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New Year's Day Gallery Auction - Accepting Select Items

auction | 1 day sale | 19 days away

Address

5138 West Michigan Avenue
Ypsilanti, MI 48197

Dates

Thu

Jan 1

11am

2026

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We accept Wire Transfers, Credit Cards, Personal Checks or Cash.

Schmidt's Antiques Inc

Company Website

Company Details

New Year's Day Auction

Thursday, January 1st, 2026 at 11:00 a.m.

- Now Accepting Select Items -

Featuring Fine Art and Antiques from Estates and Private Collections in Michigan and Indiana. Includes two etchings from David Hockney’s “Dog Wall” series, a collection of lithographs by American Regionalists Grant Wood, John Steuart Curry, and Thomas Hart Benton, Art Glass, Pewabic pottery feature, Gold Jewelry, Sterling Silver and more!

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25% Buyer's Premium on all lots

Schmidt's Antiques Inc

Since 1911

5138 West Michigan Avenue

Ypsilanti, Michigan 48197

(734) 434-2660

www.SchmidtsAntiques.com

Buccellati Sterling Center Bowl

Charles Warren Eaton, American, 1857-1937. Oil on wood panel Tonalist scene depicting a serene pine forest in both cool blues and greys and dark greens and rich browns. Signed at the lower left, contained within a gilded Newcomb-Macklin frame. Light wear overall, some wear and small losses to the frame. 8 1/4 x 10" high, framed 14 5/8 x 16 1/2" overall. ESTIMATE $1,000-2,000

Douglas Arthur Teed, American (Detroit), 1860-1929. A 1920's oil on canvas still life depicting a tablescape with Pewabic vases and roses. Signed "Douglas Arthur Teed" and dated "1926" lower left, "Wilstach St" written at back of frame. Minor rippling to canvas. Image 29 3/4 x 26 3/4" high, presented in a Newcomb Macklin frame with Gilded finish, 34 3/4 x 31 3/4" high overall.

Grant Wood, American 1891-1942. A 1940's lithograph on paper, titled "February" (Cole 17). From the Associated American Artists, New York, edition of 250, 1941. Signed "Grant Wood" in pencil lower right. Pinhole size stain to upper right margin near matting edge, not examined out of frame. Image 11 3/4 x 8 3/4" high, framed 25 x 23" high overall.

An early 20th century Pewabic Art Pottery vase. Baluster form with flared rim and thick mottled lava glaze in shades of Iridescent Golden Green on a Blue ground. Unmarked. Minor wear. 15 3/4" high.

E.A. Gruppe Vermont Landscape

David Hockney, English, b.1937. A 1990's etching on Somerset paper depiction of a Dachshund, titled "Dog No. 15". From "Dog Wall" series, published by Pace Editions, New York, Artist Proof edition of 10, aside from the edition of 35. Signed "David Hockney" and dated "98" in pencil lower right, numbered "A.P. X/X" lower left. Good condition. Plate 10 1/2 x 8 1/2" high, in a contemporary brushed aluminum frame, 16 3/4 x 15 1/4" high overall.

An early 20th century Pewabic Art Pottery vase. Low bulbous form with tapered shoulder and Iridescent glaze in mottled shades of Blue, Green and Gold. Impressed "Pewabic Detroit" mark. Minor surface wear and crazing. 7" diameter x 4 1/2" high.

David Hockney, English, b.1937. A 1990's etching on Somerset paper depiction of a sleeping Dachshund, titled "Dog No. 7". From "Dog Wall" series, published by Pace Editions, New York. Signed "David Hockney" and dated "'98" in pencil lower right, numbered "32/35" lower left. Good condition, some rippling to paper. Plate 11 7/8 x 13 3/4" high, in a contemporary brushed aluminum frame, 19 x 21" high overall.

Labino Glass Vase

Labino Glass Vase

Thomas Hart Benton, American, 1889-1975. A 1940's lithograph on paper, titled "Sunset" (Fath 43). From the Associated American Artists, New York, edition of 204, 1941. Signed "Benton" in pencil lower right, additionally signed "Benton" in the stone lower right. Retains original AAA label. Minor rippling, not examined out of frame. Image 13 x 10" high, framed 20 1/4 x 17 1/4" high overall.

John Steuart Curry, American, 1897-1946. A 1930's lithograph on paper, titled "Ajax" (Cole 14). From the Associated American Artists, New York, edition of 50. Signed "John Steuart Curry" and dated "1932" in pencil lower right, titled with notation "Edition of 50" lower left, additionally signed "Curry" in the stone lower right. Retains AAA Certificate of Authenticity. Slight wear, not examined out of frame. Image 13 3/4 x 9 3/4" high, in a wood frame with some wear 21 1/2 x 18" high overall.

Buccellati Sterling Footed Bowl

John Steuart Curry, American, 1897-1946. A 1930's lithograph on paper, titled "Elephants" (Cole 28). From the Associated American Artists, New York, edition of 250. Signed "John Steuart Curry" in pencil lower right, titled and dated "1936" lower left, initalled "JSC" in the stone lower right. Very minor toning, not examined out of frame. Image 12 3/4 x 8 3/4" high, framed 19 3/4 x 16" high overall.

John Steuart Curry, American, 1897-1946. A 1930's lithograph on paper, titled "Performing Tiger" (Cole 21). Signed "John Steuart Curry" in pencil lower right, titled and dated "1934" with notation "25 prints" lower left, additionally signed "J S Curry" in the stone lower right. Minor toning, not examined out of frame. Image 13 3/4 x 10 1/2" high, framed 21 3/4 x 16 3/4" high overall.

An early to mid 20th century Pewabic Art Pottery vase. Baluster form with high shoulder and matte drip glaze in shades of mottled Brown. Impressed "Pewabic Detroit" mark. Minor wear and crazing. 10 1/4" high.

John Steuart Curry, American, 1897-1946. A 1940's lithograph on paper, titled "Sanctuary" (Cole 38). From the Associated American Artists, New York, edition of 250, 1944. Signed "John Steuart Curry" in pencil lower right, initialed "JSC" and dated "'44" in the stone lower right. Very minor toning, not examined out of frame. Image 15 1/2 x 11 3/4" high, framed 25 x 21" high overall.

Henry Moore, British, 1898-1986. A 1970's etching with drypoint on paper sheep scene, titled "Shorn Sheep" (CGM 231). Signed "Moore" in pencil lower right above artist watermark, numbered "35/80" and "Plate XII" lower left. Minor rippling, not examined out of frame. Framed 20 1/2 x 17 1/2" high overall.

