Old Master Through Modern Prints

online only auction | 1 day sale | 3 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Apr 16
10:30am

Sale Ends

Thu
Apr 16

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
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Swann Auction Galleries

Description & Details

An array spanning styles and periods, from the fifteenth century through the mid-twentieth century comprises our robust spring print sale this year.

Standout early offerings include a remarkable example of "Virgin and Child with the Monkey" by Albrecht Dürer, and a fine impression of "The Triumph of Mordecai" by Rembrandt van Rijn, amongst other works by Hendrick Goltzius and Giovanni B. Piranesi.

The rare complete "Hommage à Goya" portfolio by Odilon Redon is a highlight of the nineteenth century section, along with leading figures of Impressionism and Post-Impressionism, such as the zincograph "Les Laveuses" by Paul Gauguin.

Egon Schiele’s "Kümmernis" is a highlight of the Modern European presentation, which also includes the likes of Salvador Dalí, Joan Miró, and Pablo Picasso. Two early etching and drypoints by Marc Chagall, "An der Staffelei" and "Die Liebenden," from his early series "Mein Leiben," are also included.

Important American prints from the first half of the twentieth century, include Stow Wengenroth’s striking lithograph "Manhattan Gateway," an atmospheric portrayal of the Brooklyn Bridge walkway. It stands alongside other exemplars of Modern American printmaking, with works by Grant Wood, Samuel L. Margolies, Martin Lewis, and others.
Rembrandt van Rijn (1606-1669), The Bathers ("De Zwemmertjes"), 1651.Rembrandt van Rijn (1606-1669), Jan Asselyn, Painter, circa 1647.Rembrandt van Rijn (1606-1669), The Star of the Kings: A Night Piece, circa 1651.Rembrandt van Rijn (1606-1669), Peasant Family on the Tramp, circa 1652.Rembrandt van Rijn (1606-1669), David in Prayer, 1652.Rembrandt van Rijn (1606-1669), The Ringball Player ('Het Klosbaantje'), 1654.Rembrandt van Rijn (1606-1669) The Descent from the Cross by Torchlight, 1654.Rembrandt van Rijn (1606-1669), Christ Seated Disputing with the Doctors, 1654.Rembrandt van Rijn (1606-1669), The Goldsmith, 1655.Rembrandt van Rijn (1606-1669), Pieter Haaringh ("Young Haaringh"), 1655.Rembrandt van Rijn (1606-1669), Lieven Willemsz van Coppenol, Writing Master: The Larger Plate,Rembrandt van Rijn (1606-1669), Peter and John Healing the Cripple at the Gate of the Temple, 1659.Rembrandt van Rijn (1606-1669), Jan Antonides van der Linden, 1665.Jan Joris Van Vliet (1610-1635) after Rembrandt, Lot and his Daughters, 1631.Jacob Isaackszon Van Ruisdael (1628-1682), The Little Bridge, 1650.Reinier Nooms (called Zeeman) (1623-1664), Verscheide Gesichten binnen Amsterdam, circa 1659-1662.Gilliam van der Gouwen (1657-1720) after Jacob Matham, Een Walrisch . . gestrandt op de HollandsteSalvator Rosa (1615-1673), The Rescue of the Infant Oedipus, 1663.Pietro Aquila (1650-1692) after Raphael, The Battle of Constantine at the Milvian Bridge, 1683.Giovanni B. Tiepolo (1696-1770), Donna con le braccia incatenate e quattro figure, before 1749.Giovanni D. Tiepolo (1727-1804), St. Patrick Healing a Cripple, 1746–50.Nicolas LeSueur (1690-1764), Europa and the Bull, circa 1740.Giovanni