NATIVE MARKET - Day Two

online only auction | 1 day sale | 6 days away
Location
Santa Fe, NM 87505
Dates

Sale Starts

Wed
Aug 13
9:30am

Sale Ends

Wed
Aug 13

Terms & Conditions

TERMS AND CONDITIONS

The following Terms and Conditions of Sale are the Santa Fe Art Auction Limited Co.'s (Santa Fe Art Auction) and its agents and consignors entire agreement with the prospective bidders, bidders and buyers relative to the lots listed in this catalogue. The lots will be offered by the Santa Fe Art Auction as agent for the consignors, unless the catalogue indicates otherwise.

1. The Santa Fe Art Auction operates as an agent of the seller only. It is not responsible in the event any buyer or seller at the auction fails to live up to their respective agreements, including failure of the seller to deliver any property to buyers. The Santa Fe Art Auction assumes no risk, liability, or responsibility beyond the limited warranty contained herein.

(a) All property is sold 'AS IS'. There are no representations or warranties that extend beyond these Terms and Conditions of Sale. All works shall be available for examination prior to the sale. The Santa Fe Art Auction, and its agents and consignors, make no representations or warranties as to merchantability, fitness for a particular purpose, correctness of the catalogue or description, including, but not limited to, the authenticity, the physical condition, size, quality, rarity, importance, medium, provenance, dates, exhibitions, literary or historical relevance of any property, and, no statement anywhere, whether oral or written, whether made in the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, or elsewhere shall be deemed such a warranty, representation or assumption of liability. Nor are there any representations and warranties, express or implied, as to whether the purchaser acquires any copyrights, including, but not limited to, any reproduction rights in any property. Contents of this catalogue are subject to change or supplementation before or during the sale, including the sale of any lot.

2. Prospective bidders should inspect the lots before bidding to determine condition, size and whether or not the lot has been repaired or restored and to investigate all other matters relating to the lot that is of material importance to the prospective bidder.

3. A buyer's premium will be added to the successful bid price and is payable by the purchaser as part of the total purchase price. If paying by cash or check, the purchase price will be the sum of the final bid price plus a buyer's premium of 23% of the final bid price of each lot up to and including $1,000,000 and 18% of the excess of the final bid price above $1,000,000, plus any applicable sales tax, shipping and handling charges. (Note: artwork for pickup is soft-wrapped, starting at $5/lot.)

- Successful Online bidders on third party platforms (such as Invaluable and Live Auctioneers) will be subject to a surcharge by those platforms, currently 5%.

- The buyer's premium is calculated separately for each lot.

- Credit cards are subject to a 4% processing fee.

4. Unless exempted by law, the Buyer will be required to pay all applicable state and local sales, gross receipts, and compensation tax. Proof of exemption in the form of a current Non-Taxable Transaction Certificate must be provided at registration. In the event of deliveries outside the state, it is the Purchaser's responsibility to pay any applicable compensating use tax of another state on the total purchase price.

Why Santa Fe Art Auction Collects Sales Tax: New Mexico requires a seller of goods to register with the New Mexico Department of Taxation and Revenue and collect and remit sales tax if the seller maintains a presence within the state. More specifically, tax laws require an auction house, like Santa Fe Art Auction, with a presence in New Mexico, to register as a sales tax collector, and remit sales tax collected to the state. Unless exempted, New Mexico sales tax is charged on the hammer price, buyer's premium and any other applicable charges on any property picked up or delivered in New Mexico, regardless of the state or country in which the purchaser resides or does business.

Since the 2018 South Dakota v. Wayfair, Inc. ruling, most US states have implemented legislation requiring remote sellers to collect sales tax when the total dollar value of purchases sent to that state exceeds a set threshold, known as an economic nexus. Each state sets its own threshold or nexus. Like all other remote sellers, Santa Fe Art Auction is now required to collect Sales/Use Tax from buyers in any state when the total dollar value of purchases sent to that state creates a nexus. When this occurs, you will see sales tax included on your invoice. The sales tax rate is determined by the state, county, and city where purchases are shipped. As of June 1, 2022, SFAA has met the nexus in the following states: Arizona, Colorado, Illinois, Michigan, New Mexico, New York, Texas, Wisconsin. However, any purchases made in person and/or picked up in person, are subject to applicable New Mexico sales tax instead.

