th century. A 1990's monotype in colors on Tullis Workshop paper with deckled edges, printed and published by Richard Tullis, Santa Barbara. Initialed "WM" and dated "1991" lower right. Minor toning along edges, pin holes at upper corners, not examined out of frame. Each monotype 2 1/2 x 3 1/4" high on a 17 x 20 1/2" high sheet, in a wooden frame with silver finish, 30 x 35" high overall. PROVENANCE: From the family of printmaker Garner Tullis.Martin Beck, Austrian/American, b. 1963. A 1980's monotype in colors on Tullis Workshop paper with deckled edges, printed and published by Garner Tullis, New York. Signed "M. Beck" and dated "89" lower right, dedicated "To Elizabeth" lower left. Minor toning and foxing along edges, pin holes in upper corners. Image 14 x 10 1/2" high, unframed sheet, 29 3/4 x 22 1/4" high overall. Martin Beck, Austrian/American, b. 1963. A 1980's monotype abstract in colors on Tullis Workshop paper with deckled edges, printed and published by Garner Tullis, New York. Unsigned, paper labeled "DR 90" lower right at edge of sheet. Minor toning, pin holes at one edge. Image 14 x 10 1/2" high, unframed sheet, 29 3/4 x 22 1/4" high overall.Italo Scanga, Italian/American, 1932-2001. Two 1980's monotypes in color on Tullis Workshop paper, printed and published by Garner Tullis, Santa Barbara. One depicts an abstracted landscape with trees, tomatoes and garlic (1988), the other a depiction of a Black bird perched on a branch (1987). Each signed "Italo Scanga" and dated lower right, landscape dedicated "To Liz" lower left. Minor toning, slight foxing. Images up to 12 1/4 x 17 1/2" high, unframed sheets up to 22 1/2 x 30" high overall. PROVENANCE: From the family of printmaker Garner Tullis, thence by descent to the present owner.Arnaldo Pomodoro, Italian, b. 1926. A 1960's 18k Gold Brutalist style brooch. Signed "Arnaldo Pomodoro" and dated "66" on the reverse, presented in the original box. 51.1 grams total. Minor surface wear, one area with slight bend to ends. 3" long.Glen Michaels, American (Michigan), 1927-2020. An 18k Gold Brutalist style brooch. Includes a hand-signed Christmas card from the artist with a sketch of the brooch's design. Signed "Glen Michaels" and marked "18k". 27.7 grams total. Minor wear. 2 1/4" long.A Polish 14k Gold and Citrine cocktail ring. Features an emerald cut bezel set Citrine stone approx. 15 x 20 mm with filigree setting. Polish hallmarks, tested 14k. 12.3 grams. Minor wear. Size 8. A vintage 14k Gold, Diamond and Ruby ring. Features a marquis cut prong set Diamond measuring 0.40 ct with I/J color, flanked by four Diamond baguettes with H/I color, and two marquis cut Rubies on a scalloped openwork band. Marked "14KT JE". 6.3 grams. Minor wear, center Diamond with slight VS1 to VS2 inclusions. Size 7 1/2.An 18k Gold gent's curb chain bracelet. Faint, partial mark at clasp, tested 18k. 97.3 grams total. Minor surface wear. 10" long open. An 18k Gold Maltese cross pendant on a box chain necklace. Chain marked "18k" at clasp, pendant marked "750". 14.5 grams total. Minor surface wear. 24" long open.An 18k Gold gent's curb chain bracelet. Faint, partial mark at clasp, tested 18k. 97.3 grams total. Minor surface wear. 10" long open. ESTIMATE $8,000-10,000 An 18k Gold Maltese cross pendant on a box chain necklace. Chain marked "18k" at clasp, pendant marked "750". 14.5 grams total. Minor surface wear. 24" long open. ESTIMATE $1,000-1,500 A 14k Gold and Lapis Lazuli necklace. Features nine Lapis Lazuli beads on a squared cable chain. Double marked "14k" at clasp. 26.0 grams total. Minor wear. 37" long open. A Jade and 14k Gold necklace. Features sixty-eight Jade beads approx. 7.75 mm each, hand-knotted with twelve graduated 14k Gold spacer beads. Gold unmarked, tested 14k. 76.1 grams total. Minor wear, Gold beads with some small dents. 14" long.A vintage 14k Gold and Diamond ring. Features a round cut prong set solitaire diamond approx. 4 mm and estimate 0.25 ct, on a wide band with openwork design. Marks worn, tested 14k. 6.1 grams total. Minor surface wear, Diamond with micro chip at one facet. Size 8.A vintage Traub Orange Blossom 14k Gold and Diamond ring. Features a domed setting with openwork design and twelve round cut channel set Diamond accents. Marked "Orange Blossom" and "14k". 3.9 troy ozs total. Minor surface wear. Size 5.A vintage 14k Gold, Amethyst and Diamond cocktail ring. Features an oval cut prong set Amethyst approx. 10 x 14 mm, surrounded by twenty round cut prong set Diamond accents. Unmarked, tested 14k. 6.8 grams total. Minor surface wear. Size 9 3/4.Two 18k Gold necklace pendants. Includes a 22k Gold Venezuela Caciques de Venezuela Chicuramay coin in an 18k setting, and an 18k Maltese cross pendant. Coin marked "900" mark and frame "18k" weighing 2.3 grams total, cross marked "18k" weighing 1.1 gram total. Some surface wear. Up to 1 1/8" high with hanger.Three vintage Pearl necklaces. Two single strands with 14k Gold clasps and one multi-strand with Gold Filled beads and clasp. Some wear. Up to 28 1/2" long open.Bill Keating, American, b. 1932. A 1980's Bronze Kinetic sculpture featuring an amorphic ribbon balancing on a cone shaped base. Signed "Keating" and dated "80" near foot. Slight wear. 32 1/2" high.A pair of contemporary Le Corbusier for Cassina LC2 club chairs. Chrome tube frames with camel color leather upholstery. Originally designed in 1928 by Le Corbusier, Pierre Jeanneret and Charlotte Perriand. Engraved "Cassina LC2 / Le Corbusier / Made in Italy" at underside of arms, branded "Cassina" fabric at underside of seat. Slight wear. Each 30 x 27 x 27" high overall. A 1930's Art Deco Period Kem Weber for Lloyd "Springer" lounge chair. Chrome tube frame with lift-off upholstered cushions, open arms and painted wood armrests on a flat bar cantilever base. Newer canvas upholstery, repainted armrests with some wear, slight oxidation to chrome. 24 x 30 x 36" high overall.A set of six Danish Modern dining chairs by Johannes Andersen for Uldum Mobelfabrik. Teak construction with upholstered backs and seats on tapered legs. Retain original "Uldum Mobelfabrik / Made in Denmark" labels at undersides. Original finish with minor wear, upholstery worn with some staining. 18 1/2 x 18 x 30" high overall. A Mid Mod Stow Davis dining table. Round Teak top on a Chrome pedestal base. Metal "Stow Davis" tag underside. Original finish with slight wear, minor water spots. 