B. Piranesi (1720-1778), Prisoners on a Projecting Platform, 1749-50.Giovanni B. Piranesi (1720-1778), The Well, 1749-50.Giovanni B. Piranesi (1720-1778), The Pier with the Lamp, 1749-50.Giovanni B. Piranesi (1720-1778), The Skeletons, circa 1750.Giovanni B. Piranesi (1720-1778), Veduta di Piazza Navona sopra le Rovine del Circo Agonale, 1751.Giovanni B. Piranesi (1720-1778), Veduta del Mausoleo d'Elio Adriano (ora chiamato Castello S.Giovanni B. Piranesi (1720-1778), Obelisco Egizio, 1759.Giovanni B. Piranesi (1720-1778), Veduta dell'Anfiteatro Flavio, detto il Colosseo, 1757.Giovanni B. Piranesi (1720-1778), Rovine delle Terme Antoniniane, 1765.Giovanni B. Piranesi (1720-1778), Veduta della Villa Estense in Tivoli, 1773.Francesco Polanzani (1700-1783), Giovanni B. Piranesi, 1750.Francisco Goya (1746-1828), Pobrecitas!, circa 1799.Francisco Goya (1746-1828), Sanan Cuchilladas mas No Malas Palabras, circa 1816.Francisco Goya (1746-1828), Three aquatints with etching from Los Desastres de la Guerra, circaFrancisco Goya (1746-1828), Un Torero Monté sur les Épaules d'un Chulo "Lanceado" unFrancisco Goya (1746-1828), Modo de Volar, circa 1824.Francisco Goya (1746-1828), Los Proverbios: Additional Plates, circa 1824.Francisco Goya (1746-1828), Dos a Uno, Meten la Paja en el Culo, circa 1824.Francisco Goya (1746-1828), Al Toro y al Aire Darles Calle (Lluvia de Toros), circa 1824.Théodore Géricault (1791-1824), Cheval noir attaché dans une écurie, circa 1820.Eugène Delacroix (1798-1863), Arabes d'Oran, 1833.Honoré Daumier (1808 - 1879), A Travers les Ateliers—Fichtre! . . . Epatant! . . .Jean-François Millet (1814-1875), Le Départ pour le travail, 1863.Jean-François Millet (1814-1875), La Grande Bergère, 1862.Jean-François Millet (1814-1875), Le paysan rentrant du fumier, 1855.Jean-François Millet (1814-1875), Homme appuyé sur sa Beche, circa 1848.Jean-Baptiste-Camille Corot (1796-1875), La Petite Soeur, 1854.Jean-Baptiste-Camille Corot (1796-1875), La Jeune Fille et la Mort, 1854.Jean-Baptiste-Camille Corot (1796-1875), Souvenir d'Ostie, 1855.Jean-Baptiste-Camille Corot (1796-1875), Souvenir du Bas-Bréau, 1858.Charles-François Daubigny (1817-1878), Effet de Nuit, 1862.Théodore Rousseau (1812-1867), Le Plaine de La Plante à Biau, 1862.Charles Meryon (1821-1868) Le Pompe Notre-Dame,1852.Charles Meryon (1821-1868), La Morgue, 1854.Charles Meryon (1821-1868), Tourelle, rue de la Tixeranderie, 1852.Joseph Mallord William Turner (1775-1851), Ship and Cutter, circa 1820-1826.James Abbott McNeill Whistler (1834-1903), Rag Pickers, Quartier Mouffetard, Paris, 1858.James Abbott McNeill Whistler (1834-1903), Black Lion Wharf, 1859.James Abbott McNeill Whistler (1834-1903), Bibi Lalouette, 1859.James Abbott McNeill Whistler (1834-1903), J. Becquet, Sculptor, 1859.James Abbott McNeill Whistler (1834-1903), The Wine Glass, 1859.James Abbott McNeill Whistler (1834-1903), The Pool, 1859.James Abbott McNeill Whistler (1834-1903), Eagle Wharf, 1859.James Abbott McNeill Whistler (1834-1903), The Forge, 1861.James Abbott McNeill Whistler (1834-1903), The Smith's Yard, 1864.Rodolphe Bresdin (1822-1885), Intérieur flamand, 1856.Félix-Hilaire Buhot (1847-1898), Les Petites Chaumières, 1878.Félix-Hilaire Buhot (1847-1898), Westminster Palace, 1884.