St. Louis Classic and Contemporary: The May Collection
Saint Louis, MO 63132
May 9
10am to 4pmTerms & Conditions
Preview starts May 4th-May 8th 12pm-4pm and extended hours on May 7th until 7 pm.
Woodard Lipe Fine Art (Warehouse)
1304 Ashby Rd, Olivette MO 63132
314-899-0098 or 314-800-8292
All announcements, listing information, availability, online or print, day of sale take precedent and govern all transactions.
Payment: All major credit cards accepted, pre approved checks, ACH wire transfers, Venmo, and ApplePay, and of course, cash. There are no additional charges added to any form of payment. All purchases are subject to state and local taxes. Individuals with a tax id are asked to submit proof prior to sale to avoid sales tax.
Limitations of Liability: Except as expressly provided above, all property is sold "as is." Neither The Refind Room nor the consignor makes any representation or warranty, express or implied, as to the merchantability, fitness, or condition of the property or as to the correctness of description, genuineness, attribution, provenance or period of the property or as to whether the buyer acquires any copyrights or other intellectual property rights in lots sold or as to whether a work of art is subject to the artist's moral rights or other residual rights of the artist. The buyer expressly acknowledges and agrees that in no event shall Woodard Lipe be liable for any damages including, without limitation, any compensatory, incidental or consequential damages. Woodard Lipe is not responsible for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses. In no event shall the aggregate liability of Woodard Lipe and its consignor to a purchaser exceed the purchase price actually paid for a disputed item of property. Once an item has been removed from either the home or store, all sales are final.
Agreement: By registering to bid on a property (lot) in person, through our website, by phone, by absentee bid, as a principal representative, through third party agent, or via alternate 3rd party bidding platform in our auction, you (Bidder) agree to be bound by and comply with the following terms and conditions and any additional published notifications or announcements prior to or at the time of sale which constitute the conclusive terms in which property represented either by catalogue or private sale shall be offered for sale by or sold by Woodard Lipe Fine Art and Auction (Woodard Lipe) or any consignor for whom Woodard Lipe provides agency. Any such bid by any means constitutes an offer to purchase a lot for the bid amount and is subject to all terms. Any bid accepted by Woodard Lipe that is deemed the winning bid is contractually obligated and is the responsibility of the Bidder, their heirs, and estate without transferable rights to purchase or to resolve that lot in accordance with this agreement. Any alteration to these terms and conditions must have prior written approval from Woodard Lipe.
All Sales Are Final: It is the sole responsibility of the Bidder to examine, inquire, request additional information, and otherwise satisfy all questions concerning the state, composition, attribution, nature and overall condition, satisfying all inquiry or any other investigation prior to establishing a bid with Woodard Lipe. Woodard Lipe advises Bidders to personally examine each lot prior to auction and before the sale. By bidding on a lot, the Bidder warrants and hereby represents that they have fully examined the condition of the lot and provides covenant to their satisfaction and warrant that they maintain no objection to such condition. All sales are final.
Registration and Verification: A completed bidder registration form must be completed as well as additional requested information, valid major credit card and references, if applicable, provided prior to participation in any online or in person auction, or direct sale purchase. Any new Bidders or individuals who have not bid within the past calendar year from date of sale must complete a new registration within 24 hours prior to sale. Government issued proof of identity is required as well as confirmation of physical address. We reserve the right to request additional information regarding the origin of funds. Woodard Lipe may decline in our sole discretion any Bidder or reject any bid or cancel any sale if Bidder identification and registration procedures are not satisfied. At registration, a small authorization hold may be placed on the credit card that will fall off after the sale.
Our Auction: Subject to these terms and conditions, Bidders may (i) place in person bids under a unique paddle number (ii) place a bid through a representative of Woodard Lipe via telephone. Previous registration for this service is required within 24 hours prior to sale. The Woodard Lipe representative will call the designated telephone number within 2 lots prior to the lot of interest. In case connection cannot be made in a timely manner prior to the sale of the interested lot, phone bidders are asked to make a representative bid of 75% of the auction estimate of the lot of interest to be placed on their behalf (iii) place an absentee bid in writing within 24 hours prior to sale. The auctioneer will bid for the absentee Bidder up to and including the high bid limit. The auctioneer starts the first bid based upon the initial low estimate and subsequent absentee bid interest(s) in the lot. Bidding increases in incremental amounts at the sole discretion of the auctioneer. All bids are accepted and executed at the discretion of Woodard Lipe and the risk of the bidder. Absentee bids less than half of the low estimate will not be accepted. Off increment absentee bids will be rounded down to the nearest increment. Woodard Lipe does not accept responsibility for any failure to execute bids via phone, absentee, or online because of human or technical error. Any change to either a registered phone or absentee bid must be made no later than 12 hours prior to day of sale. All changes and requests must be submitted in writing to info@WoodardLipe.com and subsequently acknowledged. Preference of matching bids will be given in order received.
Third Party Internet Bidding: Third party online bidding is available for every auction through third party auction bidding platforms Invaluable, Bidsquare, and other live bidding platform providers. These platforms require a separate registration, proof of personal information, and validation of credit card. Live bids and absentee bids from these third party bidding platforms are received in real time and executed by the auctioneer and are subject to the same terms and conditions. Woodard Lipe is not responsible for any errors, omissions, or reliability of bidders use of a third party online bidding platform and therefore cannot control the reliability of the connection of the device, software used, or transmission speed.
