Fine Photographs

online only auction | 1 day sale | starts tomorrow!
Location
New York, NY 10010
Dates

Sale Starts

Tue
Dec 16
12pm

Sale Ends

Tue
Dec 16

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
Swann Auction Galleries Logo

Swann Auction Galleries

Description & Details

This December we are thrilled to present a diverse selection of 19th and 20th-century photography. Ranging from fine art to photojournalism to photobooks to vernacular photography, we seek to tell the dynamic, distinct, and broad history of the medium. Highlights include Alfred Eisenstaedt?s iconic Children at a Puppet Theater, Paris (1963; printed 1991), Francis Frith?s The Pyramids of Dahshoor, from the East (1857), a rare vintage example of Imogen Cunningham?s modernist Snake in Bucket (1920s), and Hiroshi Sugimoto?s Sea of Buddha (#033) (1994). We are also pleased to include the final selection of work from the Collection of Dr. James and Debra Pearl, featuring classical 20th century work by practitioners such as Edward Weston, W. Eugene Smith, Ansel Adams, and Man Ray, 19th-century trailblazers ?douard Baldus and John Beasley Greene, as well as many others. Highlighting the Pearls? distinctive and discriminating eye, the collection reflects the full beauty and history of the photographic medium.
Felix Teynard. Sébôuah, Temple - Vue Générale du Pylône, Nubie. 1851-52.James E. McClees. Pennsylvania landscape. 1853-59.John Dillwyn Llewelyn. Caswell Bay. Circa 1854.Francis Frith. The Pyramids of Dahshoor, from the East. 1857.Francis Frith. Jerusalem, from the Mount of Olives. 1858.Samuel Bourne. A group of 17 photographs depicting historical landmarks in Delhi. 1860s.George N. Barnard. 2 photographs, from Photographic Views of the Sherman Campaign. 1866.Platt D Babbitt. Niagara in Winter. Circa 1870.Eadweard Muybridge. Tutokanula, Valley of the Yosemite. 1872.Fratelli Alinari. Arancia, Citrus Aurantium, Firenze [bitter orange]. 1870s.A magnificent album titled Aegypten [Egypt] with more than 120 photographs, including numerousAn album with approximately 158 photographs of Mexico by Waite, Scott, and Briquet. Circa 1880-1904.An album featuring more than 125 photographs, primarily from Hong Kong, including 4 documentingAn Ohio album titled "A Collection of Recollections Presented in Views" with more than 100Carleton E. Watkins. Agassiz Column from Union Point, Yosemite. Circa 1878.Eadweard Muybridge. A selection of 3 plates from Animal Locomotion. 1887.Richard Lesesne. Florida landscape. Circa 1900.Edward S. Curtis. Cañon de Chelly. 1904.Edward S. Curtis. The Vanishing Race. 1904.Edward S. Curtis. A selection of 6 photogravures from The North American Indian. 1905-28.Edward S. Curtis. The Hunter, Lake Pomo, plate 474 from The North American Indian, Portfolio 14.A suite of 8 microphotographs of elegant ice crystals. Circa 1920.Imogen Cunningham. Snake in Bucket. 1920s.Edward Weston. Pepper No. 30. 1930; printed circa 1980 by Cole Weston.George Kendall Warren. A selection of three oval photographs of Harvard University and Cambridge,Alfred Stieglitz. The Hand of Man, from Camera Work Number 1. 