Illustration Art

online only auction | 1 day sale | 3 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Dec 4
12pm

Sale Ends

Thu
Dec 4

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
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Swann Auction Galleries

Description & Details

The Illustration Art auction brings together iconic works from some of the twentieth century’s most celebrated illustrators, spanning fashion, theater, children’s literature, advertising, cartooning and more. Prospective buyers will have the rare opportunity to acquire an original illustration by W. W. Denslow created for Frank L. Baum's The Wonderful World of Oz, the first novel in the Oz series of books. Other children’s book illustrations include work by Edmund Dulac, and classic storybook illustrations by Michael Hague, Trina Schart-Hyman, and Garth Williams. Golden Age giants including Maxfield Parrish, Howard Chandler Christy, and Gustaf Tenggren, as well as mid-century artists such as Jon Whitcomb and Bernie Fuchs, fill out a strong section of commercial and magazine art. The sale will also include a selection of New Yorker cartoons, featuring additional works from the collection of longtime art editor Lee Lorenz. Animation, comics, and cartoon enthusiasts will find original artwork by Disney Studios, Charles Schultz, and Robert Crumb. We’re pleased to offer bold fashion illustration by Rene Gruau, as well as designs by Bill Blass and Antonio Lopez that capture not just garments, but the energy of the fashion world in the late twenieth century. Fans of theatre history will find treasures including pen-and-ink caricatures from the legendary Al Hirschfeld, and the bold, abstract set design of Tony Award-winning Boris Aronson.
William Pène Du Bois, (1916-1993), The F. Family. 1947.William Pène du Bois, (1916-1993), Lion portrait. 1956.William Pene Du Bois, (1916-1993), The Smiling Moon. 1985.William Pène du Bois, (1916-1993), "The kangaroo is good at skipping across the land." 1971.Seymour Chwast, (b. 1931), Ostrich on Roller skates. Circa 1970.Gary Ciccarelli, (20th/21st Century), In Another World. 1985.Gary Ciccarelli, (20th/21st Century), Keeper of the Light. 1987.Gary Ciccarelli, (20th/21st Century), Electric Butterfly. 1988.Rie Cramer, (1887-1977), Group of 4 illustrations from "The Silver Thimble Story Book." Circa 1960.William Wallace Denslow, (1856-1915), "Once in a while she would pass a house, and the people cameEdmund Dulac, (1882-1953), "Q was a quaint dainty queen." 1906.Edmund Dulac, (1882-1953), "There she sat, dressed out in a light green muslin gown." 1922.John Philip Falter, American (1910-1982), Archive of sketches used in the production of TreasureCharles Folkard, (1878-1963), "So up she went, stair after stair." 1949.Don Freeman, (1908-1978), Study for Trafalgar Square. Circa 1967.Kate Greenaway, English (1846-1901), Four illustrations of girls. 1883-1884.Eric Gurney, (1910-1922), Sergeant Spider model sheets (4 sheets), 1988.Michael Hague, (b. 1948), The Book of Dragons endpapers, 1995.Michael Hague, (b. 1948), Peter Rabbit hiding in a watering can. 2001.Trina Schart Hyman, (1939-2004), "They came upon a clearing..." 1989.Trina Schart Hyman, (1939-2004), "Money from a Table" and "The Candlesticks." 1995.Leonard Jenkins, (1905- ?), Mister and Me. 1998.June Lathrop, (1900-2000), The Shanghai Item and Other Tales of the Orient. 