Édouard Manet (1832-1883), L'enfant Portant un Plateau, 1862.Edgar Degas (1834-1917), Loges d'Actrices, circa 1879-80.Edgar Degas (1834-1917), Au Louvre, la peinture, Mary Cassatt, circa 1879-80.Edgar Degas (1834-1917), La sortie du bain (Grand planche), circa 1891.Edgar Degas (1834-1917) & George W. Thornley (1857-1935), La Leçon de Danse, circa 1888-89.Camille Pissarro (1830-1903), Paysage à Osny, 1887.Camille Pissarro (1830-1903), Bûcheronnes, circa 1896.Camille Pissarro (1830-1903), Baigneuses à l'ombre des berges boisées, 1895.Camille Pissarro (1830-1903), Rue de l'Épicerie, à Rouen, 1886.Camille Pissarro (1830-1903), Les Ouvriers du port, à Rouen, 1887.Pierre-Auguste Renoir (1841-1919), Sur la Plage à Berneval, circa 1892.Mary Cassatt (1844-1926), The Parrot, circa 1891.Mary Cassatt (1844-1926), Sara Wearing her Bonnet and Coat, circa 1904.Paul Helleu (1859-1927), Femme au Chapeau, circa 1900.Paul César Helleu (1859-1927), Le Tricorne fleuri.James Jacques Tissot (1836-1902), Le Banc de Jardin, 1883.Henri de Toulouse-Lautrec (1864 - 1901), Sybil Sanderson, 1898.Henri de Toulouse-Lautrec (1864-1901), La Coiffure, Programme du Théâtre Libre, 1893.Henri de Toulouse-Lautrec (1864-1901), L'Argent, 1895.Henri de Toulouse-Lautrec (1864 - 1901), Miss May Belfort Saluant, 1895.Auguste Rodin (1840-1917), Le Printemps, 1882-88.Odilon Redon (1840-1916), Hommage à Goya, 1885.Franz von Stuck (1863-1928), Die Sinnlichkeit, 1889.Henri Martin (1860-1943), Indécision, circa 1896.James Ensor (1860-1949), La Mort poursuivant le troupeau des humains, 1896.Paul Cézanne (1839-1906), Les Baigneurs (grande planche), circa 1896-98.Paul Gauguin (1848-1903), Les Laveuses, 1889.Frits Thaulow (1847-1906), Pont d'Amiens, sous la Neige, 1895-96.Henri Rivière (1864-1951), Le Vent, 1901.Henri Rivière (1864-1951), Douarnenez vu du Ris, 1916.Jean-Francois Raffaëlli (1850-1924), La Fumée du bateau, 1911.Suzanne Valadon (1865-1938), Catherine s'espongeant, 1908.Lesser Ury (1861-1931), Paar auf der Bank, 1919.Anders Zorn (1860-1920), The New Maid, 1909.Anders Zorn (1860-1920), Frightened, 1912.Anders Zorn (1860-1920), Dagmar, 1912.Anders Zorn (1860-1920), Cabin, 1917.Hiroshi Yoshida (1876-1950), Study of Nude (Shusaku), 1927.William Russell Flint (1880-1969), Slippery Steps, 1929.Frederick L. Griggs (1876-1938), The Almonry, 1925.Julian Alden Weir (1852-1919), Fisherman's Hut, Isle of Man, circa 1889.Peter Moran (1829-1901), The Ploughman, 1886.John Marin (1870-1953), La Madeleine, 1908.Childe Hassam (1859-1935), Cos Cob, 1915.Frank W. Benson (1862-1951), On the Kedgwick, 1923.Bertha Lum (1869-1954), Tanabata, 1913.Edna Boies Hopkins (1872-1937), Lilies (also know as Moonflowers), circa 1920-23.Margaret Patterson (1867-1950) Morning Glories,1925.Jane Berry Judson (1865-1935), Capt'n Seth's Doorway.Jane Berry Judson (1865-1935), Mount Monadnock - Series 3 - Night.Gustav Baumann (1812-1890), Redwood, 1934.Ora Inge Maxim (1895-1982), Eldridge Lane, Fairhaven, circa 1933.Birger Sandzén (1871-1954), Evening Glow, 1916.John Sloan (1871-1951), Memory, 1906.John Sloan (1871-1951), Nude at Piano, 1933.George Wesley Bellows (1882-1925), The Crowd, 1923.George Wesley Bellows (1882-1925), River-Front, 1923-24.Rudolph Ruzicka (1883-1978), Brooklyn Bridge, 1915.Otto August Kuhler (1894-1976), Queen