1902; printed 1903.Karl Struss. U.S. Capitol, Washington D.C. 1914.Charles Sheeler. Buggy in a Barn, Doylestown, Pennsylvania (Christmas card). 1915-17; printed 1928.Jack Delano. Mauch Chunk, Pennsylvania. 1940.Wright Morris. Adobe Ranch House, New Mexico. 1940; printed 1970s.Harry Callahan. Untitled (trolley tracks). Circa 1940s; printed 1960s.Ansel Adams. Old Faithful Geyser, late evening, Yellowstone National Park, Wyoming, from PortfolioAndreas Feininger. Route 66, Arizona. 1953; printed 1998.O. Winston Link. Group of 5 photographs of steam locomotives. Circa 1950s; printed 1980s.W. Eugene Smith. Smoky City, from the Pittsburgh Project. 1955-58; printed 1960s.Wynn Bullock. Del Monte Forest. 1956.O. Winston Link. Maude Bows to the Virginia Creeper, Green Cove, Virginia. 1956; printed 1998.O. Winston Link. N&W 2nd 51, Luray, Virginia. 1956; printed 1989.O. Winston Link. Highball for the Double Header, Roanoke, Virginia. 1959; printed 1970s.Ray K. Metzker. Philadelphia. 1963; printed no later than 1969.O. Winston Link. Second Pigeon Creek Shifter and Icicles, near Gilbert, West Virginia, March 16,George Tice. Pump and Shuttered Windows. 1965; printed 1990s.Lewis Baltz. Construction Detail, from the series The New Industrial Parks near Irvine, California.Bernd and Hilla Becher. Coal Tipple, Goodspring, Pennsylvania. 1975.Michael Kenna. Bay Bridge and Pier, San Francisco, California. 1985; printed 1986.Portrait of the union organizer, schoolteacher, and activist Mother Jones (1837-1930). Circa 1920.Portrait of Emma Goldman (1869-1940) after her arrest. 1916.A portrait of Jim Thorpe, the first Native American athlete to win a gold medal at the OlympicMexican revolutionary and guerrilla leader Emiliano Zapata (1879-1919) and his followers. 1910-20.A selection of 15 photographs documenting the Wright Brothers early flights. 1902-11.Fairchild Aerial Surveys. Woolworth Building in the clouds, New York City. June 4, 1927.Group of 12 press photographs of pioneering aviatrix Amelia Earhart (1897-1937). 1928-37.A selection of 10 photographs of dirigibles. Circa 1929-33.Willi Ruge. Photo of Myself at the Moment of my Jump. 1931.Mahatma Gandhi (1869-1948), lawyer, thinker, anti-colonial activist, and political ethicist, inThe Scourged Back by McPherson & Oliver. Circa 1863; printed 1970s.Robert Capa. The Falling Soldier. 1936; printed circa 1960.Bradford Washburn. Self-portrait of the American explorer and mountaineer with his Fairchild serialRobert Capa. American troops landing on D-Day, Omaha Beach, near Colleville-sur-Mer, Normandy coast.A group of 14 official photographs of nuclear testing and atomic bomb explosions at Bikini Atoll.Arnold Newman. J. Robert Oppenheimer, Berkeley, California. 1948; printed 1990s.Ivy Mike” Nuclear Test on Elugelab. November 1, 1952. Robert Capa. Immigrant Tent Camp, nearRobert Capa. Immigrant Tent Camp, near Jaifa, Israel. 1948; printed 1950s.Horst Faas. Approximately 66 photographs taken on assignment in Vietnam, Laos, and Cambodia, ChinaMalcolm Browne. Burning Monk, South Vietnam. 1963; printed 1975.A pair of N.A.S.A. Lunar Surveyor Mosaics: Day 320, Survey I, Sectors 17 and 18 * Day 327. SurveyA N.A.S.A. presentation piece featuring 5 iconic shots from Apollo 11's Moon landing. 