NATIVE ARTS - Day One

online only auction | 1 day sale | 4 days away
Location
Santa Fe, NM 87505
Dates

Sale Starts

Wed
Feb 4
9:30am

Sale Ends

Wed
Feb 4

Terms & Conditions

TERMS AND CONDITIONS

The following Terms and Conditions of Sale are the Santa Fe Art Auction Limited Co.'s (Santa Fe Art Auction) and its agents and consignors entire agreement with the prospective bidders, bidders and buyers relative to the lots listed in this catalogue. The lots will be offered by the Santa Fe Art Auction as agent for the consignors, unless the catalogue indicates otherwise.

1. The Santa Fe Art Auction operates as an agent of the seller only. It is not responsible in the event any buyer or seller at the auction fails to live up to their respective agreements, including failure of the seller to deliver any property to buyers. The Santa Fe Art Auction assumes no risk, liability, or responsibility beyond the limited warranty contained herein.

(a) All property is sold 'AS IS'. There are no representations or warranties that extend beyond these Terms and Conditions of Sale. All works shall be available for examination prior to the sale. The Santa Fe Art Auction, and its agents and consignors, make no representations or warranties as to merchantability, fitness for a particular purpose, correctness of the catalogue or description, including, but not limited to, the authenticity, the physical condition, size, quality, rarity, importance, medium, provenance, dates, exhibitions, literary or historical relevance of any property, and, no statement anywhere, whether oral or written, whether made in the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, or elsewhere shall be deemed such a warranty, representation or assumption of liability. Nor are there any representations and warranties, express or implied, as to whether the purchaser acquires any copyrights, including, but not limited to, any reproduction rights in any property. Contents of this catalogue are subject to change or supplementation before or during the sale, including the sale of any lot.

2. Prospective bidders should inspect the lots before bidding to determine condition, size and whether or not the lot has been repaired or restored and to investigate all other matters relating to the lot that is of material importance to the prospective bidder.

3. A buyer's premium will be added to the successful bid price and is payable by the purchaser as part of the total purchase price. If paying by cash or check, the purchase price will be the sum of the final bid price plus a buyer's premium of 23% of the final bid price of each lot up to and including $1,000,000 and 18% of the excess of the final bid price above $1,000,000, plus any applicable sales tax, shipping and handling charges. (Note: artwork for pickup is soft-wrapped, starting at $5/lot.)

- Successful Online bidders on third party platforms (such as Invaluable and Live Auctioneers) will be subject to a surcharge by those platforms, currently 5%.

- The buyer's premium is calculated separately for each lot.

- Credit cards are subject to a 4% processing fee.

4. Unless exempted by law, the Buyer will be required to pay all applicable state and local sales, gross receipts, and compensation tax. Proof of exemption in the form of a current Non-Taxable Transaction Certificate must be provided at registration. In the event of deliveries outside the state, it is the Purchaser's responsibility to pay any applicable compensating use tax of another state on the total purchase price.

Why Santa Fe Art Auction Collects Sales Tax: New Mexico requires a seller of goods to register with the New Mexico Department of Taxation and Revenue and collect and remit sales tax if the seller maintains a presence within the state. More specifically, tax laws require an auction house, like Santa Fe Art Auction, with a presence in New Mexico, to register as a sales tax collector, and remit sales tax collected to the state. Unless exempted, New Mexico sales tax is charged on the hammer price, buyer's premium and any other applicable charges on any property picked up or delivered in New Mexico, regardless of the state or country in which the purchaser resides or does business.

Since the 2018 South Dakota v. Wayfair, Inc. ruling, most US states have implemented legislation requiring remote sellers to collect sales tax when the total dollar value of purchases sent to that state exceeds a set threshold, known as an economic nexus. Each state sets its own threshold or nexus. Like all other remote sellers, Santa Fe Art Auction is now required to collect Sales/Use Tax from buyers in any state when the total dollar value of purchases sent to that state creates a nexus. When this occurs, you will see sales tax included on your invoice. The sales tax rate is determined by the state, county, and city where purchases are shipped. As of June 1, 2022, SFAA has met the nexus in the following states: Arizona, Colorado, Illinois, Michigan, New Mexico, New York, Texas, Wisconsin. However, any purchases made in person and/or picked up in person, are subject to applicable New Mexico sales tax instead.