1959.Lois Lenski, (1893-1974), Three illustrations for the "Roundabout America" series. 1956-62.Arnold Lobel, (1933-1987), "I will tell you a story while we are waiting," 1976.James Marshall, (1942-1992), Group of 3 illustrations, Christmas Party: before and after. CircaDale Maxey, (b. 1931), Yellow duck, frog, and bees, characters from the Little Lost Kitten. CircaJudith C. Mills, (b. 1956), "Tongues in shoes, I know. Tongues in boots, I know. Tongues frozen on aBarry Moser, (b. 1940), "Brer Wolf" and "Brer Rabbit Jumps." 1986.Jerry Pinkney, (1939-2021), The Great Minu, African folk tale complete book (group of 15Alice and Martin Provensen, (1918-2018 / 1916-1987), The king visits the villagers. 1980.M. P. Robertson, (b. 1965), Snowy view of a gothic house. 1993.Maurice Sendak, (1928-2012), "Chicken Soup" sketch. Circa 1962.Maurice Sendak, (1928-2012), Cat and Martin arguing in the cellar. 1957.D. R. Sexton, (20th century), The White Rabbit and Bill the Lizard. 1932.Ernest Howard Shepard, (1879-1976), 'Why, Master Harold! whatever be the matter?" 1895.Garth Williams, (1912-1996), "With an Instant's Terrific Effort Nils and Bernard Wrenched ThemselvesJane Breskin Zalben, (b. 1950), "People came from far and wide to see the work of the new buddingJane Breskin Zalben, (b. 1950), Baumouse: Janson riffs painting in the style of Piet Mondrian. 2012.Jane Breskin Zalben, (b. 1950), Jacket cover and title page from All in the Woodland Early, 1979.Jane Breskin Zalben, (b. 1950), "P: A Pheasant and Partridge flew right past my head," 1979.Jane Breskin Zalben, (b. 1950), "X: I saw Xyleborus Upon a tall tree," 1979.Jane Breskin Zalben, (b. 1950), "Y: I heard Yellow Jacket. A-buzzing near me," 1979.Ludwig Bemelmans, (1898-1962), Silly Willy: "Family album book." Circa 1935.Ludwig Bemelmans, (1898-1962), Silly Willy: "To succeed in my profession..." Circa 1935.Ludwig Bemelmans, (1898-1962), Silly Willy: "Today is his birthday." Circa 1935.Martin Branner, (1888-1970), Winnie Winkle 11-panel and Looie 3-panel comic strip. 1936.Martin Branner, (1888-1970), Winnie Winkle 8-panel and Looie 4-panel comic strip. 1954.Milton Arthur Caniff, (1907-1988), Specialty drawing for the staff of the Ohio State Sundial schoolRobert Crumb, (b. 1943), "R. Crumb Comix" cube, stage prop. 1990.Jack Davis, (1924-2006), Football Coach specialty illustration. 1971.Mort Drucker, (1929-2020), Two comic panels from MAD Magazine #61. 1961.Michael Fry, (b. 1959), "Storytime: High-Tech / Low-Tech." 1994.Marcel Gotlib, (1934-2016), Rubber duck. 1975.Chester Gould, (1900-1985), Dick Tracy and Junior for The Sun. Circa 1940.George Joseph Herriman, (1880-1944), Specialty drawing, caricature of Ben Harrison. 1941.Frank O King, (1883-1969), Editorial cartoon printed with The Rectangle. 1916.Frank O King, (1883-1969), Editorial cartoon printed with The Rectangle. 1917.Frank O King, (1883-1969), Editorial cartoon printed with The Rectangle. 1917.Frank O King, (1883-1969), The Rectangle: Let us be Thankful. 1916.Jef Mallett, (b. 1961), "Lending an Ear," Frazz Sunday comic strip. 2008.Don Martin, (1931-2000), Early One Evening in Atlantic City. 1978.Don Martin, (1931-2000), One Morning in an Old English Forest. 1978.Don Martin, (1931-2000), Early One Morning in South America. 1977.Garry Trudeau, (b. 1948), Doonesbury comic strip: Jimmy in the studio. 