Bid Increments: Woodard Lipe uses the following bidding increments.
$20-200....................................by $10s
$200-500..................................by$20/50s
$50-1,000.................................by$50s
$1,000-2,000............................by$100s
$2,000-5,000............................by$250s
$5,000-10,000..........................by$500s
$10,000-20,000........................by$1,000s
$20,000-50,000........................by$2,000/5,000s
$50,000-100,000......................by$5,000s
$100,000-200,00......................by$10,000s
above $200,000.......................at auctioneer's discretion
Descriptions: Detailed descriptions are provided for each lot either in the catalogue or online. Additionally an abbreviated title will also be provided for the sole purpose of search engine optimisation (SEO). The Bidder should reference the full detailed description before making a bid. The detailed description may contain information including but not limited to the artist's name, date of work, sizes and dimensions, composition and material, historical influence or antecedence, nature and provenance and all descriptions of lots whether written or oral, inclusive of condition, creator, material, or period are a matter of opinion and no statement shall be deemed as a guarantee of value or implied warranty. No exclusive claim of rarity, significance or importance is made by Woodard Lipe about any item represented at auction. All lots are sold “as is” with no attempt by Woodard Lipe to ameliorate, augment, assuage, or alter any material or aspect of any lot in any way. Woodard Lipe makes no warranty of merchantability or fitness for a particular purpose or desired use. Woodard Lipe assumes no liability for the failure to identify accurately materials from endangered or protected species or for incorrectly identifying such materials.
Condition Report: Reference to an item's condition, whether written or oral shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Additionally, be aware that variations in color or appearance may exist between the actual lot and the images depicted online or in print. We advise that you physically inspect the items in addition to consulting the catalogue description and condition reports prior to bidding. One week prior to the auction date, a public preview period during posted weekday and weekend hours will be offered as an opportunity to examine all lots; all dates and times will be included in all auction announcements and also online on the Woodard Lipe homepage. Individuals may also schedule an appointment for a viewing.
Estimates: Estimated ranges of values are placed on each lot with a low and high valuation provided as a guide only for potential buyers and should not be relied on as a guarantee for selling price. These estimates account for the attributes of the material, nature, scarcity, and unique provenance, and rely upon past auction sales records and additional available comparable public sales information. At any time, based upon additional scholarly or market research, the estimated price range is subject to change and may be altered at the sole discretion of Woodard Lipe prior to sale.
Reserves: Unless otherwise noted, all lots offered for sale are subject to a reserve, which is a confidential minimum price below which a lot will not be sold. Reserves are agreed upon with the consignor or may be at the discretion of Woodard Lipe. Bids that do not meet the reserve may be rejected or rescinded. Woodard Lipe will execute the reserve by bidding for the consignor and traditionally start below the low estimated value range. Reserves are the consignor's proprietary information and therefore, not revealed nor public information.
Auctioneer Discretion: The auctioneer may at his/her discretion: (i) accept or refuse any bid; (ii) withdraw any lot from the auction; (iii) admit a new bidder or remove a bidder from the auction; (iv) reopen or continue the bidding even after the hammer has fallen; (v) divide or combine lots; (vi) alter bidding increments or split any bidding increments and advance bidding in any manner (vii) resolve any disputing bids. The auctioneer has sole and final discretion to determine the successful bidder, close and reopen bidding, or to cancel a sale and reoffer a lot. Woodard Lipe reserves the right to remove or withdraw any lots before or during the sale and will accept no liability for this action. Woodard Lipe reserves the right to remove and withdraw any property and to divide and combine lots at any time prior to auction. Unless announced by the auctioneer at time of auction, all bids are per lot as numbered in the catalog and no lots shall be divided or combined for sale. In the event of a dispute, Woodard Lipe requires notification within (2) business days that the successful bid may have been taken in error and auctioneer will consider the request. In all instances of dispute after the sale, sales records shall be conclusive in all respects.
On-Line Platforms: Woodard Lipe partners with third party online bidding platforms which will collect its own fees and have its own rules and regulations for registration and bidding. Woodard Lipe has no control over, and assumes no responsibility for, the content, privacy policies, or practices of these bidding platforms. Woodard Lipe is not liable for any special, incidental, or consequential damages or loss that results from the use of, or inability to use, these bidding platforms. Bidders are encouraged to resolve their dealings with third party bidding platforms directly with such bidding platforms.
Statement of Bidder Indemnity: Participants in either live, phone, or online auctions, representatives for third party bidders, or individuals leaving absentee bids, agree to indemnify and hold harmless Woodard Lipe and its owners, members, managers, employees, officers, agents, attorneys, and representatives from and against any and all demands, claims, causes of action, damages, costs, fees, or other liability (including reasonable attorney's fees) arising out of or resulting from (i) any breach of these terms or Woodard Lipe terms (ii) taxes, customs, duties, or additional fees payable with respect to the listed product or portion thereof (iii) any deficiency in compliance with any local, state, federal, or international laws, statues related to the use Woodard Lipe online and in person (iv) any deficiency in compliance with any local, state, federal, and international laws, statutes, ordinances, rules, reporting requirements/laws, import/export laws, customs requirements/laws, and checkoff fee requirements/laws applicable to the buying, handling, holding, transport, shipping, delivery, and import/export of Product(s); and (v) any injuries to persons or property of any type, occurring during your or your agent's inspection of Product(s), or resulting from the purchase of any listed Product(s). If you breach any agreed terms, you are liable for WoodardLipe costs, expenses, and attorney's fees to defend or address such breach.
