The New York Sale

online only auction | 1 day sale | 4 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Sep 25
12pm

Sale Ends

Thu
Sep 25

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer’s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such “Grouped Lots" are not subject to return for any reason.
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Swann Auction Galleries

Description & Details

This year's New York sale is a cornucopia of visual delights extolling the Big Apple. The highlights include desirable and sought-after works by print makers, photographers, designers and cartographers. Works by luminaries Martin Lewis, Edward Steichen, Adolph Triedler, Lewis W. Hine, Garry Winogrand, Louis Lozowick and Mark Freeman abound.

Berenice Abbott’s oversized photograph of New York at Night, William Klein’s El, 67th Street, New York, and Edward Steichen's The Flatiron - Evening, from Camera Work XIV lead the photography selection.

Vintage posters showcasing travel to the city that never sleeps include Adolph Triedler's New York Central Lines / The Wonder City of the World, airline posters for Lufthansa and Pan Am featuring evening views of downtown Manhattan, along with an impressive selection of Lincoln Center posters for the New York Film Festival with images by Jim Dine, Larry Rivers, Richard Avedon and Bruce Conner.
Ambroise Louis Garneray, Vue de New York, aquatint, circa 1840.Currier & Ives, The City of New York, chromolithograph, 1870.G.W. & C.B. Colton, New York City. 1876, Lithograph map.Jacob Riis, How the Other Half Lives: Studies Among the Tenements of New York. New York: CharlesEdward Penfield, Vignettes of Manhattan, lithograph poster, 1894.James J.F. Gavigan, Original architect’s rendering for Manhattan's Cherokee Club, an outpostOscar Bluemner, Pair of Harlem River Studies, pencil on paper, 1909.Max Weber, Brooklyn Bridge, gouache on paper, 1911.Edward Steichen, The Flatiron - Evening, from Camera Work XIV, 1904; printed 1906.Alfred Stieglitz, Old and New New York, 1910.Alfred Stieglitz, Two Towers - New York, from Camera Work Number 44, 1913.Eugene De Salignac, Painters on Brooklyn Bridge, 1914; printed 1980s.Jessie Tarbox Beals, Three Photographs of Women at Work, circa 1910-20.Paul Strand, New York from the Park, from Camera Work Number 48, 1916.Joseph Pennell, That Liberty Shall Not Perish, lithograph poster, 1918.Joseph Pennell, Two etchings, 1908 and 1921.Joseph Pennell, The Approach to the Grand Central, New York, etching, 1919.John Sloan, Roofs, Summer Night, etching, 1906.John Sloan, Hell Hole, etching and aquatint, 1917.John Sloan, Seeing New York, etching, 1917.John Sloan, Washington Arch, etching, 1923.J.D. Smith, Complete Sporting News / The New York Times, Offset lithograph poster, circa 1920s.Leon Dolice, Old Madison Square Garden, etching and aquatint, 1924.Leon Dolice, Sunset, New York Harbor, pastel on paper, circa 1930.Fairchild Aerial Surveys, Woolworth Building in the clouds, New York City. June 4, 1927.Margaret Lowengrund, three works on paper, circa 1920s.Reginald Marsh, The Upper Crust, charcoal, 1927.Adolph Treidler, New York Central Lines / The Wonder City of the World, Offset lithograph poster,Walter Thomas, White Star Line / Eurooppa - Amerikka, Offset lithograph poster, Circa 1920s.Max Weber, Brooklyn Bridge, lithograph, 1928.Max Weber, New York, lithograph, 1928.William Richardson, American City VI, silver print, late 1920s.Muirhead Bone, Manhattan Excavation, drypoint, 1928.William Meyerowitz, New York #1, etching, 1929.William Meyerowitz, New York Interpretation, etching, circa 1930.Louis Lozowick, 57th Street, lithograph, 1929.Sherril Schell Skylights, Penn Station, Warm-toned silver print, 1929.Adriaan Lubbers, Eastside with Manhattan Bridge, lithograph, 1929.Tavík František Šimon, Under the Brooklyn Bridge, color etching with aquatint, 1927.Tavík František Šimon, Seventh Avenue at Night, New York, color soft-ground andAnton Schutz, Three etchings on Japan paper, 1928-29.Martin Lewis, Dock Workers Under the Brooklyn Bridge, aquatint and etching, 1916-18.Martin Lewis, The Orator, Madison Square, etching, 