1975.Matt Wuerker, (b. 1956), "A. Buttz" anti-smoking cartoon. Circa 1990.Steve Breen after Charles Schulz, (b. 1970), "Tainted Pet Food" Peanuts, Charlie Brown and SnoopyStephan Pastis after Charles Schulz, (b. 1968), Pearls Before Swine, Peanuts The Great PumpkinCharles Schulz, (1922-2000), Peanuts, Snoopy's brother Spike Christmas Cactus illustration. 1989.Bill Melendez Productions / Charles Schulz, (1922-2000), "You're A Good Man, Charlie Brown!" PeanutsJohnny Hart / Electra Studios, (1931-2007), B.C. Christmas-themed animation cel setup. Circa 1970.Don Bluth / Amblin Entertainment, An American Tail animation cel of Feivel, Tanya, and Papa. 1986.Depatie- Freleng Enterprises, The Pink Panther, A Pink Christmas animation cel. 1978.Depatie- Freleng Enterprises, Pink Panther animation cel and drawing for Sprinkle Me Pink. 1978.John Halas / Joy Batchelor, (1912-1995) / (1914-1991), Animal Farm group of 4 key master animationJohn Halas / Joy Batchelor, (1912-1995) / (1914-1991), Animal Farm group of 2 key master animationHanna-Barbera Productions, Yogi Bear Christmas publicity animation cel. Circa 1970.Hanna-Barbera Productions, The Flintstones, lot of 3 Animal Appliances animation cels. 1963.Hanna-Barbera Productions, The Jetsons original series, Mr. Spacely animation cel. 1963.MGM / Don Bluth Entertainment, The Pebble and the Penguin animation concept color key painting.Maurice Sendak / D&R Productions, Really Rosie, Carole King musical animation cel. 1975.Maurice Sendak / Fred Calvert, (1928-2012) / (1936-2015), Seven Monsters, Sesame Street animationMaurice Sendak / Fred Calvert, (1928-2012) / (1936-2015), Seven Monsters, Monster #7, Sesame StreetUnited Artists / King Features / The Beatles, Yellow Submarine, Jeremy and Chief Blue MeanieWalt Disney Studios, Pinocchio "When You Wish Upon A Star" Jiminy Cricket Courvoisier animation cel.Walt Disney Studios, Snow White, Bashful Courvoisier animation cel. 1937.Walt Disney Studios, Snow White and the Seven Dwarfs Sleepy and Sneezy Courvoisier animation celWalt Disney Studios / Ward Kimball, (1914-2002), Mickey Mouse playing banjo sketch. Circa 1980.Walt Disney Studios / Manuel Gonzales, (1913-1993), Mickey Mouse, The Miracle Maker preliminaryWalt Disney Studios, "Jolly Holiday" Mary Poppins Penguin Waiters animation cel setup. 1964.Walt Disney Studios, Oliver and Company animation cel setup. 1988.Walt Disney Studios, "The Old vs. New: Squeak?" The Mickey Mouse Anniversary Show animation celWalt Disney Studios, "The Old vs. New" The Mickey Mouse Anniversary Show animation cel setup. 1968.Walt Disney Studios / Fred Moore, Dumbo Timothy Mouse animation drawing. 1941.Walt Disney Studios, The Sword in the Stone Arthur / Mickey Mouse Club Jiminy Cricket animation celWalt Disney Studios, Donald Duck animation cel, Duck For Hire. 1957.Walt Disney Studios, Mother Goose Goes Hollywood, Old King Cole model sheet. 1938.Walter Lanz Productions, Buzz Buzzard animation drawing and cel. 1972.Warner Bros. / Don Bluth Entertainment, A Troll in Central Park animation color key painting. 1994.Warner Bros. / Amblin Entertainment, Animaniacs First Episode, Dr. Scratchansniff and Dot animationWarner Bros. / Chuck Jones, (1912-2002), Bugs Bunny and Daffy animation cel for Gremlins 2: The NewBoris Solomonovich Aronson, (1900-1980), A dressing room in a Boston Theatre. 