1969.A selection of 12 N.A.S.A. photographs from Voyagers I (8) and II (4), including sublime views ofPhotographs from the Collection of the Gilman Paper Company. 1985.Jacob Riis. Reporters Office at 301 Mulberry Street. 1887-88; printed 1950s.Lewis W. Hine. One of the smallest doffers in the Atherton Mill, Charlotte, NC. January 1909.Jessie Tarbox Beals. Room in a Tenement Flat, Lower East Side, N.Y.C. Circa 1910.Lewis W. Hine. Chicago tenements. Circa 1910.Lewis W. Hine. Girl at the drawing-in-frame of the weave-room, Lorraine Mills, Pawtucket, RI. 1912.Arthur Mole (1889-1983) & John Thomas (active 1918-1919). A group of 4 patriotic "livingDoris Ulmann. Old man with pipe. Circa 1925.Doris Ulmann. Man in a Hayfield. Circa 1930.Lewis W. Hine. Fireman from the rescue squad of Protection Engine Company No. 1, Hastings-on-Hudson.Dorothea Lange. Migrant Mother, Nipomo, California. 1936; printed 1960s.Arthur Rothstein. A trio of images made for the Farm Security Administration. 1937-38; printed circaArthur Rothstein. Dust Storm, Cimarron County, Oklahoma. 1936; printed circa 1980.Alfred Eisenstaedt. Melon Salesman and Fiddler, Scott, Mississippi. 1936; printed circa 1990.Margaret Bourke-White. East Feliciana Parish, Louisiana. 1936.Carl Mydans. Preparing the Ground for Spring Planting, North Carolina. 1936; printed 1999.Margaret Bourke-White. Seated Mother and Daughter on Steps of Old Mansion, Clinton, Louisiana. 1936;Margaret Bourke-White. A flood victim paddling a boat made of washtubs, Louisville, KY. 1937;A group of 30 production stills from Pare Lorentz's The River. 1938.Dorothea Lange. Sugar Beet Lifter, Malheur County, Oregon. October 1939.Marion Post Wolcott. Bennie's Grocery Store, in negro section of town, Sylvania, Ga. 1940; printedMarion Post Wolcott. Woman giving her two children water while hoeing cotton, Allen PlantationCollection of approximately 40 circus photos compiled by famed Barnum and Bailey press agent RolandJack Delano. Untitled (little girl in dress). 1942.Robert Frank. Beaufort, South Carolina. 1955; printed 1977.Diane Arbus. Bishop by the Sea, Santa Barbara, CA. 1964; printed 1978 by Neil Selkirk.Larry Clark. A group of 5 photographs, from the Tulsa project. 1963-1971, printed 1980.Danny Lyon. Uptown. 1965; printed 2000.Danny Lyon. From the Picket Tower, Ferguson Unit, Texas. 1968; printed 1983.Marion Post Wolcott. Billboard, "Vote" San Francisco, CA. 1978.Danny Lyon. Defeated Demo Driver, Wall Stadium, New Jersey, from the series The Pits. 1988, printedBerenice Abbott. Cherry Street, New York City. Circa 1930-31; printed 1980s.Berenice Abbott. Church of God, 25 East 132nd Street, from Abbott's New York, Portfolio IV. 1936;Berenice Abbott. Brownstone Front and Sky, 4 East 78th Street. January 10, 1938.Clarence John Laughlin. Atget Fantasia. 1939.Sol Libsohn. Two boys, New York. Circa 1940.Aaron Siskind. Harlem (woman with lamp), from the Harlem Document series. 1940; printed circa 1980.Aaron Siskind. Harlem (bedroom through doorway). 1940; printed circa 1980.Arthur Leipzig. Association Football (Brooklyn), from The Children's Games series. 1943; printedArthur Leipzig. Children in snow, Prospect Park, from The Children's Games series, 1943-63. 