of the Clouds, 1924.Otto August Kuhler (1894-1976), Turbine Construction, 1927.Otto August Kuhler (1894-1976), Floating Dry Dock, 1927.Ellison Hoover (1888-1955), Pulitzer Fountain, Evening, circa 1930.Ellison Hoover (1888-1955), Notre Dame, circa 1940.William C. McNulty (1884-1963), In the Fifties (The Whirlpool), 1930.Martin Lewis (1881-1962), Cathedral Steps, 1931.Martin Lewis (1881-1962) , Angry Man, 1935.Martin Lewis (1881-1962), Circus Night, 1933.Glenn O. Coleman (1887-1932), Hurdy Gurdy Ballet, 1928.Anton Schutz (1894-1977), Stock Exchanges of the World, circa 1930.Isaac Friedlander (1890-1968), Brooklyn Bridge, 1930.Ernest Fiene (1894-1965), City Lights (Madison Square Park, New York), 1932.Mark Freeman (1908-2003), 2nd Avenue El, 1933.Edith Nankivell (1896-1962), New York Public Library at 42nd St, circa 1930s.Gerald Geerlings (1897-1998), Grand Canal, America, 1933.Kerr Eby (1889-1946), Shadows, 1936.Howard Cook (1901-1980), Mexican Interior, 1933.Howard Cook (1901-1980), Looking Up Broadway, 1937.Louis Lozowick (1892-1973), Through Brooklyn Bridge Cables, 1938.Louis Lozowick (1892-1973), Monhegan Island, 1946.Stow Wengenroth (1906-1978), Manhattan Gateway, 1948.Adolf Dehn (1895-1968), Art Lovers, 1934.Benton Murdoch Spruance (1904-1967), Introduction to Love, 1935.Benton Murdoch Spruance (1904-1967) Subway Shift: The Second Front, 1943.Peggy Bacon (1895-1987), Fat, 1926.Peggy Bacon (1895-1987), The Untilled Field, 1936.Reginald Marsh (1898-1954), Loco—Erie Watering, 1929.Reginald Marsh (1898-1954), Three Girls on a Chicken, 1941.Raphael Soyer (1899-1987), Bedtime, 1937.Andre Racz (1916-1994), The Flowering Rock, 1943.Armin Landeck (1905-1984), Washington Square Vista, 1945.Armin Landeck (1905-1984), Manhattan Vista, 1934.Jackson Lee Nesbitt (1913-2008), Charging Hot Metal, 1938.Jackson Lee Nesbitt (1913-2008), Sheet and Plate Mill, 1938.Jackson Lee Nesbitt (1913-2008), Four High Rolling Mill, 1953.Samuel Margolies (1897-1974), Builders of Babylon, 1949.Edward A. Wilson (1886-1970), The Propeller, 1941.Gene Kloss (1903-1996), California Coast, 1936.Gene Kloss (1903-1996), Navajo Canyon Cliffs, 1974.Lloyd Lozes Goff (1918-1982), Western Rangeland (Cattle Country).Peter Hurd (1904-1984) The Sentinels—Santa Fe Trail, circa 1946.Peter Hurd (1904-1984), The Texas Nomads, 1937.Thomas Hart Benton (1889-1975), Frisky Day, 1939.Thomas Hart Benton (1889 - 1975), Sunday Morning, 1939.Thomas Hart Benton (1889-1975), Instruction, 1940.Thomas Hart Benton (1889-1975), Aaron, 1941.Thomas Hart Benton (1889-1975), Nebraska Evening, 1941.Thomas Hart Benton (1889 - 1975), Slow Train Through Arkansas, 1941.Thomas Hart Benton (1889-1975), The Race, 1942.Thomas Hart Benton (1889-1975), Night Firing, 1943.Thomas Hart Benton (1889-1975), Music Lesson, 1943.Thomas Hart Benton (1889-1975) Wreck of the Ol' 97, 1944.Thomas Hart Benton (1889-1975), Loading Corn, 1945.Thomas Hart Benton (1889-1975), Sorghum Mill, 1969.Thomas Hart Benton (1889-1975), County Politics, 1973.John Steuart Curry (1897-1946), John Brown, 1939.Grant Wood (1891-1942) Honorary Degree, 1938.Grant Wood (1891-1942), Midnight Alarm, 1939.Grant Wood (1891-1942), December Afternoon, 1941.Grant Wood (1891-1942), February, Lithograph, 1941.Harry Gottlieb (1895-1993), Long Island Memory, 