The following states do not currently have sales tax and/or applicable economic nexus laws, and as a result the Santa Fe Art Auction is not required to collect sales tax from Alaska, Delaware, Montana, New Hampshire, or Oregon.

Certain Exemptions: New Mexico allows for specified exemptions to its sales tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Santa Fe Art Auction is not required to collect sales tax from such re-seller. As sales tax laws vary from state to state, Santa Fe Art Auction recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice from their local tax advisors.

5. The Santa Fe Art Auction reserves the right to withdraw any lot before or during the sale and shall have no liability whatsoever for such withdrawal.

6. Except as may be announced by the auctioneer, all bids are per lot, as numbered in the catalogue.

7. The Santa Fe Art Auction reserves the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the Buyer, subject to reserves. In the event of any dispute between bidders, or in the event of doubt as to the validity of any bid, the auctioneer will have the final discretion to determine the successful bidder, cancel the sale, or reoffer and resell the lot in dispute. If any dispute arises after the sale, the Santa Fe Art Auction's sale record shall be final and conclusive. The Santa Fe Art Auction, in its discretion, may execute orders or absentee bids as a convenience to clients who are not present at the auction; however, the Santa Fe Art Auction is not responsible for any errors or omissions in connection therewith.

8. If the auctioneer, in his or her discretion, determines that any bid is below the reserve of the lot, he or she may reject the same and withdraw the lot from sale, and, if having acknowledged an opening or other bid, the auctioneer decides that any advance thereafter is insufficient, he or she may reject the advance.

9. On the fall of the auctioneer's gavel, the highest bidder acknowledged by the auctioneer assumes full risk and responsibility for the offered lot, subject to all of the Terms and Conditions of Sale set forth herein, and is immediately obligated to pay the full purchase price. All sales are final and there shall be no exchanges or returns. Payment shall be made by cash, check or wire transfer. As set forth in paragraph 3, above, for an additional percentage Santa Fe Art Auction will also accept credit cards as a form of payment. (Visa and MasterCard only).

In addition to other remedies available to Santa Fe Art Auction by law, we reserve the right to impose, from the date of sale, a late charge of 1.5% per month (18% per annum) of the total purchase price, if payment is not made in accordance with the conditions set forth herein.

(a) All lots must be removed by the Buyer at his or her expense not later than ten (10) business days following the sale, and, if it is not so removed, (i) a handling charge of 1% of the total purchase price per month, or a portion thereof from the tenth day after the sale (until its removal) will be payable to us by the Buyer, with a minimum of 5% of the total purchase price due for any lot not so removed within 60 days after the sale, and (ii) Santa Fe Art Auction may send the purchased lot to a public warehouse for the account of and at the risk and expense of the Buyer.

(b) If any applicable conditions herein are not complied with by the Buyer, the Buyer will be in default, and in addition to any and all other remedies available to the Santa Fe Art Auction and its agents and consignors by law, including, without limitation, the right to hold the Buyer liable for the total purchase price, together with all fees, charges and expenses set forth in these Terms and Conditions of Sale, the Santa Fe Art Auction, at its sole option, may (i) cancel the sale of that, or any other lot or lots sold to the defaulting Buyer, or (ii) resell the purchased lot or lots, whether at auction or by private sale, or (iii) effect any combination thereof. The Buyer will be liable for any deficiency, any and all costs, handling charges, late charges, expenses and commissions of both sales, legal fees and expenses, collection fees and incidental damages. The Santa Fe Art Auction and its agents and consignors shall have all of the rights accorded to a secured party under the New Mexico Uniform Commercial Code. The Buyer of each lot agrees that each lot is unique and that Santa Fe Art Auction, in its sole discretion, shall not be required to sell or otherwise seek to mitigate damages should such Buyer fail to pay the total purchase price. Payment will not be deemed to have been made in full until the Santa Fe Art Auction shall have collected good funds. The Santa Fe Art Auction reserves the right to hold all purchases pending collection of the total purchase price, together with all additional fees, charges and expenses incurred pursuant to these Terms and Conditions of Sale.