The following states do not currently have sales tax and/or applicable economic nexus laws, and as a result the Santa Fe Art Auction is not required to collect sales tax from Alaska, Delaware, Montana, New Hampshire, or Oregon.

Certain Exemptions: New Mexico allows for specified exemptions to its sales tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Santa Fe Art Auction is not required to collect sales tax from such re-seller. As sales tax laws vary from state to state, Santa Fe Art Auction recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice from their local tax advisors.

5. The Santa Fe Art Auction reserves the right to withdraw any lot before or during the sale and shall have no liability whatsoever for such withdrawal.

6. Except as may be announced by the auctioneer, all bids are per lot, as numbered in the catalogue.

7. The Santa Fe Art Auction reserves the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the Buyer, subject to reserves. In the event of any dispute between bidders, or in the event of doubt as to the validity of any bid, the auctioneer will have the final discretion to determine the successful bidder, cancel the sale, or reoffer and resell the lot in dispute. If any dispute arises after the sale, the Santa Fe Art Auction's sale record shall be final and conclusive. The Santa Fe Art Auction, in its discretion, may execute orders or absentee bids as a convenience to clients who are not present at the auction; however, the Santa Fe Art Auction is not responsible for any errors or omissions in connection therewith.

8. If the auctioneer, in his or her discretion, determines that any bid is below the reserve of the lot, he or she may reject the same and withdraw the lot from sale, and, if having acknowledged an opening or other bid, the auctioneer decides that any advance thereafter is insufficient, he or she may reject the advance.

9. On the fall of the auctioneer's gavel, the highest bidder acknowledged by the auctioneer assumes full risk and responsibility for the offered lot, subject to all of the Terms and Conditions of Sale set forth herein, and is immediately obligated to pay the full purchase price. All sales are final and there shall be no exchanges or returns. Payment shall be made by cash, check or wire transfer. As set forth in paragraph 3, above, for an additional percentage Santa Fe Art Auction will also accept credit cards as a form of payment. (Visa and MasterCard only).

In addition to other remedies available to Santa Fe Art Auction by law, we reserve the right to impose, from the date of sale, a late charge of 1.5% per month (18% per annum) of the total purchase price, if payment is not made in accordance with the conditions set forth herein.

(a) All lots must be removed by the Buyer at his or her expense not later than ten (10) business days following the sale, and, if it is not so removed, (i) a handling charge of 1% of the total purchase price per month, or a portion thereof from the tenth day after the sale (until its removal) will be payable to us by the Buyer, with a minimum of 5% of the total purchase price due for any lot not so removed within 60 days after the sale, and (ii) Santa Fe Art Auction may send the purchased lot to a public warehouse for the account of and at the risk and expense of the Buyer.

(b) If any applicable conditions herein are not complied with by the Buyer, the Buyer will be in default, and in addition to any and all other remedies available to the Santa Fe Art Auction and its agents and consignors by law, including, without limitation, the right to hold the Buyer liable for the total purchase price, together with all fees, charges and expenses set forth in these Terms and Conditions of Sale, the Santa Fe Art Auction, at its sole option, may (i) cancel the sale of that, or any other lot or lots sold to the defaulting Buyer, or (ii) resell the purchased lot or lots, whether at auction or by private sale, or (iii) effect any combination thereof. The Buyer will be liable for any deficiency, any and all costs, handling charges, late charges, expenses and commissions of both sales, legal fees and expenses, collection fees and incidental damages. The Santa Fe Art Auction and its agents and consignors shall have all of the rights accorded to a secured party under the New Mexico Uniform Commercial Code. The Buyer of each lot agrees that each lot is unique and that Santa Fe Art Auction, in its sole discretion, shall not be required to sell or otherwise seek to mitigate damages should such Buyer fail to pay the total purchase price. Payment will not be deemed to have been made in full until the Santa Fe Art Auction shall have collected good funds. The Santa Fe Art Auction reserves the right to hold all purchases pending collection of the total purchase price, together with all additional fees, charges and expenses incurred pursuant to these Terms and Conditions of Sale.