1945;Godfrey Frankel. Nathan Cohen Fish Market, New York. 1947.Bedrich Grunzweig. Between Heaven and Earth. 1950; printed 1980s.Rudy Burckhardt. A portfolio entitled "Rudy Burckhardt: Photos." 1945-54; printed 1981.Louis Faurer. Playground, New York. 1947; printed 1981.Sam Mahl. Couple, New York. 1952.Elliott Erwitt. Mother and Child, New York. 1953.Eve Arnold. Two Hands, First Five Minutes of a Baby’s Life, Port Jefferson, New York. 1959;A group more than 40 photographs documenting the neon glow of signs, marquees, and decor, many takenWilliam Klein. New York 54/55 Portfolio. 1954-55; printed 1978.Paul Caponigro. Galaxy Apple, New York City. 1964.Henri Cartier-Bresson. Stock Market Traders. 1967.Arthur Tress. Boy with Giant Ball * Father & Daughter, Cape. 1969-70; printed 1969 and 1970s.Arthur Tress. Hockey Player, New York. 1972; printed 1990s.Louis Faurer. Central Park, N.Y. 1977.Ruth Orkin. Sheep Meadow in Fall, Central Park. 1980; printed 1983.Allen Ginsberg. Snowy Backyards. January 23, 1987.Tom Baril. Chrysler Building (Detail). 1995.Edward Steichen, 1879-1973, M. Auguste Rodin * Balzac--The Open Sky * Balzac--Toward the Light,Alfred Stieglitz. Camera Work Number 41. 1913.Arnold Genthe. Portrait of George Luks, the American Ashcan School painter and illustrator. 1922.Berenice Abbott. Portrait of Dorothy Whitney (Mrs. Raymond Massey). Circa 1925; printed circa 1970.Tina Modotti. Portrait of the Mexican artist Lola Cueto (1897-1978). Circa 1927.György Kepes. Self-portrait, Berlin. 1930; printed 1990s.Soichi Sunami. Portrait of the modern dancer and choreographer Martha Graham. 1930s.A selection of approximately 50 stylish and detail-rich African American studio portrait and photoArnold Newman. Igor Stravinsky. 1946; printed 1960s.Irving Penn. John Marin. 1947.Carl Van Vechten. Portrait of the writer and journalist Norman Mailer. September 13, 1948.Philippe Halsman. Jean Cocteau, New York. 1949; printed before 1972.Herman Leonard. Ella Fitzgerald, Down Beat Club, New York. 1949; printed 1990.Herman Leonard. Sarah Vaughan, N.Y.C. 1950; printed 1990.Philippe Halsman. Marilyn Monroe (Life magazine cover). 1952; printed before 1972.Inge Morath. Mrs. Eveleigh Nash, seated and reviewing her engagement book. 1953.Man Ray. Juliet with Glove * Juliet in Hat. 1950s.Horst P. Horst. Portrait of Jacqueline Bouvier [Kennedy]. 1953.Roy Schatt. James Dean, from the Torn Sweater series. 1954; printed circa 1990.André Villers. A pair of portraits of Pablo Picasso, Cannes. 1956; printed 1970s.Douglas Kirkland. Photographing Marilyn Monroe on a white bed. November 1, 1961.Ernst Haas. Elliott Erwitt with black painted Leica M3, New York. 1961.Todd Webb. Georgia O'Keeffe, Ghost Ranch. 1962; printed 1984.Todd Webb. Georgia O'Keeffe's Studio. 1963; printed 1984.Saul Leiter. A trio of portraits of Jane and Peter Fonda. 1960s.Duane Michals. A portfolio entitled "A Visit with Magritte." 1965; printed 1981.Henri Cartier-Bresson. Igor Stravinsky, Paris. June 1966.Diane Arbus. Portrait of Germaine Greer. 1971.Judy Dater. Imogen and Twinka at Yosemite. 1974; printed 1983.Two portfolios commissioned by The Polaroid Corporation. 