Vintage Posters & Graphic Design

online only auction | 1 day sale | sale is over
Location
New York, NY 10010
Dates

Sale Starts

Thu
Feb 20
10:30am

Sale Ends

Thu
Feb 20

Terms & Conditions

CONDITIONS OF SALE
The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by
Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED
WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms
and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, b y written or
telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.
1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN
THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER
SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH
RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS
OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS,
CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE
CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR
ANY ASSUMPTION OF RESPONSIBILITY.
2. All bids are to be per lot as numbered in the catalogue.
3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF
MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR
REPRODUCTION RIGHTS THERETO.
4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and
(b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.
5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the
original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled
to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation,
no purchaser shall be entitled to damages of any kind.
6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the
auctioneer shall have the absolute discretion either to determine the successful bidder or to re -offer and resell the lot in dispute. If
any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other
respects.
7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 25% of the final bid on each lot up
to and including $100,000; 20% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the
portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may
be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction.
8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who
thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purc hase
therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions
or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor
by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a)
cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publi cly or
privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies
plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges
due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever
is lower) on any amounts unpaid.
9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so
removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to
a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase
price.
10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect)
of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next
to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the
Consignor bid upon or buy back his property.
11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without
validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.
12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit
to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.
13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or
any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of
Swann) shall be effective unless it is in writing and signed by a representative of Swann.
14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING
OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.
LIMITED WARRANTY
We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.
1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written
notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the
authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)
2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of
thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and
illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance.
This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not
affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves,
cancels or subsequently published volumes.
3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is,"
"sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are
sold as is and therefore not covered by these warranties.
4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are
conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.
5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase
price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available
to the buyer as a matter of law.
(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless
the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable
to Swann and the buyer, that a lot or portion thereof is not authentic.
ADVICE TO PROSPECTIVE BIDDERS
1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY
PRINTED IN THE CATALOGUE.
2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are
available to advise prospective bidders at all pre-sale exhibitions and by appointment.
3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as
defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.
4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase
price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption
therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing
possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another
locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also
be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements
are satisfied.
5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000;
$2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.
6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot
will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann
may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive
or consecutive bids for a lot in response to other bidders.
7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A
bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are
exclusive of the buyer's premium, and may be revised at any time prior to the auction.
8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an
agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.
9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room.
Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out
instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet
found at the end of the catalogue and in accordance with the instructions on the bid sheet.
10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business
day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.
11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing,
postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof.
Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.
12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The
Prices Realized is also available at Swann and will be mailed upon request.
13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for
payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25%
of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.
14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books,
manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not
such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
SUPPLEMENTAL ADVICE TO PROSPECTIVE BIDDERS WITH RESPECT TO SALES OF PRINTS,
DRAWINGS, PAINTINGS, WATERCOLORS, SCULPTURES, AND MULTIPLES
GENERAL:
Dimensions are given in millimeters and inches, with height preceding width in both cases. Dimensions for prints are measured to
the outside edges of the plate mark (for intaglio) or image (for planographic and relief); dimensions for drawings and other works
are measured to the outside edges of the support (paper, canvas, etc.) For prints, if the margins are known or believed to be full this
is stated.
References are cited using the author?s surname and corresponding catalogue page number(s) or catalogue raisonne number at th e
end of each catalogue entry, preceding the estimate.
Whenever possible framed works are sold in the frames in which they have been received. However, we take no responsibility for
frames.
Be advised that pursuant to paragraph 1(b) of the Limited Warranty, Swann does not warrant the condition of prints, drawings or
watercolors unless specifically stated in the catalogue description. We attempt to characterize quality and gross defects in condition
whenever possible as an aid to prospective bidders, but clients should satisfy themselves prior to the sale as to the condition of each
lot and should exercise and rely on their own judgment as to whether the lot accords with its description. More detailed condition
reports are available upon request.
Illustrations in the catalogue are for identification only and should not be used as a basis for determining the condition of the lot.
FOR UNIQUE WORKS, SUCH AS DRAWINGS AND WATERCOLORS:
Authorship for each lot is indicated using the following descriptions:
Guido Reni: In our opinion, a work by the artist. (When the artist?s forename(s) is not known, a series of asterisks, followed by
the surname of the artist indicates that in our opinion the work is by the artist named.)
Guido Reni (attributed to): In our opinion, probably a work by the artist but less certainty as to authorship is expressed than in the
preceding category.
Guido Reni (studio of): In our opinion, a work by an unknown hand in the studio of the artist which may or may not have been
executed under the direction of the artist.
Guido Reni (circle of): In our opinion, a work by an unknown hand closely associated with the named artist but not necessarily his
student.
Guido Reni (style of) or (follower of): In our opinion, a work by an unknown, nearly contemporary or contemporary hand working
in the artist?s style but not necessarily his student.
Guido Reni (manner of): In our opinion, a work in the style of the artist and of a later date.
Guido Reni (after): In our opinion, a copy of a work of the artist.
FOR PRINTS AND MULTIPLES:
If there is a generally accepted title for the print, that title is given at the beginning of the lot description following the artist?s name.
The primary medium is identified following the title. The terms used are intended only as a general description and may not include
all the techniques employed by the artist.
Dates used in the catalogue entries refer to execution of the ?master? or printing matrix. For prints made after 1949, it will be stated
if the impression was pulled later than the execution of the master or matrix; for prints made prior to 1949, the impression may or
may not be of a date contemporaneous with the execution of the master or matrix.
The term ?signed? means that, in our opinion, the signature is by the artist and was made more or less contempora neously with the
creation of the print.
Whenever possible, we attempt to indicate the state of a print and will usually rely on information found in the relevant cat alogue
raisonne to determine this information.
For modern and contemporary prints, and for early prints when the data are available, every reasonable effort is made to identify
relevant information concerning the extent of the edition. If the print is described as an ?artist?s proof? or an ?hors commerce?
impression, the size of the regular edition is usually provided.
In most cases, we describe the quality of the impression of the print, ranging in descending order from ?brilliant? and ?supe rb? to
?very good,? ?good? and ?fair.? These descriptions are intended merely as a general guide and should not be taken as a statement
of fact, nor do they represent any description of the condition of the print.
SUPPLEMENTAL ADVICE TO PROSPECTIVE BIDDERS WITH RESPECT TO SALES OF POSTERS
Posters, for the most part, were printed in large format on the cheapest possible paper, and with an expected life of two to three months on
billboards. They were ephemeral by definition and not intended to withstand the test of time. Therefore, in grading a poster?s condition the
standards and criteria of the print collector cannot be used. The most important element in grading a poster?s condition is its appearance as
defined by the lines, colors and overall design.
Condition in this catalogue is noted according to a rating system which has been accepted by most poster dealers. The following ratings are
used, with an appropriate + or - to indicate slightly better or worse condition:
Condition A: designates a poster much in the same state as when it was printed; the colors are fresh, there is no signifcant paper loss
or tears, but there may be some slight blemish, creases or scuffng.
Condition B: designates a poster in good condition. Some restoration (including repaired tears or slight overpainting) may ha ve been
done but it is not visibly apparent, there may be discoloration and/or fading.
Condition C: designates a poster that is showing the effects of time and/or heavy restoration. Fading and discoloration may be more
pronounced, restoration, folds, creases and flaking may be visible, and there may be paper loss or obvious restored losses.
Within these guidelines, we have done our best to describe any flaws, defects and restoration?whether apparent or not. However,
the above condition ratings are subjective. Prospective purchasers should satisfy themselves as to condition
IF YOU HAVE ANY QUESTIONS REGARDING THESE POSTERS, PLEASE FEEL FREE TO CALL FOR
ADDITIONAL INFORMATION OR FOR A CONDITION REPORT. WE ENCOURAGE YOU TO EXAMINE THE
POSTERS YOURSELF OR TO HAVE THEM EXAMINED BY YOUR REPRESENTATIVE.
ALL POSTERS ARE LINEN-BACKED UNLESS OTHERWISE INDICATED.
Swann Auction Galleries Logo

Swann Auction Galleries

Description & Details

Swann?s upcoming auction presents a diverse collection of vintage posters spanning winter sports and travel, Art Nouveau, fashion, and graphic design, featuring works by some of the most celebrated artists of the past 150 years.
