WINTER COLLECTION SALE

online only auction | 6 day sale | 4 days remaining
Location
Salem, OR 97301
Dates

Sale Starts

Tue
Dec 16
10pm

Sale Ends

Sun
Dec 21
6:30pm

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Salem Auction House
2828 Cherry Ave NE
Salem OR 97301
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Salem Auction House

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(503) 979-3073

Description & Details

Winter Collection features fine art, furniture, antiques, jewelry, and more. Please read all terms and conditions. 20% buyer’s premium. We offer local pickup in Salem, OR along with in house shipping, UPS Pack and Ship Guarantee, and white glove delivery.

Previews are available during open hours or by appointment.

This is a Danish bronze dish featuring a Viking longship scene, by the designer Aedel Malm from the Arts & Crafts movement. The Ædel Malm foundry is primarily known for its artistic bronze and brass pieces, which often depict Norse mythology. This piece measures, 5.25” H x 6.25” W. This is a Danish bronze dish featuring a Viking longship scene, by the designer Aedel Malm from the Arts & Crafts movement. The Ædel Malm foundry is primarily known for its artistic bronze and brass pieces, which often depict Norse mythology. This piece measures, 5.25” H x 6.25” W. This is a Danish bronze dish featuring a Viking longship scene, by the designer Aedel Malm from the Arts & Crafts movement. The Ædel Malm foundry is primarily known for its artistic bronze and brass pieces, which often depict Norse mythology. This piece measures, 5.25” H x 6.25” W. This is a Danish bronze dish featuring a Viking longship scene, by the designer Aedel Malm from the Arts & Crafts movement. The Ædel Malm foundry is primarily known for its artistic bronze and brass pieces, which often depict Norse mythology. This piece measures, 5.25” H x 6.25” W. "Two Swans", a heavy cast bronze compote or pedestal bowl. This piece has beautiful patina throughout and measures, 11” H x 9” W x 8” D. The top rim has some character and a small crack as seen in photos. Likely made in the 1930s-1940s. "Two Swans", a heavy cast bronze compote or pedestal bowl. This piece has beautiful patina throughout and measures, 11” H x 9” W x 8” D. The top rim has some character and a small crack as seen in photos. Likely made in the 1930s-1940s. "Two Swans", a heavy cast bronze compote or pedestal bowl. This piece has beautiful patina throughout and measures, 11” H x 9” W x 8” D. The top rim has some character and a small crack as seen in photos. Likely made in the 1930s-1940s. "Two Swans", a heavy cast bronze compote or pedestal bowl. This piece has beautiful patina throughout and measures, 11” H x 9” W x 8” D. The top rim has some character and a small crack as seen in photos. Likely made in the 1930s-1940s. "Two Swans", a heavy cast bronze compote or pedestal bowl. This piece has beautiful patina throughout and measures, 11” H x 9” W x 8” D. The top rim has some character and a small crack as seen in photos. Likely made in the 1930s-1940s. "Two Swans", a heavy cast bronze compote or pedestal bowl. This piece has beautiful patina throughout and measures, 11” H x 9” W x 8” D. The top rim has some character and a small crack as seen in photos. Likely made in the 1930s-1940s. "Two Swans", a heavy cast bronze compote or pedestal bowl. This piece has beautiful patina throughout and measures, 11” H x 9” W x 8” D. The top rim has some character and a small crack as seen in photos. Likely made in the 1930s-1940s. "Two Swans", a heavy cast bronze compote or pedestal bowl. This piece has beautiful patina throughout and measures, 11” H x 9” W x 8” D. The top rim has some character and a small crack as seen in photos. Likely made in the 1930s-1940s. "Two Swans", a heavy cast bronze compote or pedestal bowl. This piece has beautiful patina throughout and measures, 11” H x 9” W x 8” D. The top rim has some character and a small crack as seen in photos. Likely made in the 1930s-1940s. This lot features an antique Japanese buddhist temple lantern that measures, 10.5” H x 7.5” W x 7.5” D. This item was likely made in the Meiji Era around the 1850s-1880s. This