10. All lots (unless otherwise indicated by the letters 'nr') are subject to a reserve, which is the confidential minimum price acceptable to the consignor. The Santa Fe Art Auction, or its agents or consignors, may implement such reserve by opening the bidding or they or either of them may bid up to the amount of the reserve by placing successive or consecutive bids for a lot or may bid in response to other bidders. In instances where the Santa Fe Art Auction has an interest in the lot, it may bid up to the reserve to protect such interest.

11. Santa Fe Art Auction is the owner of images of each lot offered for sale and may use such images for its own archival purposes, as well as for advertising and publicity in connection with this or future sales by the Santa Fe Art Auction.

12. These Terms and Conditions of Sale, together with the parties' respective rights and obligations hereunder, shall be governed and construed and enforced in accordance with the laws of the State of New Mexico, without regard to New Mexico?s rules concerning conflicts of laws.

13. Prospective bidders, bidders and buyers agree that, in the event of any controversy or claim arising out of or relating to a sale of any lot, the party asserting such controversy or claim shall provide written notice thereof to the other party; that any such controversy or claim not settled within fourteen (14) days of delivery of notice by the other party, including, without limitation, any controversy or claim arising from, or relating to, the sale of any lot or any of these Terms and Conditions of Sale, including the terms of this paragraph, the sole and exclusive means for resolving the dispute shall be by binding arbitration in Santa Fe, New Mexico. Said arbitration shall be confidential and shall be pursuant to the New Mexico Uniform Arbitration Act, shall be conducted before a single arbitrator, and shall otherwise be guided by the then extant New Mexico Rules of Arbitration. This Agreement is deemed made in Santa Fe, New Mexico, and is subject to the internal substantive law of the State of New Mexico without regard to conflicts of laws. The award of the arbitrator shall be final, and may be entered into any court having jurisdiction thereof. Each party shall bear that party's own costs of arbitration and attorney's fees.

14. The Santa Fe Art Auction is pleased to present to art purchasers shipping options which can be found on our website. If you misplace this form, call or send an email and another form will be provided.

15. Results are posted on the Santa Fe Art Auction web site and, upon request, may be sent to buyers, catalogue subscribers, absentee and phone bidders, and other registered bidders.

16. If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law.

17. These Terms and Conditions are not assignable by any buyer without the prior written consent of the Santa Fe Art Auction. However, these Terms and Conditions are binding on the buyer?s successors, assigns and representatives.

18. No act, omission or delay by the Santa Fe Art Auction shall be deemed a waiver of its rights and remedies under these Terms and Conditions.

19. The Santa Fe Art Auction shall use reasonable efforts to contact prospective buyers who have made prior arrangements to place telephone bids in order for these buyers to participate in the auction. The Santa Fe Art Auction shall not be liable for its failure to contact said bidders or for any errors or omissions made in connection with telephone bids since telephone bids are offered as a free service that is undertaken subject to the other commitments of Santa Fe Art Auction during the sale.

20. Santa Fe Art Auction shall use reasonable efforts to execute online bids in order for online buyers to participate in the auction. Online bidding is provided as an alternative bidding service and should not be considered a replacement for bidding in the room. Santa Fe Art Auction encourages its buyers to weigh the advantages and limitations of live online bidding when deciding whether to bid in the room or online. Santa Fe Art Auction shall not be liable for any errors or omissions made in connection with online bids or the online bidding process. Although Santa Fe Art Auction will do everything in its power to assure all online bids are recognized, Santa Fe Art Auction has no way of guaranteeing that the internet and the online bidding process will be free from technical malfunctions. In the event of a tie between an online bid and a 'room' bid, the 'room' bid generally will take precedence. 'Room' bids include those bids taken from the live auction room(s), telephones, absentee bidders, or bids made by the auctioneer to protect the reserve. Santa Fe Art Auction will not be responsible for errors or failures to execute bids placed on the internet, including, without limitation, errors or failures caused by (i) a loss of connection on Santa Fe Art Auction's or on the Buyer's end, (ii) a breakdown or problems with the online bidding software, and/or (iii) a breakdown or problems with a Buyer's internet connection, computer or system. Santa Fe Art Auction does not accept liability for failing to execute an online internet bid or for errors or omissions in connection with this activity.
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Santa Fe Art Auction