WILLIAM H. BRADLEY (1868-1962). THE CHAP - BOOK. August, 1895. 21½x14 inches, 54¾x35½WILLIAM H. BRADLEY (1868-1962). THE CHAP BOOK. September, 1895. 20½x13¾ inches, 52x35 cm.WILLIAM H. BRADLEY (1868-1962). THE CHAP BOOK / THANKSGIVING NO. 1895. 20¼x13½ inches,WILLIAM H. BRADLEY (1868-1962). FRINGILLA. 1895. 19½x9¼ inches, 49½x23½ cm.WILLIAM H. BRADLEY (1868-1962). FIELD FLOWERS. 1896. 20½x11¾ inches, 52x29¾ cm. [TheMAXFIELD PARRISH (1870-1966). THE CENTURY / MIDSUMMER HOLIDAY NUMBER. 1897. 19½x13 inches,FREDERICK REMINGTON (1861-1909). THE CENTURY JANUARY / NEW YEAR'S NUMBER. 1902. 20½x14 inches,AUBREY BEARDSLEY (1872-1898). AVENUE THEATRE / A COMEDY OF SIGHS! 1894. 30x20 inches, 76¼FRANK BRANGWYN (1867-1956). THE STUDIO. 1899. 32x21¼ inches, 81¼x54 cm.GEORGES BOTTINI (1874-1907). [ADDRESSE SAGOT OU LA VITRINE DE SAGOT]. 1898. 15x11¼ inches,ÉTIENNE MAURICE FIRMIN BOUISSET (1859-1925). CHOCOLAT MENIER / MILANO. 1893. 51½x37½JULES CHÉRET (1836-1932). ALCAZAR D'ETÉ / LOUISE BALTHY. 1893. 48x34¼ inches, 122x87JULES CHÉRET (1836-1932). [LES ARTS]. Four decorative panels. 1891. Each 49x33 inches, 124&#189GEORGES DORIVAL (1879-1968). LA COTE / GRAND JOURNAL FINANCIER. 1910. 34x24¼ inches, 86½LOUIS-LUCIEN FAURE DUJARRIC (1872-1943). SANDOW'S OWN COMBINED DEVELOPER. 1899. 54x39 inches,EUGÈNE GRASSET (1845-1917). HISTOIRE DE FRANCE PAR VICTOR DURUY. 1894. 48x32 inches,EUGÈNE GRASSET (1841-1917). [L'ESTAMPE ET L'AFFICHE]. 1897. 23½x17¼ inches, 59¾EUGÈNE GRASSET (1841-1917). [LA SCULPTURE]. 1898. 25x19 inches, 63½x48¼ cm.H. GRAY (HENRI BOULANGER, 1858-1924). PETITE BIBLIOTHÈQUE OMNIBUS ILLUSTRÉE. 1893.JULES ALEXANDRE GRÜN (1868-1938). JEANNE D'ARC A ROUEN. 1931. 37½x23 inches, 95¼D'APRÈS PAOLO HENRI (DATES UNKNOWN). LES PRODUITS DE LA PARFUMERIE IDEA. Circa 1900. 55½ALEXANDRE LUNOIS (1863-1916). EXPOSITION / L'ANDALOUSIE AU TEMPS DES MAURES. 1900. 101½x36ALBERT MATIGNON (1869-1937). ENGRAIS - GAULOIS / SPECIAL POUR HORTICULTURE. 1904. 21½x14¼ATTRIBUTED TO LEOPOLDO METLICOVITZ (1868-1944). CORRIERE DELLE SIGNORE. Circa 1900. 68½x30&#189LEOPOLDO METLICOVITZ (1868-1944). SCOGNAMIGLIO CARAMBA. 1907. 79x55½ inches, 200½x141 cm.LEOPOLDO METLICOVITZ (1868-1944). E. & A. - MELE - & CI. NAPOLI. Billboard. 1907. 81x110¼ALEARDO TERZI (1870-1943). GIORNALE DEL MATTINO. 1911. 57x42 inches, 144¾x106¾ cm. E.HENRI MEUNIER (1873-1922). CARTES POSTALES ARTISTIQUES / EDITIONS DIETRICH & CIE. 1898. 28x37ALPHONSE MUCHA (1860-1939). GISMONDA. Maitres de l'Affiche pl. 27. 1896. 15¼x11¼ inches,ALPHONSE MUCHA (1860-1939). LORENZACCIO. 1896. 38¼x14¾ inches, 97x37½ cm. F.ALPHONSE MUCHA (1860-1939). [THE SEASONS]. Group of 4 decorative panels. 1896. Each approximatelyALPHONSE MUCHA (1860-1939). L'ILLUSTRATION / NOËL. Magazine Cover. 1896. 16x12 inches, 40½ALPHONSE MUCHA (1860-1939) & ROBERT DE FLERS (1872-1927). ILSÉE / PRINCESSE DE TRIPOLI. BoundALPHONSE MUCHA (1860-1939). SOLEIL DU DIMANCHE. Magazine cover. June 6, 1897. 15½x10¾ALPHONSE MUCHA (1860-1939). BISCUITS LEFÈVRE - UTILE. 1897. 24¼x17½ inches, 61½ALPHONSE MUCHA (1860-1939). [BYZANTINE HEAD / BLONDE]. Circa 1899. 23x16½ inches, 58½x42ALPHONSE MUCHA (1860-1939). LA SAMARITAINE. Maitres de l'Affiche pl. 166. 1899. 15½x7½ALPHONSE MUCHA (1860-1939). BIÈRES DE LA MEUSE. Maitres de l'Affiche pl. 182. 1899. 15½ALPHONSE MUCHA (1860-1939). JOB. Maitres de l'Affiche pl. 202. 1900. 16½x12¼ inches, 42x31ALPHONSE MUCHA (1860-1939). DOCUMENTS DÉCORATIFS. Group of 8 plates. 1902. Each plate 18x13ALPHONSE MUCHA (1860-1939). DOCUMENTS DÉCORATIFS. Group of 8 plates. 1902. Each plate 18x13ALPHONSE MUCHA (1860-1939). DOCUMENTS DÉCORATIFS. Group of 8 plates. 1902. Each plate 18x13ALPHONSE MUCHA (1860-1939). DOCUMENTS DÉCORATIFS. Group of 8 plates. 1902. Each plate 18x13ALPHONSE MUCHA (1860-1939). C.S. / Y.W.C.A. 1922. 11x7 inches, 28x18 cm. V. Neubert A Synové,ALPHONSE MUCHA (1860-1939). TRINER'S BITTER WINE. 1907 & 1930. 21¼x13 inches, 54x33 cm. Brown &ALPHONSE MUCHA (1860-1939). BANKA SLAVIE. 9½x6¼ inches, 24¼x15¾ cm. Unie,ALPHONSE MUCHA (1860-1939). SLAVIA STAROSTLIVÝM MATKÁM. Motherhood pamphlet. 1934. 9¼PAL (JEAN DE PALÉOLOGUE, 1860-1942). RAYON D'OR. Circa 1895. 48x32¼ inches, 122x82 cm.PIERRE PUVIS DE CHAVANNE (1824-1898). GALERIE RAPP / CENTENAIRE DE LA LITHOGRAPHIE. 1895. 58½LOUIS J. RHEAD (1858-1926). SALON DES CENT. 1897. 26x19¾ inches, 66x50¼ cm. Chaix, Paris.LOUIS J. RHEAD (1858-1926). BECHSTEIN. Circa 1896. 19½x29½ inches, 49½x75 cm. Hare &THÉOPHILE-ALEXANDRE STEINLEN (1859-1923). [EXPOSITION DE L'OEUVRE EXPOSITION DE L'OEUVRE DEVARIOUS ARTISTS. LES MAITRES DE L'AFFICHE. Group of 18 plates. 1896-1900. Each approximatelyDESIGNER UNKNOWN. PARFUMERIE AUX FLEURS DU BOSPHORE. Circa 1900. 21x17 inches, 53x43 cm. J.E.DESIGNER UNKNOWN. BISCUITS LEFÈVRE - UTILE. Window card & flyer. Circa 1901. 23½x31HENRI DE TOULOUSE-LAUTREC (1864-1901). [ARISTIDE BRUANT DANS SON CABARET]. 1893. 54½x39 inches,HENRI DE TOULOUSE-LAUTREC (1864-1901). MAY BELFORT. 1895. 30½x23¾ inches, 77½x60&#188HENRI DE TOULOUSE-LAUTREC (1864-1901). MAY MILTON. 1895. 31x22¾ inches, 78¾x57¾ cm.HENRI DE TOULOUSE-LAUTREC (1864-1901). ELLES. 