10. All lots (unless otherwise indicated by the letters 'nr') are subject to a reserve, which is the confidential minimum price acceptable to the consignor. The Santa Fe Art Auction, or its agents or consignors, may implement such reserve by opening the bidding or they or either of them may bid up to the amount of the reserve by placing successive or consecutive bids for a lot or may bid in response to other bidders. In instances where the Santa Fe Art Auction has an interest in the lot, it may bid up to the reserve to protect such interest.

11. Santa Fe Art Auction is the owner of images of each lot offered for sale and may use such images for its own archival purposes, as well as for advertising and publicity in connection with this or future sales by the Santa Fe Art Auction.

12. These Terms and Conditions of Sale, together with the parties' respective rights and obligations hereunder, shall be governed and construed and enforced in accordance with the laws of the State of New Mexico, without regard to New Mexico?s rules concerning conflicts of laws.

13. Prospective bidders, bidders and buyers agree that, in the event of any controversy or claim arising out of or relating to a sale of any lot, the party asserting such controversy or claim shall provide written notice thereof to the other party; that any such controversy or claim not settled within fourteen (14) days of delivery of notice by the other party, including, without limitation, any controversy or claim arising from, or relating to, the sale of any lot or any of these Terms and Conditions of Sale, including the terms of this paragraph, the sole and exclusive means for resolving the dispute shall be by binding arbitration in Santa Fe, New Mexico. Said arbitration shall be confidential and shall be pursuant to the New Mexico Uniform Arbitration Act, shall be conducted before a single arbitrator, and shall otherwise be guided by the then extant New Mexico Rules of Arbitration. This Agreement is deemed made in Santa Fe, New Mexico, and is subject to the internal substantive law of the State of New Mexico without regard to conflicts of laws. The award of the arbitrator shall be final, and may be entered into any court having jurisdiction thereof. Each party shall bear that party's own costs of arbitration and attorney's fees.

14. The Santa Fe Art Auction is pleased to present to art purchasers shipping options which can be found on our website. If you misplace this form, call or send an email and another form will be provided.

15. Results are posted on the Santa Fe Art Auction web site and, upon request, may be sent to buyers, catalogue subscribers, absentee and phone bidders, and other registered bidders.

16. If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law.

17. These Terms and Conditions are not assignable by any buyer without the prior written consent of the Santa Fe Art Auction. However, these Terms and Conditions are binding on the buyer?s successors, assigns and representatives.

18. No act, omission or delay by the Santa Fe Art Auction shall be deemed a waiver of its rights and remedies under these Terms and Conditions.

19. The Santa Fe Art Auction shall use reasonable efforts to contact prospective buyers who have made prior arrangements to place telephone bids in order for these buyers to participate in the auction. The Santa Fe Art Auction shall not be liable for its failure to contact said bidders or for any errors or omissions made in connection with telephone bids since telephone bids are offered as a free service that is undertaken subject to the other commitments of Santa Fe Art Auction during the sale.

20. Santa Fe Art Auction shall use reasonable efforts to execute online bids in order for online buyers to participate in the auction. Online bidding is provided as an alternative bidding service and should not be considered a replacement for bidding in the room. Santa Fe Art Auction encourages its buyers to weigh the advantages and limitations of live online bidding when deciding whether to bid in the room or online. Santa Fe Art Auction shall not be liable for any errors or omissions made in connection with online bids or the online bidding process. Although Santa Fe Art Auction will do everything in its power to assure all online bids are recognized, Santa Fe Art Auction has no way of guaranteeing that the internet and the online bidding process will be free from technical malfunctions. In the event of a tie between an online bid and a 'room' bid, the 'room' bid generally will take precedence. 'Room' bids include those bids taken from the live auction room(s), telephones, absentee bidders, or bids made by the auctioneer to protect the reserve. Santa Fe Art Auction will not be responsible for errors or failures to execute bids placed on the internet, including, without limitation, errors or failures caused by (i) a loss of connection on Santa Fe Art Auction's or on the Buyer's end, (ii) a breakdown or problems with the online bidding software, and/or (iii) a breakdown or problems with a Buyer's internet connection, computer or system. Santa Fe Art Auction does not accept liability for failing to execute an online internet bid or for errors or omissions in connection with this activity.
Santa Fe Art Auction Logo