Rembrandt van Rijn, Dutch, 1606-1669. An etching with drypoint on laid paper, titled "Christ and the Woman of Samaria Among Ruins". Signed "Rembrandt" and dated "1634" in the plate upper right, later annotation "1/128" lower center. Not examined out of frame. Framed 10 1/4 x 11 1/2" high overall.

Gerome Kamrowski, American, 1914-2004. A 1990's mixed media "Beaded Beast" sculpture. Multi-color painted wooden body with applied beads and glass cabochons with acrylic reflector wings and tail. Signed "Kamrowski", dated "1992" and numbered "7/40" at rear. Minor losses to paint, front left leg loose. 17 1/2 x 4 1/2 x 10 1/2" high overall.

After Felix Martin Miller, English, 1819-1908. A 19th century patinated Bronze bust of Shakespeare, retailed by Howell James & Co., London. Presented on a shaped Slate base. Inscribed "F. Miller S.C. / Published Under the Special Patronage of the National Shakespeare Committee / Howell James & Co., London" and dated "April 23, 1864" with copyright verso. Minor wear to patina, slate with some chips to edge. 11 1/2" high.

After Jean-Antoine Houdon, French, 1741-1828. A 19th century patinated Bronze bust of Diana the Huntress, presented on a shaped Verde Marble base. Signed "Houdon" on reverse. Minor wear to patina, marble with some tiny edge flakes. 14 1/2" high.

After Emmanuel Villanis, French, 1858-1914. A turn of the century Art Nouveau Bronze bust of a woman with two-tone patina, titled "Lucrece". Cast "E. Villanis" at shoulder with "Societe des Bronzes de Paris" foundry mark (1875-1930) and "4028" at reverse of base. Minor wear to patina. 14 1/2" high.

A 19th century patinated Bronze figure of Athena. Depicts the Greek Goddess of Wisdom and Warfare, known as Minerva is Roman mythology, standing with shield and helmet. Minor wear to patina. 9 1/2" high.

An early 20th century Art Deco Period figural lamp. Patinated spelter figure of a female performer doing the splits on a polished slate base with mottled White glass shade. Shade with some chips to edge, minor flaking to figure's patina. 12 1/2 x 4 1/2 x 12 1/2" high overall.

After Leon Tharel, French, 1858-1902. A turn of the century patinated Bronze figure of a seated boy and his fiddle, titled "Idle Fiddle". Signed "Tharel" at side. Lacks bow, minor wear to patina. 7 3/4 x 6 x 7" high overall.

Leon Makielski, American (Ann Arbor), 1885-1974. A 1930's oil on canvas autumn landscape, titled "Autumn". Depicts a view of hay stacks in front of a town with mountains in the background. Signed "Leon A. Makielski" lower left, titled with artist inventory number "1744" and partial labels verso. Image 27 1/2 x 19 1/2" high, in a molded wood frame, 36 x 28" high overall.

Leon Makielski, American (Ann Arbor), 1885-1974. A 1940's oil on canvas portrait of a young woman, titled "Miss Todd". Depicted full length seated in a parlor wearing a White dress. Signed "Leon A. Makielski" with artist inventory number "1448" lower left, additionally numbered with title and artist's studio address "3408 Woodward" on "Detroit Institute of Arts Annual Exhibition" label verso. Some surface grunge and small flakes to paint throughout. Image 39 1/2 x 59 3/4" high, in a carved Gilded wood frame with minor wear, 47 x 67 1/4" high overall.

Leon Makielski, American (Ann Arbor), 1885-1974. A 1930's oil on canvas portrait of Countess Ilse(a) Metz. Depicted half length seated in a parlor wearing a white evening dress with Red floral corsage. Signed "Leon A. Makielski" lower left, titled with artist inventory number "1463" verso. Minor surface grunge, small scrape to paint lower right. Image 35 1/4 x 47 1/2" high, in a carved wooden frame with mottled Gilded finish, 44 x 56" high overall.

Leon Makielski, American (Ann Arbor), 1885-1974. A 1920's oil on wood panel Michigan summer landscape, titled "The Beehives". Depicts beehives viewed from the front porch of the artist's home in Ann Arbor. Signed "Leon A. Makielski" lower left, titled with artist inventory number "1025" verso. Some surface grunge. Image 11 3/4 x 9 1/2" high, in a painted wood frame, 13 x 10 1/4" high overall.

Leon Makielski, American (Ann Arbor), 1885-1974. A 1930's oil on Masonite winter landscape with a farm, titled "Winter Time". Signed "Leon A. Makielski" lower right, titled with artist inventory number "1283" verso. Minor surface grunge, small scratch to paint upper left, board with some shrinkage. Image 13 1/2 x 9 1/2" high, in a painted molded wood frame with some wear, 20 x 16" high overall.

Leon Makielski, American (Ann Arbor), 1885-1974. A 1907-1908 oil on artist board Oregon, Illinois landscape, titled "Gray Day". Depicts an overcast view of the Rock River. Signed "Leo A. Makielski" lower left, titled with artist inventory number "285" verso. Some surface grunge, light staining at upper left. Image 11 1/2 x 8 1/2" high, in a molded wood frame, 13 1/4 x 10 1/4" high overall.

A turn of the century Italian carved Alabaster bust of a boy. Unsigned. Minor surface wear and discoloration, some chips along lower edge. 8 x 8" high overall.

An early 20th century Schneider Le Verre Francais cameo glass vase. Large bulbous form with Cobalt Blue/Orange fruit and foliate design on a mottled Yellow ground. Signed "Le Verre Francais" at foot. Slight surface wear, a couple tiny flakes to body. Approx. 12" diameter x 8 1/2" high overall.

A turn of the century Tiffany Favrile Glass vase. Trumpet form with flared rim and textured feather body and Iridescent Gold finish. Signed "L.C. Tiffany - Favrile" and "1554" with original embossed "Tiffany Favrile - Registered Trademark" paper label at pontil. Slight surface wear. 9 1/2" high.

A turn of the century Weller-Sicard Art Pottery vase. Tapered form with Iridescent Oxblood/Gold floral decoration on a mottled Blue/Green and Oxblood ground. Signed "Weller" and "Sicard" at body, incised "75" at underside. Crazing, minor surface wear. 5 1/2" high.