Payments: At the fall of the auctioneer's hammer, the highest bidder acknowledged by the auctioneer at the close of any offered lot assumes ownership and full risk and responsibility for the property sold in accordance and subject to compliance with all the conditions set forth herein and shall pay the full purchase price inclusive of buyer’s premium and any taxes or associated fees. Payment must be made immediately following the auction and no lot may leave the premises until full payment has been rendered. No lot may be transferred. Methods of payments must be made in US currency. Woodard Lipe accepts payment in the form of cash, credit, or bank transfer; and reserves the right in its own discretion to reject any form of payment in preference to another. (i) US currency will be accepted but the amount freom a given Bidder is restricted to US $5,000.00 per sale as a total of all payments made.(ii) Cashier's check, money order, or personal check with approved credit drawn on a U.S. bank. A processing fee will be assessed on any returned checks. (iii) Visa, MasterCard, American Express. Only one card may be used per account with an added fee 3%.
Woodard Lipe's preferred method of payment is wire transfer. Any invoice balance greater than or equal to $10,000 USD must be paid for in full by wire or ACH transfer. Please contact our office for bank transfer details. If the buyer fails to make payment within ten (10) business days of the sale, without prior arrangements, Woodard LIpe reserves the right to charge the credit card on file.
A buyer’s premium will be added to the hammer price and is payable by the buyer as part of the total purchase price. Buyer’s Premium is 20% of the hammer price up to and including $1 million, 15% Buyer’s Premium in excess of $1.0 million. Any bidder bidding online, including Woodard Lipe's own website, agrees to pay a higher buyer’s premium. Invaluable and Bidsquare bidders agree to pay a surcharge in addition to the buyer's premium. which is equal to the fee levied by the third party platform.
Unless exempt by law, the buyer will be required to pay all applicable Missouri sales or use tax. A tax exemption form must be provided to Woodard LIpe in advance of payment for sales tax to be removed from an invoice. We collect sales tax in states where legally required, determined by state, county, and city to which the lot will be shipped.
No Chargeback Policy: Purchasers agree that disputes of any nature may not be resolved by a credit card chargeback and further agree to refrain from filing any charge back claim against Woodard Lipe and/or its credit card merchant. By purchasing at Woodard Lipe, the purchaser waives the right to initiate a chargeback and furthermore agrees to pay a minimum of $500.00 plus administrative fees, costs, attorney fees, and other charges associated with responding to said chargeback due to the administrative burden of responding to said dispute.
Title: Title of each lot passes to the bidder when the auctioneer hammer falls and the auctioneer says "SOLD." It is the sole responsibility of the purchaser to safeguard all purchased lots from loss by theft, accidental breakage, fire or flood event. Transportation and packaging is expected done at the owner's expense and risk. Woodard Lipe assumes no liability for loss or damage to property to any property left on premise or responsible for damage incurred by third party shipping and removal.
Woodard Lipe Fine Art and Auction
Description & Details
Woodard Lipe May Art Auction:
Saturday May 9th, 10am. 1304 Ashby Rd. 63132
Doors open at 9am
Preview Week Monday May 4th-Friday May 8th 12-4pm, extended hours Thursday until 7 pm
1304 Ashby Rd, Olivette Mo, 63132.
St. Louis Classic and Contemporary: the May Collection presents a distinguished collection of fine art, works on paper, decorative arts and collectibles spanning five centuries, offering bidders exceptional material from Old Master through contemporary modernism with strong appeal across multiple collecting disciplines. Leading the sale is one plate from the Quatre Lithographies suite — a series of four related lithographs by Willem de Kooning executed in 1986. It was printed by Art Estampe, Paris and published by Éditions de la Difference, Paris, in an edition of 100, plus proofs. The sheet size is 28¼ x 24⅝ inches.This body of work represented the final chapter in de Koonings sixty-year career, and reflects his mature exploration of the essence of color and form. Joyful and lyrical works by Calder and Motherwell make this auction an event.
A Signed Folio Cover from six Sol LeWitt screenprints from the celebrated Lines In Color series, published by Multiples Inc New York in 1978 in an edition of only 25 and documented in the artist's catalogue raisonne -- one of the most significant works on paper to appear at regional auction in recent memory, with comparable examples held in the permanent collection of the Metropolitan Museum of Art. Additional fine art highlights of the highest caliber include a Marc Chagall color lithograph, a Hans Bellmer original gauche and graphite, an Alexander Calder color lithograph, a Henri de Toulouse-Lautrec estate edition color lithograph supervised by the Count of Toulouse-Lautrec, and a hand-colored Audubon Quadrupeds lithograph depicting the Sea Otter -- Plate CXXXVII from the Imperial Folio Edition printed by J.T. Bowen of Philadelphia in 1848 in an edition of fewer than 303 complete sets. The sale presents a rich body of work by St. Louis artists of national significance, led by Ed Eugene Boccia -- a Bauhaus-inspired painter whose work is held in the Smithsonian and who taught at Washington University for more than 30 years -- alongside Sarkis Erganian, Billy Morrow Jackson, Siegfried Gerhard Reinhardt, Werner Drewes and Leslie Dill, whose mixed media sculpture series based on the poetry of Emily Dickinson has been exhibited at the Whitney Museum of American Art, the Art Institute of Chicago and Yale University. Decorative arts highlights are led by a signed Rene Lalique frosted crystal vase consistent with the Malesherbes pattern, a pair of Phoenix Glass Company Katydid pattern vases in the rare lavender violet colorway, a Daum France pate de verre art glass leaf dish, a Kosta Boda large art glass vase, a carved stone Mama And Baby Grizzly by the museum-collected sculptor Anna Vaughn Hyatt Huntington, and early Wedgwood majolica together with Minton Dresser Aesthetic Movement tiles. Theatre memorabilia collectors will find exceptional material in two original Royal Shakespeare Company front-of-house posters -- including the world premiere poster for Tom Stoppard's Travesties featuring John Hurt, winner of the 1976 Tony Award for Best Play, and the RSC Wild Oats poster featuring a young Jeremy Irons. Drawing from distinguished St. Louis private collections with deep connections to the regional arts community.
