19th & 20th Century Art

online only auction | 1 day sale | 3 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Sep 17
12pm

Sale Ends

Thu
Sep 17

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
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Swann Auction Galleries

Description & Details

This season's 19th & 20th Century Art sale is a fluid cross-continental dialogue across artistic periods that celebrates throughlines. We will be offering over 200 paintings, sculptures, and works on paper by American, European, and Latin American artists.

Included in the sale are three beautiful early works on paper by Charles Burchfield. "Poplars in May" depicts the edge of Wade Park, in Cleveland in 1916, and bears color notes within the composition, before Burchfield abandoned this practice. Collectors will appreciate the watercolor's colorful, patterned quality and minute, pointed brush strokes. "A Little Cabin (Statesburg, S.C.)" and "Dead Pine Branch," both 1918, come from a point in Burchfield's career when his work became more conscious of and empathetic to the hardships around him, especially while stationed in Camp Jackson, South Carolina.

A small, dynamic watercolor by Paul Cadmus, which is a preparatory work for his 1936 "Venus and Adonis, will feature in the sale. Swann sold the oil on canvas in June 2015, and it's a lovely full-circle moment to "also offer a work so intimately linked with the final.

European highlights are led by another preparatory sketch: "T?te de femme" by Ren? Magritte is an inception of an enigmatic portrait, with the artist's grid lines to translate the final image.