1950.David S. Hall, (1905-1964), 2-panel sequential concept art for an unidentified movie. Circa 1930.,Paul duPont, (Approx. 1906-1957), "Harlequinade" for Ruth Page. 1948.Red Grooms, (b. 1937), Venus and The Boy costume designs for Guinevere, 1964.Albert Hirschfeld, (1903-2003), Jason Robards in Billy Budd. 1959.Albert Hirschfeld, (1903-2003), Camelot. 1960.Gertrude Johnson, (1911-?), 3 Vaudeville costume designs. Circa 1925.Dame Laura Knight, British (1877-1970), Ballet costume design for Vera Savina. 1924.Ada Peacock, (20th Century), Vuelta de la Feria. 1940.Van Nest Polglase, (1898-1968), Bell ringer tower concept drawing, Hunchback of Notre Dame. CircaIrene Sharaff, (1910-1993), Costume designs for Me and Juliet, 1953.Prentiss H Taylor, American (1907-1991), Dragon costume design, 1926.Arthur Wragg, (1903-1976), Group of 2 illustrations: King Lear and "Lear and his Fool." 1961.Georges Barbier, Nijinski dancing the ballet The Afternoon of a Faun (L'Après-midi d'un faune),Edouard Garcia Benito, (1891-1981), Bridal gown and head-dress sketch. 1934.Bill Blass, (1922-2002), Wide brim hat fashion illustration. Circa 1980.Bill Blass, (1922-2002), Red tunic fashion illustration. Circa 1980.Bill Blass, (1922-2002), White suit with fabric swatch fashion illustration. Circa 1980.René Gruau, (1909-2004), Homme en blanc et noir. 1978.After Georges Lepape, (1887-1971), Burlesque performer in shiny corset. Circa 1920.Georges Lepape, (1887-1971), Study for "Portrait d'un Jeune Homme." 1918.Georges Lepape, (1887-1971), "Penelope: Robe d'Interieur" study. 1913.Antonio Lopez, (1944-1988), Halston Hats for Saks Fifth Avenue. Circa 1980.Antonio Lopez, (1944-1988), Gown with Palm for Saks Fifth Avenue. Circa 1980.Antonio Lopez, (1944-1988), Faces. Circa 1980.John McClelland, (1919-2016), Men's trench coat. Circa 1950.Michael Vollbracht and Studio, (1947-2018), Group of 3 fashion illustrations. Circa 1970.(New Yorker) Constantin Alajalov, (1900-1987), The graduate's uncertain future. 1935.(New Yorker) Julian de Miskey, (1898-1976), Equestrian riding across 5th Avenue. Circa 1930.(New Yorker) Ilonka Karasz, 1886-1981, 2 spot illustrations for The New Yorker, circa 1925.Tony Auth, (1942-2014), Locked Out of Notre-Dame Cathedral. Circa 1974.(New Yorker) Charles Samuel Addams, (1912-1988), Study for "Movie Scream," 1947.John Bernard Handelsman, (1922-2007), "The most frightening part of it all is that when I'm Mr.(New Yorker) John Bernard Handelsman, (1922-2007), "Let's try it. We won't tell them we're flies,"(New Yorker) Lee Lorenz, (1932-2022), Man and dog daydreaming. Circa 1970.(New Yorker) Lee Lorenz, (1932-2022), "Tap tap, tippy tippy." 2-page cartoon. 1976.(New Yorker) Lee Lorenz, (1932-2022), "On second thought, let's drive on a bit." Circa 1980.(New Yorker) Lee Lorenz, (1932-2022), “What ever became of the comity once deemed essential to(New Yorker) Lee Lorenz, (1932-2022), "The goes seem in touch with their anger tonight." 1987.(New Yorker) George Price, (1901-1995), Jackpot. 1945.(New Yorker) George Price, (1901-1995), "He Likes the Patter of Tiny Feet." 1940.(New Yorker) Mischa Richter, (1910-2001), Devil in the Subway station, group of 4 sequential(New Yorker) Mick Stevens, (b. 1942), "Moses in Connecticut." 1989.Michael Berry, (1907-2000), "Sometimes they have very interesting lectures." 