The list of lots in order:
Lot 1
Native American Plains Tube Pipe Bowl (19th century). Red Catlinite Argillite Claystone.
Lot 2
Noodle the Dachshund Bottle Opener by Bosse. (Austria, c. 1950s). Brass.
Lot 3
Green Arts & Crafts Style Brush-McCoy Vellum Fawn Vase (American, c. 1920s-1930s). Mold-Formed Ceramic Vessel.
Lot 4
Hand-Painted Queens Rose Staffordshire Tea Cup and Saucer on Wooden Display (English, c. 1820-1860). Soft Paste Porcelain China.
Lot 5
Wedgewood Rebekah at the Well Majolica Teapot (English, c. 1860). Glazed Earthenware.
Lot 6
Waterford Lead Crystal Baseball (2006). World Series Champions, St. Louis Cardinals.
Lot 7
Orrefors Crystal, Seated Puppy Or Dog Figurine, Molded Clear Crystal, Signed Orrefors Sweden, 20th Century
Lot 8
Daum France, Pate De Verre Art Glass Leaf Dish With Gilt Bronze Stem, Deep Green, Signed Daum France, 20th Century
Lot 9
Compagnie Internationale des Wagons-Lits (CIWL), Silver Plated Bronze Dish, Two Rampant Lions Flanking WL Monogram, Orient Express, France 20th Centur
Lot 10
ERIK HOGLUND (Swedish 1932-1998) For Boda Nova, Abstract Figural Sculpture, Smoked Grey Cast Glass on Black Glass Base, Signed, circa 1960s-1970s
Lot 11
George Davidson And Co, Gateshead England, Art Deco Frosted And Clear Pressed Glass Domed Flower Frog Or Flower Block, British Patent 382699, Circa 19
Lot 12
Henry Moore (United Kingdom, 1898-1986). Two Hundred Years of American Growth. Henry Moore: An American Portrait, 1776-1976 (1975). Limited Edition Li
Lot 13
Anne Rosson Fuller Dillon (American, 1938-1996. Lobstering (1965). Woodblock Print on Paper.
Lot 14
Brian T. Kershisnik with Joe Adams (American). Angels with a Very Small Test (c. 2002). Color Etching on Paper.
Lot 15
Brian T. Kershisnik with Joe Adams (American). Little Dance (c. 2002). Color Etching on Paper.
Lot 16
Alex Shagin (Russian, b. 1947). 1938 - March of Dimes - 1988 (1988). Cast Handmade Paper.
Lot 17
Madeline and Robert Longstreet (American, b. 1940 and b. 1962). Untitled (early 2000s). Cyanotype on Watercolor Paper.
Lot 18
Madeline and Robert Longstreet (American, b. 1940 and b. 1962). Untitled from the Cyanotype Shell series (early 2000s). Cyanotype on Watercolor Paper.
Lot 19
Madeline and Robert Longstreet (American, b. 1940 and b. 1962). Untitled from the Cyanotype Shell series (early 2000s). Cyanotype on Watercolor Paper.
Lot 20
Saunders Schultz (American, 1927-2017). Organic Mystery (1993). Mixed Media Collage with Cast Paper, Cardboard, Ink.
Lot 21
Dobbs Fifth Avenue Hard Case Hat Box and Stix Baer & Fuller Hat (c. 1910-1925). Cast Paper Box with Felt Hat.
Lot 22
Three Sterling Silver Repousse Shell Form Beads, Two Flat Disc Snail Form And One Conical Turritella Form, Hand Wrought, Likely Taxco Mexico Or Southw
Lot 23
After Gaston Lachaise (French-American 1882-1935), The Bee, Authorized Museum Replica, Brass On Black Marble Base, Alva Studios For Philadelphia Museu
Lot 24
Collapsible Lorgnette with Round Lenses and Decorative Chain with Gold Embossed Leather Case (early 1900s). 14K Gold Chain, Leather.
Lot 25
Saunders Schultz (American, 1927-2017). Abstract Portrait (1979). Oil on Canvas.
Lot 26
Two Sterling Silver Tiffany & Co. Lotus Cake Serving Set in Velvet Lined Blue Tiffany & Co Leather Box (20th century). Sterling Silver.
Lot 27
Pair of Chinese Carved and Gilded Decorative Wood Panels (late 19th to early 20th century).
Lot 28
Donald Pollard (American 1924-1994) For Steuben Glass, Eagle, Shape No. 8304, Carved And Polished Lead Crystal, 1975, Signed Steuben
Lot 29
Tiffany & Co. Carved Crystal Square Dish from the Woven Collection with Blue Tiffany & Co. Box (2004).