Santa Fe Art Auction

Description & Details

Day Two of our Native Market auction features 257 LOTS comprising Pottery, Contemporary Native American Paintings, Sculpture, Katsinam and Dolls, Baskets, and Beadwork
Wilfred Garcia, Seed Pot with Corn Design, ca. 1990Wilfred Garcia, Seed Jar with Bear DesignWilfred Garcia, Shouldered Jar with Pueblo Scene and LadderJessie Garcia, Set of Two Corrugated JarsStella Shutiva, Corrugated Jar with Handles, ca. 1975Stella Shutiva, Corrugated Wedding Vase, ca. 1975Sarah Garcia, Black on White Pottery JarSarah Garcia, Polychrome Bowl with Heartline DeerEric Lewis, Black on White Jar, 2016Sandra Victorino, Small Neck Jar with Geometric DesignSandra Victorino, Small Neck Jar with Stepped Rim and Fine Line DesignSandra Victorino, Fine Line Swirl Jar with Geometric DesignSandra Victorino, Group of Four Fine Line Pots with Geometric DesignsKatherine Victorino, Black on White Pot with Geometric Designs, ca. 2010Katherine Victorino, Black on White Jar, ca. 2000Paula Estevan, Fine Line Vase with Geometric Pattern and Kiva Rim, 1995Paula Estevan, Pair of Shouldered Jars with Geometric DesignsPaula Estevan, Two Black on White Pots with Geometric DesignsLucy M. Lewis, Black on White Pottery Vase, ca. 1975Lucy Lewis, Black on White Pot with Lightning Design, 1969Lucy M. Lewis, Pottery Bowl with Heartline Deer Designs, ca. 1965Lucy Lewis, Polychrome Bowl, ca. 1965 - 1975Melissa C. Antonio, Black on White Pot with Geometric and Turtle DesignsJune Pino-Cheromiah, Asymmetrical Fine-Line VaseAcoma, Black on White Pot with Fine Line Designs, ca. 1985Florence Aragon, Polychrome Jar with Bird and Heartline Deer DesignsFlorence Aragon, Polychrome JarJohn F. Aragon, Black on White Pictorial Bowl, 1987John F. Aragon, Black on White Pot with Mimbres Insect Designs, 1991Dorothy Torivio, Two Small Neck Jars with Black on White Geometric DesignsDorothy Torivio, Two Black on White Jars with Geometric DesignsLucy M. + Emma Lewis, Two Black on White PotsLily Marie Salvador, Thunder Bird with Swirling CloudsLily Maria Salvador, Polychrome Wedding VaseLily Maria Salvador, Group of Three Polychrome Pots with Historic DesignsRebecca Lucario, Polychrome Pot with Birds and Floral DesignsMarie Jaunico, Polychrome Pot with Birds and Vegetal DesignsStella Shutiva, Polychrome Pot with Geometric DesignsLolita Torivio Concho, Polychrome Pot with Geometric Design, 1979Lolita Torivio Concho, Polychrome JarGoldie Hayah, Polychrome Pot with Birds and Heartline DeerJackie Torivio, Gratitude Jar, ca. 1990Dolores + Emma Lewis, Group of Five Pottery ItemsAndrew Padilla, Squash PotStella Teller, Polychrome Wedding Vase, ca. 1985Thomas Tenorio, Pottery Jar: Lightning, Dots, and Rain, 2018Thomas Tenorio, Polychrome Pot with Fish Motif, 2009Robert Tenorio, Shouldered Jar with Polychrome Designs, ca. 1990Kewa (Santo Domingo), Polychrome Dough BowlAncestral Pueblo, probably Tularosa, Pottery Bowl with Corrugated