47 1/2" diameter x 28 1/2" high overall.A Mid Mod Knoll style cabinet. Teak construction with two doors opening to a divided cabinet on a simple Chrome base. Original finish with minor wear, minor scratches and water spots to top. 38 x 20 x 26" high overall.Hassel Smith, American, 1915-2007. A 1990's acrylic on cardstock board abstract. Initialed "HWS" and dated "96" upper right, additionally signed "Hassel Smith" and dated "1996" verso, retains label from "John Natsoulas Gallery" Davis, CA at backing. Some rippling, minor surface grunge. Image 11 x 16" high, in a painted wood frame with minor wear, 12 1/2 x 17 1/2" high overall.Bob Bennett, American, 1928-2003. A 1980's Bronze sculpture featuring a curving amorphic form presented on a Black Marble plinth. Signed "Bob Bennett" dated "88" and numbered "32/50" along sculpture edge. Minor surface wear. 15 1/2" high.Bob Bennett, American, 1928-2003. A 1980's Bronze sculpture featuring a curving amorphic form presented on a Black Marble plinth. Signed "Bob Bennett" dated "88" and numbered "47/100" along sculpture edge. Minor surface wear. 16 1/2" high. Miguel Covarrubias, Mexican, 1904-1957. A mid 20th century gouache on paper study of a Zapotec earthenware vessel with polychrome decoration and three rounded legs, c. 1940. Initialed "MC" lower right, label from "Birmingham Gallery Inc." annotated "Jalcpexco / Monte Alban I / MC" verso. Includes 1960's correspondence and receipts from "Central de Publicaciones, S.A." Mexico. Some toning, very slight foxing, minor rippling, not examined out of frame. Image 5 1/2 x 6" high, in a softwood frame, 10 3/4 x 11 1/2" high overall.A 19th century American Country Federal washstand, New England. Mixed wood construction featuring an open basin with dovetailed gallery and candle holders over a lower shelf with single drawer and scrolled supports on turned legs. Original painted and stenciled decoration with some wear, a few edges chips. 20 1/4 x 18 3/4 x 41" high overall.A Mid Century Modern French coffee table manner of Jacques Adnet. Scrolled Cast Iron base with an inlaid slate top. Some wear and minor damage to slate. 36 3/4 x 20 1/4 x 17" high overall. A mid 20th century Vladimir Kagan for Founders Furniture wardrobe. Model #47222, Rosewood construction featuring ten short drawers beside a cabinet with two doors and three adjustable shelves on a painted wood plinth base. Original finish with minor wear, one door slightly warped. 38 x 18 x 50 1/4" high overall.A mid 20th century Vladimir Kagan for Founders Furniture side table. Model #47136, octagonal Rosewood construction featuring alternating side panels with one shelf on a painted wood plinth base. Original finish with minor wear. 22 x 22 x 22" high overall. A mid 20th century Vladimir Kagan for Founders Furniture dresser. Model #47201, Rosewood construction featuring six drawers on a painted wood plinth base. Original finish with minor wear. 60 x 18 x 24 1/4" high overall.A mid 20th century Vladimir Kagan for Founders Furniture bedside chest. Model #47183, Rosewood construction featuring a Black painted exterior and three drawers on a painted wood plinth base. Original finish with minor wear and scuffs. 24 3/4 x 18 x 24 1/2" high overall. A mid 20th century Vladimir Kagan for Founders Furniture cocktail bench. Model #47113, Rosewood construction with Black painted apron on tall Chrome legs. Original dark polished finish with minor wear and scuffs, minor oxidation to Chrome. 60 x 15 1/2 x 16" high overall.A mid 20th century Vladimir Kagan for Founders Furniture jewelry chest. Model #47185, Rosewood construction featuring a Black painted exterior and three drawers on a painted wood plinth base. Original finish with minor wear. 15 1/4 x 12 x 9 1/2" high overall.Glen Michaels, American, 1927-2020. A late 20th century Bronze abstract sculpture with patinated finish, presented on a polished Slate plinth. Signed "Glen Michaels" at sculpture back. Plinth with some surface wear and damage along edges. 26 1/2" high overall.A mid 20th century Vladimir Kagan for Founders Furniture dresser mirror. Model #2711, featuring a molded Oak frame with Black painted finish. Original finish with some wear and minor damage. 48 x 32" high overall. Four framed turn of the century Tiffany Glass tiles. Each with a multicolor quatrefoil design. Retains a "Birmingham Gallery Inc." label verso. Tiles with some flakes along edges, one with short hairline, not examined out of frame. Tiles approx. 3 x 3" high, in a Gilded shadowbox frame, 12 1/2 x 18 1/2" high overall.A late 20th century Zsolnay Art Pottery "Snail" vase with Gold/Green Eosin glaze. Printed "Zsolnay Hungary" mark used c. 1980-2000, artist signed. Minor wear. 11 1/4" high.A late 20th century Zsolnay Art Pottery jardiniere. Molded form with floral design and multicolor Eosin glaze. Printed "Zsolnay Hungary" Jubileum mark used c. 1980-2000 and "6226". Minor wear, some crazing. 8" high.A turn of the century Tiffany "American Indian" pattern Bronze inkwell. Conical form with cast Native American style design, glass insert and patinated finish. Impressed "Tiffany Studios / New York / 1183" at underside, insert faintly marked "PATD Mar 1900". Minor wear and slight pitting, glass insert damaged. 3 1/2" high. A turn of the century Tiffany Bronze and Favrile Glass candlestick. Floriform with Green glass detail, slender stem and a patinated finish. Impressed "T & Co." mark with "S1571" at underside. Minor wear, lacks original bobeche. 17 1/2" high overall.A 1930's Peter Muller-Munk "Normandie" pitcher for Revere Copper and Brass, Inc. Art Deco design with Chrome plated Brass body. Marked "Revere / Rome / NY" at underside. Some surface wear and light scratches, some oxidation to interior. 12" high.Alphonse Mucha, Czech, 1860-1939. A turn of the century lithograph in color, titled "Bieres de la Meuse". Plate 182 from "Les Maitres de L'Affiche" series, c. 1899. Printed by Imprimerie Chaix, Paris. Signed "Mucha" in the plate lower left of image, "Les Maitress de L'Affiche / Imprimerie Chaix" blind stamp lower right and additionally printed "Encres Lorilleux & Cie" lower left. Toning, slight foxing. Image 8 1/2 x 12 3/4" high on a 11 1/2 x 16" high paper, in a painted wood frame with minor wear, 16 1/4 x 21" high overall.An early 20th century Bronze desk lamp with Tiffany Favrile glass shades. Double swan neck with floriform Gold Tiffany Favrile glass shades over a cast Bronze base with artichoke finial and Grey Saint Anne Marble foot. Shades signed "L.C.T." at fitters. Some wear to patina and slight pitting, small illegible signature incised at back, small flake to fitter. Shades are 4 1/4" high, lamp is 9 3/4" high overall.An early 20th century Bronze desk lamp with Tiffany Favrile glass shades. Double swan neck with floriform Gold Tiffany Favrile glass shades over a cast Bronze base with artichoke finial and Grey Saint Anne Marble foot. Shades signed "L.C.T." at fitters. Some wear to patina and slight pitting, small hole to casting at knop, tiny flakes to fitters. Shades are 4 1/4" high, lamp is 9" high overall. A 20th century Bronze figure after Charles Gabriel Lemire, French, 1741-1827. Depicts Cupid stringing his bow on an oval Rouge Marble base. Cast "Lemire" signature at sculpture back. Minor wear to patina, Marble with small edge flakes at foot. 12" high.After Emmanuel Villanis, French, 1858-1914. An early 20th century Art Nouveau patinated Bronze bust of a young woman, titled "Mignon". Cast "E. Villanis" signature at shoulder with "Salon 1896" and "E.V. 119" at base. Minor wear to patina. 