Lot 30
Waterford Crystal, Large Footed Centerpiece Vase, Deeply Cut With Star, Fan And Pillar Motifs, Signed, Ireland 20th Century
Lot 31
Nailsea Style Handblown Glass Flask (English, 19th century).
Lot 32
AMERICAN STERLING SILVER COMPOTE, weighted, gadroon border, mid 20th century
Lot 33
Natalya Sots (Kazakstan-American, b. 1972). Wall-Hung Bird Sculpture (2014). Hand Built Stoneware, Glaze.
Lot 34
Natalya Sots (Kazakstan-American, b. 1972). Wall-Hung Bird with Tailfeathers Baubles Sculpture (2017). Hand Built Stoneware, Glaze.
Lot 35
INDIAN FOLK BRONZE, Elephant-Drawn Temple Cart, cast brass and iron, Rajasthan or Central India, late 19th to early 20th century
Lot 36
Margaret Albritton (American, b. 1950s). Ibis Bay Blues (20th century). Hand-Colored Etching, Gold Leaf on Paper.
Lot 37
Margaret Albritton (American, b. 1950s). Merrily, Merrily, Merrily (20th century). Hand-Colored Etching, Gold Leaf on Paper.
Lot 38
Ken Kenan (American, b. 1960). Transformations (20th century). Serigraph on Paper.
Lot 39
Laszlo Dus (Hungarian-American, b. 1941). Untitled (1981). Monotype on Paper.
Lot 40
Gustave Singier (Belgian-French, 1909-1984). Envol (1971). Color Lithograph on Paper.
Lot 41
Siegfried Gerhard Reinhardt (German-American, 1925-1984). Beetle (1956). Offset Color Lithographic Print.
Lot 42
Earl J. Ostroff (American, b. 1939). Old Row Boats (1979). Black and White Photograph on Paper.
Lot 43
Saunders Schultz (American, 1927-2017). Untitled (2014). Colored and Metallic Pencil on Paper.
Lot 44
Mario Yrisarry (Filipino-American, 1933-1997). Untitled (1972). Limited Edition Color Screenprint on Paper.
Lot 45
American Sterling Silver Repousse Floral Border And Engraved Glass Wine Bottle Coaster Or Drinks Trivet, Possibly S. Kirk And Son, 20th Century
Lot 46
Ben Silver, Charleston And London, Washington University Saint Louis Cloisonne Enamel Blazer Button Set With Fob, 24 Karat Gold Plate Over Brass, In O
Lot 47
Limoges France, Hand Painted Porcelain Trinket Box, Yellow Ground With Blue And White Floral Reserve, Brass Mounts, Signed Caillot, 20th Century
Lot 48
Donald Pollard (American 1924-1994) For Steuben Glass, Spiral Bowl, Shape No. 8060, Hand Blown Lead Crystal, Designed 1954, Signed Steuben
Lot 49
Set Of Four Antique Bone Dice, Hand Cut With Black Pip Inlay, 19th Century
Lot 50
Fostoria Hand-Etched Two-Handled Green Trophy Vase in Uranium Glass (c. 1920s). Uranium Glass.
Lot 51
After ALLAIN MANESSON MALLET (French 1630-1706), Presentez la Pique en Avant, hand colored copperplate engraving, page 79 from Travaux de Mars ou LArt
Lot 52
Herbert J. (Herb) Gralnick (American, 1937-2021). Untitled (1986). Watercolor, Ink on Paper.
Lot 53
Sarkis Erganian (Turkish/Armenian, 1870-1950). Untitled portrait (likely early 1900s). Oil on Canvas.
Lot 54
Ed Eugene Boccia (American, 1921-2012). Rose Nude (1987). Watercolor, Ink on Paper.
Lot 55
Dan Gualdoni (American b. 1943). Acadia Series 44 (1998). Mixed Media Drawing on Paper.
Lot 56
Dan Gualdoni (American b. 1943). Acadia Series 51 (1998). Mixed Media Drawing on Paper.
Lot 57
Royal Shakespeare Company, Wild Oats Or The Strolling Gentlemen By John O Keeffe, Original Front Of House Production Poster, RSC At The Piccadilly The
Lot 58
Italian Carved Marble and Alabaster Bust. Beatrice (c. 1900).
Lot 59
Brian Halsey (American, b. 1942). Novem II (State I/II) (1981). Color Serigraph on Paper.
Lot 60
Judith Rifka (American, b. 1945). Off the Wall (1982). Screenprint on Paper.
Lot 61
Lapis Lazuli Man and Child Figures on Wooden Base.
Lot 62
Hand Painted Eggshell Porcelain Vase with Bird on Bamboo. Chinese, Chia-Ching Dynasty (1796-1821).
Lot 63
Carved Fire Opal Statuary in the form of a Dragon Boat on Wooden Base. Chinese.
Lot 64
Alastair R. Noble (English, b. 1950s). Locating the Point Object (1979). Monoprint on Paper.
Lot 65
Japanese Woodblock Print, Mounted Samurai Archer In Full Yoroi Armor, Musha-E Warrior Picture, With Calligraphic Inscription, Edo Or Meiji Period
Lot 66
Marky Kirk Kelly (American, 1918-2013). Two Porcelain Cabbage Leaf Plates and One Cup (c. 1980s).