1916.Martin Lewis, Shadows on the Ramp, drypoint and sandpaper ground, 1927.Martin Lewis, Relics (Speakeasy Corner), drypoint, 1928.Martin Lewis, East Side, Williamsburg Bridge, drypoint, 1928.Martin Lewis, Quarter of Nine, Saturday's Children, drypoint, 1929.Martin Lewis, Subway Steps, drypoint, 1930.Martin Lewis, Study for "Shadow Dance," pencil on green paper, circa 1930.Martin Lewis, Shadow Dance, drypoint, 1930.Martin Lewis, Rainy Day, Queens, drypoint, 1931.Martin Lewis, Little Penthouse, drypoint, 1931.Martin Lewis, Boss of the Block, etching and aquatint, circa 1939.Wendell MacRae, Empire State Building, circa early 1930s.Ernest Fiene, City Lights (Madison Square Park, New York), etching and drypoint, 1932.Lewis W. Hine, Steelworker on the Empire State Building. 1931.Lewis W. Hine Men at Work: Photographic Studies of Modern Men and Machines. New York: The MacmillanBerenice Abbott, New York at Night, 1932; printed later.Fred Zinneman, Lower Manhattan, from the Brooklyn Bridge, 1932; printed 1986.Harold Costain, Panoramic view of the New York City skyline, 1930s.Mark Freeman, Steel and Stone (Cornell Medical Center), lithograph, 1933.Mark Freeman, 2nd Avenue "El," lithograph, 1933.Harry LeRoy Taskey, Manhattan Street, lithograph, 1933-34.Samuel Margolies, Rounding the Bend, etching and aquatint, circa 1936.William Steig, Washington Square Outdoor Art Exhibition, lithograph poster printed on card, 1933.George Grosz, Washington Square Outdoor Art Exhibition, lithograph poster, printed on card, 1934.Designer Unknown, When You Visit America / Greyhound Motor Bus Lines, lithograph posters, circaLouis Lozowick, Storm Over Manhattan, lithograph, 1935.Arnold Eagle: New York Portfolio, 1935-44; printed 1991.Louis Schanker, Untitled, gouache on paper, 1936.Berenice Abbott, EL station interior, 6th and 9th Avenue lines, Manhattan, silver print, 1936;Berenice Abbott, Manhattan Bridge, Looking Up, silver print, 1936; printed 1980s.Berenice Abbott, Collegiate Church, Rockefeller Center, silver print, 1936.William Sharp, Subway, oil on board, circa 1936.William Sharp, Left Bank, aquatint, 1938.William Sharp, Little Italy, New York (Mulberry Street), aquatint, circa 1940.William Sharp, In the Spanish Quarter (Frankfort St. N.Y.C.), etching and aquatint, circa 1940.George Annand, The Waldorf Astoria / A Chart Of Manhattan, lithograph poster, 1936.Berenice Abbott, William Goldberg, 771 Broadway, May 7th, silver print, 1937.Aaron Siskind, Cabaret Dancer, from the Harlem Document series 1937-40, 1937; printed circa 1980.Aaron Siskind, Man performing, Apollo Theater, from the Harlem Document series 1937-40, 1937;Walter Rosenblum, Tar Beach, Pitt Street, New York, silver print, 1938; printed 1960s.Alexander Alland, Chinese Americans, from the Series New York City and its People, 1938; printedSol Libsohn, The El, New York, silver print, 1938-40.Edith Nankivell, The Library, Fifth Avenue and 42nd Street, aquatint, circa 1930s.Ellen Auerbach, Statue of Liberty, silver print, 1938; printed 1979.Armin Landeck, 11 West 11th Street, etching and drypoint, 1939.Armin Landeck, Rooftop, 14th Street, drypoint and engraving, 1946.Helen Levitt, Harlem (mask), N.Y., silver print, circa 1939.Robert Damora, A suite of 6 photographs documenting the newly-completed Museum of Modern Art, NewEsther Bubley, Manhattan Bridge, silver print, 1940.Bernard Brussel-Smith, Allen Street El, wood engraving, 1941.Isaac Friedlander, Up in Central Park, etching and drypoint, 1943.Herman Rose, Stuyvesant Square and Study for "23rd St. El, " oil and pencil on canvas and pencil onXanti Schawinsky, Statue of Liberty, silver print, 1943.Weegee, Nightclub Singer (Tilly Schneider) at Sammy's Bowery Follies, New York, silver print,Weegee, Little Italy, silver print, circa 1945.Todd Webb, Lower Manhattan, the Battery (peanut seller), 1945; printed before 1976.Fritz Neugass, Grant's Seafood Bar, 202 West 42nd Street near 7th Avenue. Circa 1940s; printedSeymour Franks, Christopher Street Docks, watercolor on paper, 1945.William C. McNulty, Towers in the Sun, drypoint, 1946.Fred Stein, Fifth Avenue, silver print, circa 