1896. 25¼x19½ inches, 64x59½ cm. G.HENRI DE TOULOUSE-LAUTREC (1864-1901). DIVAN JAPONAIS. Maitres de l'Affiche pl. 2. 1896. 15½HENRI DE TOULOUSE-LAUTREC (1864-1901). LA REVUE BLANCHE. Maitres de l'Affiche pl. 82. 1897. 15½HENRI DE TOULOUSE-LAUTREC (1864-1901). JANE AVRIL. Maitres de l'Affiche pl. 110. 1898. 15½HENRI DE TOULOUSE-LAUTREC (1864-1901). MOULIN ROUGE. Maitres de l'Affiche pl. 122. 1898. 15¾HENRI DE TOULOUSE-LAUTREC (1864-1901). LA CHAÎNE SIMPSON. Maitres de l'Affiche pl. 238. 1900.VICTOR NEHLIG (1830-1909). LA DAHOMÉENNE / ET LE PNEUMATIQUE MOYSE. Circa 1894. 49¼DESIGNER UNKNOWN. "PRINETTI STUCCHI" / MILANO. Circa 1895. 54x39½ inches, 137x100¼ cm.DESIGNER UNKNOWN. RIDE THE COVENTRY CROSS CYCLES. Circa 1895. 58½x40 inches, 148½x101&#189PAL (JEAN DE PALÉOLOGUE, 1860-1942). PATIN - BICYCLETTE / RICHARD - CHOUBERSKY. 1896. 51x37FRITZ SCHÖN (1871-?). NORICUM - KETTENLOS. 1900. 36½x28¾ inches, 92¾x73 cm.MISTI (FERDINAND MIFLIEZ 1865-1923). CYCLES GRIFFON. 1900. 63x36¼ inches, 160x92 cm. Imp. duMAURICE LOUIS HENRI NEUMONT (1868-1930). CYCLES CLÉMENT / PRIX 1905. Two posters. 1905. 10&#189PIERRE ANDRY-FARCY (1882-1950). MAGNAT - DEBON / GRENOBLE / CYCLES - MOTOS. 1919. 47x62¼MARCELLO NIZZOLI (1887-1969). MOTOSACOCHE. 1927. 39¼x27½ inches, 99½x69¾ cm.ROGER PÉROT (1908-1976). CYCLES PEUGEOT. 1931. 46½x30¾ inches, 118x78 cm. Hachard &VIKTOR MUNDORFF (1897-1973). 21 WELTREKORDE / AUTO UNION - DKW. Circa 1938. 37¼x22¼DESIGNER UNKNOWN. RENAULT. Circa 1920. 45x61 inches, 114¼x155 cm. J. Minot, Paris.ALEXIS KOW (ALEXEI KOGEYNIKOV, 1901-1978). HARTFORD. 14½x21¾ inches, 46¾x55¼ cm.DESIGNER UNKNOWN. DODGE. Circa 1950s. 38¼x50 inches, 97¼x127 cm.ATTRIBUTED TO ELSE ISENBERG (1877-1927). BERLINER LAWN TENNIS CLUB / I - WINTERTURNIER. 1909.F.A.R. (DATES UNKNOWN). AU PÊCHEUR MODERNE / MAISON BARTHÈS. 31½x23 inches,EDUARD RENGGLI (1882-1939). 56. EIDGENÖSSISCHES TURNFEST - IN - BASEL. 1912. 40x28¼STEFAN OSIECKI (1902-1977) & JERZY SKOLIMOWSKI (DATES UNKNOWN). WIOSLARSKIE MISTRZOSTWA EUROPYANTON "TONI" ZEPF (1902-?). ROLLI DER STÜRMER / SAARBRÜCKER ZEITUNG. Circa 1930s. 64½EDOUARD ELZINGRE (1880-1966). VIme CONCOURS HIPPIQUE INTERNATIONAL / GENÈVE. 1933. 39¼VARIOUS ARTISTS. [THE NEW YORK METS]. Group of 8 posters. 1980s-90s. Sizes vary.C. SCHICHTL (DATES UNKNOWN). SCHICHTL'S FANTOCHES FANTASTIQUES. 1910. 57x42 inches, 144¾DESIGNER UNKNOWN. PAUL HERZOG ET SES PORCS / DRESSÉS EN LIBERTÉ. 27½x18¼ inches,DESIGNER UNKNOWN. BARNUM & BAILEY'S NEW SUPERB SPECTACLE / CLEOPATRA. 1912. 28¼x38¼DESIGNER UNKNOWN. ALEXANDER / THE MAN WHO KNOWS. 1915. 82x41 inches, 208¼x104¼ cm. AvDESIGNER UNKNOWN. 101 RANCH WILD WEST. Circa 1910s. 42x28½ inches, 106¾x72½ cm.DESIGNER UNKNOWN. THE LIFE OF BUFFALO BILL IN 3 REELS. Circa 1912. 79½x41¼ inches,T.E. STEPHENS (DATES UNKNOWN). HARRY TATE / THE AEROGOLFISHMOBILLIARD. 1914. 30x20 inches, 76¼CHARLES TICHON (DATES UNKNOWN). LES MYSTÈRES DE NEW - YORK / LE PETIT PROVENÇAL. 1916.DESIGNER UNKNOWN. MAURICE CHEVALIER / LA GRANDE MARE. 1930. 63x47¼ inches, 160x119½ cm.DESIGNER UNKNOWN. CAPTAIN BLOOD. 1935. 41x27½ inches, 104¼x69¾ cm. Continental LithoDESIGNER UNKNOWN. FIRE OVER ENGLAND. 1937. 41x27 inches, 104x68½ cm.DESIGNER UNKNOWN. THE ADVENTURES OF ROBIN HOOD. Three-sheet poster. 1938. 79x41¼ inches,DESIGNER UNKNOWN. THE ADVENTURES OF ROBIN HOOD. 1938. 40½x27 inches, 102¾x68½ cm.DESIGNER UNKNOWN. BEAU GESTE. 1939. 41x27 inches, 104x68½ cm. Morgan Litho. Corp., Cleveland.DESIGNER UNKNOWN. WALT DISNEY'S BAMBI. 1942. 29½x39¾ inches, 75x101 cm. Stafford & Co.,ROBERT MCGINNIS (1926- ). BREAKFAST AT TIFFANY'S. 1961. 41x27¼ inches, 104¼x69¼ cm.MILTON GLASER (1929-2020). DONALD SUTHERLAND AS ALEX IN WONDERLAND. 1971. 40¾x27 inches,DESIGNER UNKNOWN. JAWS 3 - D. 1983. 45x59¼ inches, 114¼x150½ cm.DESIGNER UNKNOWN. [SING, ISRAEL, SING!] / BIGGEST SENSATION IN THE YIDDISH THEATRE / PAUL BURSTEIN -DESIGNER UNKNOWN. HANK WILLIAMS AND HIS DRIFTING COWBOYS. 1949. 17x11 inches, 43x28 cm.DESIGNER UNKNOWN. THE BEACH BOYS / CIVIC AUDITORIUM. 1965. 22x14 inches, 55¾x35½ cm.PHOTO BY ED BONJA (1945-2019). ELVIS / EXTRA SPECIAL SHOW AT 3:00 AM. 1972. 19x16¼ inches,DESIGNER UNKNOWN. JIMI HENDRIX / OPEN AIR LOVE + PEACE / INSEL FEHMARN GERMANY. 1970. 32¼BOB LEE HICKSON (DATES UNKNOWN). WNEW / AM 1130 / BLESSED WITH AMERICA'S BEST. Group of 5 subwayJAMES MCMULLAN (1934- ). ANYTHING GOES / LINCOLN CENTER. 1987. 83x42 inches, 210¾x106¾ cm.FORTUNE BOVARD (1875-1947). TEPPICH - HAUS SCHUSTER & CO. 1916. 47½x32¾ inches, 120¾EMIL CARDINAUX (1877-1936). SALOME / CIGARETTES ORIENTALES. 1914. 55¼x39 inches, 140¼x99CUNO AMIET (1868-1961). SONDERAUSSTELLUNG CUNO AMIET. 1920. 50½x35½ inches, 128¼EMIL CARDINAUX (1877-1936). RIO GRANDE LA ROSA / MARKE WEBER. 1939. 50x35¼ inches, 127x89½GÉZA FARAGÓ (1877-1928). KINO PLASTICON. 1913. 49½x37 inches, 125¾x94 cm.MIHALY BIRÓ (1886-1948). UNICUM ZWACK. 1918. 49¼x36½ inches, 125x92¾ cm.IMRE FÖLDES (1881-1948). YILDIZ KÁVÉHÁZ. 49½x37 inches, 125¾x94 cm.DESIGNER UNKNOWN. LEBENSBEDÜRFNIS VEREIN KARLSRUHE. Circa 1925. 