A late 20th century Baccarat "Orsay" Crystal vase. Baluster form Ruby glass body on a stepped, hexagonal clear glass foot. Signed "Baccarat" with acid etched "Baccarat France" mark. Slight surface wear. 8 1/2" high.

A mid 20th century Lalique "Iseran" Crystal vase. Heavy ovoid form with ribbed body and horizontal linear cuts inspired by the Iseran Pass in the French Alps. Signed "Lalique France". Slight surface wear. 7 1/2" high.

Leon Makielski, American (Ann Arbor), 1885-1974. A 1920's oil on artist board summer landscape, titled "Summer Day". Depicts a view of a pasture's forested edge. Signed "Leon A. Makielski" lower right, titled and dated "July 30, 1923" with artist inventory number "1147" verso. Minor surface grunge. Image 13 1/4 x 9 1/4" high, in a molded wood frame with a couple small flakes, 16 x 12" high overall.

A 1930's Rene Lalique "Ricquewihr" Art Glass vase. Tapered form with raised frosted bands featuring a molded grapevine design. Incised "Lalique France" at underside. Slight surface wear, tiny flake to body near rim. 5 1/2" diameter x 5" high overall.

An early 20th century Steuben Art Glass center bowl. Low footed form with flared rim, Gold Aurene interior and Calcite exterior. Unsigned, originally had the Fleur-de-lis paper label. Minor surface wear, small burst air bubble at interior. 12" diameter x 3" high overall.

Three early 20th century Rene Lalique Art Glass perfume atomizers. Molded frosted crystal bodies depicting Neoclassical figures and cast metal tops with engraved floral and foliate decoration. Each with molded "R. Lalique / Made in France" marks at underside, tops each impressed "Made in France", largest also with "Le Parisien" and smallest "Marny". Medium height atomizer lacks some small elements of top and has a chip to glass near mounted foot, wear to various patinas, minor staining to interiors. Up to 6" high.

Two early 20th century Libbey Nash Art Glass vases. Includes a footed trumpet vase with Green spot-optic decoration, and a smaller conical "Chintz" vase with variegated Green stripes. Tallest unsigned, smaller signed "Nash" at underside. Slight surface wear. Up to 8" high.

Richard Satava, American, b. 1950. A late 20th century Art Glass vase from Satava's "Moon & Wisteria" series. Ovoid Iridescent Dark Blue glass form with a White moon peeking from behind Blue stylized Wisteria branches. Retains original registration card from "Satava Art Glass" in Chico, CA. Signed "R. Satava" with registration no. "293-85" at foot. Very slight surface wear. 7 1/2" high.

An early 20th century Legras enameled Art Glass vase. Flared satin glass form with molded hexagonal rim and enameled scenic decoration depicting a figure walking through a winter landscape on a gradient Gray/Purple ground. Signed "Legras" towards bottom. 11" high. Minor surface wear. 11" high.

An early 20th century Daum Nancy Art Glass bowl. Tapered form with mottled White ground. Incised "Daum Nancy" at side near rim with Cross of Lorraine. Slight surface wear. 6 " diameter x 3 3/4" high overall.

Leon Applebaum, American (Toledo), b. 1945. A late 20th century "Kaleidoscope" Art Glass sommerso bowl. Thick molten glass body with controlled bubbles and multi-color sommerso interior. Signed "Leon Applebaum" at underside. Slight surface wear. Approx. 8 1/2 x 8 x 5 1/2" high overall.

A mid 19th century Bohemian Lithyalin glass three piece console set attributed to Friedrich Egermann. Molded Red Lithyalin glass bodies meant to mimic polished Agate with Gilded floral decoration, includes a low bowl and a pair of matching garniture vases. Unmarked. Minor wear to decoration, some fleabites and tiny flakes. Up to 7" long and 6" high.

An 1860's George Betjemann & Sons Bronze inkwell with Wedgwood Jasperware insert. Wedgwood baluster form inkwell with tri-color jasper dipped body featuring Ram's masks and vintage garlands in White relief, mounted on a Gilded Bronze stand with engraved Greek Key decoration and roped trim. Marked "G. Betjemann & Sons" at interior of hinged lid with British diamond registry mark indicating a production date of 1867. Wear to patina, minor flakes to relief decoration. 7" diameter x 6" high overall.

A late 20th century Daum Pate de Verre Rose Collection bowl. Molded glass bowl with Rose and leaf design in shades of Pink, Lavender and Green. Signed "Daum France" at underside. Small chip to one leaf point. 7 1/2" long.

An early 20th century Libbey "Gem" pattern Brilliant cut glass seven piece drink set. Includes a pitcher and six glasses. Pitcher marked "Libbey" at top of handle. A few tiny flakes.

An early 20th century Schneider Le Verre Francais cameo glass pitcher. Tapered form with Orange/Green fruit and foliate design on a mottled Yellow ground. Blue, White and Red "candy cane" mark at underside. Minor surface wear. 6 3/4" high.

Rollin Karg, American, b. 1944. A 20th/21st century Art Glass sculpture with elongated free-form body featuring controlled bubbles, Cobalt Blue swirls and multi-color canework. Signed "Karg" at sculpture near base. Slight surface wear. 11 1/2" high.

A turn of the century Arts and Crafts Period "Quaint Furniture Co." armchair and matching rocking chair by Stickley Bros. Grand Rapids. Oak construction with vertical slats in the arms and backs, Bron leather loose cushion seats and backs. Both with original "Quaint Furniture, Stickley Bros. Co., Grand Rapids, Mich" metal tags. Older refinishing with minor wear, replaced leather cushions with two small repairs, some replaced splats under one seat. Armchair 38" high, rocker 36" high overall. ESTIMATE $1,000-2,000 Note: These chairs were originally owned by John Lesinski Sr. 16th District Michigan Member of the United States House of Representatives from 1933-1950 and the father of John Lesinski Jr., who succeeded him as Representative 1951-1965 who was later succeeded by Representative John Dingell

A late 20th century Baker "Collectors Edition" style Georgian Style secretary bookcase. Figured Walnut construction with hardwood secondary, banded edges and inlaid detail features a molded broken arch top the turned central finial over two doors with antiqued beveled mirrors over two pull out candle slides, on a lower section with a fold down writing surface with opens to reveal an interior with four dovetailed drawers and a central arched compartment, above three short and three long dovetailed drawers all with the original Brass hardware and a base with cutout bracket feet. Original finish with only slight wear. 36 x 19 1/2 x 91" high overall.