Description & Details

Day One of SFAA's Springtime celebration of Native Arts features over 220 lots comprising classic to contemporary paintings, prints, pottery and basketry.
Merina [Pop Chalee] Lujan, Untitled (Blue Horse)Tim [Ku Se Peen] Vigil, Storm Warning, 1967Tim [Ku Se Peen] Vigil, Untitled (Horse and Rider), 1966Buddy Feather, Untitled (Buffalo Hunt), 1971J. D. Medina, Buffalo HuntBeatien Yazz, Untitled (Buffalo Hunt)Beatien Yazz, Untitled (Corn Offering, Day and Night)Adee Dodge, Group of Three Works on PaperBobby [Pan-Yo-Pin] Vigil, Two Drawings: Buffalo Dancer + Cane DancerHerman Toppah + Freeman [Loga] Mitchell, Two Works on Paper: Happy Hunting Grounds, 1965 + ThreeTonita Vigil [Quah Ah] Peña, Untitled (Pueblo Dancers)Carl Sweezy, Untitled (War Dancer)Carl Sweezy, Untitled (War Dancer)Carl [Wasaba Shinga] Woodring, Untitled (Flute Player), 1960Stephen Mopope, Untitled (Profile of a Kiowa Girl)Stephen Mopope, Untitled (Mother and Child)Red Robin, Katsina Dancers - Hopi, 1968Red Robin, Hee (Katsina Mana: Warrior Katsina), 1968Red Robin, Soyal Katchina, 1968Diane [Opeche-Nah-Se] O'Leary, Woman Combing Her HairDiane [Opeche-Nah-Se] O'Leary, A Christmas JourneyHelen [Tsa-Sah-Wee-Eh] Hardin, Untitled (Proposed Sketch for a Mural at Pueblo Cultural Center),Margarete Bagshaw, Dreaming Lapis, 1998Dolona Roberts, Blanket Series #1458R. C. Gorman, Lightning Blanket, 1983R. C. Gorman, Prickly Pear, 1984Frank Howell, Spring Matrix, 1995Frank Howell, Summer Guilds the River Rose, 1993Frank Howell, Magpie, 1994Neil David Sr., Untitled (Four Hopi Katsinam), 2006Tony Abeyta, Untitled (Abstract Yei)Earl Biss, War Canoes, 1980Harry Fonseca, Shuffle Off to Buffalo, 1987Darren Vigil Gray, Tanjo, 1978Malcolm Furlow, Mickey Free, 1989Malcolm Furlow, Tejas, 1987Dan Namingha, Untitled (Portrait)Dan Namingha, Santa Fe DawnArthur C. Begay, Sr., Pair of Gouaches: Lost Found, 1985 + Shiprock, 1985Amado Maurillo Peña Jr., Pair of Etchings: Mujeres Y Hombres (from Suite of Six), 1981Michael [Lomawywesa] Kabotie, UntitledDavid Chethlahe Paladin, Sun & Moon Spirits, 1975David Chethlahe Paladin, Circle of Creation, 1975David Chethlahe Paladin, Kokopelli's Universe, 1976Agnes C. Sims, Untltled (Petroglyph Figures)Agnes C. Sims, Untltled (Petroglyph Figures)Darren Vigil Gray, Life Blood of the Earth #2, 2003David P. Bradley, Ghost Dance Revelations, 2004David P. Bradley, Pueblo Sisters, 2011Tony Abeyta, Untitled (River Valley)Frank Schively, Untitled (Tending Fire)Dolona Roberts, Three WomenJoyce Clark, Hopi Pottery Maker (Garnet Pavatea)James King, Going DancingDan Vigil, Bogie at the Beach, 1989Art Thompson, Untitled (Northwest Coast Print), 1987Wilfred Notsinneh, Sand Painting with Whirling Log Design, 1982David Chethlahe Paladin, Santa Fe OperaDavid Chethlahe Paladin, Golden Sun Spirit, 1973Diné (Navajo), Group of Three Memory AidsDiné (Navajo), Group of Three Memory AidsDiné (Navajo), Memory Aid with Storm/Rain-Cloud