1968.Harry Gottlieb (1895-1993), Flowers, 1940.Leon Bibel (1913-1995), Elco, 1942.Robert Gwathmey (1903-1988), Non-Fiction, 1941.Robert Gwathmey (1903-1988), End of the Day, 1944.Rockwell Kent (1882-1971), Meditation, 1929.Rockwell Kent (1882-1971), Susanna, 1929.Rockwell Kent (1882-1971), The Bather, 1931.Rockwell Kent (1882-1971), Drifter, 1933.Paul Landacre (1893-1963), Yesterday, 1940.Claire Leighton (1898-1989), The Reverend Hill's Dream, 1942.Claire Leighton (1898-1989), Lovers in the Wheatfield, 1944.Clare Leighton (1898-1989), Quahog Raker.Clare Leighton (1898-1989), Ice Cutting, 1949-50.Clare Leighton (1898-1989), Farming, 1949-50.Clare Leighton (1898-1989), Ship Building, 1949-50.Carlos Mérida (1891-1984), Untitled (Figures Washing), 1927.Carlos Mérida (1891-1984), Untitled (Figures Resting), 1925.Miguel Covarrubias (1904-1957), Mexican Street Scene, circa 1940.Edvard Munch (1863-1944), From Åsgårdstrand, 1907.Egon Schiele (1890-1918), Kümmernis, 1914.Ernst Barlach (1870-1938), Begegnung, 1919.Ernst Ludwig Kirchner (1880-1938), Portrait of David Müller, 1919.Rolf Nesch (1893-1975), Schauspielerin, circa 1930.Käthe Kollwitz (1867-1945), Betendes Mädchen, 1892.Käthe Kollwitz (1867-1945), Selbstbildnis, 1912.Käthe Kollwitz (1867-1945), Selbstbildnis, 1915.Käthe Kollwitz (1867-1945), Nachdenkende Frau, 1920.Käthe Kollwitz (1867-1945), Tod mit Frau im Schoss, 1921.Käthe Kollwitz (1867-1945) Junge Mutter mit Säugling, 1928.Käthe Kollwitz (1867-1945), Selbstbildnis im Profil nach rechts, circa 1938.Max Beckmann (1884-1950), Selbstbildnis, 1922.Lyonel Feininger (1871-1956), Dorfkirche, 1918.Lyonel Feininger (1871-1956), Angler (mit Sonne), 1919.Lyonel Feininger, (1871-1956), Two woodcuts.Franz Marc (1880-1916), Schlafende Hirtin, 1912.Max Pechstein (1881-1955), Kahnrichten I, 1923.Otto Dix (1891-1969), Transplantion, 1924.Erich Heckel (1883-1970), Otto Mueller, 1933.Oskar Kokoschka (1886-1980), Selbstbildnis, 1956.Paul Klee (1879-1940), Die Hexe mit dem Kamm, 1922.Jacques Villon (1875-1963), Portrait de Suzanne D, 1913.Jacques Villon (1875-1963), Sur les rochers, 1927.Jacques Villon (1875-1963), Yeux Fertile, 1956-57.Marcel Duchamp (After), La Mariée, 1934.Pablo Picasso (1881-1973), Deux figures nues, 1909.Pablo Picasso (1881-1973), Homme dévoilant une Femme, 1931.Pablo Picasso (1881-1973), Danse des Faune, 1957.Pablo Picasso (After), Bouquet de Fleurs, 1958.Pablo Picasso (1881-1973), Sérénade au Coucher du Soleil dans un Sous-Bois à laPablo Picasso (1881-1973), Le Peintre et son Modèle, 1963.Pablo Picasso (1881-1973), Le Modèle et son Peintre, 1963.Pablo Picasso (1881-1973), Tête d'Histrion (Le Danseur), 1965.Georges Braque (1882-1963), Femme à la mandoline, 1945.Georges Braque (After) Bord de Mer, circa 1960.Henri Matisse (1869-1954), La Pleureuse, 1900-03.Henri Matisse (1869-1954), Poèmes de Charles d'Orléans, 1950.Alexander Archipenko (1887-1964), Three Figures, One in Repose, circa 1921.Marc Chagall (1887-1985), Die Liebenden, 1922.Marc Chagall (1887-1985), An der Staffelei, 1922.Marc Chagall (1887-1985), Three prints from "Les Âmes Mortes.",1923-27.Marc Chagall (1887-1985), L'Offrande, 1960.Marc Chagall (1887-1985), Les jeunes gens de Méthymne, 1961.Marc Chagall (1887-1985), Le Repas chez Dryas, 1961.Marc Chagall (1887-1985), Le