14 1/2" high.After Henri-Michel-Antoine Chapu, French, 1833-1891. A late 19th century Bronze plaque of a seated woman, titled "Pensee". Cast "H. Chapu" signature at right side with "Thiebaut Freres Fondeurs Paris" mark at left side. Minor wear to patina, slight surface wear, includes bolts. 14 3/4 x 4 3/4 x 24" high overall. A turn of the century French Spelter figural globe. Features an allegorical figural grouping of "Knowledge" with two women and a Cherub after Adolphe Jean Lavergne, holding a terrestrial globe by "E. Bertaux, Paris". Cast "Lavergne" signature at base, marked "Globe Terreste par Lavergne" at plaque. Some wear to patina, globe with some flaking, wear to covered base. 28" high overall with base. Warren E. Rollins, American, 1861-1962. An early 20th century oil on canvas landscape of Taos, New Mexico. Signed "W.E. Rollins" lower right, additionally signed, annotated and dated "1908" verso. Minor surface grunge, slight wear to paint along edges. Image 13 1/2 x 9 1/2" high, in a Gilded wood frame, 15 x 11" high overall.Alfred Jansson, Swedish, 1863-1931. An early 20th century oil on board winter landscape. Signed "Alfred Jansson" and dated "1915" lower right. Slight craquelure, some flaking to paint along edges. Unframed 29 3/4 x 25" high overall.A Maitland Smith inlaid Pembroke table. Mixed wood construction with inlaid marquetry design featuring a molded, oval drop-leaf top and drawer on tall tapered legs with casters. "Maitland Smith" metal tag in drawer. Small glued repair to veneer at top, scrape to edge. 14 (30 1/2" open) x 18 1/2 x 27 1/4" high overall.An early 19th century oil on board portrait of a young man. Depicted half length in dress attire with a Red ribbon bearing a Masonic Keystone emblem. Previous restorations with small areas of in-painting, nail hole at top center, slight shrinkage. Image 24 x 29 1/2" high, in a contemporary reeded wood frame, 26 3/4 x 32 1/2" high overall.18th century New England QA HighboyAn 18th century American Queen Anne Period highboy, probably Connecticut origin. Maple construction with Pine secondary features an upper section with molded crown over five long dovetailed drawers with molded edge detail, on a base with one long over three short drawers the center with carved fan detail above a shaped apron, all supported by tall cabriole legs terminating in simple pad feet. Original top and base with matching molded drawer sides and dovetails cut by the same hand. Refinished with minor wear, replaced brass hardware, some shrinkage at sides. 38 x 19 x 74" high overall.A turn of the century English Stoneware jardiniere. Neoclassical design with pedestal base and Beige glaze. Some weathering and minor damage. 28" high.A mid 19th century American blanket box. Dovetailed Walnut construction with molded lift-up top with breadboard ends and interior till on a molded base with cut out bracket feet. Older finish with minor wear and some staining to top, replaced hinges, lacks lock. 37 1/2 x 20 x 22 1/4" high overall.A pair of late 19th century Aesthetic Movement Hunzinger side chairs. Turned Birch construction with original Ebonized detail and woven steel seats. Each stamped "Hunzinger / N.Y. PAT March 30 1869 / Applied For" at back of leg. Original finish with some wear, one back with damage to a splat. Both 31 1/2" high.A 19th century American painted mule chest. Poplar construction with molded lift-up top over a single lower drawer on a molded base with cut out bracket feet. Original painted finish with some wear, waterspots at top, cut to left back foot, replaced hinges. 43 1/2 x 19 x 35" high overall.A mid 19th century American Fancy armchair. Painted wood construction with original polychrome floral and cornucopia decoration featuring a carved mid rail and turned splats over open arms and shaped seat with turned legs. 31 1/2" high. Original painted finish with some wear.An early 20th century Egyptian Revival Thebes stool. Oak construction featuring a bentwood slatted seat over an openwork apron with angled spindles on turned legs with reeded details. Older finish with some wear. 17 x 17 x 14 1/2" high overall.A 19th century American Victorian Period lock-side gentleman's chest. Walnut construction with Burl panels, features a shaped crown above a molded top and six long drawers on a shaped, molded base with block feet. Old finish with some wear and scratches to top, some loose elements. 34 x 20 1/2 x 60" high overall.A turn of the century Terracotta garden urn. Neoclassical design with Grape leaves and polychrome finish. Some weathering and damage. 33 1/2" high.An 18th century Boston area Chippendale Period slant top desk. Mahogany construction with Pine secondary features a dovetailed case with a molded fold down writing surface which opens to reveal a fitted interior with shaped drawers and carved fan detail, over a base section with four long dovetailed drawers on a molded base with short cabriole legs and carved ball and claw feet. Older refinishing with some wear and fading. 39 x 20 x 43" high overall. A turn of the century Eastlake Transitional roll top desk by A.H. Andrews Co., Chicago, IL. Oak construction featuring a molded top with galleried sides over an S-roll top with fitted interior and leather writing surface, on a paneled knee hole base with one long drawer flanked by writing slopes and four short drawers with cut out bracket feet. Marked "The A.H. Andrews Co., Chicago" at escutcheon. Original finish with some wear, minor damage, some Brass tacks missing and replaced. 56 x 39 1/2 x 52 1/2" high overall. An early 20th century American stacking file cabinet by Gunn Furniture Co., Grand Rapids, MI. Oak construction featuring a molded top over four short drawers and various card and flat file drawers, two with original "No. 7 Triumph Cabinet Letter File Index / The Gunn Furniture Co." inserts, on a molded bracket base. Old dark finish with some wear, lacks two pulls. 34 x 14 x 35" high overall.Gerard Paul, Haitian, b. 1943. A mid 20th century Folk Art oil on Masonite farm scene. Depicts a man herding donkeys along a rural farm's path. Signed "G. Paul" lower right. Some surface grunge, a few tiny flakes to paint. Image 23 3/4 x 15 1/2" high, in a Gilded wood frame with minor damage, 32 x 23 1/2" high overall.Two early 19th century American pattern molded open salts. Both Cobalt Blue glass, one with hexagonal shape and pedestal base, the other Boston & Sandwich Co. pattern GIII25 with "Sunburst in Square" decoration, flared rim and pedestal base. Hexagonal salt with surface wear and flakes. Up to 3 1/4" high.An early 19th century American free blown covered sugar. Cobalt Blue glass with bulbous form, galleried rim and high domed cover. Chip to bowl rim, minor surface wear and fleabites. 