A late 20th century Kindel New England style Queen Anne highboy. Mahogany construction with hardwood secondary and dovetailed drawers features a flat molded cornice over an uppers section with three short over four long drawers on a base with one long over three short drawers all with the original pierced Brass hardware, over shaped apron and tall cabriole legs. Original finish with only slight wear. 35 1/2 x 20 x 72 1/2" high overall.

Hand woven 10 x 14' Indo-Persian Tabriz carpet

A 1970's Curtis Jere Artisan House early "Birds in Flight" sculpture. Chrome and enameled steel floor standing sculpture featuring three stylized birds with radial wings on a pyramid base. Signed "C. Jere" and dated "1976" at lower bird's wing. Slight oxidation, minor denting to base. 70 1/2" high.

An early 20th century parlor aquarium, attributed to Oscar Bach. Circular fish bowl with Brass and Copper frame and glass side panels on a Cast Iron base with two tone patina. Illegible cast signature at underside of base. Lacks iron rings at sides of bowl, some wear to patina. 39 3/4" high overall.

Pr Chinese wooden panels with inset Blue & White porcelain plaques

6 panel Chinese Coromandel Screen with Jade and Hardstone in a carved Rosewood frame

An early 20th century Art Deco Period Sabino "Triton" mask Art Glass plaque. Molded Opalescent glass plaque depicting a mask of Triton, the son of Poseidon and Aphrodite. Presented on a shaped wooden stand with molded base. Etched "Sabino Paris" on reverse of mask. Minor surface wear, base painted silver. Plaque is 10 3/4 x 15 1/4" high, 17 3/4" high overall on stand.

After Isidore Romain Boitel, French, 1812-1861. A late 19th century Bronze figure of Diana the Huntress. Victorian allegorical depiction of the goddess seated with quiver at her back and cross in her hands. Signed "Boitel" at lower back. Minor wear to surface and patina. 11 x 11" high overall.

A turn of the century French enameled copper romantic scene. Convex oval copper panel with hand-enameled scene depicting a young couple kneeled at the bank of a stream gazing at their watery reflections. Slight wear. Image 4 x 6" high, in a Gilded wood frame with minor wear, 7 3/4 x 9 3/4" high overall.

A turn of the century German porcelain plaque after Raphael. Hand-painted after "The Sistine Madonna". Unmarked, hand-written numerals on reverse. Slight wear. Image 5 x 7 1/2" high, in a carved wooden frame re-painted gold with minor wear, 9 x 11" high overall.

A turn of century KPM enameled porcelain vase. Baluster form with slender neck and multi-color floral enameled decoration with Gilded accents. Printed "KPM" mark in Red with underglaze Sceptre in Blue and impressed "GF". Slight wear. 8" high.

A late 19th century Mt. Washington "Crown Milano" line Art Glass ewer. Round form with flattened sides, rope twist handle and hand-enameled landscape depicting a country cottage and herd of sheep at the front, and a small village scene on the reverse. Painted "MC" with Crown mark and "504". Minor surface wear. 8 x 9 1/2" high.

A turn of the century Bohemian Art Glass vase attributed to Moser. Bulbous form with clear paneled body and enameled decoration depicting insects and fish with three applied Cobalt Blue glass snakes. Unsigned. Minor wear to decoration, small flake to rim from production, some fleabites. 7 3/4" high.

A turn of the century German oval porcelain plaque after Correggio. Hand-painted after "Mary Magdalene Reading". Impressed "1E" on reverse. Minor surface wear. Image 7 x 5" high, in a carved Gilded wood frame with some wear, 11 1/2 x 10" high overall.

A turn of the century German porcelain plaque after William-Adolphe Bouguereau. Hand-painted depiction of a Classical female poet with pen and tablet in hand, after "Inspiration". Stamped "Made in Germany", signed "Inspiration mach Bouguereau" and impressed "107" numerals on reverse. Slight wear. Image 3 1/2 x 5 1/2" high, in a carved Gilded wood frame with minor wear, 8 x 10" high overall.

A turn of the century German porcelain plaque after Nathaniel Sichel. Hand-painted depiction of the female literary character, titled "The Beggar of Pont des Arts". Stamped "Made in Germany" and signed "Die Bettlerin von Pont des Arts after L. Sichel" on reverse. Slight wear. Image 4 x 6" high, in a carved Gilded wood frame with minor wear, 8 3/4 x 10 3/4" high overall.

A turn of the century KPM porcelain plaque after Charles Zacharie Landelle. Hand-painted depiction of Ruth standing with a sheaf of wheat. Signed "Wagner" by artist F. Wagner Wien lower right, impressed "KPM" with Sceptre mark on reverse. Slight wear. Image 4 x 6" high, in a carved wooden frame re-painted dark Gold, 8 x 10" high overall.

An early 20th century Pittsburgh desk lamp. Reverse painted glass shade with landscape decoration on a Gilded Cast Iron base with scrolled floral design and adjustable neck. Cast "Pittsburgh" mark at thumbscrew. Shade with minor surface wear and small flake at front, some wear to Gilded patina. Shade is 9" long, 10" high overall.

A turn of the century Viennese enameled music box in the form of a miniature grand piano. Gilded metal frame with hand-enameled inserts depicting frolicking Cherubs. Lid opens to reveal a decorated interior and velvet lining, plays by opening and closing the fallboard. Minor wear, winds and plays when cataloged. 3 1/4 x 5 1/2 x 3 1/2" high overall when closed.

Six turn of the century Viennese miniature enameled parlor pieces. Gilded metal frames with hand-enameled inserts depicting romantic scenes. Includes a settee, three armchairs, a side table and stool. One chair marked "Austria" at underside. Some wear to Gilded patina. Up to 3 1/4" long and 3 1/4" high.

A turn of the century Viennese enameled table screen. Tri-fold screen with hand-enameled Copper panels depicting romantic scenes within a Rococo Revival Bronze frame with Gilded patina. Minor wear, hairline to enamel at back of center panel. 15 1/2 x 13" high overall.

A turn of the century Russian enameled Silver cigarette case. Hinged rectangular form featuring a hand-enameled scenic medallion depicting a mountainous landscape with a flowing river, surrounded by multicolor scroll and geometric cloisonne decoration with a Purple stone cabochon at the push closure. Double impressed Cyrillic "FR" mark attributed to Feodor Ruckert (German, 1840-1917) and "88" Russian silver Kokoshnik mark indicating a production date of 1899-1908. Slight wear to the enamel with minor surface wear and pitting, scenic medallion with hairlines. 2 3/4 x 4 1/4" high overall.