lot features an antique Japanese buddhist temple lantern that measures, 10.5” H x 7.5” W x 7.5” D. This item was likely made in the Meiji Era around the 1850s-1880s. This lot features an antique Japanese buddhist temple lantern that measures, 10.5” H x 7.5” W x 7.5” D. This item was likely made in the Meiji Era around the 1850s-1880s. This lot features an antique Japanese buddhist temple lantern that measures, 10.5” H x 7.5” W x 7.5” D. This item was likely made in the Meiji Era around the 1850s-1880s. This lot features an antique Japanese buddhist temple lantern that measures, 10.5” H x 7.5” W x 7.5” D. This item was likely made in the Meiji Era around the 1850s-1880s. This lot features an antique Japanese buddhist temple lantern that measures, 10.5” H x 7.5” W x 7.5” D. This item was likely made in the Meiji Era around the 1850s-1880s. This lot features an antique Mamluck Revival vessel with Islamic Egyptian origins that measures, 11” H x 12” W x 12” D. A Mamluk Revival vessel is a decorative metal object, typically a vase or bowl, made from brass or copper, intricately inlaid with silver and copper (or sometimes gold) in elaborate Islamic patterns like scrolling arabesques, geometric designs, and calligraphy (Arabic/Hebrew), reviving the luxurious metalworking style of the historical Mamluk Sultanate (c. 1250-1517). This lot features an antique Mamluck Revival vessel with Islamic Egyptian origins that measures, 11” H x 12” W x 12” D. A Mamluk Revival vessel is a decorative metal object, typically a vase or bowl, made from brass or copper, intricately inlaid with silver and copper (or sometimes gold) in elaborate Islamic patterns like scrolling arabesques, geometric designs, and calligraphy (Arabic/Hebrew), reviving the luxurious metalworking style of the historical Mamluk Sultanate (c. 1250-1517). This lot features an antique Mamluck Revival vessel with Islamic Egyptian origins that measures, 11” H x 12” W x 12” D. A Mamluk Revival vessel is a decorative metal object, typically a vase or bowl, made from brass or copper, intricately inlaid with silver and copper (or sometimes gold) in elaborate Islamic patterns like scrolling arabesques, geometric designs, and calligraphy (Arabic/Hebrew), reviving the luxurious metalworking style of the historical Mamluk Sultanate (c. 1250-1517). This lot features an antique Mamluck Revival vessel with Islamic Egyptian origins that measures, 11” H x 12” W x 12” D. A Mamluk Revival vessel is a decorative metal object, typically a vase or bowl, made from brass or copper, intricately inlaid with silver and copper (or sometimes gold) in elaborate Islamic patterns like scrolling arabesques, geometric designs, and calligraphy (Arabic/Hebrew), reviving the luxurious metalworking style of the historical Mamluk Sultanate (c. 1250-1517). This lot features an antique Mamluck Revival vessel with Islamic Egyptian origins that measures, 11” H x 12” W x 12” D. A Mamluk Revival vessel is a decorative metal object, typically a vase or bowl, made from brass or copper, intricately inlaid with silver and copper (or sometimes gold) in elaborate Islamic patterns like scrolling arabesques, geometric designs, and calligraphy (Arabic/Hebrew), reviving the luxurious metalworking style of the historical Mamluk Sultanate (c. 1250-1517). This lot features an antique Mamluck Revival vessel with Islamic Egyptian origins that measures, 11” H x 12” W x 12” D. A Mamluk Revival vessel is a decorative metal object, typically a vase or bowl, made from brass or copper, intricately inlaid with silver and copper (or sometimes gold) in elaborate Islamic patterns like scrolling arabesques, geometric designs, and calligraphy (Arabic/Hebrew), reviving the luxurious metalworking style of the historical Mamluk Sultanate (c. 1250-1517). This lot features an antique Mamluck Revival vessel with Islamic Egyptian origins that measures, 11” H x 12” W x 12” D. A Mamluk Revival vessel is a decorative metal object, typically a vase or bowl, made from brass or copper, intricately inlaid with silver and copper (or sometimes gold) in elaborate Islamic patterns like scrolling arabesques, geometric designs, and calligraphy (Arabic/Hebrew), reviving