1951.Herbert Block, (1909-2001), "Suffering is only relative." 1937.William F. Brown, (1928-2019), "No Arbitron, we're not watching Magnum P.I., The Cosby Show, orGilbert Bundy, (1911-1955), "He's outlasted three husbands!" 1954.Gilbert Bundy, (1911-1955), "You'd better introduce us – I dislike shooting at strangers."Paul Francis Conrad, (1924-2010), American Gothic at the gas pump. 1980.Paul Francis Conrad, (1924-2010), I 'Love Canal' NY, 1980.Michael Cummings, (1919-1997), "Remember the good old days when we only had the 'H' bomb to worryChon Day, (1907-2000), Brother Sebastian, 1962.Eldon Lawrence Dedini, (1921-2006), Belly dancer, 1972.Eldon Lawrence Dedini, (1921-2006), "Geez, Pop. you must have seen what I saw on the bulletin boardJaro Fabry, (1912-1953), Hollywood starlet cartoon. Circa 1940.Jules Ralph Feiffer, American (1929-2025), "When I Can Feel Disgust for a President Without FeelingJames Montgomery Flagg, (1877-1960), Group of 4 WWII era cartoons. Circa 1943.Lou Grant, (1920-2001), Two cartoons published in the Los Angeles Times, 1966.John Bernard Handelsman, (1922-2007), "Yes! You can be a great ballerina!" 1972.Taylor Jones, (Dates unknown), Gerald Ford, Richard Nixon, Henry Kissinger, et al., pair ofEdward B Koren, (1935-2023), Assorted fuzzy characters "building block." 2003.David Levine, (1926-2009), Portrait of Collette. 1966.David Levine, (1926-2009), Portrait of George Moore, 1970.David Levine, (1926-2009), Portrait of Virginia Woolf, 1970.David Levine, (1926-2009), Portrait of Charles Dickens. 1965.David Levine, (1926-2009), Portrait of Marcel Proust. 1963.David Levine, (1926-2009), Portrait of Richard Nixon, 1970.Lee Lorenz, (1932-2022), "Are you humming protest songs, Frazier?" 1966.Harry Lyons, (1930-1989), "But first, a word from our sponsor..." Circa 1960.Julian de Miskey, (1898-1976), "What sort of a gown did she have on?" 1929.Willard Mullin, (1902-1978), "Chattel, serf or slave" cartoon. Circa 1953.Marty Murphy, (1933-2009), "C'mon Kawolski! Hit that Goddam ball," circa 1950.Marty Murphy, (1933-2009), "There, there, men" cartoon, circa 1955.Jack Ohman, (1960-), "...Holy Izod! The senate is tied on the nerve gas vote!" 1983.Jack Ohman, (b. 1960), "...Relax. I'll worry about the FDA approval later..." 1985.Jack Ohman, (b. 1960), "Tell me again, Charles - they fought the revolution to be free fromJack Ohman, (1960-), "...Da! Da! We talk more!" 1985.Russell Patterson, (1896-1977), "It was so romantic! They met on a double date!" 1944.Russell Patterson, (1896-1977), "Stop squirming, Susie - I told you it would take a lot of pluck, ifMike Peters, (b. 1943), "OK...I'll stop doing algebra in your church, if you stop telling me to prayMike Peters, (b. 1943), CIA Counter Intelligence. 1985.Mike Peters, (b. 1943), "Mr. Secretary, the Russian delegation has arrived..." 1983.William Steig, (1907-2003), The Time Reader as seen by Wm. Steig. Circa 1950.William Steig, (1907-2003), Drudge. Circa 1940.William Steig, (1907-2003), He who gets slapped. Circa 1940.William Steig, (1907-2003), Unused title page illustration for Gorky Rises. Circa 1980.Theophile-Alexandre Steinlen, (1859-1923), L'epouvantable sinistre du Quartier Latin / The terribleS. Swan, "Look for the Union Label." 