6" high.A pair of turn of the century American pressed Amber glass window panes with Grape Vine design. Some small flakes along edges. Each 12 1/2 x 5" high overall.Eight turn of the century American pressed glass window panes attributed to the Mosaic Glass Company, Fostoria, OH. Various floral and swan designs in Aqua, Amethyst, Amber and clear. Some with minor flakes or small chips along edges. Each 4 x 4" high overall. Four pieces of mid 19th century American glass. Includes a pair of free blown Amethyst hyacinth vases, a free blown and cut Cobalt bottle, and a pattern molded Amethyst bottle. Amethyst bottle with chips to rim, minor surface wear. Up to 11 1/4" high.A mid 19th century American 33 Star parade flag celebrating Oregon's admission into the Union, c. 1859-1861. Printed cotton flag with raw edges features thirty-three White stars on a Blue canton in double medallion pattern with thirteen Red and White stripes. Some wear. 8 1/4 x 5 3/4" high overall. Joe Rosenthal, American, 1911-2006. A late 20th century silver gelatin photograph on Kodak paper, titled "Raising the Flag on Mt. Suribachi, Iwo Jima (1945)". Signed "Joe Rosenthal, A.P." lower left, paper back printed "This Paper Manufactured by Kodak" (used between 1973-1998) with a "Defense Dept. Photo (Marine Corps) / #113061" label verso. Minor creases and wear along edges. Unframed sheet 11 x 14" high overall.Elijah Pierce, American, 1892–1984. A late 20th century Folk Art wooden carving of a seated Black man. Signed "E. Pierce" with original label at underside. Glued repair to top, minor wear. 9 1/4" high.Six 20th century Folk Art fish decoys. Carved wooden bodies with polychrome decoration and aluminum or plastic fins. Wear and minor damage, longest with glued break to tail. Up to 9 1/4" long.Four 20th century Jugtown Pottery vases. Includes a large Blue egg vase, a bulbous Chinese White Dogwood vase by Vernor Owens, and two smaller Frogskin egg vases. Each with impressed "Jugtown Ware" marks. Small flake to inner rim of largest vase. Up to 11" high.A 19th century Hudson River School oil on canvas landscape. Depicts fisherman and a passenger ferry docking at a grand bankside hotel with mountains in the distance. Canvas lined with some in-painting, craquelure and flaking, some surface grunge. Image 24 1/2 x 19 1/2" high, in a molded wood frame with some wear, 29 1/2 x 24" high overall.Dennis R. Huntley, American, 1925-2008. A mid 20th century oil on a found door panel Folk Art painting. Depicts a rustic church among stylized trees. Signed "DR Huntley" lower right, retains a label from the "33rd Annual Exhibition of Northwest Artists / Sponsored by the Seattle Art Museum" verso. Some surface grunge, minor surface wear to paint. Image 11 1/4 x 16 1/2" high, distressed door panel with wear, 22 3/4 x 28" high overall. A 19th century American watercolor on paper Folk Art painting, titled "A New Boy in London". Depicts a young boy in uniform with a horn on horseback. Some toning and foxing, short tear to paper lower right, not examined out of frame. Image 7 1/2 x 6 1/2" high, in a painted wooden frame with minor wear, 12 x 11" high overall. A 20th century American Folk Art carved wooden figure of a Baker with polychrome decoration. Wear and some shrinkage. 11" high.Six turn of the century American pressed glass window panes attributed to the Mosaic Glass Company, Fostoria, OH. Various floral, geometric and bird designs in Amethyst, Amber and clear. Some with minor flakes or small chips along edges. Up to 10" long.A 19th century American pencil on paper Folk Art portrait of Mary Ann Parker. Depicted seated in profile wearing a dress with lace shawl. Slight toning and foxing, some creasing, not examined out of frame. Image 5 x 8" high, in a wooden frame with silver finish and minor joint separation, 8 1/2 x 11" high overall.A 1930's Kellogg Rice Krispies Cereal advertising illustration produced by N.W. Ayer & Son in the manner of J.C. Leyendecker. Watercolor and oil on Whatman drawing board, depicts a young mother pouring milk on her daughter's cereal. Unsigned, retains two labels from "N.W. Ayer & Son" advertising agency verso, one listing the client as "Kellogg Co." and dated "2/6/1930". Minor flaking and discoloration to background, mat with some marks. Image 15 1/4 x 16 1/2" high, in a Gilded wood frame with minor wear, 23 1/4 x 25 1/4" high overall.Joseph Christian Leyendecker, German/American, 1874-1951. A WWI Period lithograph in color poster, titled "Weapons for Liberty" for Third Liberty Loan Campaign / Boy Scouts of America, c. 1918. Depicts a kneeling scout presenting a flag-clad Lady Liberty with a sword bearing the Boy Scout's motto. Some short tears particularly along left edge, minor rippling, not examined out of frame. Image 19 1/4 x 29 1/4" high, in an Oak frame, 29 1/2 x 45 1/4" high overall.A framed collection of Civil War Period Sanitary Fair ephemera. Includes an 1864 Yonkers Sanitary Fair ribbon, hand-drawn "Forget Me Not" memorial and a pressed rose. Some toning and minor foxing. In a contemporary Gilded frame, 18 1/2 x 14 1/2" high overall.Three 19th century Victorian Period Agate items. Includes a hinged metal snuff box and pill box with Agate inserts, and a shaped Agate paperweight. Minor wear to agate and patina. Up to 3" long.A mid 19th century Victorian Period English inlaid music stand. Burled Walnut construction with mixed wood inlaid detail featuring a molded top with Brass rails over an open well with mirrored back and turned supports on a molded cabinet base with two glass doors, labeled interior shelves and short turned feet. Old finish with some wear and minor damage. 25 1/2 x 17 x 36 1/2" high overall. A 19th century Country French Prie Dieu chair. Cherry construction features a shaped arm rest with Brass owners plaque "Mme. P. Quillacq" above shaped molded splats, a rush lift-up seat and lower kneeler. Older refinishing with minor wear. 37" high.Four late 18th century French Louis XVI dining chairs. Cherry mortise and tenon, pegged construction with hand carved detail features shaped, molded backs with carved urn splats, over upholstered seats on rails with bracket corners, Sabre legs with inset panels. Refinished with slight wear, minor restoration and reupholstered seats. Each 34 1/2" high.A turn of the century French three piece clock set by A. D. Mougin, Paris. 