1946.August Mosca, Subway Tunnel, lithograph, circa 1947.Godfrey Frankel, 3rd Ave. Elevated Station Window at E. 53rd St., New York. 1947; printed 1970s.Louis Faurer, City of Sin, N.Y.C., silver print, 1947; printed circa 1980.Louis Faurer, New York (Three Godfathers), silver print, circa 1948; printed 1981.Morris Engel, Rebecca, Harlem, N.Y, silver print, 1947.Andreas Feininger, Brooklyn Bridge, silver print, 1948; printed 1980s.Henri Cartier-Bresson, New York City from New Jersey, silver print, 1948.Rudy Burckhardt, Flatiron Building, Summer, silver print, 1948; printed 1980s.Edward McKnight Kauffer, American Airlines / To New York, offset lithograph poster, circa 1948.Samuel Margolies, Bridge to Babylon, etching and aquatint, 1949.Lisette Model, Reflection, New York, silver print, circa 1940s; printed late 1970s.Arthur Leipzig, Chalk Games, N.Y., silver print, 1950; printed 1990s.Fritz Neugass, Penn Station, silver print, circa 1950.Margaret Lowengrund, group of three lithographs of New York, Circa 1951.Adolf Hallman, Otte Farvelagte Tegninger fra New York, Portfolio with 8 offset prints. 1951.Frank C. Herbst, Untitled (Hotel Empire, from Broadway), oil on canvas.Walter Rosenblum, Three Men, 105th Street, NY, silver print, 1952.Ernst Haas, Couple lying in Washington Square Park, NYC, silver print, 1950s; printed later.Ernst Haas, Man sitting on car reading, chromogenic print, 1952; printed 2025.Todd Webb, Gold Street, silver print, 1953.Joseph Delaney, Central Park, oil on masonite, 1953.Rudy Burckhardt, Brooklyn Bridge, silver print, 1954; printed 1980s.Ira Moss, Colorgraph Map of New York, offset lithograph poster 1954.Henri Ott, Swissair Über Nacht Nach USA, offset lithograph poster, circa 1950s.Albert Brenet, New York Par La "Transat," offset lithograph poster, circa 1955.Paul F. Berdanier, Group of 8 etchings.William Klein, Cadillac, New York, silver print, 1955; printed 1980s.William Klein, Life is Good & Good for You in New York, Trance Witness Revels, 1956.David Klein, New York / Fly TWA, lithograph and screenprint poster, 1956.Malcolm Myers, View of a City #1, intaglio, color stencil and silver spray paint, 1958.Weegee, Empire State Distortion, silver print, circa 1960.Dave Heath, Christopher Street and 7th Avenue, New York City, silver print, circa 1960.Howard Sochurek, Midtown, New York, chromogenic print, 1960.Edith Kramer, Night Scene, (West Fourth Street), oil on canvas, 1961.David Vestal, Flatiron Building, silver print, 1963.Stuyvesant Van Veen, New York Police Headquarters, watercolor on paper, 1963.Designer Unknown, Alitalia Airlines / New York, Offset lithograph poster, circa 1960s.Designer Unknown, New York / Go by Train / Pennsylvania Railroad, offset lithograph poster, circaDesigner Unknown, New York / American Airlines, offset lithograph poster, circa 1960.V.K., New York / American Airlines, Offset lithograph poster, circa 1965.Adolf Dehn, Central Park Winter, lithograph, 1965.Ernie Henfeld, Lower East Side, oil on canvas, 1965.Fred Conway, New York New York / American Airlines, offset lithograph poster, circa 1965.Hartmut Hielscher, New York / Alitalia, offset lithograph poster, 1966.Designer Unknown, New York / Pan Am, offset lithograph poster, circa 1967.Theodore Hancock, 172nd and Walton, The Bronx & Church Yard, watercolors on paper. 1967.Garry Winogrand, Central Park Zoo, New York City, silver print, 1967; printed before 1984.Garry Winogrand, Woman with Ice Cream Cone, N.Y.C., from the Women are Beautiful series, silverLarry Rivers, First New York Film Festival, offset lithograph poster, 1963.Bruce Conner, N.Y. Film Festival, offset lithograph poster, 1965.Bruce Conner, N.Y. Film Festival / Lincoln Center / [Ten Second Film], offset lithograph poster,Henry C. Pearson, Lincoln Center's Sixth New York Film Festival, offset lithograph poster. 