1974 and 1975.Yousuf Karsh. Approximately 78 photographs depicting the cast and location during the filming ofNorman Seeff. Portrait of Sleepy John Estes, Memphis. 1975; printed 1981.Andy Warhol. Francesco Clemente. 1981.Marcus Leatherdale. Portrait of Larissa. 1983.Jerry Uelsmann. Untitled (Yosemite). 1995.Edward Weston. Nude (Breast with window). 1922; printed 1970s by Cole Weston.André Kertész. Distortion #60, Paris. 1933; printed 1960s.George Platt Lynes. Bob McVoy. Circa 1938.George Platt Lynes. Jack Fontan. Circa 1954.Miroslav Tichy. Nude. 1953.Harry Callahan. Eleanor, Aix-en-Provence. 1958; printed 1970s.Ruth Bernhard. Draped Torso. 1962, printed 1990s.Brett Weston. Nude. 1975.Ruth Bernhard. Knees and Arms II. 1976.Jo Alison Feiler. Group of 3 untitled photographs. 1976-81.Kenneth Josephson. Chicago (nude). 1980.Wolfgang von Wangenheim. Untitled, from the Schwartz Series. Circa 1980.Robert Mapplethorpe. Mercy Hinton. 1980.Herb Ritts. Duo XII, Los Angeles. 1990.Horst P. Horst. Hands, Hands. 1941; printed 1980s.Cecil Beaton. Charles James Evening Dresses. 1948; printed 1990.Louise Dahl-Wolfe. Portrait of Cecil Beaton (1904-1980), New York. 1950; printed 1983.Melvin Sokolsky. Dior Wings, Paris. 1965; printed 2011.Richard Avedon. Alexey Brodovitch, graphic designer, Le Thor, France. October 2, 1969; printed 1975.Andy Warhol. Halston II (Roy Halston Frowick). 1974.Steven Meisel Polly Mellen and Christy Turlington. 1991.Cathleen Naundorf. Haute couture - Seredin & Vasiliev, Summer 2002. 2004.Eugène Atget. Stall of Shoes at the Marché des Carmes, Place Maubert. Circa 1890; printedEdward Steichen. Late Afternoon—Venice, from Camera Work 44. 1907; printed 1913.Karl Struss. Karl Struss: A Portfolio 1909/29. 1909-29; printed 1979.Filip [Philipp] Kester. A group of approximately 49 street types taken in Berlin, Munich, andJacques Henri Lartigue. Zissou as a ghost Pont-de-l'Arche. 1905; printed circa 1980.Jacques-Henri Lartigue. J.H. Lartigue: A Collector's Portfolio. 1903-16; printed 1978.Jacques-Henri Lartigue. Bibi in Marseille. 1928; printed circa 1980.Alfred Eisenstadt. First Lesson at the Truempy Ballet School, Berlin. 1930; printed 1995.Herbert List. A portfolio entitled "Herbert List: Zeitlupe Null." 1931-39; printed 1980.Brassaï. Asphaltage dans le Centre de Paris. 1936; printed 1970s.Bill Brandt. Homeless Girl. 1930s; printed 1970s.Bill Brandt. Behind the restaurant. 1930s; printed 1970s.Josef Sudek. Untitled, from the series Prague at Night. Circa 1950.Ernst Haas. Two pigeons. 1950s.Henri Cartier-Bresson. Midnight Mass in Scanno, Abruzzo, Italy. 1951; printed 1990s.Josef Sudek. Rothmayer's Garden, from the series In the Magical Garden. 1954.Josef Sudek. Flowering Branch in Belvedere Gardens. 1960s.Édouard Boubat. Femme aux fleurs, Portugal, from the portfolio Édouard Boubat. 1958;Alfred Eisenstaedt. Children at a Puppet Theater, Paris. 1963; printed 1991.Bruce Davidson. A Public House, England. 1960.Paul Caponigro. Running White Deer, Wicklow, Ireland. 1967.Chris Killip. George and Geoffrey Quirk, Bellaquine, Isle of Man. 1973; printed 1979.Martin Parr. Ballaghademeen Fair, Ireland. 1981.Louis Stettner. Place St. Augustine, Paris. 1993.Michael Kenna. Angelus, Vézelay, Burgundy, France. 