A Modern Latin-American master represented in our sale is Rufino Tamayo, whose "Tres sand?as," 1968, is a playful work on paper. During his early career, Tamayo's still lifes were inspired by the Surrealists and Cubists, but his inclusion of the watermelon made them uniquely Mexican. .
Armand Guillaumin (1841-1927), Damiette, 1884.Honoré Daumier (1808-1879), Baron Joseph de Podenas (L'Important Malicieux), circa 1833.Edgar Degas (1834-1917), Danseuse au repos.Paul Gauguin (1848-1903), Torse d'une femme, circa 1893.Auguste Rodin (1840-1917), Femme au châle sur les épaules, circa 1896.Auguste Rodin (1840-1917), Deux femmes nues, circa 1900.Auguste Rodin (1840-1917), Assemblage: Femme damnée et Nu féminin agenouillé, circaAuguste Rodin (1840-1917), La Martyre (petit modèle avec terrasse), circa 1885.Suzanne Valadon (1865-1938), Femme nu allongeé, 1894.Aristide Maillol (1861-1944), Grande femme assise au socle ajoure, 1920.Aristide Maillol (1861-1944), Nu assis de face.Aristide Maillol (1861-1944), Buste de femme, 1898.Aristide Maillol (1861-1944), Petit Torse Cezanne, 1913.Georges d'Espagnat (1870-1950), Jeu de cartes.Pierre Bonnard (1867-1947), Saint-François de Sales, 1942-45.Jules Pascin (1885-1930), Les souers, 1927.Wilhelm Lehmbruck (1881-1919), Stehender weiblicher Akt (Macht), circa 1918.Ernst Ludwig Kirchner (1880-1938), Sich reckender weiblicher Akt, circa 1913.Georg Kolbe (1877-1947), Kriechende, circa 1919-20.George Grosz (1893-1959), Kalte und Warme Getränke, 1912.Egon Schiele (1890-1918), Selbstbildnis, 1917.Otto Dix (1891-1969), Frauenportrat mit Pelz, circa 1928.William Straube (1871-1954), Varieté-Szene (At the Cabaret, Two Dancing Men), 1922.Georg Tappert (1880-1957), Tingel-Tangel-Damen, circa 1925.William Glackens (1870-1938), Pear, Persimmon and Grapes.Robert Henri (1865-1929), Reclining Nude (Hawaiian).Guy Pène du Bois (1884-1958), Sunday Family, 1941.Thomas Hart Benton (1889-1975), The Old Campaigner, 1924.Reginald Marsh (1898-1954), In the Fun House and Two Girls, 1946.Raphael Soyer (1899-1987), Portrait of a Young Woman in Plaid.William Hogarth (1697-1764), A Couple Taking a Walk.Richard Wilson (Attributed), Landscape with a Grove of Trees beside a Lake.Louis-Léopold Boilly (1761-1845), Portrait of Curtis Bolton, circa 1807.James Abbott McNeill Whistler (1834-1903), La Marchande de Moutarde, 1858.James Abbott McNeill Whistler (1834-1903), Limehouse, 1859.James Abbott McNeill Whistler (1834-1903), Soupe à Trois Sous, 1859James Abbott McNeill Whistler (1834-1903), C.L. Drouet Sculpteur, 1859Edward James (1820-1877), Sidewheel Steamship, circa 1850.Edward James (1820-1877), Barque Mary Baker, Capt. Gustavus A. Lane at Bermuda, May 20, 1869.Hercules Brabazon Brabazon (1821-1906), Bleak Landscape.Jean-Baptiste-Camille Corot (1796-1875), Souvenir d'Italie, 1863.Honoré Daumier (1808-1879), Deux têtes.Édouard Louis Dubufe (1819-1883), Portrait d'un frère et d'une sœur, 1857.François Bonvin (1817-1887), Portrait of Alfred Bruyas, 1858.Jean-François Millet (1814-1875), La Grande Bergère, 1862.Camille Pissarro (1830-1903), Paysannes.Camille Pissarro (1830-1903), Marché à la Volaille à Gisors, 1891.Édouard Manet (1832-1883), Olympia, 1867.Camille Pissarro (1830-1903), Paysage tropical.Paul Gauguin (1848-1903), Femme Maorie dans un Paysage de Branches d'Arbres, 1894-95.Paul Gauguin, (1848-1903) Mahana Atua (Le Jour de Dieu), 1894-95.Henri de Toulouse-Lautrec (1864-1901), Homme Lisant, circa 1878-80.Henri de Toulouse-Lautrec (1864-1901), Judic, 1893.Henri de Toulouse-Lautrec (1864-1901), Le Petit Trottin, 1893.Henri de Toulouse-Lautrec (1864-1901), Adieu, 1895-96.Theophile-Alexandre Steinlen (1859-1923), L'Hiver, Chat sur un Coussin, 1909.Théo van Rysselberghe (1862-1926), Boulogne, 1900.Antonio Coppola (1839-1916), Vesuvius About to Erupt and Vesuvius Fully Erupting, 1872.Henrik G. Jespersen (1853-1936), Sunrise, Italian Riviera, 1914.Charles Winter (b. circa 1825), The Witches' Dance in "Tam o'Shanter", 1851.Albert Fitch Bellows (1829-1883), New England Country Scene.Alfred Cornelius Howland (1838-1909), Cows in a Stream, 1866.William Sartain (1843-1924), The Marsh at Nonquitt, Massachusetts, circa 1886.Samuel Colman (1832-1920), Western Landscape with Aspen Trees.George Gardner Symons (1861-1930), Fall Landscape.George Gardner Symons (1861-1930), Winter Landscape.Oliver Ingraham Lay (1845-1890), After the Storm, 1868.Oliver Ingraham Lay (1845-1890), Portrait of Maria Oakey Dewing, 1875.Fidelia Bridges (1834-1923), Forsythia, circa 1910.Fidelia Bridges (1834-1923), Seagull, circa 1910.Mahonri Mackintosh Young (1877-1957), Untitled (Cows in a Landscape), circa 1920.Louis Comfort Tiffany (1848-1933), Study for "Pushing Off the Boat".Bertha Lum (1869-1954), Tanabata, 1913.Violet Oakley (1874-1961), The Seine, Paris.Ethel Mars (1876-1959), Street Scene, Paris, circa 1910.Otto Henry Bacher (1856-1909) Entrance to the Grand Canal, Venice, 1880.Henri Le Sidaner (1862-1939), L'Isola Bella, Lago Maggiore, 1915.Suzanne Valadon (1865-1938), Adèle préparant le tub et Ketty aux bras levés, 1905.Paul César Helleu (1859-1927), Le Col de velours, circa 1910.Manuel Robbe (1872-1936), Le Nouveau morceau de musique, 1903.Manuel Robbe (1872-1936), La Leçon de musique, circa 1902.Pierre Bonnard (1867-1947), Femme a sa toilette.Léon Bonhomme (1870-1924), Two works on paper.Abbott Fuller Graves (1859-1936), Flower Blossoms.Whitney Hubbard (1875-1965), Two oil paintings.Anna Mary Richards Brewster (1870-1952), Summer Sunset, 1908.Oscar Anderson (1873-1953), Grand Manan, New Brunswick, 1912.Arthur Bowen Davies (1862-1928), Entrance of Harbor, St. John's, Newfoundland, circa 1911.Arthur Bowen Davies (1862-1928), The Bare Lot, Holland Patent, New York, circa 1911.Whitney Hubbard (1875-1965), Two landscape paintings.Louis Eilshemius (1864-1941), Wooded Path.Louis Eilshemius (1864-1941), Sailing at Sunset, 1919.Paul Sawyier (1865-1917), Shoreline, Brooklyn, circa 1913.Joseph Pennell (1866-1926), Train Yard, St. Louis, 1919.Ernest Lawson (1873-1939), River Landscape.Arthur Bowen Davies (1862-1928), Emerald Lake, Colorado.Hanson Duvall Puthuff (1875-1972), Enchanted Evening – Death Valley, 1910.Allen Tucker (1866-1939), The Bright Valley, 1921.Allen Tucker (1866-1939), Landscape with Cedars, circa 1920.Charles Burchfield (1893-1967), Poplars in May, 1916.Charles Burchfield (1893-1967), A Little Cabin (Statesburg, S.C.), 1918.Charles Burchfield (1893-1967), Dead Pine Branch, 1918.Middleton Manigault (1887-1922), Windswept Forest (Tree Rhythms).Emil Ganso (1895-1941), Sailboats.Allen Tucker (1866-1939), (Untitled) Girl on Stage and Portrait.George Overbury "Pop" Hart (1868-1933), Standing Nude from Behind.Wood Gaylor (1884–1957), Penguin Club, 1917.Adelaide Lawson Gaylor (1889-1986), Chinatown.Simka Simkhovitch (1893-1949), Central Park, circa 1927.Lee Gatch (1902-1968), The Artist's Sister, 1926.Henry Varnum Poor (1887-1970), Russett Apples, 1960.Arthur Bowen Davies (1862-1928), Cupid and Psyche (Amend), circa 1926.Lesser Ury (1861-1931), Paar auf der Bank, 1919.Lovis Corinth (1858-1925), Terrasse, Walchensee, 1922.George Grosz (1893-1959), Zur Arbeit, Paris, 1925.William Giles (1872-1939), Sic Transit Gloria Mundi (Thus Passes the Glory of the World), circaJoseph Edward Southall (1861-1944), Two watercolors of beach scenes.Dora Carrington (1893-1932), Study of Cows, circa 1912.Dora Carrington (1893-1932), Rocks and Mountains, 1921.Vanessa Bell (1879-1961), Design for