A turn of the century KPM porcelain plaque after Charles Zacharie Landelle. Hand-painted Orientalist depiction of young woman standing with amphora in hand. Impressed "KPM" with Sceptre mark, signed with illegible artist name and "After Ch. Landelle" on reverse. Slight wear. Image 6 x 9" high, in a molded wood frame, 9 x 12" high overall.

An early 20th century Gilded Bronze figure of Persephone. Depicts the Goddess of Spring holding a bouquet, presented on a Black and Brown Marble base. Minor wear to Gilded patina, two tiny flakes to one back corner of Marble. 8 3/4" high.

Jane le Soudier, French, 1885-1976. An early 20th century Bronze sculpture depicting two parrots perched on a gnarled branch with polychrome patina. Signed "Le Soudier" at base. Minor wear to patina. 7 1/2 x 9" high.

A late 19th century German porcelain portrait plaque after Rembrandt by Franz Till. Hand-painted portrait of Willem Burggraeff, depicted quarter length in a Black jacket with White lace collar. Signed and dated "Franz Till / Dresden / 1897" and annotated "Copy after Van Dyck / Dresden Valley" on reverse, the original portrait is accredited to Rembrandt or his workshop. Slight wear. Image 7 1/2 x 10" high, in a carved Gilded wood frame with minor damage, 11 x 14" high overall.

A turn of the century Loetz "Astraea" Art Glass vase. Bulbous form with flared rim and pinched body with "Oil Spot" finish on an Iridescent Gold ground. Unsigned. Minor surface wear, a few darkened surface bubbles from production. 6" diameter x 6 1/4" high overall.

Rudolf Podany, Austrian, 1876-1963. An early 20th century Bronze figure of a young Nymph with hand outstretch and flowing robe, seated upon an incorporated shaped Verde Marble base. Signed "Podany" at figure back. Nymph lacks small element at hand, Bronze with minor wear to patina and surface, Marble with some chips along edges. 16 3/4" high.

A early 20th century Quezal Art Glass vase. Trumpet form with ruffled rim and Iridescent finish in shades of Gold and Pink. Signed "Quezal" and incised "253-51". Minor surface wear. 9" high.

A turn of the century Daum Nancy Cameo Glass vase. Tapered form with bulbous foot and rim with multi-color mountainous landscape decoration on a mottled Blue/White ground. Signed "Daum Nancy" with Cross of Lorraine at body near base. Slight wear to decoration. 9 1/2" high.

An early 20th century French Cameo Glass vase attributed to St. Louis. Trumpet form with Mint Green floral decoration on a clear textured ground with Gilded details. Unsigned. Minor wear to decoration, some scratches to interior. 12" high.

John Edmund Califano, Italian/American, 1862-1946. Oil on canvas entitled "Moonlight on the Waves" in which sailing vessels dot along the background of moonlit waters. Signed at the lower right; within a painted wood frame with title/name plaque and underglass, with Ferguson's Art Shop (Flint, MI) stamp verso. Very light wear overall. 19 1/2 x 27 1/4" high, framed 25 x 32 3/4" high overall. ESTIMATE $800-1,200

William Watson, British, 1866 - 1921. Oil on canvas entitled "Highlanders" depicting five Highland cattle drinking from a stream, with the rest of the herd meandering in the distance. Signed and dated "W. Watson 1887" at the lower right. Some light wear and craquelure overall; within a molded gilt frame with some wear, having title/name plaque at the lower central portion. 24 x 36" high, framed 44 1/4 x 32 1/4" high overall. ESTIMATE $2,000-3000

Joseph Antonio Hekking, Dutch/American, 1830-1903. Oil on canvas depicting a Herder leading a team of cows pulling a wagon along a muddy path. Signed at the lower left; erroneous name plate adhered to the lower portion of the molded gilt and wood frame; paper label with title "Crossing the Stream" verso. Some craquelure and wear along the margins, relined, some wear/losses to the frame. 30 x 20" high, framed 38 3/4 x 28 7/8" high overall. ESTIMATE $800-1,200

Petrus Gerardus Vertin, Dutch, 1819-1893. Oil on wood beveled wood panel depicts an Urban Winter scene, consisting of snow covered Dutch buildings and streets, with people out and about in the city. Signed "P.G. Vertin" at the lower right in a painted wood and gesso frame. Some wear overall with some craquelure; some wear, crazing and losses to the frame. 8 x 10 5/8" high, framed 19 x 21 1/2" overall. ESTIMATE $800-1,200

Paul Ling, Dutch, 19th Century. Oil on canvas depicts a commotion in a harbor, with a sailing vessel, horses, and townspeople. Within a gilt wood frame. Signed "P. Ling" along with artist's cipher at the lower right. Some craquelure, restretched. 23 3/4 x 14 3/4" high, framed 28 1/2 x 19 1/2" overall. ESTIMATE $600-1,000

James Jeffrey Grant, Scottish/American, 1883-1960. Oil on canvasboard depicts a New England harbor scene in vivid colors. Signed "J. Jeffrey Grant" at the lower right. Within a gilt wood frame, Hudson's label verso. Very minor indications of craquelure, overall condition of the image is good; some losses and wear to the frame. Sight 15 3/8 x 13 1/4" high, framed 19 1/4 x 17 1/4" overall. ESTIMATE $800-1,200

Antoine Bouvard, French, 1870-1956. Oil on canvas depicting Venice, with the a view of St. Mark's Basilica in the background. Singed "Bouvard" at the lower right, with "An Upper waterway, Venice, A. Bouvanrd" in pencil verso; within a molded gilt wood frame. Some wear overall with small losses/flakes evident in several places, some craquelure; some wear and minor losses to the frame. Sight 25 x 19" high, framed 30 1/2 x 24 1/2" overall. ESTIMATE $2,000-3,000

John Edmund Califano, Italian/American, 1862-1946. Oil on canvas depicting a ship amidst tumultuous seas, with a red sunset on the horizon. Signed at the lower right, in a painted wood frame, underglass. Very light wear overall. 32 x 22" high, framed 37 5/8 x 27 5/8" high overall. ESTIMATE $1,000-1.500

A Papua New Guinea post figure of a Hornbill bird. Carved wooden bird with polychrome decoration and the tail of a crocodile. Some wear, minor damage to base, repaired at neck and bill. 23 3/4" high.