1993; printed 1994.Martin Chambi. A selection of 15 photographs, including a stunning panoramic view of Machu Picchu.Tina Modotti. Woman with Flag, Mexico. 1928; printed circa 1995.Manuel Álvarez Bravo. Retrato de lo Eterno [Portrait of the Eternal]. 1935; printed 1980s.Irving Penn. Young woman with baby on her back and jug, Cuzco. 1948.Manuel Álvarez Bravo. Temptations in the House of Antonio. Circa 1970; printed 1979.Ansel Adams. Taos Pueblo. 1977.Graciela Iturbide. Nuestra Señora de las Iguanas [Our Lady of the Iguanas], Juchitán,Mario Cravo Neto. Sacrifice I. 1988.Mario Cravo Neto. Solsticio de Inverno. 1996.Henri Cartier-Bresson. Tai Chi Chuan in the Taimiao Gardens, Beijing. 1948; printed 1990s.Werner Bischof. Children in Japan. 1951-52.W. Eugene Smith. Landscape from a Moving Train, Japan. 1961; printed circa 1970.Sebastião Salgado. Mentawai, Indonesia [children combing their hair]. 2008; printed 2009.Raymond Voinquel. Sourire de Côte d'Ivoire. 1959; printed circa 1980.Malick Sidibé. rtrait presented in Sidibé's custom frame with colorful reverse paintedSebastião Salgado. Tigray, Ethiopia. 1985.Sebastião Salgado. Coal Mining, Dhanbad, State of Bihar, India. 1989.Carlotta M. Corpron. Space Composition with Chambered Nautilus. 1948; printed circa 1970.Harry Callahan. Chicago (Typewriter Shop). Circa 1949; printed 1970s.Eliot Porter. 2 photographs from the Intimate Landscapes portfolio. 1956 & 1974; printed 1979.Ernst Haas. Route 66, Albuquerque, New Mexico. 1969; printed later.Kenneth Josephson. Wyoming, from the History of Photography series. 1971.Aaron Siskind. Portfolio entitled "Homage to Franz Kline." 1973-75; printed 1981.Joel Meyerowitz. The Wilson Cottage, Wellfleet, MA * Maianne, Provincetown, MA. 1976 and 1977;Sally Mann. Untitled (Beyond all discovery, all law). 1978, printed 2005.György Kepes. Leaf Collage. 1978.William Eggleston. Untitled, from the Louisiana Project. 1980; printed 2000.Barbara Kasten. Construct VI-C. 1981.Jerry Uelsmann. Untitled (room with forest and face in globe). 1982.Duane Michals. Harlequin. Circa 1985.Joyce Tenneson. Suzanne. 1986.Catherine Opie. Melisa (Fairmont Hotel). 1987; printed later.Dawoud Bey. A Girl in the Deli Doorway. 1989; printed 2000.Duane Michals. Necessary Things for Writing Fairy Tunes. 1989.Cindy Sherman. Untitled (Queens of Hearts). 1988; printed 1994.Cindy Sherman. Untitled (Mrs. Claus). 1990.Keith Carter. George Washington. 1990.Frederick Sommer. Portfolio entitled "The Birth of Venus." 1991-93.Christopher Bucklow. The Beauty of the World, 12.33 pm 27th June 1992. 1992.Christopher Bucklow. The Beauty of the World, 3.48pm 31st July 1992. 1992.Joel Meyerowitz. From the Bay/Sky series, Provincetown. 1993.Marcus Leatherdale. Head IX, from the head series. 1993.John Patrick Dugdale. The Artist's Mother, Morton St., NYC. 1994.John Patrick Dugdale. My Spirit Tried to Leave Me, Morton St., NYC. 1994.Joel-Peter Witkin. Waiting for de Chirico in the Artist's Section of Purgatory, New Mexico. 1994.Hiroshi Sugimoto. Sea of Buddha (#033). 1994.Gordon Parks. Flowerscape. 1995.Tom Baril. Dahlia. 1996; printed 2000.John Patrick Dugdale. Shadow Self Portrait and Delphinium, Stone Ridge. 