the luxurious metalworking style of the historical Mamluk Sultanate (c. 1250-1517). This lot features an antique Mamluck Revival vessel with Islamic Egyptian origins that measures, 11” H x 12” W x 12” D. A Mamluk Revival vessel is a decorative metal object, typically a vase or bowl, made from brass or copper, intricately inlaid with silver and copper (or sometimes gold) in elaborate Islamic patterns like scrolling arabesques, geometric designs, and calligraphy (Arabic/Hebrew), reviving the luxurious metalworking style of the historical Mamluk Sultanate (c. 1250-1517). This lot features an antique Mamluck Revival vessel with Islamic Egyptian origins that measures, 11” H x 12” W x 12” D. A Mamluk Revival vessel is a decorative metal object, typically a vase or bowl, made from brass or copper, intricately inlaid with silver and copper (or sometimes gold) in elaborate Islamic patterns like scrolling arabesques, geometric designs, and calligraphy (Arabic/Hebrew), reviving the luxurious metalworking style of the historical Mamluk Sultanate (c. 1250-1517). This lot features an antique Mamluck Revival vessel with Islamic Egyptian origins that measures, 11” H x 12” W x 12” D. A Mamluk Revival vessel is a decorative metal object, typically a vase or bowl, made from brass or copper, intricately inlaid with silver and copper (or sometimes gold) in elaborate Islamic patterns like scrolling arabesques, geometric designs, and calligraphy (Arabic/Hebrew), reviving the luxurious metalworking style of the historical Mamluk Sultanate (c. 1250-1517). This lot features a stunning art glass floriform bowl or compote, circa early 1900s. This piece measures, 4.25” H x 8” W x 8” D. This lot features a stunning art glass floriform bowl or compote, circa early 1900s. This piece measures, 4.25” H x 8” W x 8” D. This lot features a stunning art glass floriform bowl or compote, circa early 1900s. This piece measures, 4.25” H x 8” W x 8” D. This lot features a stunning art glass floriform bowl or compote, circa early 1900s. This piece measures, 4.25” H x 8” W x 8” D. This lot features a stunning art glass floriform bowl or compote, circa early 1900s. This piece measures, 4.25” H x 8” W x 8” D. This lot features an antique Loetz Austrian art glass bowl, likely from the early 20th century. A stunning Art Nouveau style with a green iridescent finish. This bowl measures, 2.75” H x 5.5” W x 5.5” D. This lot features an antique Loetz Austrian art glass bowl, likely from the early 20th century. A stunning Art Nouveau style with a green iridescent finish. This bowl measures, 2.75” H x 5.5” W x 5.5” D. This lot features an antique Loetz Austrian art glass bowl, likely from the early 20th century. A stunning Art Nouveau style with a green iridescent finish. This bowl measures, 2.75” H x 5.5” W x 5.5” D. This lot features an antique Loetz Austrian art glass bowl, likely from the early 20th century. A stunning Art Nouveau style with a green iridescent finish. This bowl measures, 2.75” H x 5.5” W x 5.5” D. This lot features an antique Loetz Austrian art glass bowl, likely from the early 20th century. A stunning Art Nouveau style with a green iridescent finish. This bowl measures, 2.75” H x 5.5” W x 5.5” D. This lot features a Kralik Art Nouveau iridescent glass "Martelé" vase, circa 1900. It is a Bohemian art glass piece, noted for its dimpled body and iridescent finish. This stunning vase measures, 4” H x 6” W x 6” D. This lot features a Kralik Art Nouveau iridescent glass "Martelé" vase, circa 1900. It is a Bohemian art glass piece, noted for its dimpled body and iridescent finish. This stunning vase measures, 4” H x 6” W x 6” D. This lot features a Kralik Art Nouveau iridescent glass "Martelé" vase, circa 1900. It is a Bohemian art glass piece, noted for its dimpled body and iridescent finish. This stunning vase measures, 4” H x 6” W x 6” D. This lot features a Kralik Art Nouveau iridescent glass "Martelé" vase, circa 1900. It is a Bohemian art glass piece, noted for its dimpled body and iridescent finish. This stunning vase measures, 4” H x 6” W x 6” D. This lot features a Kralik Art Nouveau iridescent glass "Martelé" vase, circa 1900. It is a Bohemian