Lot 67
Phoenix Glass Company, Goldfish Or Koi Pattern Art Glass Vase, Frosted And Clear, Rectangular Pillow Form, Ruben Haley Design, Art Deco Circa 1930s
Lot 68
Tiffany And Co, Wheel Engraved Clear Crystal Ball Pitcher, Lily Of The Valley And Wheat Decoration, Signed, 20th Century
Lot 69
Chinese Blue And White Porcelain Dish, Double Fish Design, Swatow Or Zhangzhou Ware, Unglazed Sandy Rim, Late Ming To Qing Dynasty Circa 17th-18th Cen
Lot 70
Three Chinese Export Mother Of Pearl Fish Form Gaming Counters, Hand Carved With Scale And Fin Detail, Qing Dynasty 19th Century
Lot 71
Bruce Jenner Signed USA Olympic Carved Plaster Or Marble Composite Medallion, 1976 Montreal Olympics Decathlon Gold Medalist, Hand Signed In Black Ink
Lot 72
Chinese Carved Celadon Jade Or Serpentine Pi Xiu Mythical Beast On Carved Hardwood Stand, 20th Century
Lot 73
Pair of Glass Swans by Steve Fenstermacher for Youghiogheny Art Glass (2001 and 2002).
Lot 74
Tiffany And Co, Gilt Brass Pierced Inkwell With Malachite Green Glass Panels And Hinged Dome Lid, Signed, 20th Century
Lot 75
Louis Comfort Tiffany Bronze and Glass Grapevine Design Art Glass Pen Tray with Three Compartments (c. 1910-1920). Bronze, Green Glass.
Lot 76
Tiffany And Co, Gilt Brass Pierced Grapevine Votive Holder With Malachite Green Glass Liner, Signed, 20th Century
Lot 77
Hand-Painted Enamel Medallion Miniature Portrait of Napoleon Bonaparte (19th century) and Velvet-Lined Round Box with Hand-Painted Miniature Portrait
Lot 78
Natalya Sots (Kazakstan-American, b. 1972). Girl with Striped Arms Teacup and Saucer (2013). Hand Built Stoneware, Glaze.
Lot 79
ANTON LANG (German 1875-1938), Deer Form Ewer, glazed ceramic in turquoise blue, Oberammergau
Lot 80
DOGON PEOPLES (Mali, West Africa), Equestrian Figure on Bell Pedestal, lost-wax cast bronze, late 19th to early 20th century
Lot 81
Werner Bernhard Drewes (German-American, 1899-1985). Giant Stagbeetle (1956). Color Woodcut on Paper.
Lot 82
Georges SEM Goursat (French, 1863-1934). Mais quel ginn troubla la fête (c. 1914). Color Lithograph on Paper.
Lot 83
Pierre Marie Brisson (French, b. 1955). Abstract Scene (likely 1980s). Mixed Media Etching on Handmade Paper.
Lot 84
Patrick Turner (American, 1953-2008). Numeros y Colores (2007). Mixed Media with Mylar on Paper.
Lot 85
David Roth (American, b. 1942). Untitled (1971). Limited Edition Serigraph on Graph Paper.
Lot 86
Hiro Yamagata (Japanese, b. 1948). We the People-United States Constitution (1987). Limited Edition Color Serigraph on Paper.
Lot 87
Adrian Wong Shue (Chinese-Jamaican, 1952-2023). Loves Little Gift (1989). Serigraph on Japon NecrE Rice Paper.
Lot 88
Lalique France, Frosted And Clear Crystal Vase, Spherical Frosted Body With Overlapping Leaf Decoration And Clear Cylindrical Neck With Grass Blade Re
Lot 89
Set Of Three Graduated Amberina Art Glass Trumpet Vases, Shaded Cranberry Red To Amber Yellow, Ruffled Rims, American Or Bohemian, Late 19th To Early
Lot 90
Victorian Diamond Quilted Art Glass Vase, Shaded Amethyst Purple To Amber Yellow, Ruffled Scalloped Rim, English Or American Circa 1880-1900
Lot 91
Josef Rudolf Witzel (German 1867-1924), Deutsche Kunst Und Dekoration, Original Stone Lithograph, Plate 164 From Les Maitres de lAffiche, Imprimerie C
Lot 92
Otto Fischer (German 1861-1916), Kunst-Anstalt Fur Moderne Plakate -- Wilhelm Hoffmann Dresden, Original Stone Lithograph, Plate 127 From Les Maitres
Lot 93
Rene Pean (French, 1875-1955). Aux Trois Quartiers (c. 1900). Color Lithograph on Paper. Rene Pean (French 1875-1945), Aux Trois Quartiers
Lot 94
Frank Hazenplug (American 1873-1931), Living Posters, Original Stone Lithograph, Plate 87 From Les Maitres de lAffiche, Imprimerie Chaix Paris 1897
Lot 95
Pair Of Japanese Blue And White Porcelain Twisted Cylinder Vases, Seigaiha Wave And Floral Decoration, Meiji Period Circa 1868-1912
Lot 96
Pair of Traditional Three-Color Chinese Sancai Glazed Porcelain Foo Dogs on Wooden Base, 20th Century.
Lot 97
Natalya Sots (Kazakstan-American, b. 1972). Teapot 9 (2012). Hand Built Stoneware, Purple Glaze.
Lot 98
Alexander Calder (American, 1898-1976). Asymetrie (1972). Color Lithograph on Paper.
Lot 99
Marc Chagall (Russian-French, 1887-1985). Marc Chagall 90th Anniversary Exhibition poster. Color Lithograph on Paper.