1996.Abelardo Morell. Camera Obscura Image of Manhattan View Looking South in Large Room. 1996.Andres Serrano. Istanbul (Sisters). 1996.Laura Aguilar. Nature Self-Portrait #3. 1996.Thomas Joshua Cooper. A Premonitional Work: The English Channel, Sussex, England. 1997-2001.Mona Kuhn. Playing. 2000.Mona Kuhn. Luzia. 2002.Carrie Mae Weems. Nikki's Place. 2006.Michael Kenna. Safdar Jang, Study 2, Dehli, India. 2006.Hanna Liden. Can Development. 2014.David Octavius Hill & Robert Adamson. Lady Elizabeth Eastlake (back view). 1843-47.David Octavius Hill & Robert Adamson. The Reverend Dr. Abraham Capadose of the Hague (1795-1874).Felix Teynard. Kalabcheh (Talmis), Ruines du temple - Facade et Mur d'Enceinte. 1851-52.John Beasley Greene. Desert study, from Le Nil: Monuments, Paysages, Explorations Photographiques.John Beasley Greene. Étude de terrains près de Gebel Abousir (2e cataracte). 1854.Roger Fenton. The Railway Yard, Balaklava. 1855-56.Édouard Baldus. Théâtre Romain à Arles. 1855.Édouard Baldus. Sortie du Souterrain, Vienne. Circa 1861.William Henry Jackson. Tower Falls. 1872.Pierre Dubreuil. Pâques Carillonnées [Easter Chimes]. 1929.Pierre Dubreuil. Mon Pékinois. 1929.Gordon Coster. Food line, Chicago. 1930s.Gordon Coster. Labor Rally, Chicago. 1930s.Bill Brandt. East Durham Coal Miner. 1937; printed 1950s.Weegee [Arthur Fellig]. Three women at the theater. 1940s.Lisette Model. Lower East Side. 1942; printed 1977.Weegee [Arthur Fellig]. Accident Victim. 1944.Dmitri Baltermants. The War Comes to Germany. 1945; printed circa 1965.W. Eugene Smith. Woman in Shroud, from Spanish Village. 1951; printed circa 1960.W. Eugene Smith. Figure with oar. Circa 1950s; printed circa 1970.Weegee [Arthur Fellig]. Jungle show, Hollywood. Circa 1950.Arthur Siegel. Blurred Crowd. Circa 1950.W. Eugene Smith. Two dogs at pet show. Circa 1955-57.Dmitri Baltermants. The Queue for Lenin's Tomb. 1959.Ansel Adams. Forest and Stream, Lyell Fork of the Merced River, Yosemite National Park California.Edward Weston. Dunes, Oceano (White Dunes). 1936.Edward Weston. Eel River Ranch * North Shore, Point Lobos * Cypress, Point Lobos. 1937; 1944 (2).Eliot Porter. Agaves, Road to Bahia de Los Angeles * Mission, San Borjas, Baja, California. 1966 andEdward Weston. Church Door, Hornitos, from Edward Weston: Fiftieth Anniversary Portfolio, 1902-1950.Sonya Noskowiak. First United Methodist Church, Eureka, CA. Circa 1940.Bill Brandt. St. Paul's Cathedral in the Moonlight. 1942; printed 1950s.Brett Weston. Stairway with Broom, New York. 1945; printed 1980s.Arnold Genthe. Modern Torso. 1918.Frantisek Drtikol. Pierrot with Columbina. 1926.Pierre Jahan. Untitled (masked figure). 1951.Man Ray. Self-portrait with Juliet. Early 1960s.Arthur Siegel. Conservative Modern Architecture. 1947; printed 1960s.Harold Edgerton. Pete Desjardin Diving. 1949; printed circa 1970.Weegee [Arthur Fellig]. Self-portrait and legs distortion. 1950s.Jerry Uelsmann. Self-portrait with abstracted tree. Circa 1970.Brett Weston. Compressed Car, Schnitzer Steel, Portland, from the Oregon portfolio. 1975.Brett Weston. Reflections on Water. 1974.

Thank you for using EstateSales.NET. You're the best!