Two African ritual figures. Includes a Boho Na Bwete reliquary figure from the Mahongwe people of Gabon with a carved wooden body clad in Copper and Brass, and a Biiga fertility doll from the Mossi people of Burkina Faso with a carved wooden body clad in leather with cowrie shell accents. Some wear. Up to 17 1/2" high.

A large Papua New Guinea ceremonial mask. Carved wooden mask with monochrome decoration, features angled eyes of a hooked nose and pierced mouth. Some wear to decoration, minor damage. 40 1/2" high.

An Oceanic carved ancestral totem or post from Palau. Carved hardwood post depicting emblematic scenes of daily and ceremonial life with multiple figures among palm trees. Refinished with minor wear. 21" high.

An Oceanic carved ancestral totem or post from Palau. Carved hardwood post depicting emblematic scenes of daily and ceremonial life with multiple figures among palm trees. Refinished with minor wear.

Two Papua New Guinea ceremonial figures. Carved wooden figures with polychrome finish, includes a hanging totem with two inverted zoomorphic figures, inlaid shells and raffia accents, and a standing ancestral figure with raffia decoration. Some wear and shrinkage. Up to 27" high.

An African Baga snake ceremonial headdress. Carved wooden figure with polychrome geometric decoration. Some wear to decoration. 22" high.

An African Baga snake ceremonial headdress. Carved wooden figure with polychrome geometric decoration. Some wear to decoration. 44 1/4" high.

Two Papua New Guinea ceremonial masks. Carved wooden masks with polychrome decoration, includes one with cowrie shell eyes and alternating border, and a smaller one with pierced mouth and geometric border. Some wear. Up to 19 1/2" high.

An African figural seat from the Babanki people, Cameroon. Carved wooden stool with openwork leopard design with a White painted top. Some wear and shrinkage. 11 x 12 3/4" high overall.

Three Papua New Guinea items. Includes a Fofana male pectoral ornament with braided natural fibers and large cowrie shell accents, an Earthenware figural Sago jar with polychrome decoration, and a carved coconut whistle with polychrome decoration. Some wear, one cowrie shell and coconut repaired. Up to 12" high, not including stand.

A Papua New Guinea carved food bowl. Carved oval form wooden bowl with two handles. Some wear, minor damage to edges. 34" long.

An African Maasai culture Elongo shield. Animal hide stretched across a bentwood frame with leather lashings and polychrome decoration. Some wear. 36" high.

A mid 20th century Pewabic Art Pottery covered box. Rectangular form with canted corners, featuring a relief bird design at the lid and Iridescent glaze in mottled shades of Green and Gold. Impressed "Pewabic Detroit" mark. Minor wear and crazing. 5 x 3 3/4 x 2" high overall.

An early to mid 20th century Pewabic Art Pottery vase. Tapered form with a high, flat shoulder and matte glaze in Cobalt Blue. Impressed "Pewabic Detroit" mark. Minor wear and crazing. 5 3/4" high.

A mid 20th century Ira & Ella Peters for Pewabic Pottery vase. Baluster form with Iridescent Red drip glaze on a matte Golden ground with shades of Pale Green. Faintly "Ira / Ella" signatures. Minor wear. 7 1/2" high.

A 20th century Pewabic Art Pottery vase. Ovoid form with matte Black glaze. Impressed "Pewabic Detroit" mark. Minor wear. 4 1/2" high.

A pair of 20th century Pewabic Pottery bookends. Decorated with a relief Seal of Michigan design and Iridescent glaze in mottled shades of Green, Gold and Purple. Impressed "Pewabic Detroit" marks. Minor surface wear and crazing. 5 1/2" high.

A mid 20th century Pewabic Art Pottery tile. Rectangular tile decorated with a Neoclassical frieze depicting soldiers and horses with Iridescent glaze in mottled shades of Gold. Presented in a custom Quarter Sawn Oak frame by Family Woodworks. Tile retains original "Pewabic Detroit" paper label verso. Minor wear and crazing. Tile is 10 1/2 x 3" high, framed 14 x 6 1/2" high overall.

A Pewabic Art Pottery tile. Rectangular tile decorated with a relief image of tigers chasing a boy around a tree. Presented in a custom Quarter Sawn Oak frame by Family Woodworks. Tile impressed "Pewabic Detroit" verso. Slight crazing. Tile is 8 3/4 x 6 1/4" high, framed 12 1/4 x 9 3/4" high overall.

Two 19th Spanish Colonial Santos figures. Carved wood with polychrome decoration, includes a figure of San Vicente Ferrer, and a male saint. Wear, some damage, painted touch-ups and minor repairs, both lack hands, San Vicente lacks his wings, one's head not secured to his body. Up to 12" high overall.

Two 19th Century Spanish Colonial Santos figures. Carved wood with polychrome decoration, includes a figure of the Madonna and San Vicente Ferrer. Wear, some damage, painted touch ups, the Madonna figure is split, both lack left hands and have damage/losses to right, Ferrer lacks base to plinth. Up to 12 5/8" high.

Two 19th Century Spanish Colonial Santos figures. Carved wood with polychrome decoration, includes a figure of the Madonna and San Vicente Ferrer. Wear, some damage, Vicente lacks wings and has a split plinth. Up to 14" high.

A 19th Century Spanish Colonial Santos figure. Carved wooden figure with polychrome decoration, depicting a male saint atop a carved wood plinth. Wear, some damage, shrinkage, lacks hands and part of a foot. 27 5/8" high overall.

A 19th Century Spanish Colonial Santos figure. Carved wooden figure with polychrome decoration and inset glass eyes, depicting St. Francis atop an ornate carved wood plinth Wear, some damage, shrinkage, lacks his left hand and part of his left foot. 17 3/4" high.

Jules Hippolyte Ravel, French, 1826-1898. A 19th century oil on canvas interior scene with chiaroscuro technique. Depicts a seated young woman gazing out a window, bathed in the waning afternoon light, with books in hand and a spinning wheel at her feet. Signed "Jules Ravel" lower right. Craquelure, minor surface grunge. Image 32 x 39" high, in a Gilded wood frame with minor damage and some painted touch-ups, 52 x 59" high overall.

An Old Master oil on panel depiction of the "Last Supper". Oil on cradled wood panel depicting the Last Supper with the Latin text "hic este enim calix sangvi nls mei novi & aeternitestamenti misterivm fidei qvipro vobis & pro mvltis effvn detvr inremissio nem peccatorvm" written below them (For this is the chalice of my blood, the new and eternal testament of the mystery of faith, which for you and for many is the fruit of forgiveness of sins). Erroneous attribution to Gerard David and a Bankers Life & Casualty Co. Stamp verso. Repair and restorations overall, some losses and damage. Image 63 x 19 3/4" high, in a re-painted and re-Gilded wood frame with some losses and damage, 22 1/2 x 66 3/4" high overall.