YeiGustave Baumann, An Eagle Ceremony at Tesuque Pueblo, ca. 1932R. C. Gorman, Dream Day, 1981Frank Howell, Night Chorus, 1981R. C. Gorman, Indian Corn, 1978R. C. Gorman, Woman with Concho, 1976R. C. Gorman, Cholena (State I), 1980R. C. Gorman, Woman from Ranchos, 1980R. C. Gorman, Indian Market, 1984Tammy Garcia, Butterfly MaidenDavid P. Bradley, Arlene Loretto, 2013Allan Capron Houser (Haouzous), Untitled (Figure Wrapped in Blanket), 1990Allan Capron Houser (Haouzous), Songmakers, 1994Robert Dale Tsosie, Untitled (Woman with Blanket)Doug Hyde, After the HarvestAttributed to [Saige LaFountain], Untitled (Man and Eagle)Bruce LaFountain, Untitled (Abstract with Feathers), 1997Carol Whitney, Untitled (Two Figures Singing)Kim Seyesnem Obrzut, New Traditions, 1998Kim Seyesnem Obrzut, Braid, 1999Kim Seyesnem Obrzut, Fawn, 2000Ira Lujan, Untitled (Corn Maiden)Rebecca Tobey, Polychrome BearMark Swazo Hinds, Two Fetish BearsMary [Tsiranitsia] Martin et al, Two Polychrome Pottery Figurines: Storyteller, 1983 + PrayingStephanie [Snowflake Flower] Rhoades, Two Polychrome Pottery Figurines: Storyteller with FourAda Suina, Polychrome Storyteller with 26 ChildrenRandy Chitto, Pair of Koshare StorytellersRandy Chitto, Blackware Turtle Storyteller with Five ChildrenRandy Chitto, Blackware Storyteller Turtle with Five ChildrenCochiti, Effigy, ca. 1800Stephanie [Snowflake Flower] Rhoades + Maria I. Naranjo, Two Animal Storytellers: Coyote + Owl, ca.Nyla Collateta Nampeyo + Caroline Loretto Seonia, Two Polychrome Pottery OwlsSeferina Ortiz, Polychrome Owl Storyteller with Four ChildrenEva Histia, Polychrome OwlAcoma, Polychrome Water Jar, ca. 1875Joseph Cerno, Polychrome Jar with Bird Designs, 2010Lucy M. Lewis, Black on White Pictorial Jar, ca. 1965Emma Chino, Polychrome Pot with Pictorial Designs, ca. 1995Acoma, Polychrome Jar, ca. 1930Rachel Aragon, Polychrome Pictorial Water Jar, ca. 1990Joseph Cerno, Polychrome Jar with Bird DesignRobert Patricio, Polychrome Jar with Heartline Deer and Eagle MotifsBarbara + Joseph Cerno, Polychrome Olla with Parrot Motifs, 1989Zuni, Polychrome Pot with Rainbird Design, ca. 1890Acoma, Polychrome Jar, ca. 1945Acoma, Polychrome Water Jar, ca. 1945Acoma, Polychrome Jar with Parrot DesignsAdrian Trujillo, Polychrome Pot with Piecrust Rim and Heartline Deer DesignDonna G. Chino, Black on White Pot with Rabbit DesignsLoretta Joe, Polychrome Jar with Pictorial DesignsEva Histia, Polychrome CanteenElsie P. Routzen, Polychrome Jar, ca. 1985Barbara + Joseph Cerno et al, Two Pottery Vessels: Polychrome Seed Jar + Corrugated Wedding Vase,Acoma, Polychrome Wedding Vase, ca. 1930Acoma, Tri-Lobe CanteenRussell Sanchez, Sgraffito Redware Jar with Hummingbird Designs, 1991Tony Da, Bear with Inlaid TurquoiseSan Ildefonso, Black on White Storage Jar, ca. 1870Maria + Santana Martinez, Blackware Vase with Feather Design, ca. 1950Billy Cain, Carved Blackware Jar with Avanyu + Bear Paw DesignsMargaret Tafoya, Carved