St. Michael and All Angels Church, circa 1941.Quentin Bell (1910-1996), Sea Serpent Platter.Stanton Macdonald-Wright (1890-1973), Mikan Ringo & Tomago (Cézanne no Ho Ho), circa 1964.Laura Coombs Hills (1859-1952), Vase of Flowers, circa 1940.George Biddle (1885-1973), Union Square, circa 1930.Minna Wright Citron (1896-1991), Final Adjustments, 1935.Wood Gaylor (1884-1957), Seated Girl in a Blue Dress, 1929.David Burliuk (1882-1967), Portrait of a Woman.Maurice Sterne (1878-1957), Portrait of a Woman in a Green Dress, circa 1930.Maxwell Stewart Simpson (1896-1984), Homage to Isadora Duncan, circa 1936.Paul Cadmus (1904-1999), Sketch for "Venus and Adonis," circa 1936.José Clemente Orozco (1883-1949), Soldaderas, 1928.Diego Rivera (1886-1957), El tocado de plumas (Danzante de Huejotzingo), 1954.Miguel Covarrubias (1904-1957), Head of a Balinese Girl, circa 1930.Georges Rouault (1871-1958), Pierrot, 1935.Albert Gleizes (1881-1953), Untitled.Gino Severini (1883-1966), Les Arlequins, 1954.Henri Matisse (1869-1954), Circé, 1935.André Derain (1880-1954), Conception d'un masque, circa 1940.Camille Bombois (1883-1970), Le Maquereau, circa 1935.Constant Le Breton (1895-1985), Les Rose Pompons.Paul-Émile Pissarro (1884-1972), Pommiers en fleurs, circa 1945.Paul-Émile Pissarro (1884-1972), Le Bourg de Vaucelles, circa 1948.Marcel Dyf (1899-1985), Moisson aux poules en Provence, 1950.Stow Wengenroth (1906-1978), Exploring, 1964.Robert Gwathmey (1903-1988), Cotton Pickers.Alexander Brook (1898-1980), Magnolia Pod, 1947.Paul Cadmus (1904-1999), David (Portrait of David Stewart Hull).Sidney Gross (1921-1969), Portrait of Kay, the Artist's Wife, circa 1945.Wood Gaylor (1884–1957), Seated Woman in Red Dress.Victor Delhez (1902-1985), Group of 6 Portrait Prints.Jacob Epstein (1880-1959), Morna, 1935-36.George Owen Wynne Apperley (1884-1960), Desnudo femenino, circa 1950.Rajmund Kanelba (1897-1960), Portrait of Masha.Arnold Lakhovsky (1880-1937), Village Landscape.Béla Kádár (1877-1956), Two Riders on Horseback.René Magritte (1898-1967), Tête de femme.Pablo Picasso (After), Buste de femme en blanc, 1930.Pablo Picasso (1881-1973), Bird on a Branch, 1952.Pablo Picasso (After), Madame Ricardo Canals, 1966.Pablo Picasso (1881-1973), Series 347:090 (La Celestine, enlèvement), 1968.Pablo Picasso (1881-1973), Petit carré au visage, 1971.Jean Cocteau (1889-1963), Portrait, circa 1961.Salvador Dalí (1904-1989), Le Cirque: Eléphants, 1965.Salvador Dalí (1904-1989), The Dream, 1975.Leonor Fini (1907-1996), Les Petites filles modèles, 1973.Christian d'Orgeix (1927-2019), Composition No. 11, circa 1955.Portfolio, Variations sur L'Imaginaire, 1972.Eugene Berman (1899-1972), Débris antique dans un paysage, 1933.Carlo Canevari (1922-1996), Untitled (Clergymen at Play).Herman Rose (1909-2007), Glimpse of Rome, 1962.Adele Brandwen (1900-1964), Fruit Vendor.Maurice Sterne (1878-1957), Beach Scene.Maurice Sterne (1878-1957), Sunset.Wayne Thiebaud (1920-2021), Pied Piper, 1948.William Sharp (1900-1961), Deck Chairs, circa 1950.Will Barnet (1911-2012), Butcher's Son, 1939.Will Barnet (1911-2012), Untitled (Extended Family), circa 1945-50.William Sharp (1900-1961), Still Life with Chinese Vase, circa 1950.Herman Rose (1909-2007), Still Life with Potted Plant and Bird.Herman Rose (1909-2007), Three paintings.Herman Rose (1909-2007), Trees.William Francis Taylor (1883-1970), Shoveling the Car.Walter Farndon (1876-1964), Old Douglaston Manor, circa 1950.Ben Benn (1884-1983), Long Island Bay.Lawrence Lebduska (1894-1966), The Garden of Eden (Wild Life), circa 1962.Samuel Hyde Harris (1889-1977), Tree in a Landscape.Samuel Hyde Harris (1889-1977), Desert Survivor.Peter Bela Mayer (1887-1993), Bar Harbor, Maine.William Thon (1906-2000), Maine Forest, 1957.Louis Schanker (1903-1981), Horse and Rider, 1940.Maurice Golubov (1905-1987), Untitled, 1945.Maurice Golubov (1905-1987), Two paintings.Charles Seliger (1926-2009), Gale of Violets, 1959.Malcolm Myers (1917-2002), Now Tell Me - Thelonious Monk, Charlie Parker, circa 1955.Leo Michelson (1887-1978), Portrait of Max Friedlander, 1952.Joseph Delaney (1904-1991), Untitled (Nude Figure Studies), 1963.Albert Kresch (1922-2022), Untitled (Nude).Morris Graves (1910-2001), Wild Mouse, circa 1955.Barse Miller (1904-1973), Barnacle Ledge II.Umetaro Azechi (1902-1999), Two woodblock prints, 1955.Kiyoshi Saito (1907-1997), Winter in Aizu, circa 1950.Kiyoshi Saito (1907-1997), Maiko Kyoto (D), 1960.Ángel Botello (1913-1986), Madre e hija.Rufino Tamayo (1899-1991), Tres sandías, 1968.Francisco Zúñiga (1912-1998), Maternidad, 1971.Raoúl Anguiano (1905-2006), Retrato de una mujer, 1965.Francisco R. Onate (b. 1940), Los Cachorros, 2000.Louis Kahan (1905-2002), Untitled (Outbuildings), 1956.Claude Vernard (1913-1999), Bateau au port.Sidney Goodman (1936-2013), Study of Spain, 1962.Ted Gilien (1914-1967), Caravan.Corita Kent (1918-1986), What The Heart Has Once Owned...Red Grooms (b. 1937), Segesta, 1968.Jade Fon (1911-1983), Foggy Day on the Bay.George James (1932-2016), Sketchbook with drawings.Milford Zornes (1908-2008), Kanab Canyon.Milford Zornes (1908-2008), Shoreline, 1965.Dong Kingman (1911-2000), An Orange Sunset.Stevan Dohanos (1907-1994), Untitled (Harbor Scene).Mervin Jules (1912-1994), The Fish Kite.Mervin Jules (1912-1994), Anemones.Mervin Jules (1912-1994), At the Window., Oil on masonite, circa 1960.Red Grooms (b. 1937), Portrait of a Writer, 1970.Boris Chaliapin (1904-1979), Mrs. Kaufman, 1969.Lennart Anderson (1928-2015), Youths. 1970.Philip Pearlstein (1924-2022), Two Nudes.Paul Cadmus (1904-1999), Male Nude (NM 184), 1985.Henry Koerner (1915-1991), Snow White, 1979.Joellen Hall (1921-2006), The Sculptor, 1972.Marjorie Apter-McKevitt (1929-1988), Backyard & Neighbor's House, 1979.Charles Seliger (1926-2009), Natural History: Form within Rock, 1967.Charles Seliger (1926-2009), Fantasy Plant, 1988.Ira Moskowitz (1912-2001), Hidden Faces, 1971.Will Barnet (1911-2012), Study for "Introspection", 1972.Robert Kulicke (1924-2007), Flowers in a Vase, 1978.Robert Kulicke (1924-2007), Two Peaches with a Leaf, 1983.Martha Mayer Erlebacher (1937-2013), Apple Arc with Wine Bottle, 1979.Mark Hampton (1940-1998), Double Drawing Room of Blair House, Washington D.C., circa 1985.Howard Knotts (1922-2004), Souvenir of Watermill, 1972.Cornelia Foss (b.1931), Beach with Houses.Philip Geiger (b. 1956), Charlottesville, July, 1987.Helen Miranda Wilson (b. 1948), Avane, Early Morning, 1984.Harry Orlyk (b. 1947), Back Road, 1985.Christopher Gerlach (b. 1952), Untitled (Sunrise Landscape), 1982.Donald Anderson (1919-2020), Old Yellow (Roswell), 1989.John William Hilton (1904-1983), Desert Landscape.Jane Wilson (1924-2015), Moon at Midnight, 1990.Lois Dodd (b. 1927), Road at Schull, County Cork, Ireland, 1995.Curt Walters (b. 1950), Rio della Sensa.Theophilus Brown (1919-2012), TB No. 13., 1990.John Wilde (1919-2006), Falling, 2003.Helen Miranda Wilson (b. 1948), Blue Trail, 1981.Ann Lofquist (b. 1964), Route 1, Bath, 1997.Diana Horowitz (b. 1958), Urban Landscape, 1997.Diana Horowitz (b. 1958), Industrial Scene.Susan Hauptman (1947-2015), Candy Dish, 1988.Robert Berlind (b. 1938), October Creek, 1993.Thomas Woodruff (b. 1957), The Secret Charts - Figure A., 1993-94.Thomas Woodruff (b. 1957), The Secret Charts - Figure V, 1994-95.Julie Heffernan (b. 1956), Accumulated Self-Portrait #4, 2000.Colleen Cox (b. 1957), Two paintings.

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