A pair of mid 20th century Fisher "English Rose" pattern Sterling Silver candelabra. Weighted two-part convertible candelabra with five light design, four scrolled arms and a baluster stem with circular foot. Each marked "Fisher / Sterling Weighted" and "English Rose / 2450". Minor surface wear and denting. 17 1/4" high.

Two Art Deco Period Silverplate cases with Guilloche enamel decoration. Includes a small Purple purse with vintage swag and floral basket decoration, and a White D.F. Briggs wristlet compact with multicolor landscape decoration. Compact marked "D.F.B. Co." at interior. Minor wear to patina and enamel, compact with make-up remnants. Up to 5 1/2" high.

Five 19th century English Ironstone serving pieces. Multi-color Chinoiserie decoration with floral borders. Includes five serving platters and a soup tureen. Impressed and printed "C" with "2487" pattern number, possibly unmarked Copeland Spode. Tureen lid with some hairlines, one platter with production firing crack, minor edge flakes and craquelure. Platters up to 22" long, tureen 12 x 9" high overall.

After Giovanni Battista Piranesi, Italian, 1720-1778. Etching on heavy wove paper titled "Veduta del Tempio della Sibilla in Tivoli" (View of the Temple of Sibyl in Tivoli) from the "Vedute di Roma" (Views of Rome) series. Signed "Piranesi Fec." in the plate lower right. Some toning, particularly to borders, minor foxing. Plate 25 x 16 1/2" high, in a molded frame with joint separation and some flaking, 33 1/2 x 25 1/2" high overall.

An early 20th Tiffany desk lamp with Steuben Art Glass shade. Adjustable patinated Bronze harp base with circular foot and a bell form glass shade with etched floral decoration and Iridescent Gold finish. Base double impressed "Tiffany Studios / New York" and "419", shade with partial Steuben Fleur des Lis mark at fitter. Minor wear, some tiny flakes at fitter. Shade is 4 3/4" high with 2" fitter, 13 1/2" high overall.

Three turn of the century Art Nouveau glass perfume bottles with Sterling Silver overlay. Various forms with floral designs. Each marked Sterling. Minor losses to overlay, some staining to interiors, tallest monogrammed. Up to 6 1/2" high.

Four turn of the century Art Nouveau glass perfume bottles with Sterling Silver overlay. Various forms with clear, Ruby and Emerald Green glass bodies and scrolled designs. Each marked or tested Sterling. Clear bottle with crack to glass under Sterling overlay at rim/neck, slight staining to interiors. Up to 3 1/2" high.

Three pieces of turn of the century Bohemian Art Glass attributed to Moser. Amethyst, Cranberry and Amber glass bodies with scrolled hand-enameled decoration and Gilded details. Includes a hexagonal vase, a hinged dresser box and an oval trinket dish with insects. Vase signed "Moser" at underside, dresser box with painted "N" and "2 2" at interior, dish unmarked. Some wear to decoration and fleabites, light scratches to undersides. Up to 6" high.

A pair of turn of the century Continental porcelain plaques after Raphael. Each with hand-painted depictions after the Cherubs in "The Sistine Madonna". Presented in cast Brass frames suspended from easels with cast foliate decoration. Slight surface wear, losses to silk mats, one frame lacks cast bow. Plaques are 4" high, 12" high overall.

Hand-enameled portraits, one of "Saint Fabiola" after Jean-Jacques Henner, and the other of a young women in a headdress. Presented in Gilded metal frames with engraved decoration and cast vintage ribbons. St. Fabiola signed "Jacques Henner" and artist monogrammed "HR", the other monogrammed "AP". Slight surface wear, some wear to frame's Gilded finish. Plaques up to 4" diameter, framed up to 6 1/2 x 7 1/2" high overall.

Three 19th century Continental Sterling Silver snuff boxes. Rectangular hinged boxes, includes one Austrian-Hungarian box with hand-enameled floral top, and two French boxes with engraved decoration. Impressed hallmarks. 6.17 troy ozs total. Some surface wear, larger French box monogrammed at top. Up to 3 1/4" long.

A turn of the century Russian Silver cigarette case. Hinged rectangular form featuring an engraved Art Nouveau style floral design. Double impressed Cyrillic "VA" mark attributed to Vasily Agafonov or Vasily Andreyev and "84" Kokoshnik hallmarks. 5.27 troy ozs total. Some surface wear and light scratches. 4" long.

A late 19th century Continental Sterling Silver tea caddy. Square form with lift off cap and repousse decoration depicting genre scenes of daily life. Impressed hallmarks, likely German Hanau, tested Sterling. 9.0 troy ozs total. Some surface wear. 4 3/4" high.

A late 19th century Continental Sterling Silver tea caddy. Square form with canted corners lift off cap and repousse decoration depicting Neoclassical Romantic scenes. Impressed hallmarks, likely German Hanau, tested Sterling. 5.5 troy ozs total. Some surface wear, minor denting. 5" high.

After Emmanuel Villanis, French, 1858-1914. A turn of the century Art Nouveau Marble bust, titled "Zora". Solid Carrara Marble bust of a young maiden in a flowing Brown Marble dress with Tan Granite accessories. Carved "Zora" at base. Minor surface wear overall, a few small losses to base. 24 1/2" high.

Two turn of the century French Sevres style garniture vases. Porcelain bodies with baluster form having hand-enameled scenes depicting lounging Cherubs on Champleve Bronze mounts with incorporated Onyx bases. Both artist signed, taller "V. Beis" and shorter "C. Rochette" for Claire Maglin Rochette. Minor wear to decoration, some flakes to Onyx, smaller foot plate slightly askew. Up to 9 1/2" high.

A mid 20th century Lalique frosted Crystal "Nemours" bowl. Molded floral design with Black enameled accents. Etched "Lalique France" signature. Slight wear. 10" diameter x 4" high overall.

A pair of early 19th century miniature painted portraits of a young man and woman. Each depicted quarter length, the man in a Red waistcoat and Black silk scarf artist signed "Cosway" attributed to Richard Cosway (British, 1742-1821), the woman in a Blue gown and a turban style headdress signed "Pitt". Minor wear, not examined out of frames. Images 2 1/2 x 3 1/4" high, in Black lacquered wood frames with some craquelure and minor wear, 5 x 5 3/4" high overall.