8-day time and strike movement, porcelain dial with Roman numerals and fancy filigree hands, serial #847877. Louis XV style Gilded Bronze case and matching five light candelabra. Some wear, running momentarily when cataloged. Up to 23 1/2" high overall.A turn of the century French three piece clock set. 8-day time and strike movement, porcelain dial with Roman numerals, serial #11607. Louis XVI style Bronze case and en suite with a pair of similar five light candelabra. Some wear, running when cataloged. Up to 22" high overall.A turn of the century French three piece clock set. 8-day time only movement, porcelain dial marked "Louis Boon, Anvers" with Arabic numerals, serial #1769848. Louis XVI style Agate case with Gilded Bronze mounts and matching five light candelabra. Some wear and minor repairs, not running when cataloged. Up to 24" high overall.A mid 19th century Seth Thomas tall clock. 30-hour weight driven time and strike wooden movement with painted wood dial marker "S. Thomas, Plymouth". Pine case with the original Federal style painted decoration features a lift off hood with a broken arch crest and turned finials over an arched dial door flanked by simple square columns above the waist section with a rectangular molded door and a base with cut out feet. Original painted finish with wear and some touch-ups, replaced finials and hands, running momentarily when cataloged. 91 1/2" high overall.A pair of early 20th century Arts and Crafts floor lamps. Wrought Iron construction featuring a lantern form light with Carmel Slag Glass panels on a slender standard with cast floral decoration and tripod base with spade feet. Minor wear and some oxidation. Each 66" high.A three piece 19th century Victorian Renaissance Revival Period parlor set. Beech construction with carved crests over upholstered backs and seats with open arms and carved legs. Older, dark finish with some wear, minor damage. Settee is 66 1/2 x 24 x 48" high overall, chairs are 24 1/2 x 24 x 44" high overall.A late 19th French dining room buffet. Walnut construction featuring a carved crest over a molded backboard with an applied carved frieze, shelf and plate rail with turned supports on a molded base with inset Rouge Marble top, two carved silverware drawers and a lower cabinet with two paneled doors and applied foliate carvings flanked by fluted columns above an open well and molded base with bun feet. Older refinishing with some wear, minor damage, Marble repaired. 45 x 19 x 76 1/2" high overall. A 19th century Vienna Regulator wall clock retailed by Lechner Yozsef, Budapest. 8-day weight driven time and strike movement with quarter hour Grand Sonnerie chime, two-part porcelain dial with Roman numerals within a molded Brass bezel. Altdeutsch style Walnut case features a carved foliate crest over an arched door flanked by turned fluted pilasters with carved detail and shaped lower bracket. Older finish with minor wear, replaced crest, finials and some small moldings, dial hairlines, not running when cataloged. 58 1/2" high overall.A 19th century Vienna Regulator wall clock by The Resch Brothers, Ebensee, Austria. 8-day weight driven time and strike movement with two-part porcelain dial with Roman numerals within a molded Brass bezel, serial #60399. Altdeutsch style Walnut case features a gallery crest over an arched door flanked by turned fluted pilasters with carved detail and shaped lower bracket. Older finish with minor wear, dial hairlines, not running when cataloged. 46" high overall.A late 19th century French Morbier wall clock. 8-day weight driven time, strike and alarm movement with crown wheel escapement, porcelain dial and Roman numerals, embossed Brass bezel with Biblical scene, multi rod compensating pendulum. Some wear and denting to the Brass, modern wall bracket, not running when cataloged. 57" high (plus the weight drop).A 19th century Vienna Regulator wall clock by The Resch Brothers, Ebensee, Austria. 8-day weight driven time and strike movement with two-part porcelain dial with Roman numerals within a molded Brass bezel, serial #54498. Altdeutsch style Walnut case features a shaped crest over an arched door flanked by turned fluted pilasters with carved detail and shaped lower bracket. Older finish with minor wear, dial hairlines, not running when cataloged. 37" high overall.A 19th century Dutch "Staartklok" wall clock. 30-hr weight driven time, strike and alarm movement with painted metal dial and Roman numerals, Maritime scene with Ships at sea in the arch, embossed Brass bezel and lower spandrels. Oak case with an arched hood and painted Pewter figural finials over an arched door with Ebonized pilasters and Brass capitols, traditional "fishtail" drop slides open to access pendulum. Older refinishing with minor damage and some wear, running when cataloged. Older finish with some wear and minor damage, running when cataloged. 56 1/4" high overall.A turn of the century American stacking bookcase by Gunn Furniture Co., Grand Rapids, MI. Hardwood construction featuring a molded top over three sections with lift-up doors each having twelve panes on a molded base with shaped feet. Stenciled "9" Gunn Sectional Bookcase / Dec 5, 1899 - Jan 1, 1901 / Gunn Furniture Co. / Grand Rapids, Mich. U.S.A." at interior. Old Mahoganized finish with some wear and damage, one pull broken. 51 x 14 1/2 x 42 1/2" high overall.An early 20th century Impressionist oil on canvas portrait of a woman. Depicted three quarter length in a Blue dress and matching hat seated before a landscape background. Signed "Ward" (n.d.) at back and at frame interior. Canvas cut and mounted to particle board, presented under glass. Image 9 1/2 x 12" high, in a Gilded wood frame with some wear, 18 x 15 1/2" high overall.Frederick Harris, American/Japanese, 1932-2010. A mid to late 20th century woodblock landscape, titled "on Gull River". Signed "Fred Harris" lower right and titled lower left, with the artist's "H" seal in the block. Toning, some foxing, not examined out of frame. Image 8 1/2 x 9 3/4" high, in a Gilded wood frame, 18 x 20" high overall.A 19th century Estonian oil on board icon depicting Our Lady of Kazan. Some surface wear, slight craquelure, panel with shrinkage. 15 1/2 x 20 1/4" high overall.William P. Krehm, American, 1901-1968. A mid 20th century oil on canvas Southwest landscape, titled "Arizona Contrasts". Signed "Wm. P. Krehm" lower left, titled at partial label verso. Canvas lined with small repair, craquelure. Image 33 x 27" high, in a carved wood and gesso frame with some wear, 40 1/2 x 34 1/2" high overall.Tadashige Ono, Japanese, 1909-1990. A mid 20th century woodblock on paper cityscape of Vienna, titled "The Diet Building of Wien". Signed "T. Ono" lower right, titled at label verso. Some rippling, not examined out of frame. Image 10 3/4 x 8 1/4" high, in a wooden frame with gold finish and minor wear, 15 1/2 x 13 1/2" high overall.After Georges Braque, French, 1882-1963. A mid 20th century collotype and pochoir in colors on paper, titled "Nature Morte aux Fruits". Published by Guy Spitzer, Paris. Signed in pencil "G Braque" lower right, signed in the stone with Spitzer "S" blindstamp and numbered "215/250" lower left. Slight toning and rippling, not examined out of frame. Image 28 1/2 x 11 1/4" high, in a molded wood frame with minor flaking, 