art glass piece, noted for its dimpled body and iridescent finish. This stunning vase measures, 4” H x 6” W x 6” D. This lot features a Kralik Art Nouveau iridescent glass "Martelé" vase, circa 1900. It is a Bohemian art glass piece, noted for its dimpled body and iridescent finish. This stunning vase measures, 4” H x 6” W x 6” D. This lot features a stunning Kralik Art Nouveau iridescent glass vase with applied green floral motifs and a green rim that measures, 4.5” H x 6” W x 6” D. This lot features a stunning Kralik Art Nouveau iridescent glass vase with applied green floral motifs and a green rim that measures, 4.5” H x 6” W x 6” D. This lot features a stunning Kralik Art Nouveau iridescent glass vase with applied green floral motifs and a green rim that measures, 4.5” H x 6” W x 6” D. This lot features a stunning Kralik Art Nouveau iridescent glass vase with applied green floral motifs and a green rim that measures, 4.5” H x 6” W x 6” D. This lot features a stunning Kralik Art Nouveau iridescent glass vase with applied green floral motifs and a green rim that measures, 4.5” H x 6” W x 6” D. This lot features a stunning Kralik Art Nouveau iridescent glass vase with applied green floral motifs and a green rim that measures, 4.5” H x 6” W x 6” D. This lot features what appears to be the frame of a cast bronze lamp, manufactured by Lawrence & Scott. Patinated to perfection and measures, 13” H x 7.25” W x 7.25” D. Every verdigris bronze vessel at Lawrence and Scott is individually sand-casted and buried underground for upwards of 7 months to achieve its unique patina. This lot features what appears to be the frame of a cast bronze lamp, manufactured by Lawrence & Scott. Patinated to perfection and measures, 13” H x 7.25” W x 7.25” D. Every verdigris bronze vessel at Lawrence and Scott is individually sand-casted and buried underground for upwards of 7 months to achieve its unique patina. This lot features what appears to be the frame of a cast bronze lamp, manufactured by Lawrence & Scott. Patinated to perfection and measures, 13” H x 7.25” W x 7.25” D. Every verdigris bronze vessel at Lawrence and Scott is individually sand-casted and buried underground for upwards of 7 months to achieve its unique patina. This lot features what appears to be the frame of a cast bronze lamp, manufactured by Lawrence & Scott. Patinated to perfection and measures, 13” H x 7.25” W x 7.25” D. Every verdigris bronze vessel at Lawrence and Scott is individually sand-casted and buried underground for upwards of 7 months to achieve its unique patina. This lot features what appears to be the frame of a cast bronze lamp, manufactured by Lawrence & Scott. Patinated to perfection and measures, 13” H x 7.25” W x 7.25” D. Every verdigris bronze vessel at Lawrence and Scott is individually sand-casted and buried underground for upwards of 7 months to achieve its unique patina. This lot features what appears to be the frame of a cast bronze lamp, manufactured by Lawrence & Scott. Patinated to perfection and measures, 13” H x 7.25” W x 7.25” D. Every verdigris bronze vessel at Lawrence and Scott is individually sand-casted and buried underground for upwards of 7 months to achieve its unique patina. This lot features what appears to be the frame of a cast bronze lamp, manufactured by Lawrence & Scott. Patinated to perfection and measures, 13” H x 7.25” W x 7.25” D. Every verdigris bronze vessel at Lawrence and Scott is individually sand-casted and buried underground for upwards of 7 months to achieve its unique patina. This lot features an antique copper bowl, manufactured by The Craftsman Studios while located in Laguna Beach, California. Marked underneath and measures, 2” H x 8” W x 8” D. The Craftsman Studios was started in 1918 in Brooklyn New York by Carl Wirths. Shortly thereafter, the company had moved to California, eventually landing in Laguna Beach. The early hammered copper work is most desirable, heavier forms with lovely acid etched work. This lot features an antique copper bowl, manufactured by The Craftsman Studios while located in Laguna Beach, California. Marked underneath and measures, 2” H x 8” W x 8” D. The Craftsman Studios was