Blackware BowlMargaret Tafoya, Blackware BowlMaria Martinez, Blackware Bowl, ca. 1955Russell Sanchez, Etched Blackware Pot with Inset Turquoise, 1991Mela Tafoya Youngblood, Blackware Vase with Fluted Rim, 1974Santa Clara, Blackware Jar, ca. 1895Mida Tafoya + Sharon Garcia, Two Blackware Vases with Carved Avanyu + Bear Paw DesignsTina Garcia, Blackware Vase with Fluted Rim, ca. 1990Anita Martinez, Stepped Blackware Vase with Feather Designs, ca. 1980Margaret Tafoya, Carved Blackware JarMargaret Tafoya, Carved Blackware Jar with Avanyu DesignMiana Pablito, Blackware Melon PotHector Ortega et al, Two Blackware Vessels: Pot + VaseLegoria + Celes Tafoya, Two Blackware Pottery Items: Pot, ca. 1965 + CanoeMida Tafoya, Blackware Vase with Carved Avanyu, ca. 1985Phyllis + Marlin Hemlock, Carved Blackware Vase with Coral InlayMargaret Tafoya, Square Blackware BowlMargaret Tafoya, Carved Blackware BowlCarlos Sunrise, Blackware PlateBarbara [Tahn-Moo-Whé] Gonzales et al, Two Pottery Vessels, ca. 1980: Spider Design Bowl withMaria + Santana Martinez, Blackware Plate, 1957Toni Roller, Blackware Plate with Carved Avanyu Design, 1981Santa Clara + Ohkay Owingeh (San Juan), Two Wedding Vases, ca. 1895: Blackware + RedwareLikely Tesuque, Two Blackware Pottery Vessels, ca. 1900Toni Roller, Two Blackware Vessels: Wedding Vase + Melon PotSanta Clara, Two Blackware Pottery Vessels, ca. 1925Nicolasa Naranjo, Blackware Wedding Vase with Avanyu, ca. 1980Mary Cain, Blackware Wedding Vase with Bear Paw DesignToni Roller, Set of Carved Blackware Candle Holders, 1977Grace Medicine Flower + Camilio Tafoya, Sgraffito Blackware PotReycita Cosen, Carved Blackware Vase, 1975Shirley [Cactus Blossom] Tafoya, Blackware Melon Bowl, 1976San Ildefonso, Polychrome Olla, ca. 1890Carlos Sunrise + Carmelita Dulap, Redware Pot with Feather and Avanyu Designs, 1976Carmelita Dunlap, Redware Pot with Feather Designs, 1976Cavan Gonzales, Polychrome Vase with Turquoise Heishi and Fluted RimAlton Komalestewa, Redware Jar with Bear Paw Designs, ca. 1980Fannie Nampeyo, Polychrome Pot with Migration PatternPaqua [Frog Woman] Naha, Polychrome Vase, ca. 1950Helen [Feather Woman] Naha, Polychrome Wedding Vase, ca. 1985Tom Polacca, Polychrome Pot with Incised Figural DesignsRayvin + Jacob Koopee Nampeyo, Two Polychrome PotsSteve [Koyemsi] Lucas, Polychrome Flying Saucer PotBeth Sakeva, Polychrome Bowl with Fine Line Designs, ca. 1980Dextra Nampeyo Quotskuyua, Polychrome Pot, ca. 1980Elton Nampeyo et al, Group of Four Polychrome PotsFannie Nampeyo, Polychrome Jar with Migration Pattern, ca. 1976Helen [Feather Woman] Naha, Black on White Pot with Awatovi Star, ca. 1975Helen [Feather Woman] Naha, Polychrome Vase, ca. 1970Jean Sahme Nampeyo + Helen Gachupin, Two Polychrome Pottery Vessels: Pot, ca. 1975 + Wedding Vase,Jean Sahme + Daisy Hooee Nampeyo, Two Polychrome Pottery Vessels, ca. 1980Joy [Frog Woman] Navasie, Polychrome PotJoy [Frog Woman] Navasie, Polychrome