36 x 20 1/2" high overall.A 1970's gallery postcard signed by Marc Chagall, Russian/French, 1887-1985. Framed with a black and white photo of the artist. Postcard signed "Marc Chagall" and dated "1977". Minor toning. In a brushed metal frame with slight wear, 13 3/4 x 8 1/2" high overall.Arthur Rothstein, American, 1915-1985. An early 1980's silver gelatin photograph on Agfa paper, titled "Dust Storm, Cimarron County, Oklahoma (1936)". Signed "Arthur Rothstein" and numbered "51/300" lower right, "Falk Leeds" publisher blind stamp lower left, annotated "To Lee Kollis - The strong determined to survive and the youngest now brokers on this very farm - Best Regards - Arthur Rothstein" at mat. Purchased from Falk Leeds in 1981. Minor rippling, not examined out of frame, plexi with minor scratches. Image 19 x 19" high, in an aluminum frame, 26 1/4 x 27 1/4" high overall.Peter Helck, American, 1893-1988. A mid 20th century pencil and pastel Grand Prix illustration on paper, c. 1938. Depicts a Mercedes Benz Silver Arrow car on the racetrack with spectators in the distance. Signed "Helck" lower right. Some toning and rippling, minor foxing particularly along top edge, not examined out of frame. Image 19 1/2 x 12 1/4" high, in an aluminum frame, 26 x 19 1/4" high overall.Peter Helck, American, 1893-1988. A 1930's lithograph in colors on paper, titled "Railroad Crossing". Signed "Peter Helck" and dated "38" lower right, numbered "27/100" lower left. Very slight toning, not examined out of frame. Image 11 3/4 x 15 3/4" high, in a lacquered wood frame with slight surface wear, 21 1/4 x 25 3/4" high overall.A collection of letters and ephemera from American artists Norman Rockwell and Thomas Hart Benton, and American activist Frances Willard. Includes four typed and hand-written letters to and from Rockwell, two signed letters, a photograph and a Christmas card from Benton, and two hand-written letters from Willard. Various degrees of wear. Up to 8 1/2 x 11" high overall.A late 19th century Continental Bronze tazza. Neoclassical design with mythological scenes on a baluster stem with Ram's head detail and circular foot. Some oxidation, minor wear and denting. 7" diameter x 6" high overall.An early 20th century Bronze inkwell. Pierced floral design on a circular scalloped tray. Some oxidation, minor wear and pitting. 8" diameter x 5 1/4" high overall.A late 19th century Continental Bronze tazza. Pierced Neoclassical design with foliate scrolls and masks on a draped baluster stem and circular foot. Wear and some oxidation. 10" diameter x 6" high.A turn of the century Bronze ink stand. Neoclassical design with two inkwells on a scalloped openwork stand supporting a pen rack with Satyr mask and lion details on scrolled front feet. Some wear to patina and loose elements. 18 x 10 x 8" high overall. An early 20th century Brass chandelier. Brass body with fruit and floral design, painted Green accents and six scrolled candle holders. Electrified, canopy flipped for bulb, some wear. 37" high. A late 20th century kerosene chandelier. Brass body with cast mask details features a Green cased glass shade and matching canopy over an embossed font surrounded by three scrolling arms with four candle holders each. Some wear. 54" high plus pull down.A pair of turn of the century French Louis XV style Bronze sconces. Five light design with scrolling foliate arms and cast Grape drop finials. Wear to patina, minor distortion. 14 1/2 " high.An 18th century English oil on canvas portrait of a gentleman. Depicted half length wearing a Blue coat and White wig. Canvas lined with previous repairs, restorations and in-painting. Image 22 1/2 x 29 1/2" high, in a Gilded wood frame with damage, 30 1/2 x 37 1/2" high overall.A 1920's Post Impressionist oil on artist board portrait. Quarter length depiction of an older man wearing a Brown coat and hat with hands resting on his cane. Monogrammed "A.B" (n.d.) and dated "1920" mid left. Features an addition oil landscape of a village on the reverse, signed "A. Braun" (n.d.) lower right. Some surface grunge, 3/4" scuff to paint with in-painting mid right, some warping to artist board. Image 11 3/4 x 17 1/2" high, in a Gilded wood frame with some wear, 19 3/4 x 25 1/2" high overall.A mid 20th century Copper clad figure of a Mother and Child with Bronzed patina on a St. Anne's Grey Marble base. Marked "Barbesiene" in the manner of Barbedienne at front, illegible cast signature at side. Some surface wear. 16" high.Roger Clough, American, 20th century. A late 20th century oil on canvas landscape, titled "November Field". Depicts tall grass of a field below a cloudy sky. Signed "R. Clough" lower right, titled on tag verso. Slight surface grunge. Image 13 1/2 x 17 1/2" high, in a molded wood frame with minor flaking, 17 1/2 x 21 1/2" high overall.Four 20th century Inuit carved stone figures of Seals and Birds. Each with artist signatures or numerals at undersides, largest Seal dated "1981" and taller bird "76". Minor surface wear and flakes. Up to 8" long and 5 1/2" high.Ten Native American stone implements and fossils from the Great Lakes Region. Includes three adze heads, a gorget, celt, cache blade, three arrow heads and a section of two petrified teeth. Most from "Feldkamp Farm" in Saline, MI. Some wear. Up to 7 3/4" long.Theodora Makielski, American, 1890-1979. An early 20th century oil on canvas floral still life. Signed "Theodora Makielski" lower right, retains tag from "Makielski Art Shop" South Bend, IN at the stretcher verso. Some craquelure and flaking particular to lower left, minor surface grunge. Image 11 1/2 x 8 1/2" high, in molded wood frame with minor wear, 15 x 12" high overall. John Gould, British, 1804-1881. Two late 19th century lithographs on paper with hand coloring from Gould's "Birds of Great Britain" 1862-1873. Includes one of an Upland Sandpiper titled "Actiturus Bartramius" and another of a Squacco Heron titled "Buphus Comatus". Printed "J. Gould & W. Hart del et lith" and "J. Gould & H.C. Richter del et lith" lower left and "Walter, Imp." lower right. Some toning and foxing, Buphus Comatus paper with cuts to bottom, mats with discoloration, not examined out of frames. Images 19 3/4 x 13 3/4" high, in softwood frames with wear, 27 3/4 x 21 3/4" high overall. Carl Hoerman, German/American, 1885-1955. An early 20th century oil on canvas seascape, titled "California Shores (Laguna Beach)". Signed "Carl Hoerman" lower right, titled at label verso. Craquelure and some surface grunge. Image 35 1/2 x 27 1/2" high, in a distressed molded wood frame with some wear, 40 1/2 x 32 1/2" high overall.An early 20th century Teco Pottery vase designed by William Bryce Mundie. Shape #266, tapered buttressed form with matte Green glaze. Double impressed "Teco" marks. One buttress with professionally repaired tips and tiny flake, slight surface wear. 11" high.An early 20th century Steuben Art Glass center bowl. Calcite bowl with flared form and a Jade Green circular foot. Minor surface wear. 10" diameter x 3 1/2" high overall.Three early 20th century Fulper Pottery vases. Ovoid and bulbous forms with multicolor drip glazes, one with flower frog cover. Printed "Fulper" marks. Slight crazing. Up to 4 1/2" high. A late 19th century Victorian Period epergne. Glass vase and bowl with scalloped rims and etched floral design in a Bronze frame. Some tiny flakes to glass at edges and wear to patina. 