Two 19th century miniature painted portraits of women. Each depicted quarter length, includes an older woman in Green dress and silk headscarf artist signed "C. de D. Marc", and a younger woman in a Pink and Green striped gown with jeweled accents signed "Tuny". Minor wear, younger woman with losses to applied jewels, silk mats with wear and fraying, not examined out of frames. Images up to 4 1/2" high, in cast metal frames with Gilded finish and wear, up to 10" high.

Two 19th century miniature painted portraits of women. Each depicted quarter length, includes a woman in a Pink gown and wrapped headdress also with a plume signed "Arnal", and a woman in a Pink gown and hat adorned with roses illegibly signed. Minor wear, Arnal portrait with minor wear to paint along lower edge, not examined out of frames. Images up to 3 1/4" high, in cast metal frames with Gilded finish and some wear, up to 6 1/4" high.

A late 19th Russian Niello Silver cigarette case. Hinged rectangular form featuring an engraved cityscape surrounded by scrolled borders. Double impressed Cyrillic "IAS" mark of Ivan Sveshnikov and "84" Moscow hallmarks. 3.70 troy ozs total. Some surface wear. 4" long.

Two turn of the century Russian Niello Silver snuff boxes. Hinged rectangular forms featuring engraved cityscape and floral decoration. Each with impressed "84" hallmarks and Cyrillic maker's marks. 4.09 troy ozs total. Some surface wear particularly to larger. Up to 3 1/4" long.

Three early 19th to early 20th century English Sterling Silver snuff boxes. Rectangular hinged boxes with scrolled engraved and cast decoration, includes a Georgian box dated 1823 by Thomas Newbold, a box dated 1853 by Yapp & Woodward, and another dated 1911 by Henry Williamson LTD. Each with impressed Birmingham hallmarks, maker's marks and date letters. 5.47 troy ozs total. Some surface wear, Georgian box with engraved inscription at interior. Up to 3 1/4" long.

A mid 19th century Viennese Sterling Silver snuff box. Rectangular hinged box with engraved floral design. Impressed Vienna "A" Austria-Hungarian hallmark. 4.63 troy ozs total. Some surface wear, very light denting. 4 3/4" long.

A 1988 Bruce Springsteen Autographed Tour Booklet from the Tunnel of Love Express Tour. Autographed in Black marker "To Tony B. Thanks for the Detroit Hospitality the Powerhouse is great! Bruce Springsteen". Comprised of various color photographs, songs and lyrics. Copyright 1988, The T Shirt Company. Some wear to edges and inscription. 11 x 14" high overall.

An early 20th century Moorcroft "Hazeldene" Art Pottery vase. Pear form with tube lined landscape decoration in muted tones of Blue and Green. Painted Green "W. Moorcroft des." signature and printed "Rd No. 397964" registration mark at the underside. Crazing, minor surface wear. 5 1/2" high.

A turn of the century Loetz "Candia Papillon" Art Glass vase. Round form with ruffled rim and "Oil Spot" finish on an Iridescent Gold ground with an Art Nouveau Silver overlay. Slight surface wear, polished pontil with flake from production. 5 1/2" diameter x 4 1/4" high overall.

Clark E. Bronson, American, b. 1939. A 1970's patinated Bronze figural grouping, titled "Gobbler's Roost". Depicts three wild turkeys on a tree stump on a rocky outcrop, presented on a shaped Walnut base. Signed "Clark Bronson" dated "1974" and numbered "25/75" at base. Minor wear. Approx. 15 x 13 x 12" high overall.

Cleto Luzzi, Italian, 1884-1952. An early 20th century oil on canvas genre scene. Depicts an elaborate Rococo style interior with a group of musicians performing for a lounging Cardinal and his companion. Signed "Cleto Luzzi" lower right. Craquelure, minor wear to paint along edges. Image 38 x 28 1/4" high, in a carved Gilded wood frame with some losses and minor damage, 54 x 43 1/4" high overall.

Franz Schilhabl, Hungarian, 1824-1902. A late 19th century oil on canvas genre scene, depicting a Austro-Hungarian military procession marching in a crowded town square in winter. Signed "Fr. Schilhabl" at the lower right and dated "1883". Some craquelure and wear, particularly around the edges with some losses, one tear at the left approx. 3/4" high, small indentation/puncture at the upper central portion. Unframed 43 x 33 3/4" high overall.

A large Chinese Famile Rose porcelain figure of a Laughing Buddha. Depicted seated in a "carved" armchair with scenic panels, holding a cloth sack representing his origin as the monk Budai in one hand, and an small Gilded bowl representing wealth and prosperity in the other. Some wear to enameled decoration particularly at belly, some areas with craquelure. Approx. 15 x 14 x 21" high overall.

A pair of early 20th century Quezal Art Glass shades. Floriform with Iridescent Gold finish and White pulled linear decoration. Signed "Quezal" at fitters. Minor surface wear. Each 5 1/2" high with 2 1/8" fitters.

Two early 20th century Quezal Art Glass shades. Each with Iridescent White finish, one floriform with Blue and Gold Pulled Feather decoration, the other bell form with ribbed body. Both signed "Quezal" at fitters. Minor surface wear. 3 3/4" and 5 1/4" high with 2 1/4" fitters.

Four 19th century English and German Sterling Silver vinaigrettes. Rectangular hinged boxes with engraved decoration, includes three English and one German examples. Impressed English hallmarks and "Sterling Germany". 2.07 troy ozs total. Some surface wear, one monogrammed, German one lacks insert. Up to 2 1/4" long.

An early 20th century Gorham Sterling jewelry box. Oval hinged box with scrolled floral repousse decoration and velvet lined interior. Impressed maker's mark and "Sterling". 8.18 troy ozs total. Some surface wear, monogrammed. 5 1/2" long.

V.K. Minyar-Beloruchev Winter Landscape

Ben Foster Forest Landscape

E.A. Gruppe Forest Scene

G. Adolph Wiegand Landscape

Mexican Sterling Silver three piece tea set

Gucci Silverplate Stirrup Cup

Mexican Sterling Aladdin Lamp Lighters

Picasso Book of Lithographs

Camusso Peruvian Sterling Silver five piece tea set

Russian Enameled Silver Flatware

Five 19th to early 20th century miniature .812 Silver and higher boxes.

An early 20th century Pewabic Art Pottery vase.

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