RimMichael Kanteena, Polychrome Bowl with Pictorial Designs, ca. 1995Ohkay Owingeh (San Juan), Large Blackware Storage Jar, ca. 1890Marianita Roybal, Polychrome Olla, ca. 1880Lisa Holt + Harlan Reano, Jar with Black and White Geometric Design, ca. 2010Virgil Ortiz, Black on White Jar, 2002Carmelita Dunlap, Lidded Jar with Feather Designs, ca. 1970Angie Yazzie, Micaceous Blackware Wedding VaseNoe Quezada, Matte Blackware Pot with Sculpted Rim DesignNoe Quezada, Black and Tan Mata Ortiz PotNoe Quezada, Polychrome Vase with Serrated Carved RimJuan Quezada, Pottery Bowl with Polychrome Designs, ca. 1970Juan Quezada, Polychrome Jar, ca. 1995Mineya Quezada, Small Neck Jar with Polychrome Designs, ca. 1990Betty Quezada, Polychrome PotTavo Silviera + Mirna Hernández, Shouldered Vase with Polychrome DesignsElí Navarrete Ortiz, Polychrome VaseAlonso Sandoval, Blackware Jar with Spiral RibsGloria Hernandez, Large Jar with Corrugated Rim and Owl DesignsMaribel Ponce et al, Two Pots with Geometric DesignsHerón Martínez Mendoza, Redware Flying Saucer JarJennie Laate, Polychrome Jar with Sculpted Frogs, ca. 1960Gabriel Paloma, Polychrome Pot with Heartline Deer, 2005Zuni, Polychrome Bowl, late 19th CenturyZuni, Polychrome Dough Bowl, ca. 1875Victor Lahaleon, Snake, Dragonflies, and Frog Fetish Pot, ca. 1990Lonnie Vigil, Micaceous Pot with Geometric Design, ca. 1975Dominique Toya, Micaceous Swirl Pot, ca. 1995Sheldon Nunez-Velarde, Micaceous Jar with Sculpted Rope BandElizabeth Medina, Polychrome Pot with Bird Designs, ca. 1985Lois Medina, Polychrome Jar with Four Birds, ca. 1985Zia, Polychrome Pot with Bird Designs, ca. 1895Sofia Medina, Polychrome Pot with Bird DesignsEusebia Shije, Polychrome Pot with Bird Design, ca. 1975Acoma, Polychrome Jar, ca. 1955Kewa (Santo Domingo), Polychrome Jar, ca. 1935Ambrose Atencia, Black on White Bowl with Fish Designs, 2000Kewa (Santo Domingo), Polychrome Jar, ca. 1925Thomas Tenorio + Edna Romero, Two Pottery Items: Polychrome Jar + Micaceous Jar with Lid, ca. 1975Acoma, Polychrome Pot, ca. 1955Zia, Polychrome Dough BowlHopi, Group of Three Polychrome Pottery ItemsRobert Rivera, Group of Three Polychrome Painted GourdsCochiti, Canteen with Black on White Designs, ca. 1900Laurencito Herrera, Pot with Sculpted Lizard Designs, ca. 1965Teresita Romero, Three Frog Pot, ca. 1955Louis Naranjo, Storyteller with Two ChildrenMary [Tsiranitsia] Martin, Polychrome Storyteller, ca. 1985Mary E. Toya, Polychrome Nativity Set of Eleven Figures + haystackMaxine Toya, Pueblo Singer with Swaddled ChildStephanie [Snowflake Flower] Rhoades, Pair of Coyote Storytellers: Coyote and Friends + Coyote SongsSeferina Ortiz + Valerie Kahe, Two Pottery Items: Storyteller + Plate, ca. 1980Various Artists, Pottery Group of Three: Two Vessels + StorytellerMaria Laweka, Polychrome Cow FigurineZuni , Polychrome Owl, ca. late 19th CenturyAcoma, Polychrome OwlKathleen Wall, Polychrome Koshare Clown, ca. 