Lot 100
Max Papart (French, 1911-1994). Personnage au Chien (1969). Mixed Media Color Lithograph on Wove Paper.
Lot 101
Trompe L Oeil Sporting Still Life, Hung Mallard Drake Suspended From A Nail Against A Painted Wooden Plank Background, Oil On Canvas Or Board, America
Lot 102
JOHN W. AUDUBON (1812-1862, USA) LITHOGRAPH ON PAPER - Hand-colored, titled Sea Otter. From The Quadrupeds of North America. No. 28 and plate 137. Mid
Lot 103
John James Audubon (American, 1785-1851). American Beaver No. 10, Plate XLVI (c. 1844). Hand-Colored Lithograph on Paper.
Lot 104
Pair of Louis XV Style Brass Candleabra Sconces by GLO-MAR Artworks, Inc. (1950s).
Lot 105
Pair Of Chinese Export Armorial Porcelain Soup Plates, Famille Rose, Unidentified European Arms With Boar Passant Supporter, Qianlong Period Circa 174
Lot 106
Plinio Codognato (Italian, 1878-1940). Dionis Gran Spumante Advertising Artwork (c. 1920s). Lithograph on Paper.
Lot 107
Plinio Codognato (Italian, 1878-1940). Vini di Lusso Advertising Artwork (c. 1920s). Lithograph on Paper.
Lot 108
ERTE ROMAIN DE TIRTOFF (Russian-French 1892-1990), La Promenade, screenprint, numbered 180/200, signed in pencil lower right
Lot 109
Billy Morrow Jackson (American, 1926-2006). Untitled portrait (20th century). Ink, Gouache, Resin on Paper.
Lot 110
Louis von Koelnau (American, 1924-2015). Standing Bear (1989). Polyresin.
Lot 111
Phoenix Glass Company, Pair Of Katydid Or Grasshopper Pattern Art Glass Vases, Lavender Violet Wash, Flared Trumpet Form, Art Deco Circa 1920s-1940s
Lot 112
Anna Vaughn Hyatt Huntington (American 1876-1973), Mama And Baby Grizzly, Patinated Bronze On Green Marble Base, Modeled 1905, Cast Later, Signed
Lot 113
Alexandre de Riquer (Spanish 1856-1920), Ayuntamiento De Barcelona -- 3ra Exposicion De Bellas Artes, Original Stone Lithograph, Plate 64 From Les Mai
Lot 114
Victor Vasarely (Hungarian-French, 1906-1997). Golfer (c. 1980). Color Serigraph on Paper.
Lot 115
Peter Ferber (American, 1936-2025). Untitled (20th century). Watercolor on Paper.
Lot 116
Carved Figure Statuary and Table Lamp (likely Italian, late 19th - early 20th century). Alabaster, Marble Bronze, Glass.
Lot 117
Royal Shakespeare Company, Travesties By Tom Stoppard, Original World Premiere Front Of House Poster, RSC At The Aldwych Theatre London, 1974, Featuri
Lot 118
Pair of Chinese Blue and White Porcelain Bud Vases. Great Qing Qianlong Period (1735-1796)
Lot 119
Pablo Picasso (Spanish, 1881-1973). Vallauris Dix Ans de CEramique de Picasso (1958). Exhibition Poster, Offset Lithography on Paper, Signed.
Lot 120
David Mann (American, b. 1950). Nightshade (2000). Oil, Acrylic on Panel.
Lot 121
American Or British School, Portrait Of A Saint Bernard Dog With Dated Collar Tag NOV 2 1903 E.E.F., Oil On Canvas Or Board, Circa 1903
Lot 122
James Herbert Snell RBA ROI (British 1861-1935), Mediterranean Harbor With Fishing Boats And Quayside Buildings, Watercolor, Signed Lower Right
Lot 123
Sam Stang (American, b. 1959). Orange and Red Handblown Glass Bowl (early 21st century).
Lot 124
Kosta Boda, Sweden, Large Art Glass Vase, Mottled Tortoiseshell Spot Decoration In Fiery Orange, Red And Amber, Signed, 20th Century
Lot 125
Brother Mel Meyer (American, 1928-2013). Stacked Chair Sculpture (early 20th century). Welded Metal, Enamel Paint.
Lot 126
Pair Of Staffordshire Style Seated Spaniel Dogs, 13.5 Inches, Russet Red And White With Gilt Collar Chain And Locket, Facing Pair, Vintage 20th Centur
Lot 127
Ann L. Hicks (American, 20th century). Nantucket Basket with Open Swing Handle (20th century). Wood, Woven Rattan.
Lot 128
Dr Christopher Dresser (English 1834-1904) For Mintons China Works, Aesthetic Movement Tile, Bird In Flight Among Ivy On Cobalt Blue Ground, Circa 187
Lot 129
Dr Christopher Dresser (English 1834-1904) For Mintons China Works, Pair Aesthetic Movement Tile, Nasturtiums On Black Ground, Red Orange/ Yellow Flow
Lot 130
After Henri De Toulouse-Lautrec (French 1864-1901), La Clownesse Cha-U-Kao, Color Lithograph, 20th Century Estate Edition, Numbered And Signed, In Gil
Lot 131
Eugene Grasset (Swiss-French 1845-1917), A La Place Clichy -- La Premiere Maison Du Monde Pour Ses Importations Orientales, Original Stone Lithograph,
Lot 132
ITALIAN SCHOOL, Large Recumbent Roaring Lion, glazed terracotta, mid 20th century, circa 1950s-1970s
Lot 133
French Faceted Cut Crystal and Bronze Ormolu Baccarat-Style Dresser Box.