1968.Various Designers, [Lincoln Center Festival], group of 4, offset lithograph posters, 1960s andBurt Glinn, Andy Warhol with Edie Sedgwick and Chuck Wein, 1965; printed 1990s.Eduardo Paolozzi, Wittgenstein in New York, color screenprint, 1965.Albert Lorenz, Williamsburg Bridge, mixed media, circa 1968.Albert Lorenz, 59th St Bridge with New York Skyline, mixed media, circa 1985.Nathan Hoffman Central Park Looking Southeast, oil on board, 1970.New York City Planning Commission - John V. Lindsay, Mayor. Plan for New York City. 1969.Randy Green, New York On Hope. Circa 1970s.Red Grooms, Local, color lithograph, 1971.Red Grooms, Slushing, color lithograph, 1971.Red Grooms, Corner of Canal, color lithograph, 1993.Red Grooms, Deli, three-dimensional hand-cut color lithograph, 2004.Alan Dworkowitz, New Yorker Theatre Ticket Booth. 1972.György Lörinczy, New York, New York, 1972.Designer Unknown, New York / Pan Am, offset lithograph poster circa 1973.Ivan Chermayeff, Visit the American Museum of Immigration at the Statue of Liberty, offsetMassimo Vignelli, New York City Subway Map, offset lithograph, 1974.Designer Unknown, New York / Pan Am, offset lithograph poster, circa 1975.Designer Unknown, New York's Hometown Paper / Daily News, offset lithograph poster, circa 1970s.Designer Unknown, New York / Eastern, offset lithograph poster, circa 1970s.Joseph Delaney, Union Square, oil on canvas, 1975.Gerald Geerlings, Old Fort, New Fortresses, lithograph, 1975.Joseph Margulies, East River Bridges, etching and aquatint, 1976.Isabel Bishop, Group of 3 aquatints, 1970s-80s.Saul Steinberg, The New Yorker, offset lithograph poster, signed and numbered. 1976.Saul Steinberg, The New Yorker, offset lithograph poster, 1976.C. Gary Solin, It Goes to Your Head / The New York Times, offset lithograph poster. Circa 1970s.C. Gary Solin, It Goes to Your Head / The New York Times, offset lithograph poster, circa 1970s.Friedel Dzubas, Avery Fisher Hall / Home of the New York Philharmonic, offset lithograph poster,Jim Dine, 15th New York Film Festival, offset lithograph poster, 1977.Richard Avedon, The 16th New York Film Festival, offset lithograph poster. 1978.R.O. Blechman, The New Yorker, offset lithograph poster, 1979.Mori Shizume, New York Skyline, complete set of 6 color screenprints, 1979.Designer Unknown, New York / Pan Am, offset lithograph poster 1980.Bruce Davidson, Untitled (Subway, New York), dye transfer print, 1980.Richard Estes, Bus Interior, color screenprint, 1981.Art Zelin, David Bowie at the Carlyle, archival pigment print, 1982; printed later.Keith Haring, Into 1984 / Tony Shafrazi Gallery, offset lithograph poster, 1984.Fernando Botero, Mostly Mozart, offset lithograph poster, 1984.Various Designers, [Mostly Mozart Festival], group of five offset lithograph posters, 1970s andGeorge Forss, July 4 Fireworks Conglomeration, silver print, 1985; printed 1991.George Tice, Sunrise, N.Y.C., silver print, 1971; printed 1991.Albert Lorenz, New York City Aerial with graphic border, mixed media, 1984 and 2004.Albert Lorenz, Aerial view of New York, mixed media, 1996.Albert Lorenz, New York Skyline from Brooklyn Heights Promenade, mixed media including pen and inkChristopher Willett, Afternoon, New York Harbor, oil on canvas.Designer Unknown, Lufthansa, offset lithograph poster, circa 1985.Robert Melendez, W does New York, Prisma pencil and gouache on wove cardstock, 1991.Robert Melendez, Women's Wear Daily, Best of New York, Prisma pencil and gouache on woveRobert Rauschenberg, New York Philharmonic 150th Anniversary, offset lithograph poster, 1992.Tom Baril, Brooklyn Bridge, silver print, 1993; printed 1995.Richard Bosman, Brooklyn Bridge, color woodcut, 1996.Tom Baril, Woolworth Building, N.Y., toned silver print, 1997; printed 2004.Robert Passantino, Let Freedom Ring, ink and acrylic on vellum, 2000.LeRoy Neiman, Lights of Broadway, color screenprint on black paper, 2001.Michael J. Coppola, Album of photographs from 9/11 and its aftermath.Nathan Lyons, Portfolio titled After 9/11, complete with 15 photographs, 2002.Frederick Brosen, 75 St. & Broadway and Sixth Ave at 22nd St., two watercolors on board, 2004.Michael Kenna, Brooklyn Bridge, Study I, N.Y.C., silver print, 2006; printed 2007.Michael Kenna, Chrysler Building, Study 2, New York, USA, silver print, 2006; printed 2007.Craig McPherson, NY Water Tunnel, mezzotint, 2009.

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