Modern & Post-War Art

online only auction | 1 day sale | 3 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
May 14
12pm

Sale Ends

Thu
May 14

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
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Swann Auction Galleries

Description & Details

Swann Galleries' Spring offering of Modern & Post-War Art will feature a selection of works from the era's best genres include Abstract Expressionism, Hard-Edge Abstraction, and Color Field painting.



Felrath Hines' ""Brown Landscape; Autumn Eve,"" oil on canvas, circa 1950, is on offer. The 1950s for Hines was largely devoted to painting landscapes, here he deemphasized the use of line and forms are amorphous leaving the viewer open to interpretation.



Detroit artist, Al Loving's earliest artistic breakthrough came in a series of hard-edge abstractions, many with a support of canvas stretched over shaped stretchers. ""Septehedron L-B-4,"" acrylic on canvas, 1970, features a six-sided stretcher with the face of the canvas depicting four of the seven sides of the polyhedron with three sides suggested by overlapping line and form.



Several artists in the Washington D.C. area pioneered the Color Field technique, establishing the Washington Color School. Featured in the sale is Mehring's ""Untitled, (# 1),"" magna on unprimed canvas, 1963. Here Mehring uses washes of color patterns in pointillist patterning divided into equal proportion on a square support. In this design he removes suggestion of a horizon line or asymmetry allowing the colors to interact without cues to suggest representational forms.
Louis Mathieu Verdilhan, Untitled, (Port of Marseille), Oil on canvas.Max Weber, Seated Figure, Charcoal on paper laid to paper, 1908.Adolph Gottlieb, Untitled, (Nude), Conté crayon on cream wove paper, 1932.Earl Cavis Kerkam, Still Life.Gershon Benjamin, Dolly in Blue, Gouache on paper, 1950.Joachim Probst, King Solomon, Ink on paper, 1951.Juliet Kepes, Untitled, (Bird in the Fall), Colored inks on paper.Juliet Kepes, Untitled, Mayflies, Ink on handmade paper.Juliet Kepes, Untitled, (Sea Life), Ink on Fabriano cotton paper.Jean Hélion, Tensions, Water on paper laid to board, 1932.Jean Hélion, Equilibre, watercolor and gouache on paper laid to illustration board, 1932.Jean Hélion, Equilibre, watercolor on paper, 1933.John von Wicht, Still Life and Abstraction, gouache on board.John von Wicht, Untitled, Oil on handmade paper.Hananiah Harari, Revised Sketch for WPA Mural Study (Up & Downtown), 1938.Hananiah Harari, Revised Sketch for WPA Mural Study (New York Harbor), 1937.Jean Hélion, Abstraction, Ink and watercolor on paper, 1937.Ilya Bolotowsky, Portfolio III, Portfolio with complete text and 7 (of 8) color screenprints onCharles Green Shaw, Deluge, Oil on canvasboard, 1959.Charles Green Shaw, Night Form, Oil on canvasboard, 1959.George Zachary Constant, Of Course, Oil on canvas, 1972.George Zachary Constant, Lovers, Oil on canvas, 1953.George Zachary Constant, Column, Oil on canvas, 1950.Louis Schanker, Squares and Rectangular Shapes., Oil on canvas, 1947Charles Alston, Demolition (Tenements), Oil on canvas, c. 1958.Maurice Golubov, Untitled, (00201), Oil on paper laid to Foamcore, c. 1949.Maurice Golubov, City Nocturne, (00270), Oil on canvas, 1949.Maurice Golubov, Winter Moon, (00243), Oil on masonite, 1948.Remo Michael Farruggio, Color Game.Max Ernst, Festin., Group of 6 color lithographs on Arches, 1974.Joan Miro (After), Femme, lune, étoile., Color lithograph, 1963.Jean Dubuffet, Samedi tantôt, Color lithograph, 1964.Joseph Cornell, Untitled (Landscape with