1985.Harold Morton Talburt, (1896-1966), "See! We'll quit feeding her." 1958.Henry Weston Taylor, (1881-1978), "Do hurry, Ronald! We'll be frightfully late!" Circa 1930.Tomi Ungerer, (1931-2019), Drawing for Dover Books. Circa 1970.Art Young, (1866-1943), 2 political cartoons: Diploma Day for Graduate Politicians and Figure at aTore Asplund, (1903-1978), November Sycamore. 1960.Howard Baer, (1906-1986), United Nations Club, dance hall in Kumming. 1945.Rudolf Bauer, German (1889-1953), Toddler toasting with Champagne, circa 1920.Michael Berry, (1907-2000), A Jeep in Japan. 1950.Michael Berry, (1907-2000), "Barceloneta, Las Corts." Circa 1955.Michael Berry, (1907-2000), Impressions of Cuba. 1949.Austin Eugene Briggs, (1909-1973), "She stood there motionless - lovely and waiting." 1955.Gilbert Bundy, (1911-1955), "She saw a bluish blur, and then she hit him." 1949.Gilbert Bundy, (1911-1955), "Nancy was weeping her eyes out." 1944.Boris Chaliapin, (1904-1979), India's Nehru. 1942.Vladimir Chenkoff, Woman wearing peineta and mantilla, circa 1940.Henry Brevoort Eddy, (1872-1935), Gossip. 1917.Carlos [Enriquez], "Una Noche Habanera" / "A Havana Night," 1936.John Philip Falter, American (1910-1982), Archive of materials relating to the production of theAnne Harriet Fish, (1890-1964), The Course of True Love. Circa 1920.Creig Flessel, (1912-?), Hickory Hill family. 1950.Frederic Rodrigo Gruger, (1871-1953), Couple in Garden. Circa 1930.Frederic Rodrigo Gruger, (1871-1953), The Lottery Ticket. 1901.Don Freeman, Martin Beck stops backstage of "The Mikado." 1934.Kunio Hagio, (1947-), Tom Wolfe and his literary influences. Circa 1970.Jay Hambridge, (1867-1924), "Thus they paraded around the smoky room." 1905.Ginnie Hofmann, (1920-2014), Betsy McCall Christmas paper doll illustrations. 1973.Mitchell Hooks, (1923-2013), "I stepped into the courtyard and a girl's voice screamed in rage andFrances Tipton Hunter, (1896-1957), 2 studies, "Helping with homework." 1940.Kristin Johnson, Dates unknown, Candidates and Issues: How do they Measure Up? 1976.Lionel Kalish, (1931-2022), Artist painting with fabric. 1970.Lionel Kalish, (1931-2022), "Christmas Is For Children, Too." 1970.Lionel Kalish, (1931-2022), High Heels. Circa 1970.Harry Kane, (1912-1988), Santa and Cowboy. Circa 1930.Arthur Garfield Learned, (1872-1959), Profile with Irises. 1908.Tim Lewis, (1937-2017), Reading in the autumn leaves. 1991.Simon Lissim, (1900-1981), New York World's Fair. 1939.Davis Meltzer, (1930-2017), 3 illustrations: Magnetosphere of Jupiter, Lo's flux tube and torus, andDavis Meltzer, (1930-2017), 7 quasar and black hole illustrations 1980.Gustav Michelson, (1884-1964), Floral-crowned beauty with mirror. Circa 1920.Barse Miller, (1904-1973), "A.R.C. 'Christmas Message' Broadcast from Radio Tokyo." 1945.Peter Newell, (1862-1924), Dancing soldiers. 1898.Peter Newell, (1862-1924), A Spring Pig. 1893.Herbert Andrew Paus, (1880-1946), "Keep going faster, can't you?" 1933.Herbert Andrew Paus, (1880-1946), Dressage lesson. 1941.Thomas Mitchell Peirce, (1864 - 1929), Seated woman with fan and rose. Circa 1910.Hal Phyfe, (1880-1980), Flapper / starlet portrait. Circa 1920.Jerry Pinkney, (1939-2021), Vice President Spiro Agnew. Circa 1970.George Quaintance, (1902-1957), Valentine for Betty & Bob. Circa 1930.Robert O. Reid, Dates unkonwn, Skiing accident. 1940.Robert O. Reid, Dates unknown, Summer Boarders Taken. 