39½x28¼ inches,ROLAND BRUNHOFF (1897-1955). FRANZ ROSENFELD PELZE. 1933. 51x35¾ inches, 129½x89 cm.FRANZ GRIESSLER (1897-1974). SOMMER PELZE / IN ALLEN FARBEN! 1927. 49½x37 inches, 125¾x94LEONETTO CAPPIELLO (1875-1942). GRANDE KERMESSE DE CHARITÉ. 1903. 53x37¼ inches, 134½LEONETTO CAPPIELLO (1875-1942). AUTOMOBILES BRASIER. 1906. 63½x46 inches, 161¼x116¾LEONETTO CAPPIELLO (1875-1942). PNEU VELO BAUDOU / "LA SIRÈNE." Circa 1910. 63x46½ inches,LEONETTO CAPPIELLO (1875-1942). COGNAC PELLISSON. 1907. 47¼x31½ inches, 120x80 cm.LEONETTO CAPPIELLO (1875-1942). CINZANO. 1910. 55½x39½ inches, 141x100¼ cm. Lit. delLEONETTO CAPPIELLO (1875-1942). [CIGARETTE SMOKERS]. Gouache painting. Circa 1920. 8x6½ inches,LEONETTO CAPPIELLO (1875-1942). [UNTAMED TUMBLE]. Signed oil painting. 40½x31 inches, 102¾LEONETTO CAPPIELLO (1875-1942). LA CURE MARINE / MARALIMENT. 1920. 54½x38¾ inches,LEONETTO CAPPIELLO (1875-1942). CONTRATTO. 1922. 77½x55 inches, 196¾x139¾ cm. LesLEONETTO CAPPIELLO (1875-1942). SAINT - HUBERT - QUINQUINA / P. FRANC MONISTROL. Circa 1922. 61&#189LEONETTO CAPPIELLO (1875-1942). L'OIE D'OR. Circa 1930. 45x63 inches, 114¼x160 cm. Devambez,DESIGNER UNKNOWN. COGNAC GÉLAS. 61¾x47 inches, 156¾x119½ cm. Douin & Jouneau,JEAN D'YLEN (1866-1938). BIÈRE DE CHARMES / LA GRANDE MARQUE LORRAINE. 1924. 125½x79RENÉ VINCENT (1879-1936). PORTO RAMOS - PINTO. Circa 1920. 20x14½ inches, 50¾x36&#190PAUL IGERT (1899-?). CHAMPAGNE MOËT & CHANDON. Window card. Circa 1943. 19¾x13½ZIG (LOUIS GAUDIN, 1882-1936). CASINO DE PARIS / MISTINGUETT / PARIS QUI BRILLE. 1931. 87x31½DESIGNER UNKNOWN. WHO SAID 'CAN'T''? / TRY TRYING. 1929. 43½x35½ inches, 110½x90 cm.DESIGNER UNKNOWN. MANY HEADS BEAT ONE. 1929. 43x35¾ inches, 109¼x90¾ cm. Mather &FRANK BEATTY (1899-1984). THE PERFECT FINISH. 1929. 43¼x35¾ inches, 109¾x90¾ cm.MIHALY BIRO (1886-1948). KEHRT AUS! / WÄHLT SOZIALDEMOKRATISCH. 1920. 47½x37 inches,WALTER SCHNACKENBERG (1880-1961). BAYERNSPENDE. Circa 1919. 24¼x15¼ inches, 61½JOSEPH DE LA NÉZIÈRE (1873-1944). ENGAGEZ - VOUS DANS LA MARINE. 1927. 42x30½ inches,ROBERT DANILO (DATES UNKNOWN). MINISTÈRE DE LA GUERRE / JEUNES GENS ENGAGEZ - VOUS. Circa 1927.VARIOUS ARTISTS. [ITALIAN PROPAGANDA / ANTI - COMMUNISM]. Group of 3 posters. 1940s-50s. Sizes vary.SALVERDA (DATES UNKNOWN). [TYPHUS IS SPREAD BY LICE / AVOID THIS DANGER!] 1945. 40¾x20¾RALPH C. BARKER, JR. (DATES UNKNOWN). WHERE TO NOW? / NATIONAL WILDLIFE RESTORATION WEEK. 1938.LAURENT ADENOT (1848-1929). CÔTE D'AZUR / L'ESTEREL. 42x30¼ inches, 106¾x76¾ cm.F. HUGO D'ALÉSI (1849-1906). MER DE GLACE / MONT BLANC, SAVOIE. Circa 1890s. 40½x29½F. HUGO D'ALÉSI (1849-1906). SWITZERLAND / OBERLAND. Circa 1890. 41¼x29¼ inches,OTTO BAUMBERGER (1889-1961). ZURICH. Circa 1916. 50¼x35½ inches, 127½x90¼ cm.HANS SCHÄR (DATES UNKNOWN). BERNE / SWITZERLAND. 1936. 40½x25½ inches, 102¾DESIGNER UNKNOWN. SIMPLON EXPRESS / FERROVIE DELLO STATO. 1911. 57½x42¼ inches,GINO BOCCASILE (1901-1952). CROISIÈRES ET VOYAGES EN MÉDITERRANÉE. 1934. 37¾x25ADOLPHE MOURON CASSANDRE (1901-1968). ITALIA. 1936. 39¾x24¾ inches, 101x62¾ cm. CoenDESIGNER UNKNOWN. "ADRIATICA" SOCIÉTÉ DE NAVIGATION VENISE / RHODES. 1938. 39x25 inches,ROGER SOUBIE (1898-1984). LUCHON / REINE DES PYRÉNÉES. 1922. 41½x29¾ inches,LEON CONSTANT-DUVAL (1877-1956). CHEVERNY / LES CHATEAUX DE LA LOIRE. 1926. 41x29¼ inches,EUGENE BEAUDOIN (1898-1983) & MARCEL LODES (1891-1978). PARIS / 1937 EXPOSITION INTERNATIONALE.RÉGIS MANSET (1900-1978). AIR FRANCE / PARIS. Small format poster. 1950. 19¾x12½RÉGIS MANSET (1900-1978). AIR FRANCE / PARIS. 1952. 39¼x24¼ inches, 99¾x61½JEAN DORÉ (DATES UNKNOWN). CANADA / AIR FRANCE. 1951. 39x24½ inches, 99x62¼ cm.LUCIEN BOUCHER (1889-1971). AIR FRANCE. 1947. 15½x24¾ inches, 39½x63 cm. Perceval,LUCIEN BOUCHER (1889-1971). AIR FRANCE / [ZODIAC MAP]. 1950. 27½x40¾ inches, 69¾GUY LIPSCOMBE (1881-1952). FARMING CAREERS - UNION OF SOUTH AFRICA. Circa 1925. 59½x76¼MARC (DATES UNKNOWN). ALGÉRIE / VIA PORT - VENDRES. 1931. 39½x24½ inches, 100½LUDWIG HOHLWEIN (1874-1949). WHEN IN GERMANY DON'T MISS / THE LAKE OF CONSTANCE. Circa 1930. 39&#189FRITZ KÜCK (1893-1974). OSTSEE / NORD DEUTSCHER LLOYD BREMEN. 1934. 47½x33¾ inches,SERGEI SAKHAROV (1906-1969). CRIMEA. 1935. 38½x26¼ inches, 98x66¾ cm. Intourist,FRED TAYLOR (1875-1963). MIDDELBURG HOLLAND / VIA HARWICH - FLUSHING. Circa 1928. 40x50 inches,JOHN EDMUND MACE (1889-1952). THE SOUTHERN UPLANDS OF SCOTLAND / LMS. Circa 1930. 40x50¼DESIGNER UNKNOWN. CUNARD U.S.A. / [R.M.S. QUEEN MARY]. 39½x24¾ inches, 100¼x62¾DESIGNER UNKNOWN. CORONATION YEAR / COME TO BRITAIN IN 1953. Circa 1953. 30¼x19 inches, 76&#190DESIGNER UNKNOWN. BANDEIRANTES / PANAIR DO BRASIL. Circa 1950s. 36½x24½ inches, 92¾DAVID KLEIN (1918-2005). [FLY TWA / INTERNATIONAL]. Group of 10 posters. 1960s. Each approximatelyDAVID KLEIN (1918-2005). [FLY TWA / EUROPE]. Group of 8 posters. 1960s. Each approximately 40¼WALTER L. GREENE (1870-1956). THE PATH OF ELECTRICAL SERVICE / GENERAL ELECTRIC. Circa 1930s. 41x27LESLIE RAGAN (1897-1972). NEW YORK CENTRAL SYSTEM. Three calendars. 1950s. 27½x18 inches,NILS HANSELL (1909-1989). WONDERS OF NEW YORK. 1953. 