Figure), Color photogravure, 1972.Yves Klein, Two prints from "The Inner and the Outer Space", Color screenprint and gold foil, 1965.Rolph Scarlett, Untitled, Oil on canvas, c. 1929.Leon Kelly, Ball Players on a Lunar Peach, (No. 624), Ink on gray wove paper, 1958.Leon Kelly, Fraternal Encounter, (No. 1125), Ink and watercolor on cream paper, 1956.Leon Kelly, Synthetic Man, Synthetic Eternity, (No. 1128), Ink on light blue paper, 1956.Leon Kelly, Three Personages and a White Cat, (No. 1127), Ink on brown paper, 1956.Leon Kelly, Solitary Voyager, (No. 1126), Ink on light blue paper, 1956.Leon Kelly, Cloth bound drawing pad with six drawings, Ink on paper in cloth bound drawing pad.Patricia Hope Windrow, Surrealist Landscape, Oil on masonite, 1963.Sidney Gross, Untitled., Oil on canvas.Sidney Gross, Untitled (Abstract), Gouache on cold pressed watercolor board, 1941.Fritz Blumenthal, Untitled, Oil on masonite, 1958.Rudolf Bauer, Untitled, Pencil on paper.Rudolf Bauer, Untitled, Pencil on paper.Anni Albers, GR I, Color screenprint on Arches, 1970.Josef Albers, WEG II, Color line-cut embossing, 1971.Rolph Scarlett, Untitled, Pencil and gouache on paper.Rolph Scarlett, Untitled, Pencil, gouache and collage on paper.Rolph Scarlett, Untitled, Pencil and gouache on paper.Rolph Scarlett, Untitled, Gouache on paper.Will Barnet, Indian Space, (Birds), Oil on canvas, 1949.Will Barnet, Untitled (Indian Space Abstraction). Watercolor on paper, c. 1954.Will Barnet, Untitled (Indian Space Figure), Ink on paper, c. 1952.Will Barnet, Untitled (Indian Space Figure). Ink on paper, c. 1952.Will Barnet, Untitled (Abstract Child), Watercolor on paper, c. 1947.Giorgio Cavallon, (1904-1989), Seated Woman, ink on paper, 1937.Mark Tobey, Horizons, Tempera on paper laid to board, 1953.Ephemera: collected by Francis V. O'Connor, with 16 exhibition posters, 1967-1990.Jackson Pollock, Untitled (Number 7), 1951.Willem De Kooning, Untitled, Color screenprint on Arches wove paper, 1972.Willem De Kooning, Reflections: To Kermit for Our Trip to Japan, 1971.Willem De Kooning (1904-1997), Two Figures, Charcoal on cream wove paper, 1975.Philip Guston, Untitled, Lithograph on Rives BFK, 1963.Theodoros Stamos, Untitled, Color screenprint on J. B. Green Imperial paper, 1971-72.Theodoros Stamos, Untitled, Color screenprint on J. B. Green Imperial paper, 1971-72.Robert Motherwell, Untitled (London Series II), Color screenprint and embossing on J. B. GreenRobert Motherwell, Untitled (London Series I.), Color screenprint on J.B. Green paper, 1970-71.Adolph Gottlieb, Crimson Ground, Color screenprint, 1972.Joan Mitchell, Untitled, Color lithograph, circa 1967.Jimmy Ernst, Untitled, Oil on canvas, 1953.Jimmy Ernst, Untitled, Gouache on paper, 1968.Jimmy Ernst, Untitled, Oil on masonite, 1966.Jimmy Ernst, Untitled, Ink on handmade paper, 1954.Jimmy Ernst, Untitled, (#612), Gouache on paper.Agnes Martin, On A Clear Day, Color screenprint on Japan paper, 1973.Charlotte Park, Balmony, Acrylic and oil crayon on canvas, 1976.Giorgio Cavallon, Provincetown Landscape, Watercolor on paper, 1959.Giorgio Cavallon, Village and Railroad Tracks, Watercolor on paper.Linda Lindeberg, Untitled, (Abstraction), Oil on canvas.Linda Lindeberg, It Is, Oil on canvas, 1958.Linda Lindeberg, Tableau, (Three Drawings), Pastel on paper, 1973.Paul Burlin, Abstraction, Ink on paper, 1957.James Brooks, South Fork, Color screenprint, 1974.Sam Middleton, Number 13, oil on masonite, 1957.Sam Middleton, Formula One, Zantvoort.Perle Fine, Smokescript., Lithograph, circa 1950.Charles Seliger, Botanical, Acrylic on masonite, 1967.MARY LEE