1995R. C. Gorman, Miriam, 1980R. C. Gorman, Pictorial VaseR. C. Gorman, Woman from Paris, 1979R. C. Gorman, Untitled (Seated Woman), 1977Dan Namingha, Survival RootsMargarete Bagshaw, Untitled, 1995Helen [Tsa-Sah-Wee-Eh] Hardin, Medicine WomanHelen [Tsa-Sah-Wee-Eh] Hardin, Listening Woman, ca. 1981Michael [Lomawywesa] Kabotie, Pottery Motif, 1976Tony Abeyta, Untitled, 1986Jaune Quick-to-See Smith, Four DirectionsJaune Quick-to-See Smith, The Hunter of Hungry Horse, 1979N. Scott Momaday, Galisteo Window, 1993Gina Brook Knee, Pueblo DwellingsGreg Lomayeswa, Untitled, 1989Darren Vigil Gray, Untitled (Bird Looking Back)Veloy Joseph Vigil, Untitled (Three Figures), 1994Pablo Antonio Milan, Triptych (Four Figures)Pablo Antonio Milan, KatsinaPablo Antonio Milan, Untitled (Three Riders)David Chethlahe Paladin, Untitled (Forest Scene), ca. 1975Darren Vigil Gray, Silence and Secrets, 2003Darren Vigil Gray, Pinned Beneath the Sky at AbiquiuBemic Yellowman Nelson, He Still Hears Their Voices, 2015Mirac D. Creepingbear, Cries for WarMirac D. Creepingbear, BrothersRobert Lee Taylor, Untitled (Warrior)Robert Lee Taylor, Give Me Strength, 1990Robert Lee Taylor, Peace MedalRobert Lee Taylor, The PhysicianFrank Schively, Voices of Eagles, Words of IronFrank Schively, Prairie FireFrank Shively, She Lives on the MountainCharles C. Stewart, Rain Priest Kachina, 1960Troy Anderson, Forbidden Knowledge, 1994John Tall Bear, Untitled (Man and Dog), 1990R. C. Gorman, Chief's Blanket (State 1), 1980R. C. Gorman, Cholena (State I), 1980Carl Von Hassler, Two Native PortraitsGib Singleton, Geronimo, 2011Gib Singleton, Spirit of the Medicine Man, 1997 / 2008Doug Hyde, Hopi Corn Maiden, 1978Doug Hyde, Laguna PotterCliff Fragua, Untitled (Maiden)Tim Washburn, Untitled (Pueblo Woman)Alvin Marshall, Hopi DreamsJoe Cajero Jr., Sharing the SpiritRoxanne Swentzell, Untitled (Mask)Roxanne Swentzell, Untitled (Two-Toned Mask)Roxanne Swentzell, Untitled (Mask)Roxanne Swentzell, Mask VIIIRoxanne Swentzell, Untitled (Grinning Mask)Ira Lujan, Yellow Corn Maiden, 2010Bob Haozous, Untitled (Silhouette in Clouds), 1999Gregory Lomayesva, Two Katsina MasksGregory Lomayesva, Untitled (Katsina), 2008Hopi, Large Polychrome Tableta, ca. 1940Hopi, Group of Two Katsinam, ca. 1925 + 1935 - 1945Merrill Howard, Eagle Dancer Katsina, ca. 1975Dennis Ross, Eagle Dancer KatsinaDuane O'Hagan, Tukwinong Cumulus Cloud Katsina, ca. 1945Cliffton Lomayaktewa, Masau-u KatsinaManfred Susunkewa, Pair of KatsinamManfred Susunkewa, Pair of KatsinamErnie Moore, Pair of KatsinamPair of KatsinamHopi, Pair of KatsinamTayron Polequaptewa, Frog KatsinaInuit, Pair of Dolls with Removable MasksTlingit, Wolf Head, ca. 1875Elizabeth [Nah-Glee-eh-Bah] Abeyta Rohrscheib, Standing FigureElizabeth Abeyta, Pair of KoshareElizabeth [Nah-Glee-eh-Bah] Abeyta Rohrscheib, Blanketed Woman with Coral NecklaceDelbert Buck, Three Horse and Rider Folk Art FigurinesDine (Navajo), Folk Art Carving of a