Lot 134
HIRO YAMAGATA (Japanese-American b. 1948), Fencing, screenprint, Atlanta 1996 Centennial Olympic Games Official Event Poster, numbered and signed in p
Lot 135
TODD CAMPBELL (American, 20th-21st century), Large Hand-Turned Bowl, Norfolk Island Pine
Lot 136
Horst Janssen (German, 1929-1995). Woman Looking Out (1971-72). Etching on Paper.
Lot 137
James Herbert Snell RBA ROI (British 1861-1935), Mediterranean Harbor Town With Fishing Boats And Hillside, Watercolor, Signed Lower Left
Lot 138
Henri Julien Felix Rousseau (French, 1844-1910). Dit le Douanier, Galerie Charpentier, Paris Exhibition Poster (1961). Color Lithograph. Imp. Mourlot,
Lot 139
Rustic Carved Cigars 5¢ Sign (American, 20th century). Carved, Painted Polychrome Wood.
Lot 140
LE COULTRE (Swiss, Jaeger-LeCoultre), Atmos Perpetual Clock, gold plated brass and glass, calibre 528, mid 20th century
Lot 141
SARREID LTD (American, founded 1967), Recumbent Stag with Gilt RepoussE Ornament, patinated bronze and applied gilt brass repoussE panels, circa 1960s
Lot 142
Sergei Bender (Russian b. 1955) Pair, Grecian Urn with Roses, Watercolor on Paper, Pair
Lot 143
J. Michel (French). French Cameo Glass Shade and Gilded Bronze Hanging Lamp (c. 1920s). Carved Cameo Glass, Gilded Bronze, Blown or Molded Glass.
Lot 144
Julie Malone (American, b. 1971). Ambit Aire (2022). Oil on Panel.
Lot 145
Wouter Dam (The Netherlands, b. 1957). Untitled (20th century). Clay, Glaze.
Lot 146
JEAN COCTEAU (French 1889-1963), Profile of a Young Man, ink on paper, signed Jean Cocteau lower left, mid 20th century, in gilt frame
Lot 147
Robert D. Cumpston (1930-2018). Welded and Oxidized Iron Cow Sculpture (c. late 20th century). Welded, Oxidized Iron.
Lot 148
INDIAN SCHOOL (Rajasthani, 19th century), Caparisoned Elephant in Procession, gouache on antique Jaipur court fee stamp paper, circa 1875, Set of 5 pr
Lot 149
George III Sterling Silver Teapot, Rectangular Form With Bright Cut Engraving, Ebonized Wood Handle And Finial, English circa 1780-1800
Lot 150
JOHN LEIGHTON (American 1948-2018), Bird Form Vessel, hand blown studio glass with teal feather pattern exterior and amethyst purple interior, signed
Lot 151
Leslie Dill (American, b. 1950). Copper Poem Hands (Felt My Life with Both My Hands to See it Was There) (1994). Copper, Aluminum, Wire.
Lot 152
Robert Motherwell (American, 1915-1991). Signs on White (1981). Etching, Aquatint on Wove Paper. Ed. 6/59
Lot 153
Mother of Pearl Bird Box (Chinese, Qing dynasty . Mother of Pearl with Fabric-Covered Stand.
Lot 154
Sol LeWitt (American 1928-2007), Lines In Color On Color From Corners Sides And Centers To Specific Points On A Grid, Set Of Six Screenprints, 1978, P
Lot 155
Hans Bellmer (Polish-German, 1902-75). Les Marionnettes (II) (1969). Gouache and Graphite Drawing.
Lot 156
Jaune Quick-to-See Smith (Salish/Cree/Shoshoni-American, b. 1940). Wasatch Winter (2002). Color Lithograph on Paper.
Lot 157
SCHOOL OF SIR JOHN EVERETT MILLAIS (British 1829-1896), Portrait of Mary May, oil on canvas, oval, circa 1870s-1880s, in period gilt wood carved frame
Lot 158
CONTINENTAL SCHOOL (17th-18th century), Floral Still Life with Mixed Flowers in a Gilt Urn, oil on canvas, in period carved and gilt wood Baroque fram
Lot 159
BARON FRANCOIS GERARD (French 1770-1837), Napoleon I in Coronation Robes, hand painted miniature on shaved bone plate, after 1809, in original pierced
Lot 160
David Jaworski (American, 1948-2008). Untitled (c. 1991-1993). Bronze, Handblown Glass, Marble.
Lot 161
Willem de Kooning (Dutch-American, 1904-1997). Untitled from the Quatre Lithographies suite (1986). Limited Edition Color Lithograph on Paper.
Lot 162
Vintage Estate 14 Karat Yellow Gold Natural Seed Pearl Multi Strand Torsade Necklace With Domed Gold Ball Clasp
Lot 163
Vintage Estate 14 Karat Yellow Gold Natural Seed Pearl Multi Strand Torsade Bracelet With Domed Gold Ball Clasp
Lot 164
Pear-Shaped Green Jadeite Pendant in 14K Gold with Chain
Lot 165
Translucent Jadeite Bangle Bracelet with 14K Gold Fittings
Lot 166
Percossi Papi Vermeil Chandelier Earrings with Citrine and Polychrome Enamel
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