25¼x33½ inches, 64¼x85 cm. LutzLETIZIA PITIGLIANI (1935-2012). HARBOR FESTIVAL. Group of 3 subway posters. 1980s Each approximatelyPAUL BALLURIAU (1860-1917). LE POLE NORD. Circa 1893. 23¾x32 inches, 60¼x81¼ cm. G.HERMANN ABEGG (1868-1958). KANDERSTEG BERNESE - OBERLAND / WINTER AND SUMMER SPORT. Circa 1905.ERICH ERLER-SAMADEN (1870-1946). WINTER IN BAYERN. 1905. 49x35¼ inches, 124½x89½ cm.ERNEST LOUIS LESSIEUX (1848-1925). LUCHON / GOLF / SPORTS D'HIVER. Circa 1908. 42x29¾ inches,ANTON RECKZIEGEL (1865-?). RIGI - BAHN / WINTERSPORT. Circa 1909. 38x24½ inches, 96x62¼CARL KUNST (1884-1912). SPORTHAUS SCHUSTER. Circa 1910. 32x24½ inches, 81¼x62¼ cm.GUSTAV JAHN (1879-1919). MURTAL - BAHN MURAU / WINTERSPORTPLATZ. Circa 1910. 40½x26½OTTO BARTH (1876-1916). WINTERSPORT IM STEIR. SALZKAMMERGUT. Circa 1915. 39x26 inches, 99x26 cm.HENRI GERMA (DATES UNKNOWN). SPORTS D’HIVER AUX PYRÉNÉES. 1913. 42x29¾ inches,FRANÇOIS MARC EUGÈNE GOS (1880-1975). FURKA - OBERALP / SUISSE. 1914. 39x27¼ inches,EMIL CARDINAUX (1877-1936). PALACE HOTEL / ST. MORITZ. 1920. 50½x36¼ inches, 128¼EMIL CARDINAUX (1877-1936). CHEMIN DE FER DE LA JUNGFRAU. 1928. 40¼x25½ inches, 102¼ROGER BRODERS (1883-1953). SPORTS D'HIVER. Circa 1929. 40¼x25¾ inches, 102¼x65½ROGER BRODERS (1883-1953). CHAMONIX / CHAMPIONNAT DU MONDE DE HOCKEY SUR GLACE. 1930. 39½x25ROGER BRODERS (1883-1953). VILLARD DE LANS / DAUPHINÉ / LE PARADIS DES ENFANTS. Circa 1938.DESIGNER UNKNOWN. IRADIA / SOUS - VÊTEMENTS RADIOACTIFS. 47x31 inches, 119½x78¾ cm.ERIC DE COULON (1888-1956). JEUNES GENS / ENGAGEZ - VOUS. Circa 1928. 46¼x31 inches, 117½GASTON GORDE (1908-1995). GROUPEMENTS JEUNESSE ET MONTAGNE. Circa 1930. 46½x30½ inches,GREIF (DATES UNKNOWN). ALPES & JURA. Circa 1930. 39½x25 inches, 100¼x63½ cm. Les Suc.LUDWIG HOHLWEIN (1874-1949). WINTER IN DEUTSCHLAND. Circa 1933. 40x25 inches, 101½x63½ cm.DESIGNER UNKNOWN. GRIEDER & CIE / ST MORITZ. Circa 1932. 50½x36 inches, 128¼x91½ cm.AFFICHES WHARTON. PUENTE DEL INCA / EL ST. MORITZ ARGENTINO. Circa 1930. 43x28¾ inches,LIBIS (HERBERT BERTHOLD LIBISZEWSKI, 1897-1985). ROCHERS DE NAYE / SUISSE. 40¼x25¼ inches,PAUL BRUSSET (1909-1985). MONT - GENEVRE / SPORTS D'HIVER. Circa 1930. 39½x25 inches, 101¼DIM. GHIULAMILA (DATES UNKNOWN). ROUMANIE / BOBSLEIGH - SKY. Circa 1930s. 39¾x27½ inches,FRANZ LENHART (1898-1992). [SKIERS AND TOBOGGAN]. 40x27¼ inches, 101½x69¼ cm.LINDVALL (DATES UNKNOWN). INTERNATIONELLA SKIDTAVLINGAR / SOLLEFTEA. 1934. 39¼x24½ inches,DESIGNER UNKNOWN. [WORLD SKI CHAMPIONSHIPS] / LAHDESSA. 1938. 22x13¾ inches, 55¾x35 cm.GURRIS (DATES UNKNOWN). EDUCACION Y DESCANSO BARCELONA. Circa 1945. 28x20 inches, 71x50¾ cm.HEINRICH CAESAR BERANN (1915-1999). TYROL. Circa 1936. 37½x25 inches, 95¼x63½ cm.DESIGNER UNKNOWN. AUTRICHE. Circa 1950. 37½x24¾ inches, 95¼x62¾ cm. BrüderWALTER "WALTHER" VON WENZ ZU NIEDERLAHNSTEIN (1898-1963). IEDEREEN LEEST "FAVORIET." Circa 1935.ERNST HODEL (1881-1955). JUNGFRAU - BAHN / JUNGFRAUJOCH. 1936. 40¾x25½ inches, 103½DESIGNER UNKNOWN. FONT - ROMEU / HIVER COMME ÉTÉ : LA SANTE. 1937. 39¾x25 inches,L. MITSCHEK (DATES UNKNOWN). MARIAZELL. 37¾x25 inches, 95¾x63½ cm. ChristophLÉO KECK (1906-1987). ZERMATT / RIFFELALP. 1938. 39¾x25¼ inches, 101x64 cm. Gebr.ROBERT BONFILS (1886-1972). LES ALPES. 1938. 38¾x49¼ inches, 98½x125 cm. ArtMARTIN PEIKERT (1901-1975). PONTRESINA. 1938. 40x27½ inches, 101½x69¾ cm. Gebr. FretzMARTIN PEIKERT (1901-1975). GRAUBÜNDEN. 1944. 40x25¼ inches, 101½x64¼ cm. Gerb.MARTIN PEIKERT (1901-1975). GRINDELWALD. Circa 1954. 40¼x25½ inches, 102¼x64¾HERMANN A. KOELLIKER (1894-1965). SAN BERNARDINO / SUISSE. 1938. 39¾x25¼ inches,FRANCO BARBERIS (1905-1992). DOLDER EISBAHN ZÜRICH. 1939. 40½x25¼ inches, 102¾HEINRICH STEINER (1911-2009). ST. MORITZ - SPA. 1942. 40x25½ inches, 101½x64¾ cm.LÉO KECK (1906-1987). ST. MORITZ. 1952. 39¾x25¼ inches, 101x64 cm. Fretz, Zurich.ALOIS CARIGIET (1902-1985). JEUX OLYMPIQUES D'HIVER / ST. MORITZ. Small format poster. 1948. 13&#189FRITZ HELLINGER (1923-1977). HOLIDAYS IN SWITZERLAND. Circa 1948. 40¼x25¼ inches, 102&#188LIBIS (HERBERT LIBISZEWSKI, 1897-1985). ST. MORITZ. 1952. 40x25 inches, 101½x63½ cm. Gebr.CLAUDE LEMEUNIER (1928-2010). NORWAY. 1957. 38¾x24½ inches, 98½x62¼ cm.J. DELIGNE (DATES UNKNOWN). GOURETTE / LA STATION DES PYRÉNÉES. Circa 1960. 39½WILLARD FREDERICK ELMES (1900-1956). SKI JUMPING / NORTH SHORE LINE. 1928. 41½x27¾ inches,DOROTHY WAUGH (1896-1996). NATIONAL AND STATE PARKS. Circa 1934. 40x27¼ inches, 101½DOROTHY WAUGH (1896-1996). WINTER SPORTS / NATIONAL STATE PARKS. Circa 1934. 40x27¼ inches,DESIGNER UNKNOWN. YOSEMITE WINTER SPORTS. Circa 1935. 39¾x25¾ inches, 101x65½ cm.SASCHA MAURER (1897-1961). FLEXIBLE FLYER / SPLITKEIN. Circa 1935. 37x24 inches, 94x61 cm.SASCHA MAURER (1897-1961). THE NATIONAL SKI PATROL SYSTEM. Circa 1938. 30x20¼ inches, 76¼EDGAR HAYES "TED" HUNTER, JR. (1914-1995). NEW HAMPSHIRE. Circa 1935. 33½x21 inches, 85x53&#188DWIGHT CLARK SHEPLER (1905-1974). NEW HAMPSHIRE / LAND OF GLORIOUS WINTER. 1936. 24½x24¾JOE LEIBOW (DATES UNKNOWN). EASTERN SKI CHAMPIONSHIPS / NEW HAMPSHIRE. 