Pot with Parrot Motifs, ca. 1995Helen [Feather Woman] Naha, Two Seed Pots: Polychrome + Black on White, ca. 1985Priscilla Namingha + Jean Sahme Nampeyo, Two Polychrome Pots, ca. 1995Tom Polacca, Polychrome Seed Jar with Incised DesignsPauline Setalla, Polychrome CanteenElva Nampeyo, Polychrome Pot with Migration PatternHelen [Feather Woman] Naha, Polychrome Jar with Bat Wing Migration Pattern, 1974Helen [Feather Woman] Naha, Black on White Jar with Awatovi DesignLes Namingha, Polychrome PotLoren Ami, Polychrome PotNathan Begaye, Polychrome Seed Jar with Turtle Designs, 1993Jean [Sak’Honsee] Sahme Nampeyo, Polychrome PotJean [Sak’Honsee] Sahme Nampeyo, Polychrome CanteenHopi, Two Western Hat Pottery Ashtrays, ca. 1945Margaret Tafoya, Carved Redware Pot with LidTeresita Naranjo, Carved Redware Bowl with Avanyu DesignJody Naranjo, Sgraffito Vase with Giraffes and Dragonflies, 1998Jody Naranjo, Sgraffito Vase with Tableta Dancers, 1999Jody Folwell, Redware Pot with Sculpted LizardsClara Gachupin + Maxine Andrew Yepa, Group of Three Polychrome PotsS. R. Medina et al, Two Mixed Media Pottery WorksTom Dickerson, Polychrome Jar, 1988Tom Dickerson, Polychrome Flying Saucer Pot, 1988Tom Dickerson, Polychrome Flying Saucer Pot, 1988Cochiti, Pot with Black on White Figural Designs, ca. 1900Zuni, Rainbird Design Water Jar, ca. 1880Zia, Polychrome Jar with Deer Motifs, ca. 1900Zuni, Polychrome Storage Jar, ca. 1890Laura Gachupin, Melon Swirl PotJuanita Fragua, Group of Three Melon Jars: Redware + Buff + SwirlArthur + Hilda Coriz, Polychrome Pot with Bird and Flower Designs, ca. 1995Robert Tenorio, Redware Canteen with Black on White DesignAlice Cling, Small Neck Vase with Fire CloudsSamuel Manymules, Piñon Pitch JarSamuel Manymules, Piñon Pitch Jar with Fire CloudsTesuque, Redware Wedding Vase, ca. 1900Zia, Polychrome Dough Bowl, ca. 1930Kewa (Santo Domingo), Polychrome Dough Bowl, ca. 1920Avelia + Anderson Peynetsa, Polychrome Pot with Heartline DeerElizabeth + Sofia Medina, Two Polychrome Pottery Vessels with Bird DesignsGeraldine Sandia + Ponca Fragua, Two Polychrome Pottery VesselsPersingula Fragua, Polychrome Squash Vase, ca. 1985, fired clay, height: 12 1/4 x diameter: 9 1/2Tomasita Montoya, Micaceous Pot with Carved and Incised Geometric Designs, ca. 1965Ancestral Pueblo, Pinedale Polychrome Bowl, ca. 1150Ancestral Pueblo, Black on Red Tularosa Pitcher, ca. 1250Miguel Bugarini, Two Polychrome PotsShipibo, Group of Three Polychrome PotsR. C. Gorman + Greg Grycner, Walking Women, 1982Amazon, Group of Three Baskets, ca. 1935Black Family, Polychrome Figural Basketry Plaque with FetishApache, Basketry Tray, ca. 1910Apache, Pictorial Basket, ca. 1900Diné (Navajo), Basketry Bowl with Spider Woman CrossesHupa, Group of Four BasketsYokuts/Mono, Polychrome Basket, ca. 1925Hopi + Diné (Navajo), Group of Three Basketry ItemsPima, Group of Three Baskets, ca. 1920

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