1940.Norman Rockwell, (1894-1978), "Out of the blackness Wolf launched himself, straight for theArnold Roth, (b. 1929), 15 illustrations for Time Magazine. Circa 1980.Robert Sauber, (20th/21st Century), Albert Einstein (The Watchmaker.)Mead Schaeffer, (1898-1980), Sailing ship. 1935.Ernest Howard Shepard, (1879-1976), "Vicar's Wife. 'I'm afraid I cannot offer you more thanRobert C. Sherry, (1919-1988), Waco UPF-7. Circa 1970.Ben Stahl, American (1910-1987), "Hornblower watched the bridge as they approached." 1946.Herbert Morton Stoops, (1888-1948), WWI French soldiers. Circa 1940.Frederic Stanley, (1892-1967), Boy with rifle and dog. Circa 1940.Gustaf Adolf Tenggren, (1896-1970), "You mean if I was a good Soviet citizen, I'd immediately marrySaul Tepper, (1899-1987), The Lantern Man. 1938.Jon Whitcomb, (1906-1988), "Moment of Decision." 1945.Fritz Willis, (1907-1979), Study for pinup showgirl backstage. Circa 1945.James Barkley, (b. 1941), Society of Illustrators boat ride. Circa 1990.Bradshaw Crandell, (1896-1966), "With a Blue Ribbon on it," Pabst Blue Ribbon. Circa 1940.Unknown artist signed Eddy, The First Auto. Circa 1950.James Montgomery Flagg, "Nuthin' I like!" 1928.Jay Koka, (20th/21st Century), Maserati Ghibli Spyder Study I. 1992.Franz Glaß, (1886-1964), Weihnachten / Christmas. 1935.Charles F. Horndorf, (1906-1990), Soda Jerk. Circa 1950.Felix Palm, (1913-1986), Football 1917. Circa 1950.Maxfield Parrish, (1870-1966), "The King and Queen might eat thereof and noblemen besides." 1921.Ken Pottorff, Dates Unknown, Daisies won't tell (neither will FLEX-A-GIRDLE). Circa 1960.Robert O. Reid, Dates unknown., “Not alone . ." advertisement for Nash Kelvinator, 1943.Allen Russell Saalburg, (1899-1987), Peck & Peck stockings. Circa 1950.Allen Russell Saalburg, (1899-1987), Peck & Peck handbags. Circa 1950.Artist Unknown, "Keep off the Grass." 1950.Artist Unknown, Green's Diary Almanac cover study. 1886-1887.Artist Unknown, Travel the Panama Line, circa 1940.Mabel Lucie Attwell, British (1879-1964), Baby in high chair, circa 1910.Aurelio Bertiglia, (1891-1973), Children milling corn postcard art. Circa 1930.James Montgomery Flagg, (1870-1960), ”P.S.” 1905.Unknown artist signed D. Gibson, Christmas Carolers. 1926.Kay Nielsen, (1886-1957), There was no room at the Inn. Circa 1955.Kay Nielsen, (1886-1957), But Mary kept all these things, and pondered them in her heart. CircaNicky Zann, (1943 - 2020), American Express Travel Envoy Service holiday promotion. Circa 1990.Louis Franklin van Zelm, (1895-1961), Woodland Thanksgiving. 1959.Louis Franklin van Zelm, (1895-1961), "Christmas Greetings" card. Circa 1950.Louis Franklin van Zelm, (1895-1961), "Greetings" Christmas card. Circa 1950.Miguel Covarrubias, (1904-1957), Study for Felix Tigris. Circa 1940.Bernard Fuchs, (1932-2009), "Twenty Westerns by America's Contemporaries." 1977.Gustave Kaitz, (1913-1992), 2 art deco designs, "Hope" and "Voyager." Circa 1930.Gustave Kaitz, (1913-1992), 2 art deco illustrations, "Enchanted" and "Vantage." Circa 1930.Emilio Vila, (1887-1967), Bugatti poster advertisement maquette. Circa 1920.Emilio Vila, (1887-1967), Cosmetics poster advertisement maquette. Circa 1920.Emilio Vila, (1887-1967), Flapper in white hat poster maquette. Circa 1920.Emilio Vila, (1887-1967), Flapper with rose head-dress poster maquette. 