1937. 34¼x22 inches,LOU HECHENBERGER (1907-1961). NEW HAMPSHIRE. 1939. 39¼x25½ inches, 99¾x64¾ cm.DESIGNER UNKNOWN. NEW HAMPSHIRE. 1939. 36x22 inches, 91½x56 cm. New Hampshire State PlanningDESIGNER UNKNOWN. NEW HAMPSHIRE. 39¾x25¼ inches, 101x64 cm. The Planning and DevelopmentALICE ERICSON COSGROVE (1906-1971). SUN AND SNOW IN NEW HAMPSHIRE. 1958. 38x25¼ inches, 96&#189EDGAR HAYES "TED" HUNTER, JR. (1914-1995). DARTMOUTH WINTER CARNIVAL. 1937. 34¼x22¼ARMSHEIMER (DATES UNKNOWN). DARTMOUTH WINTER CARNIVAL. 1938. 34¼x21½ inches, 87x54½DOUGLAS B. LEIGH (DATES UNKNOWN). DARTMOUTH WINTER CARNIVAL. 1947. 33¾x22 inches, 85¾DESIGNER UNKNOWN. "WINTER CARNIVAL"/ ANN SHERIDAN. 1939. 42x27 inches, 106¾x68½ cm.DESIGNER UNKNOWN. PULLMAN / SEE AMERICA'S WINTER PLAYGROUNDS. 1938. 27½x20¾ inches,PHIL VON PHUL (DATES UNKNOWN). SUN VALLEY / LET'S GO! / UNION PACIFIC. Circa 1940. 34x22¼MARIAN E. WILLIAMS (DATES UNKNOWN). FLEXIBLE FLYER / JAMES CAMPION, INC. Circa 1950s. 36½DESIGNER UNKNOWN. JANTZEN / [SKIING]. Circa 1955. 40¼x29½ inches, 102¼x75 cm.DESIGNER UNKNOWN. FLY THE FRIENDLY SKIES OF UNITED / TAKE A SKI - LIFT HOLIDAY. Circa 1968. 40¼MELCHIOR LECHTER (1865-1937). GROSSE BERLINER KUNSTAUSSTELLUNG. 1897. 25½x18 inches, 65x45&#190PETER BEHRENS (1868-1940). [DER KUSS]. 1898. 14¼x10¾ inches, 36¼x27½ cm.PETER BEHRENS (1868-1940). DARMSTADT / MAI - 1901 - OKT. 1901. 49¼x17 inches, 125x43¼ cm.MARTIN LEHMANN (1884-?) & WALTER LEHMANN (1884-1921). GROSSE BERLINER KUNST - AUSSTELLUNG. 1905.CARL POTSCH (DATES UNKNOWN). KUNSTGEWERBL: AUSSTELLUNG / MEISTER - GERHARD - GILDE. 1912. 35½LUDWIG HOHLWEIN (1874-1949). MAX ZECHBAUER. 1909. 49½x36 inches, 125¾x91½ cm.LUDWIG HOHLWEIN (1874-1949). HERRSCHING / KERAMISCHE WERKSTÄTTEN. 1910. 45x31½ inches,LUDWIG HOHLWEIN (1874-1949). ZOOLOGISCHER GARTEN MÜNCHEN. 1912. 46½x33 inches, 118x83&#190ARTUR BERGER (1892-1981). MARX EMAIL / STREICHFERTIGE LACKE. 1912. 37x24¾ inches, 94x62¾DESIGNER UNKNOWN. "KART - SA" / EROTIK - EXOTIK / MARMORSAAL - ZOO. Circa 1919. 29¾x36¾C. STROHMEYER (DATES UNKNOWN). PAPIER / BRINGT ALLES NACH DEM SALZSPEICHER. 31½x21½GEORGES ROGIER (1884-?). SAVOY - BAR / DINER & SOUPER - CONCERT. 1907. 48½x36 inches,OTTO KURZ (1908-1975). CAFÉ "MUSEUM" / KARLSRUHE. Circa 1910. 40½x20½ inches,OTTOKAR MASCHA (1852-1929). ÖSTERREICHISCHE PLAKATKUNST. Bound volume. Circa 1914. 15½x12WILHELM KAGE (1889-1960). KAMERA - BILDER. 1916. 33x24 inches, 83¾x61 cm. A.B. Kopia,FRITZ KAHN (1888-1968). DER MENSCH ALS INDUSTRIEPALAST. Poster with 5 bound volumes. 1926. 37½EMIL CARDINAUX (1877-1936). CONFECTION KEHL PKZ. 1908. 48¾x37¾ inches, 123¾x96 cm.BURKHARD MANGOLD (1873-1950). CONFECTION KEHL - P.K.Z. 1909. 49x37½ inches, 124½x95¼BURKHARD MANGOLD (1873-1950). PKZ / BURGER - KEHL & CO. 1913. 55x40¾ inches, 139¾x103&#189OTTO BAUMBERGER (1889-1961). PKZ / QUALITÄT. 1921. 50x35 inches, 127x89 cm. Wolfsberg, Zurich.CHARLES LOUPOT (1892-1962). PKZ / BURGER - KEHL & C. 1921. 49¾x35¼ inches, 125¼OTTO BAUMBERGER (1889-1961). PKZ. Window card, with photos & documents. Circa 1923. Window card:OTTO BAUMBERGER (1889-1961). PKZ / REGENTROTZ. 1924. 51x35¾ inches, 129½x91 cm. Wolfsberg,ALOIS CARIGIET (1902-1985). PKZ. 1933. 56½x36 inches, 143½x91½ cm. Wolfsberg, Zurich.ALEX WALTER DIGGELMANN (1902-1987). PKZ / BURGER - KEHL & CO. 1935. 50¼x35¾ inches,NUMA RICK (NUMA WALTER RICKENBACKER, 1902-1979). PKZ. 1946. 50½x36½ inches, 128¼x92ANTON TRIEB (1883-1954). SCHOOP & CO. 1920. 50½x36 inches, 128¼x90 cm. Orell Füssli,NIKLAUS STOECKLIN (1896-1982). EISENWERK CLUS / TRANSMISSIONEN. 1925. 50½x35½ inches,KEES VAN DER LAAN (1903-1983). VEILIG VLUG VOORDEELIG VERWARMD. Circa 1935. 39½x24½JEAN TURIN (DATES UNKNOWN). FAIS TON APPRENTISSAGE DANS UN CENTRE S.N.C.F. 1946. 47¼x31¾JAN WILS (1891-1972). OLVEH / OPGERICHT. Metal sign. Circa 1932. 22½x16½ inches, 57¼ADRIAAN VAN'T HOFF (1893-1939). HOLLAND AMERICA LINE / STATENDAM. 1928. 43¾x32½ inches,DESIGNER UNKNOWN. PREMIÈRE EXPOSITION INTERNATIONALE AERONAUTIQUE / YOUGOSLAVIE. 1938. 38¼WERNER BISCHOF (1916-1954). DIE LITHOGRAPHIE IN DER SCHWEIZ. 1944. 50½x36 inches, 128¼MAX DALANG (1892-1965). PRO - PHY - LAC - TIC ZAHNBÜRSTE. Circa 1930. 49x35¾ inches,NIKLAUS STOECKLIN (1896-1982). BINACA. 1941. 50½x35½ inches, 128¼x90¼ cm.CARLO "FISA" FISANOTTI (1912-1998). BITTER CAMPARI. 1948. 37¾x26¼ inches, 96x66½ cm.ALBERT FÜSS (1889-1969). FRANKFURTER INTERNATIONALE MESSE. 1920. 29¾x20 inches, 75½KARL (CHARLES) HINDENLANG (1894-1960). LICHTREKLAME / GEWEBERBEMUSEUM BASEL. 1928. 50¼x35½KARL STEINER (1902-1981). WEIHNACHTSGESCHENKE / DROGERIE LOIS FELLNER. Gouache maquette. Circa 1928.JOSEPH BINDER (1898-1972). INTERNATIONALE BUNDESANLEIHE DER REPUBLIK OSTERREICH. 1930. 37x24¾ALBERT FÜSS (1898-1969). DAS GUTE / RADIO - GERÄT. 35½x23½ inches, 90¼HENRY EHLERS (1897-1988). BAMBERGER & HERTZ. Circa 1930s. 93¾x33¼ inches, 238¼JOSEP MORELL MARCIAS (1899-1949). EXPOSICIÓN FILATÉLICA NACIONAL DE BARCELONA. 1930.ROBERT BONFILS (1886-1972). PARIS - 1925 / EXPOSITION INTERNATIONALE DES ARTS DÉCORATIFS ETCHARLES LOUPOT (1892-1962). EXPOSITION INTERNATIONALE ARTS DÉCORATIFS ET INDUSTRIELS MODERNES.MAURICE DUFRÈNE (1876-1955). RAYON DES SOIERIES. 