started in 1918 in Brooklyn New York by Carl Wirths. Shortly thereafter, the company had moved to California, eventually landing in Laguna Beach. The early hammered copper work is most desirable, heavier forms with lovely acid etched work. This lot features an antique copper bowl, manufactured by The Craftsman Studios while located in Laguna Beach, California. Marked underneath and measures, 2” H x 8” W x 8” D. The Craftsman Studios was started in 1918 in Brooklyn New York by Carl Wirths. Shortly thereafter, the company had moved to California, eventually landing in Laguna Beach. The early hammered copper work is most desirable, heavier forms with lovely acid etched work. This lot features an antique copper bowl, manufactured by The Craftsman Studios while located in Laguna Beach, California. Marked underneath and measures, 2” H x 8” W x 8” D. The Craftsman Studios was started in 1918 in Brooklyn New York by Carl Wirths. Shortly thereafter, the company had moved to California, eventually landing in Laguna Beach. The early hammered copper work is most desirable, heavier forms with lovely acid etched work. This lot features an antique copper bowl, manufactured by The Craftsman Studios while located in Laguna Beach, California. Marked underneath and measures, 2” H x 8” W x 8” D. The Craftsman Studios was started in 1918 in Brooklyn New York by Carl Wirths. Shortly thereafter, the company had moved to California, eventually landing in Laguna Beach. The early hammered copper work is most desirable, heavier forms with lovely acid etched work. This lot features a pair of brass cane toppers & a commemorative medal celebrating Charles Dickens. This lot features a pair of brass cane toppers & a commemorative medal celebrating Charles Dickens. This lot features a pair of brass cane toppers & a commemorative medal celebrating Charles Dickens. This lot features a pair of brass cane toppers & a commemorative medal celebrating Charles Dickens. This lot features a pair of brass cane toppers & a commemorative medal celebrating Charles Dickens. This lot features a pair of brass cane toppers & a commemorative medal celebrating Charles Dickens. This lot features a pair of brass cane toppers & a commemorative medal celebrating Charles Dickens. This lot features a stained glass suncatcher of two doves in excellent condition. Measures, 22.5” across. This lot features a stained glass suncatcher of two doves in excellent condition. Measures, 22.5” across. This lot features a stained glass suncatcher of two doves in excellent condition. Measures, 22.5” across. This lot features a stained glass suncatcher of two doves in excellent condition. Measures, 22.5” across. This lot features a stained glass suncatcher of two doves in excellent condition. Measures, 22.5” across. This lot features a stained glass suncatcher of two doves in excellent condition. Measures, 22.5” across. This lot features a stained glass suncatcher of two doves in excellent condition. Measures, 22.5” across. This lot features a vintage Italian mid-century ceramic spaghetti poodle figurine, circa 1950s. This sculpture measures, 5.25” H x 5” W x 2.5” D. Marked Italy underneath as shown in photos. This lot features a vintage Italian mid-century ceramic spaghetti poodle figurine, circa 1950s. This sculpture measures, 5.25” H x 5” W x 2.5” D. Marked Italy underneath as shown in photos. This lot features a vintage Italian mid-century ceramic spaghetti poodle figurine, circa 1950s. This sculpture measures, 5.25” H x 5” W x 2.5” D. Marked Italy underneath as shown in photos. This lot features a vintage Italian mid-century ceramic spaghetti poodle figurine, circa 1950s. This sculpture measures, 5.25” H x 5” W x 2.5” D. Marked Italy underneath as shown in photos. This lot features a vintage Italian mid-century ceramic spaghetti poodle figurine, circa 1950s. This sculpture measures, 5.25” H x 5” W x 2.5” D. Marked Italy underneath as shown in photos. This lot features a vintage Italian mid-century ceramic spaghetti poodle figurine, circa 1950s. This sculpture measures, 5.25” H x 5” W x 2.5” D. Marked Italy underneath as shown in photos. This lot features a vintage Italian mid-century ceramic