9" diameter x 14 1/4" high overall.A late 19th century Victorian Period epergne. Art Glass trumpet vase with ruffled rim and threaded decoration over a Bronze base with cast foliate design. Minor wear to base, vase with chip where inserted into base. 10" diameter x 18" high overall.Two late 19th century Victorian enameled Art Glass pitchers. Includes a Yellow to clear glass Mary Gregory pitcher with ruffled handle and figural courtship decoration, and a cased Pink satin glass ewer with lobed body and floral decoration. Minor surface wear and fleabites. Up to 14 1/2" high.A seven piece late 19th century Mary Gregory Art Glass drink set. Blue and Amber glass with enameled figural court decoration and Gilded detail, includes a pitcher and six glasses. Minor surface wear, one glass ground at foot. Up to 14 1/4" high.A late 19th century Mary Gregory Art Glass vase. Urn form in Blue thumbprint glass with pedestal base and enameled figural decoration with Gilded detail. Minor surface wear, flakes at rim and foot. 12" high.Two pieces of late 19th century Mary Gregory Art Glass. Enameled figural court decoration and Gilded detail, includes a Blue thumbprint glass pitcher with Amber glass handle, and a Black glass baluster vase with flared sawtooth rim. Minor surface wear, vase rim with tiny flakes. Up to 13 1/4" high. A late 19th century Mary Gregory Art Glass flagon. Tapered form in clear to Cranberry glass with ribbed foot, hinged pewter lid and enameled figural court decoration. Minor surface wear. 15 1/2" high.A late 19th century Mary Gregory Art Glass flagon. Tapered form in clear to Cranberry glass with flared foot, hinged pewter lid and enameled figural court decoration. Minor surface wear, lids sits askew. 18" high. A late 19th century Mary Gregory Art Glass flagon. Tapered form in Amber glass with ribbed foot, hinged pewter lid and enameled figural court decoration. Minor surface wear, thumb lift bent with small break. 16 1/2" high.Two late 19th century Mary Gregory Art Glass pokals. Tapered forms in Amber glass with blown covers, pedestal bases and enameled figural decoration. Minor surface wear and fleabites. Up to 18" high.A pair of late 19th century Mary Gregory Art Glass vases. Baluster form in Cobalt Blue glass with flared sawtooth rim, clear handles and pedestal bases with enameled figural decoration with Gilded detail. Minor surface wear, rims with some fleabites and tiny flakes. 14" high.A late 19th century Moser Rubina Verde glass vase. Cylindrical form with ruffled rim and enameled floral decoration. Minor surface wear, scratches at underside. 10" high.A turn of the century Legras glass triple bud vase. Shape #2851, three tube form vases in Cranberry, Blue and clear glass with enameled floral decoration and twisted "rope" frame. Featured in the Legras et Cie 1899 catalog. Minor surface wear and fleabites. 9" high.An early 20th century Fulper Pottery vase. Baluster form with two handles and Green drip glaze. Faint molded "Fulper" mark. Minor surface wear. 9" high.J.T. Abernathy, American (Ann Arbor, MI), b. 1923. A 20th century Stoneware bottle vase and plate with mottled Blue/Green matte glaze. Both initialed "JT" at undersides. Minor wear. 13 1/2" high and 7 1/2" diameter.Two 18th century Delft Earthenware chargers. Blue and White landscape and flower basket decoration surrounded by floral borders. Fisherman charger with repair, flower basket charger with chips and painted touch ups along edges. Each 13 1/2" diameter. An 18th century Delft Earthenware covered jar. Polychrome floral decoration surrounded by geometric borders. Painted "APK" monogram mark. Some crazing and minor surface wear. 11 1/2" high.Three pieces of 17th and 18th century Delft Earthenware. Includes two plates and a flower brick with polychrome scenic and floral decoration. Figural plate monogrammed "PK" by Jacobus Pynacker, flower basket plate "CL" attributed to Lambertus Cleffius and the flower brick unsigned. Crazing, flower brick repaired, plates with some edge flakes. Up to 9 1/4" diameter and 3 1/2" high.Three 18th century Delft Earthenware plates. Polychrome scenic and floral decoration surrounded by geometric borders. Two monogrammed "APK" attributed to Pieter Kocx, the other monogrammed "MP" by Pieter Paree. Some crazing and flakes along rims. Up to 9 1/4" diameter. An 18th century Delft Earthenware bowl. Polychrome scenic decoration with fruit and floral detail. Monogrammed "VK". Some crazing and flakes. 10" diameter x 5 3/4" high.An 18th century Delft Earthenware bowl. Polychrome bird and floral decoration surrounded by geometric borders. Monogrammed "PK". Some crazing and surface wear, minor flakes. 10 3/4" diameter x 4 3/4" high.An early 20th century Chinese table screen. Carved Walnut frame with floral openwork design and inlaid Mother of Pearl scenes. Older finish with some wear, losses to inlay, minor damage. 27 x 7 1/4 x 30" high overall. A Japanese carved wooden temple figure of a Buddhist Deity. Depicted standing with one hand holding a Vajra and the other raised in Prana Mudra with painted finish on an incorporated base. Some wear, damage and repairs. 30" high.Two Chinese wooden reliquary figures. Carved seated figures with polychrome decoration and offering compartments at back. Wear and flaking, smaller lacks back panel. Up to 10 1/2" high. A pair of Japanese Imari oil lamps. Baluster form Imari porcelain vases with polychrome scenic and floral decoration with frosted globe shades on Bronze mounts. Minor surface wear. Vases are 10" high, 25 1/2" high overall with chimney.A Japanese Imari mounted center bowl. Low porcelain bowl with polychrome scenic and floral decoration in a Bronze mount with two Dragon handles and paw feet. Frame and handle with soldered adjustments, porcelain with some surface wear. 17 1/2 x 8 1/2" high overall. A turn of the century Black Forest box. Walnut construction with a carved bird and next above lower foliate panels on a molded base. Older refinishing, repaired bird. 6 1/4 x 4 x 5 1/2" high overall.Two vintage Sterling Silver bolo ties. Includes a "Dodge Power Wagon" commemorative medal and two Michigan State University medallions with a hammered Sterling mount, on braided leather ties. Dodge medal incised "Sterling Silver", hammered mount tested Sterling, both with Silverplate aiguillettes. 