ABBOTT, Untitled, pastel and watercolor on paper.Robert Goodnough, Energy, Oil on canvas, c. 1959.Felrath Hines, Brown Landscape; Autumn Eve, Oil on canvas, circa 1950.Leonard Pytlak, Untitled, Color screenprint, circa 1950s.William Vaughn Howard, Blue Blocks, Oil on canvas, 1959.William Vaughn Howard, Gray Sunrise, Acrylic and charcoal on paper laid to matboard, 1980.Natalie Edgar, Untitled, Gouache and charcoal on paper, 1980.György Kepes, Measured Horizon, Oil and sand on canvas, 1971.György Kepes, Fallen Glow, Oil and sand on canvas, 1982.Gene Davis, Devil's Fork, Acrylic on unprimed canvas, 1980.Howard Mehring, Untitled, (# 1), Magna on unprimed canvas, 1963.Felrath Hines, Secrets #3, Oil monotype on paper, 1983.Aristodimos Kaldis, Landscape with Cypresses and Fence.Morris M. Shulman, Untitled, Gouache on paper, 1958.Leon Bibel, High Energy, 1962.Leon Bibel, Geometry of Nature, 1961.Leon Bibel, Time and Space, 1963Zao Wou-Ki, Montagnes et Soleil, 1951.Jyoti Bhatt, Scattered Forms., Color etching and aquatint, 1965.Oswaldo Vigas, Untitled, Oil on paper tipped to illustration board, 1965.Omar Rayo, Altar, Blind embossing on Arches, 1969.Kazuya Sakai, Giverny, (No. 10), Acrylic on paper, 1984.Peter Lanyon, Mountain, Italy, Oil on masonite, 1956.Arthur Aeschbacher, Juxtapose - d'Appoximation, Mixed paper collage on green craft paper, 1962.Dora Maar, Untitled, Oil on paper.Pierre Dmitrienko, Untitled, 1960.Moshe Kupferman, Untitled, Oil on canvas, 1973.Joseph Konzal, Flight, 1946.Philippe Hiquilly, Untitled, Figure, 1960.Nadine Effront, Deux Personnages, Marble on a stone base.Nadine Effront, Two Figures, Charcoal and collage on paper, 1963.Nadine Effront, Abstract Collage, Charcoal and collage on paper, 1963.Nadine Effront, Abstract Collage, Charcoal, gouache and collage on paper, 1963.Nadine Effront, Circle Abstract, Oil on paper.Carlo Canevari, Untitled., Oil on panelLeon Bibel, Running Man, 1977.Sorel Etrog, Embrace, Bronze with green patina, 1962.Ernest Trova, Falling Man Series, (#68), Latex on canvas, 1963.Peter Anthony Chinni, Untitled, 1967.Louise Nevelson, Untitled (T-2173 & 2173A), Color lithograph, 1967Louise Nevelson, Purple Composition, 1973.Rogelio Polesello, Untitled, Acrylic sculpture, 1969.Clement Meadmore, Split Ring 2D, Color screenprint, 1972.Jose de Rivera, Untitled, (578), Stainless steel on lacquered wooden base, motorized, 1978.Jose de Rivera, Untitled., Bronze on lacquered wooden base, motorized, 1975.Dorothy Dehner, Abstraction, Ink on paper, 1978.Dorothy Dehner, Lunar Series #1, Lithograph on Arches, 1970.Dorothy Dehner, Lunar Series #3, Lithograph on Arches, 1970.Seymour Fogel, Untitled (Vesica #2), Pencil on Paper laid to two-ply paper, 1968-1973.Seymour Fogel, Untitled (Study for Mandala), Pencil on paper laid to two-ply paper, 1967.Larry Zox, Untitled, Color screenprint, circa 1967.Nassos Daphnis, SS-3-70, Color screenprint with plastic laminate, 1970.Leon Polk Smith, Black and White Collage, Pencil and collage on paper, 1972.Alvin Demar Loving, Septehedron L-B-4, Acrylic on shaped canvas, 1970.Herbert Bayer, Deep Gate, Color screenprint, 1974.Richard Anuszkiewicz, Untitled, from Spectral Cadmium, Color screenprint, 1968.Natvar Bhavsar, Untitled (Yellow, Green, Blue, Red), Color screenprint, 1969.Sewell Sillman, Untitled, Oil, collage, and metal leaf on board.Jim Forsberg, Sunscape, Oil on canvas, 1975.Allan D'Arcangelo, Watertower, Color screenprint, 1973.Jasper Johns, Target I, Etching on handmade Jeff Goodman paper, 1967.Walter De Maria, Drawing for John Cale, Ink on paper, 1964.

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