spaghetti poodle figurine, circa 1950s. This sculpture measures, 5.25” H x 5” W x 2.5” D. Marked Italy underneath as shown in photos. A stunning ceramic plate by listed artist, Judy Miller. Signed on the verso circa 1982. This plate measures, 12.5” H x 12.5” W. A stunning ceramic plate by listed artist, Judy Miller. Signed on the verso circa 1982. This plate measures, 12.5” H x 12.5” W. A stunning ceramic plate by listed artist, Judy Miller. Signed on the verso circa 1982. This plate measures, 12.5” H x 12.5” W. A stunning ceramic plate by listed artist, Judy Miller. Signed on the verso circa 1982. This plate measures, 12.5” H x 12.5” W. A stunning ceramic plate by listed artist, Judy Miller. Signed on the verso circa 1982. This plate measures, 12.5” H x 12.5” W. A stunning ceramic plate by listed artist, Judy Miller. Signed on the verso circa 1982. This plate measures, 12.5” H x 12.5” W. A stunning ceramic plate by listed artist, Judy Miller. Signed on the verso circa 1982. This plate measures, 12.5” H x 12.5” W. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 6.25” H x 9” W x 9” D. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 6.25” H x 9” W x 9” D. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 6.25” H x 9” W x 9” D. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 6.25” H x 9” W x 9” D. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 6.25” H x 9” W x 9” D. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 6.25” H x 9” W x 9” D. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 6.25” H x 9” W x 9” D. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 6.25” H x 9” W x 9” D. This lot features two pieces by Vera Wang for Wedgwood, known as the Vesta Dipping Set. The set features a large, silver-plated metal serving bowl with a central indentation to hold a smaller, footed dipping bowl. It rests on a separate black metal scroll stand. Marked underneath and the large serving tray measures, 2.5” H x 14” W x 14” D. This lot features two pieces by Vera Wang for Wedgwood, known as the Vesta Dipping Set. The set features a large, silver-plated metal serving bowl with a central indentation to hold a smaller, footed dipping bowl. It rests on a separate black metal scroll stand. Marked underneath and the large serving tray measures, 2.5” H x 14” W x 14” D. This lot features two pieces by Vera Wang for Wedgwood, known as the Vesta Dipping Set. The set features a large, silver-plated metal serving bowl with a central indentation to hold a smaller, footed dipping bowl. It rests on a separate black metal scroll stand. Marked underneath and the large serving tray measures, 2.5” H x 14” W x 14” D. This lot features two pieces by Vera Wang for Wedgwood, known as the Vesta Dipping Set. The set features a large, silver-plated metal serving bowl with a central indentation to hold a smaller, footed dipping bowl. It rests on a separate black metal scroll stand. Marked underneath and the large serving tray measures, 2.5” H x 14” W x 14” D. This lot features two pieces by Vera Wang for Wedgwood, known as the Vesta Dipping Set. The set features a large, silver-plated metal serving bowl with a central indentation to hold a smaller, footed dipping bowl. It rests on a separate black metal scroll stand. Marked underneath and the large serving tray measures, 2.5” H x 14” W x 14” D. This lot features two pieces by Vera Wang for Wedgwood, known as the Vesta Dipping Set. The set features a large, silver-plated metal serving bowl with a central indentation to hold a smaller, footed dipping bowl. It rests on a separate black metal scroll stand. Marked underneath and the large serving tray measures, 2.5” H x 14” W x 14” D. This lot features two pieces by Vera Wang for Wedgwood, known as the Vesta Dipping Set. The set features a large, silver-plated metal serving bowl with a central indentation to hold a smaller, footed dipping bowl. It rests on a separate black metal scroll stand. Marked underneath and the large serving tray measures, 2.5” H x 14” W x 14” D. This lot features a collection of three (3) trays, likely made of tinned copper with engravings and various details throughout. Likely Middle Eastern and the largest