9.60 troy ozs total. Some wear. Clasps up to 3 1/2" high, up to 22" long overall.A vintage Native American Sterling Silver bolo tie with Bear Claw design. Features a paw shaped clasp with five incorporated Bear claws and bezel set Turquoise and Red Coral accents, on a braided leather tie. Marked "Sterling" and "FNG", aiguillettes tested Sterling. 4.57 troy ozs total. Some wear particularly to claws and leather tie. Clasp is 4" high, 22" long overall. A vintage Navajo Sterling Silver bolo tie made by Howard Nelson. Features a teardrop form clasp with a large bezel set Turquoise and reeded detail on a braided leather tie. Marked "Sterling / Howard", aiguillettes tested Sterling. 5.06 troy ozs total. Minor wear. Clasp is 3 1/2" high, 21 1/2" long overall.A vintage Pre Columbian style 18k Gold and Silverplate bolo tie. Features a Silverplate clasp with an 18k Gold figure and Green gemstone accent on a braided leather tie. Clip marked "18k" and "Spiros" for Spiros Inc. Jewelry, Fort Lauderdale, FL. Minor wear to patina and surface. Clasp is 1 1/2" high, 20" long overall.Two vintage Zuni style Sterling Silver bolo ties. Both feature inlaid Turquoise, Mother of Pearl, Jet and Red Coral. Includes one Zuni with Kachina design by Beverly Etsate, and one Mexican made with headdress design. Zuni signed "Bev. Etsate / Zuni" at clasp and aiguillettes, tested Sterling, Mexican with partial "Sterling / 925 / AF" mark, aiguillettes tested Sterling. 3.62 troy ozs total. Some wear. Clasps up to 3" high, up to 20" long overall.Two vintage Native American Sterling Silver bolo ties by Tony Chino and Alonzo Hustito. Both feature Kachina designs with bezel set Turquoise on braided leather ties. Larger signed "T. Chino / Sterling", smaller with "AH" maker's mark and "Bennet" clip, both sets of aiguillettes tested Sterling. 4.00 troy ozs total. Some wear. Clasps up to 3 3/4" high, up to 22" long overall.Three vintage Sterling Silver and 10k Gold Filled bolo ties. Includes a Sterling Polish style Eagle with gemstone eye, a Sterling "Dodge Power Wagon" commemorative medal and a 10k Gold Filled "National Collegiate Athletic Association" medallion, on braided leather ties. Marked or tested Sterling and 10k GF, Eagle tie with Sterling aiguillettes, Dodge tie with Silverplate aiguillettes. 7.45 troy ozs total, Sterling ties only. Some wear. Clasps up to 3" high, up to 22" long overall.Three vintage Sterling Silver bolo ties. Includes a Southwest tie with Ram skull design, and two Mexican made ties with inlaid Deer skull and abstracted Eagle designs, on braided leather ties. Each marked or tested Sterling including aiguillettes. 6.59 troy ozs total. Some wear to surface and patina, two with wear to leather ties. Clasps up to 3" high, up to 21" long overall.8 Bolo TiesFive pieces of Sterling Silver jewelry. Includes an Asch Grossbardt necklace and bracelet with inlaid stones set in 18k Gold, a John Atencio heart pendant necklace with 18k Gold accents, a similar ring with 18k Gold and gemstone accents, and a Carmelita Simplicio Zuni cuff bracelet with Turquoise stones. Gemstone ring marked "PLAT / 950/ 18k", the others "925" or "Sterling" with "18k" and maker's marks. 4.10 troy ozs total. Some surface wear. Up to 24 1/2" long open.Sixty-six pieces of Wallace "Spanish Lace" pattern Sterling Silver flatware. Features 9 complete five-piece place settings plus additional flatware and serving utensils. Includes 12 x 9 1/8" hollow handle dinner knives, 12 x 6 5/8" hollow handle butter knives, 3 x 7" hollow handle master butter knives, 14 x 7 5/8" dinner forks, 9 x 6 5/8" salad forks, 11 x 6 1/4" teaspoons, 2 x 6 1/8" soup spoons and 1 x 8 1/2" serving spoon. Stamped "Wallace Sterling" and "Spanish Lace" marks. 45.43 troy ozs plus 29 hollow handles, approx. 61.41 total. Some surface wear.Forty pieces of International "Prelude" pattern Sterling Silver flatware. Features 8 five-piece place settings. Includes 8 x 9 1/4" hollow handle dinner knives, 8 x 7 1/4" dinner forks, 8 x 6 1/2" salad forks, and 8 x 6" teaspoons. Stamped "International Sterling" and "Prelude" marks. 40.45 troy ozs plus 8 hollow handles, approx. 44.45 total. Minor surface wear.Forty pieces of Birks "Pompadour" pattern Sterling Silver flatware. Partial set, includes 6 x 8 1/2" hollow handle dinner knives, 4 x 7" dinner forks, 10 x 5 3/4" salad forks, 16 x 5 1/4" teaspoons, 3 x 5 3/4" soup spoons and a pickle fork. Impressed "Birks Sterling". 32.46 troy ozs plus 6 hollow handles, approx. 35.46 total. Minor surface wear.Forty-four pieces of Towle "Louis XIV" pattern Sterling Silver flatware. Features 8 five-piece place settings plus serving utensils. Includes 8 x 8 1/2" hollow handle dinner knives, 8 x 5 3/4" hollow handle butter knives, 8 x 7 1/8" dinner forks, 8 x 6 1/8" salad forks, 8 x 5 3/4" teaspoons, and 4 serving utensils. Stamped Towle maker's mark and "Sterling". 31.29 troy ozs plus 16 hollow handles, approx. 39.29 total. Some surface wear.Thirteen pieces of American Coin and Silverplate flatware. Includes seven E. & D. Kinsey Coin Silver spoons and a set of six Landers, Frary & Clark fruit knives with Silverplate collars and Mother of Pearl handles. Stamped "E. & D. Kinsey" and "Landers, Frary & Clark / Aetna Works" marks. 11.04 troy ozs total, Coin Silver only. Some surface wear, fruit knives with minor damage, spoons monogrammed. Up to 8 3/4" long. Thirty-two pieces of Towle Lady Diana pattern Sterling Silver flatware. Features 6 four-place settings and additional flatware. Includes 6 x 9 1/4" hollow handle dinner knives, 7 x 7 1/4" dinner forks, 7 x 6 1/4" salad forks and 12 x 5 7/8" teaspoons. Stamped Towle maker's mark and "Sterling". 30.95 troy ozs plus 6 hollow handles, approx. 33.95 total. Some surface wear.Ninety-nine pieces of Danish .826 to .830 Silver flatware. Various makers with a similar pattern. Each with impressed "830" marks or Danish "Three Towers" hallmarks denoting .826 Silver or higher. 90.50 troy ozs plus 30 hollow handles, approx. 105.50 total. Some wear. Up to 8 3/4" long.Sixty-six pieces of Wallace "Spanish Lace" pattern Sterling Silver flatware. Features 9 complete five-piece place settings plus additional flatware and serving utensils. Includes 12 x 9 1/8" hollow handle dinner knives, 12 x 6 5/8" hollow handle butter knives, 3 x 7" hollow handle master butter knives, 14 x 7 5/8" dinner forks, 9 x 6 5/8" salad forks, 11 x 6 1/4" teaspoons, 2 x 6 1/8" soup spoons and 1 x 8 1/2" serving spoon. Stamped "Wallace Sterling" and "Spanish Lace" marks. 45.43 troy ozs plus 29 hollow handles, approx. 61.41 total. Some surface wear.Fifteen pieces of American Sterling Silver. Includes a pair of Watson weighted candelabras, a Wallace compote, and six Sterling demitasse cups and saucers with Lenox porcelain liners. Each marked "Sterling". 17.55 troy ozs total, un-weighted Sterling only. Some surface wear. Up to 5 1/4" high.

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