1930. 47¼x31½ inches, 120x80 cm.JEAN CHASSAING (1905-1938). LA LIGNE / AURORE EST INIMITABLE. Circa 1930. 62x46 inches, 158x117 cm.MARC REAL (DATES UNKNOWN). OFFREZ LES TABACS DE LA RÉGIE FRANÇAISE. Circa 1930. 62x44&#188VARIOUS ARTISTS. [SWISS CIGARS / CIGARETTES]. Group of 8 posters. Circa 1940s-50s. EachFRANZ LENHART (1898-1992). MODIANO. 1935. 54¾x38¾ inches, 139x98½ cm. GraficheJULES DE PRAETERE (1879-1947). TAXAMETER 10,000. 1915. 48½x34½ inches, 123¼x87½DAM (DAMOUR PUBLICITÉ). PEUGEOT / ROUES AVANT INDÉPENDANTES. Circa 1935. 62½x46½LAJOS MARTON (1891-1952). PEUGEOT. 1930. 46½x30¼ inches, 118x77 cm. DAM Publicité,ADOLPHE MOURON CASSANDRE (1901-1968). BONAL. 1933. 63¼x47 inches, 160½x119½ cm.ADOLPHE MOURON CASSANDRE (1901-1968). [HERMÈS SILK SCARF]. 1951. 35x34 inches, 89x86¼ cm.WIKTOR GÓRKA (1922-2004). KABARET. 1973. 33¼x23 inches, 84½x58½ cm.DESIGNER UNKNOWN. [KYUSEIDOU PHARMACEUTICAL SALES OFFICES]. 21x15½ inches, 53¼x39¼DESIGNER UNKNOWN. [MISO AND SOY SAUCE IN NAGASAKI]. 31x21 inches, 78¾x53¼ cm.DESIGNER UNKNOWN. [TENSHU SAKE]. 21x15 inches, 53¼x38 cm.DESIGNER UNKNOWN. [JAPANESE DETERGENT FOR WASHING WOOL & RAYON]. 1937. 29½x21 inches,DESIGNER UNKNOWN. [KATOU TOMISABURO / MARUMO SOY SAUCE]. 31¾x21½ inches, 80¾x54½DESIGNER UNKNOWN. [14TH ANNUAL PREFECTURAL SAKE AWARD / KATOU TOMISABURO BREWING]. 31½x21SU (DATES UNKNOWN). [KIKUSUI SOY SAUCE / THE BEST SHOYU]. 28¾x10½ inches, 73x26¾ cm.DESIGNER UNKNOWN. [JAPANESE PRODUCTS / COSMETICS / MOSQUITO TRAPS]. Two posters. Each approximatelyKAWANISHI HIDE (1894-1965). [JAPANESE GRAPHIC DESIGN]. Group of 3 posters. 1950. Sizes vary, eachDESIGNER UNKNOWN. [TAKAMATSU KEIRIN CYCLING RACE]. Circa 1950s. 30¾x20¾ inches, 78x52&#190TADANORI YOKOO (1936- ). HAVING REACHED A CLIMAX AT THE AGE OF 29, I WAS DEAD. 1965. 40x28¾TADANORI YOKOO (1936- ). WORD IMAGE. 1968. 49x17 inches, 124½x43¼ cm. Poster OriginalsDESIGNER UNKNOWN. [THE BEST RESPONSE TO IMPERIALIST PLANS IS TO STRENGTHEN THE INDUSTRIALIZATION ANDSERGEI IVANOVICH IVANOV (1885-1942). [A BOOK IS NOTHING BUT A PERSON TALKING PUBLICLY]. 1920.IVAN VASILYEVICH SIMAKOV (1877-1925). [LONG LIVE THE SUN! / MAY DARKNESS DISAPPEAR!] 1921. 19¼VIKTOR NIKOLAEVICH DENISOV (1893-1946). [HURRY TO GET THAT BOURGEOIS! DON'T FORGET!!!] 1920. 21x27D. MOOR (DMITRY STAKHIEVICH ORLOV, 1883-1946). [THE RED GIFT TO THE WHITE PAN]. 1920. 27½DESIGNER UNKNOWN. [LET'S PUT SHIRKERS, WHINERS AND MEN OF LITTLE FAITH ON A "BLACKBOARD"]. CircaVARIOUS ARTISTS. [RUSSIAN PROPAGANDA]. Group of 3 posters. 1921-1922. Sizes vary.VASILIY SERGEEVICH PSHENICHNIKOV (1882-1957). [PROLETARIAT COMBAT CALL]. 1926. 27¾x20½DESIGNER UNKNOWN. [LET'S TURN THE COMING IMPERIALIST WAR INTO A CIVIL WAR]. 1930. 39½x28PSHENICHNIKOV VASILIY SERGEEVICH (1882-1957). USSR XV / OCTOBER ANNIVERSARY. 1932. 27½x20MIKHAIL O. DLUGACH (1893-1988). [YOUTH]. 1934. 33½x23¾ inches, 85x60½ cm.D. MOOR (DMITRY STAKHIEVICH ORLOV, 1883-1946). [THE BEAST IS WOUNDED / LET'S FINISH OFF THE NAZIATTRIBUTED TO NIKOLAI ANDREEVIC DOLGORUKOV (1902-1980). [THE PATH HAS OPENED UP!] Gouache maquette.ATTRIBUTED TO NIKOLAI ANDREEVIC DOLGORUKOV (1902-1980). [I'M VOTING / THE POWER OF THE SOVIETVIKTOR KORETSKY (1909-1998). [LONG LIVE OUR VICTORIOUS WORKING CLASS / PEASANTRY!] Two posters.VIKTOR IVANOV (1908-1968). [SO FOLLOW THE PLAN - MARCH TOWARDS COMMUNISM!] 1948. 33x23¼ inches,VARIOUS ARTISTS. [USSR / SPACE TRAVEL / INTOURIST]. Two posters. 1960s. 39¼x23½ inches,KUKRYNIKSY (PORFIRII KRYLOV, MIKHAIL KUPRIIANOV & NIKOLAI SOKOLOV). [SOVIET PROPAGANDA]. Group of 3EVG. MAISUROV (DATES UNKNOWN). [JOIN THE SOCIETY OF THE FRIENDS OF THE AIR FLEET]. 1923. 24x17¼A. LARAMONOV (DATES UNKNOWN). [THE 250,000 MEMBERS OF URAL ODVF WILL BUILD THE STEEL BULWARK OF THEDESIGNER UNKNOWN. [THE OTHER WOMAN]. 1929. 37¼x24½ inches, 94½x62¼ cm. Sovkina,DESIGNER UNKNOWN. [OSOAVIAKHIM / SUPPORT OF PEACEFUL LABOR AND DEFENSE OF THE U.S.S.R.] 35½x28SIGNATURE ILLEGIBLE. [LET'S BUILD A SQUADRON / DPU]. 1930. 41x29¼ inches, 104x74¼ cm.ISAAC BENOVIC RABICHEV (1894-1957). [HURRAH! / THE SOVIET DIRIGIBLE!] 1930. 38¾x27¾ALEKSANDR DEYNEKA (1899-1969). [WE WILL BUILD A POWERFUL SOVIET AIRSHIP / "KLIM VOROSHILOV"]. 1931.DESIGNER UNKNOWN. [CONSTRUCTING DIRIGIBLES STRENGTHENS THE POWER OF THE U.S.S.R.] 1931. 40x29¼MARIA FELIKSOVA BRI-BEIN (1892-1968). [WE WERE A COUNTRY OF PATRIARCHY, MEDIEVALISM AND ILLITERACY .ISAAK YAKOVLEVICH SHERMAN (1907-1951). [THE COURAGEOUS AND STEADFAST FLIERS OF OUR HOMELAND!] 1937.VIKTOR KORETSKY (1909-1998) & VERA ADAMOVNA GITSEVICH (1897-1976). [JOIN THE RANKS OF THE DOSAV].FORTUNATO DEPERO (1892-1960). [FUTURIST EPHEMERA & PUBLICATIONS]. Group of 14 books, pamphlets &FORTUNATO DEPERO (1892-1960). FUTURISTA. Bolted book. 1927. 9½x12½ inches, 24x13¾ cm.VARIOUS ARTISTS. [FUTURIST EPHEMERA & PUBLICATIONS]. Group of 15 booklets, newspapers, magazines &EL LISSITZKY (1890-1941). [PRESSA EXHIBITION IN COLOGNE]. Group of 5 postcards. 1928. Each 3½VARIOUS ARTISTS. SIGNALS. Complete set of 17 magazines. 