1921.McClelland Barclay, (1891-1943), Portrait of Peggy Ahern.School of Bradshaw Crandell, Glamour girl with hibiscus. Circa 1940.James Montgomery Flagg, (1877-1960), Dean Cornwell in his studio. 1920., Watercolor and pencil onJames Montgomery Flagg, (1877-1960), Self portrait with muse. 1942.Jose Fuentes de Salamanca, (1934-), Nude painting. Circa 1970.Warner Kreuter, (1899-1986), Seated Nude Study. Circa 1930.Warner Kreuter, (1899-1986), Nude in repose study. Circa 1930.Evaline Ness, (1911-1986), 2 Studies: Woman with flower and house with picket fence. Circa 1950.Evaline Ness, (1911 - 1986), Portrait of a woman in pink. Circa 1950.George Quaintance, (1902-1957), Portrait of Morton Downey. 1938.Paul Stinson, (1953-), Surrealist illustration in blue. 1975.Paul Stinson, (1953-), Futuristic nude in space. 1975.Bernard Fuchs, (1932-2009), Park bench. Circa 1970.Bernard Fuchs, (1932-2009), Pigeons in Central Park. Circa 1970.Evaline Ness, (1911-1986), Laundry shop study. Circa 1950.Jean Pages, (1903-1976), Les Comediens Francais. 1966.Robert Schwartz, American (1924-2020), Architectural presentation rendering of 2 Broadway, New York.George Alfred Avison, (1885-1970), "Harness your horses instantly!" and "Peter was introduced to anMichael Ayrton, (1921-1975), Pig. Circa 1973.James Barkley, (b. 1941), Crucificado. 1973.Peter Barrett, (b. 1935), Group of 3 wildlife illustrations. 2008.Howard Chandler Christy, (1873-1952), "Applause rose thinner at his bachelor-club." 1896.Howard Chandler Christy, (1873-1952), "And slowly came the words that seemed so dear." 1896.Howard Chandler Christy, (1873-1952), "Woman reading a letter." 1896.Gordon Hope Grant, (1875-1962), "I have been insulted," 1903.Gordon Hope Grant, (1875-1962), “Well, why don't you go?” 1903.George Mathews Harding, (1882-1959), Jungle study. Circa 1930.Joseph Pennell, (1857-1926), Group of 3 illustrations for "English Cathedrals". 1884-86.Henry Clarence Pitz, (1895-1976), In the Swamp. 1946.Henry Clarence Pitz, (1895-1976), The Pool. Circa 1930.Richard Taylor, (1902-1970), Madame Clarence's Drawing-Room. Circa 1932.Charles David Williams, (1875-1954), "'I think it is I who have gained the most,' he said gravely."Franco Accornero, (1938-2020), Sweet Temptation. 1988.Constantin Alajalov, (1900-1987), Dance rehearsal with accompanist. Circa 1930.Constantin Alajalov, American (1900-1987), Dance rehearsal. Circa 1930.Hannes Hans Vajn Bok, (1914-1964), Fantasy landscape with dinosaurs and totem. 1934.Kelly Freas, (1922 - 2005), Preliminary cover for Sci-Fi/Fantasy Book. Circa 1970.Hector Garrido, 1928-2020, A Walk with the Beast. 1969.Hector Garrido, (1928-2020), The Falcon Tree. 1976.Hector Garrido, (1928-2020), Enthusiasts in Love. 1978.Hector Garrido, (1928-2020), Blood Ties. 1987.George Gross, (1909-2003), Iron Hand. 1979.George Gross, (1909-2003), Trail of Lost Skulls. 1967.Michael Hadley, (b. 1948), The Midnight Sea. 1974.Michael Hadley, (b. 1948), The Cross and the Arrow. 1975.Morton Kunstler, (1931-2025), By Night the Strangers. 1954.Unknown artist signed Tom O'Brien, Death In 5 Boxes. 1973.Travis Theirstein, (20th Century), Science fiction outer-space scene. 1993.Verne Tossey, (1920-2002), Ridin' Through. 1957.Verne Tossey, (1920-2002), Night Raider of the Atlantic. 1957.Nicky Zann, (1943 - 2020), The Tallulah Bankhead Murder Case. 1988., Graphite, India ink, and

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