Vagabond, 1967.Marc Chagall (1887-1985), La Violoncelliste du Village, 1967.Marc Chagall (1887-1985), Paysan au Violin, 1968.Salvador Dalí (1904-1989), Pegasus, 1963.Salvador Dalí (1904-1989), Athena, 1963.Salvador Dalí (1904-1989), The Dreamor, 1975.Salvador Dalí (1904-1989), La Chêne et la roseau, 1974.Salvador Dalí (1904-1989), Les Animaux Malades de la Peste, 1974.Joan Miró (1893-1983) Barcelona XVIII, 1944.Joan Miró (After), Le Chien bleu, 1959.Joan Miró (1893-1983), Bibliographie des Oeuvres de René Char de 1928 à 1963, 1964.Joan Miró (1893-1983), Les voyants, 1970.Joan Miró (1893-1983), Homage to Miró, 1973.Joan Miró (1893-1983), Colpir Sense Nafrar III, 1981.Kurt Seligmann (1900-1962), The Calamities of Winter, 1933.Kurt Seligmann (1900-1962), Herodiade, 1941.Kiyoshi Hasewaga (1891-1980), Profil avec poisson, 1925.Victor Delhez (1902-1985), Book of Revelation, 1948-1960.Victor Delhez (1902-1985), Group of 6 Portrait Prints.Max Ernst (1891-1976), Zu: Kurt Schwitters, La Loterie du Jardin Zoologique, 1951.Jean Arp (1886-1966), Coulisses de Forêt, 1955.Man Ray (1890-1976), Post-Columbian Object, 1957.Massimo Campigli (1895-1971), Composizione con figure, 1955.Leonor Fini (1907-1996), Les Étrangers, 1976.Leonor Fini (1907-1996), Les Elus de la Nuit, 1986.Stanley W. Hayter (1901-1988), Warriors, 1953.Stanley W. Hayter (1901-1988) Danse du Soleil, 1951.Sybil Andrews (1898-1992), Impasse des hautes Mariages – Rouen, circa 1925.Le Pho (1907-2001), La maternité.Sonia Delaunay (1885-1979), Ses Peintures, Ses Objets, Ses Tissues Simultanés, Ses Modes, 1925.Sonia Delaunay (1885-1979), Composition with Semicircles, 1970.Jacob Hendrick Pierneef (1886-1957), Uniebou en Doringboom,1925.Kiyoshi Saito (1907-1997), Children of Aizu.Paul Jacoulet (1896-1960), Fumées de Santal, Mandchoukuo, 1948.Blanche Lazzell (1878-1956), Abstract Art Exhibit, Herring Gallery, circa 1920.Charles Turzak (1899-1986), Grant Park, Chicago, 1931.Will Barnet (1911-2012), Child Reaching, 1940.Will Barnet (1911-2012), The Brothers, 1942.Donald Judd (1928-1994), Untitled, 1951-52.Milton Clark Avery (1885-1965), Reclining Nude, 1941.Milton Clark Avery (1885-1965), Flight, 1953.Luigi Rist (1888-1959) Forbidden Fruit, 1948.Luigi Rist (1888-1959) Pepperoni, 1951.Luigi Rist (1888-1959) Fish and Mushrooms, 1953.Mervin Jules (1912-1994), Sunflowers.Mervin Jules (1912-1994), Two impressions of "Poppies."Mervin Jules (1912-1994), Reflections.Letterio Calapai (1902-1993), 11:45 P.M, 1947.Ben Shahn (1898-1969), Baseball, 1968.Dorothea Tanning (1910-2012), Birthday (Self Portrait at Age 30).Dorothea Tanning (1910-2012), Nue Couchée, 1965.Dorothy Dehner (1901-1994), Tango, 1973.Dorothy Dehner (1901-1994), Egyptian Theme, 1970.Rufino Tamayo (1899-1991), Personaje en Gris, 1980.Rufino Tamayo (1899-1991), Personaje Sentado, 1976.Rufino Tamayo (1899-1991), Dos Figuras,1976.Antonio Frasconi (1919-2013), American Indian Series, 1971.Robert Gwathmey (1903-1988), Vendor, 1975.Françoise Gilot (1921-2023), Mother and Daughter, circa 1981.Andrew Wyeth (1917-2009), Ten Color Reproductions of Paintings by Andrew Wyeth, 1956.Andrew Wyeth (1917-2009), Drawings, 1976.Paul Cadmus (1904-1999), Nudo #3, 1984.Craig McPherson (b. 1948), Rear Window, 1984.

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