Weaver with her Tools, ca. 1975Zuni / Pueblo, Two Dolls with Stands, ca. 1925Pueblo, Two Dolls, ca. 1955Apache, Toy Cradle, ca. 1900Apache, Pair of Dolls with Stands, ca. 1925Apache, Beaded Doll with Stand, ca. 1900Apache, Basketry Jar, ca. 1900Apache, Burden Basket, ca. 1920Akimel O'odham (Pima), Wine Basket, ca. 1880Apache, Basketry Water Vessel, ca. 1900Paiute, Basketry Water Jar, ca. 1900Possibly Havasupai, Basket, ca. 1900Yurok / Karok, Acorn Bowl, ca. 1820Apache, Basket with Eagle DesignsYokuts/Mono, Polychrome Basket, ca. 1925Akimel O'odham (Pima), Basketry Tray, ca. 1900Akimel Oodham (Pima), Basketry Tray, ca. 1920Pomo, Gift Basket, ca. 1900Akimel O'odham (Pima), Two Baskets: Geometric Basket + Sun Center Basket, ca. 1955Maidu, Basketry Bowl with Quail on the Mountain Top DesignYokuts, Basketry Jar, ca. 1890Attributed to [Sally Black + Family], Basketry Plaque with Yei, ca. 2000Elsie Holiday, Changing Woman BasketPeggy Rae Black, Polychrome Basketry PlaqueMary Black, Coiled Basketry PlaqueAngelina Holiday, Polychrome Basketry Tray, ca. 2000Sally Black, Polychrome Basketry Tray with Figural DesignDiné (Navajo), Basketry Plaque, ca. 1985Tohono O'odham (Papago), Basketry Tray, ca. 1955Fannie King, Ceremonial BasketHopi, Two Coiled Plaques: The Maiden + The EagleHopi + Diné (Navajo), Group of Three Basketry PlaquesHopi + Diné (Navajo), Four Basketry Items: Three Basketry Bowls + PlaqueJosé B. Reano, Decorative Bowl, ca. 1975Unknown Artist, Prison-made Hitched Horsehair Bridle, ca. 1915Sioux, Roach with Dispatch Bag, ca. 1880 - 1890Plateau, Rifle CasePlains / Plateau, Parfleche, ca. 1900 - 1920Umatilla, Polychrome ParflecheSioux, Beaded Arm Bands with BeltApsáalooke (Crow), Pair of Leggings with Moccasins, ca. 1910Plateau, Three Beadwork Items: Sash + Armbands, ca. 1920Plateau, Gauntlets, 1920 + Hunting Bag, 1900Cheyenne, Pair of Moccasins, ca. 1890Yakama, Pair of Moccasins, ca. 1900 - 1920Sioux, Pair of Moccasins, ca. 1890Cheyenne, Pair of Moccasins, ca. 1900Possibly Apache, Pair of Moccasins, ca. 1895Lot of Four Beaded Items, ca. 1900Possibly Ute, Strike-a-Lite Bag, ca. 1895Beaded Belt + CradleboardYakama, Contour Beaded Bag, ca. 1870Plateau, Leather Beaded Gloves, ca. 1920Attributed Modoc, Beaded Bow, ca. 1900Quechan (Yuma), Bow, ca. 19th CenturyQuechan (Yuma), Bow, ca. 19th CenturyApsáalooke (Crow), Red Catlinite (Pipestone) Head, ca. 1890 - 1900Sioux, Pipe Bowl and Stem, ca. 1885 - 1890Lakota, Pipe Bowl, ca. 1865Eastern United States, Archaic Banner StoneDiné (Navajo), Pictorial Sampler, ca. 1890Diné (Navajo), Two Samplers, ca. 1900Diné (Navajo), Sampler with Crosses, ca. 1890Diné (Navajo), Sampler, ca. 1890Diné (Navajo), Sampler, ca. 1890Diné (Navajo), Sampler, ca. 1890Diné (Navajo), Pictorial Sampler, ca. 1915Diné (Navajo), Pictorial Sampler, ca. 1890Diné (Navajo), Two Samplers, ca. 1910Diné (Navajo), Group of Three Samplers, ca. 1930

Thank you for using EstateSales.NET. You're the best!