1928-1930. Each approximately 8¼x5&#189LADISLAV SUTNAR (1897-1976). [UPTON SINCLAIR COVERS]. Three partial book jackets. 1930-1. SizesLADISLAV SUTNAR (1897-1976). [COVER DESIGNS INCLUDING G.B. SHAW]. Group of 7 softcover books.JIRÍ TAUFER (1911-1986). III. STREDOSKOLSKÉ HRY PRAHA / [INTERCOLLEGIATE GAMES IN PRAGUE].PAVEL ŠTASTNÝ (1965- ). OBCANSKE FORUM / [CIVIC FORUM]. 1989. 27¾x39½ inches,KURT SCHWITTERS (1887-1948) & THEO VAN DOESBURG (1883-1931). KLEINE DADA SOIRÉE. Print andMARCEL DUCHAMP (1887-1968). DADA 1916 - 1923 / SIDNEY JANIS. 1953. 37½x25¼ inches, 95&#188SUGIURA KOHEI (1932- ). INTERMEDIA ARTS FESTIVAL / [FLUXUS]. 1969. 31x17½ inches, 78¾MARCEL DUCHAMP (1887-1968). 50TH ANNIVERSARY OF THE FAMOUS INTERNATIONAL ARMORY SHOW 1913. 1963.MARCEL DUCHAMP (1887-1968) & CLAUDE GIVAUDAN (1938-1988). READY - MADES ET ÉDITIONS DE ET SURVARIOUS ARTISTS. THE AVANT GARDE IN PRINT. Complete set of 5 portfolios. 1981. Each 13x12¼EDWARD MCKNIGHT KAUFFER (1890-1954). SUBWAY POSTERS PERFORM. 1947. 45¼x29¾ inches,EDWARD MCNIGHT KAUFFER (1890-1954). GO FOR SHELL. 1938. 30x45 inches, 76¼x114¼ cm.CLIFFORD & ROSEMARY ELLIS (1907-1985 & 1910-1998). TRAVELS IN SPACE ON YOUR DOORSTEP. 1937. 40¼ECKERSLEY-LOMBERS (TOM ECKERSLEY, 1914-1979 & ERIC LOMBERS, 1914-1978). VISIT THEM BY LONDONECKERSLEY-LOMBERS (TOM ECKERSLEY, 1914-1979 & ERIC LOMBERS, 1914-1978). PURSUE THEM BY LONDONBEATH (JOHN M. FLEMING, 1913-1991). TIMBER EXHIBITION / SCIENCE MUSEUM. 1937. 40x25 inches, 101&#189JOHN MANSBRIDGE (1901-1981). WEEK - END IN THE SOUTH / LONDON TRANSPORT. 1935. 40x25 inches,DESIGNER UNKNOWN. HAVE A GUINNESS / YOU COULD TELL THE BARMAID A POSTER SENT YOU. 54x20¼ERIK NITSCHE (1908-1998). GENERAL DYNAMICS / NUCLEODYNAMICS. 1955. 50¼x35½ inches,ERIK NITSCHE (1908-1998). GENERAL DYNAMICS / SOLAR DYNAMICS. 1955. 50x35 inches, 127x89 cm. R.ERIK NITSCHE (1908-1998). GENERAL DYNAMICS / ASTRODYNAMICS. 1955. 50¼x35½ inches, 127&#190ERIK NITSCHE (1908-1998). GENERAL DYNAMICS / ELECTRODYNAMICS. 1955. 50½x35½ inches,ERIK NITSCHE (1908-1998). GENERAL DYNAMICS / ATOMS FOR PEACE. 1955. 50¼x35¾ inches,ERIK NITSCHE (1908-1998). GENERAL DYNAMICS / HYDRODYNAMICS. 1955. 50½x35½ inches, 128&#188ERIK NITSCHE (1908-1998). GENERAL DYNAMICS / AERODYNAMICS. 1955. 50½x35¾ inches, 128¼ERIK NITSCHE (1908-1998). GENERAL DYNAMICS / RADIATION DYNAMICS. 1956. 50½x35¾ inches,ERIK NITSCHE (1908-1998). GENERAL DYNAMICS / SERVODYNAMICS. 1956. 50½x35½ inches, 128&#188ERIK NITSCHE (1908-1998). GENERAL DYNAMICS / EXPLORING THE UNIVERSE / WEATHER CONTROL. 1958.ERIK NITSCHE (1908-1998). GENERAL DYNAMICS / UNDERSEA FRONTIERS / ELECTRIC BOAT. 1960. 50½ERIK NITSCHE (1908-1998). GENERAL DYNAMICS / INDUSTRIAL GASES / LIQUID CARBONIC. 1960. 50½ERIK NITSCHE (1908-1998). GENERAL DYNAMICS / TRIGA AROUND THE WORLD. 1960. 50½x35½ inches,JON O. BRUBAKER (1875-?). BOOK WEEK. 1925. 21¼x13¼ inches, 54x33¾ cm.DEAN CORNWELL (1892-1960). BANANALAND. Two duplicate, attached posters. Circa 1935. 40¼x106LESTER BEALL (1903-1969). IT'S FINE FOR US / RURAL ELECTRIFICATION ADMINISTRATION. 1939. 40¼LESTER BEALL (1903-1969). A BETTER HOME / RURAL ELECTRIFICATION ADMINISTRATION. 1941. 40¼x30LEO LIONNI (1910-1999). KEEP 'EM ROLLING! Group of 4 posters. 1941. 40x30 inches, 101½x76¼MARCEL DUCHAMP (1887-1968). EXHIBITION • MAN RAY / JULIEN LEVY GALLERY. Folded exhibitionVARIOUS ARTISTS. CONTAINER CORPORATION OF AMERICA. Group of 7 posters. 1968-1970. Each approximatelyIDA VAN BLADEL (1931-?). LEVI'S. Group of 4 posters. Sizes vary.IDA VAN BLADEL (1931-?). LEVI'S. 1971. 38¾x25¾ inches, 98½x65½ cm.B. AMUNDSEN (DATES UNKNOWN). LEVI'S / AMERICA'S FINEST JEANS SINCE 1850 / [BRONCO BUSTER]. CircaB. AMUNDSEN (DATES UNKNOWN). LEVI'S / AMERICA'S FINEST JEANS SINCE 1850 / [BARBERSHOP]. Circa 1950.VARIOUS ARTISTS. [MARQUARDT / SECURITY IS PART OF YOUR JOB]. Group of 13 posters. Circa 1970s. SizesLOGO DESIGN BY ROB JANOFF (1953- ). APPLE / PERSONAL COMPUTERS. 1980. 35¼x23 inches, 89½LOGO DESIGN BY ROB JANOFF (1953- ). APPLE. Circa 1985. 31½x23¾ inches, 80x60¼ cm.MASSIMO VIGNELLI (1931-2014). NEW YORK CITY SUBWAY DIAGRAM. 2008. 44½x35¾ inches, 113x91VARIOUS ARTISTS. [ART EXHIBITIONS / POSTERS & ANTIQUES]. Group of 3 posters. 1958-1974. Sizes vary.MARC CHAGALL (1887-1985). NICE SOLEIL FLEURS / [THE BAY OF ANGELS]. 1962. 39¼x24¼ inches,ANDY WARHOL (1930-1987) & PHOTO BY IRWIN HOROWITZ. BANK / RCA COLOR SCANNER / PRETTY AS A PIGTURE,ROBERT INDIANA (1928-2018). 25 / NEW YORK CITY CENTER ANNIVERSARY. 1968. 35x25 inches, 89x63½VARIOUS ARTISTS. [MODERN ART EXHIBITIONS]. Group of 7 posters. 1956-1975. Sizes vary.WILLEM DE KOONING (1904-1997). SPRINGS ARTISTS EXHIBITION / ASHAWAGH HALL. 1979. 28½x22½ROY LICHTENSTEIN (1923-1997). GUILD HALL EAST HAMPTON / "LANDSCAPE." 1980. 32x34 inches, 81¼PHOTO BY MICHAEL HALSBAND (1956- ). BASQUIAT * WARHOL / PAINTINGS. 1985. 19x12 inches, 48¼KEITH HARING (1958-1990). CRACK DOWN! 1986. 22x17 inches, 56x43¼ cm.SEYMOUR CHWAST (1931- ). THE GRAND GAME OF BASEBALL / AND THE BROOKLYN DODGERS. 1987. 44¾x30

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