measures, 3” H x 15” W x 15” D. This lot features a collection of three (3) trays, likely made of tinned copper with engravings and various details throughout. Likely Middle Eastern and the largest measures, 3” H x 15” W x 15” D. This lot features a collection of three (3) trays, likely made of tinned copper with engravings and various details throughout. Likely Middle Eastern and the largest measures, 3” H x 15” W x 15” D. This lot features a collection of three (3) trays, likely made of tinned copper with engravings and various details throughout. Likely Middle Eastern and the largest measures, 3” H x 15” W x 15” D. This lot features a collection of three (3) trays, likely made of tinned copper with engravings and various details throughout. Likely Middle Eastern and the largest measures, 3” H x 15” W x 15” D. This lot features a collection of three (3) trays, likely made of tinned copper with engravings and various details throughout. Likely Middle Eastern and the largest measures, 3” H x 15” W x 15” D. This lot features a collection of three (3) trays, likely made of tinned copper with engravings and various details throughout. Likely Middle Eastern and the largest measures, 3” H x 15” W x 15” D. This lot features a collection of three (3) trays, likely made of tinned copper with engravings and various details throughout. Likely Middle Eastern and the largest measures, 3” H x 15” W x 15” D. This lot features an assortment of vintage and antique trays, platters, and more. Likely of Indian or Persian origin, featuring detailed engravings. The large tray measures, 23.5” across. This lot features an assortment of vintage and antique trays, platters, and more. Likely of Indian or Persian origin, featuring detailed engravings. The large tray measures, 23.5” across. This lot features an assortment of vintage and antique trays, platters, and more. Likely of Indian or Persian origin, featuring detailed engravings. The large tray measures, 23.5” across. This lot features an assortment of vintage and antique trays, platters, and more. Likely of Indian or Persian origin, featuring detailed engravings. The large tray measures, 23.5” across. This lot features an assortment of vintage and antique trays, platters, and more. Likely of Indian or Persian origin, featuring detailed engravings. The large tray measures, 23.5” across. This lot features an assortment of vintage and antique trays, platters, and more. Likely of Indian or Persian origin, featuring detailed engravings. The large tray measures, 23.5” across. This lot features an assortment of vintage and antique trays, platters, and more. Likely of Indian or Persian origin, featuring detailed engravings. The large tray measures, 23.5” across. This lot features a beautiful set of demitasse cups in the "wedding band" pattern by Theodore Haviland for Limoges porcelain in France. A complete set with eight (8) cups and eight (8) saucers. This lot features a beautiful set of demitasse cups in the "wedding band" pattern by Theodore Haviland for Limoges porcelain in France. A complete set with eight (8) cups and eight (8) saucers. This lot features a beautiful set of demitasse cups in the "wedding band" pattern by Theodore Haviland for Limoges porcelain in France. A complete set with eight (8) cups and eight (8) saucers. This lot features a beautiful set of demitasse cups in the "wedding band" pattern by Theodore Haviland for Limoges porcelain in France. A complete set with eight (8) cups and eight (8) saucers. This lot features a beautiful set of demitasse cups in the "wedding band" pattern by Theodore Haviland for Limoges porcelain in France. A complete set with eight (8) cups and eight (8) saucers. This lot features a beautiful set of demitasse cups in the "wedding band" pattern by Theodore Haviland for Limoges porcelain in France. A complete set with eight (8) cups and eight (8) saucers. This lot features a large collection of glass and crystal decanters, primarily in very good condition. The tallest pitcher/decanter measures, 13.5” H and is made in Italy. This lot features a large collection of glass and crystal decanters, primarily in very good condition. The tallest pitcher/decanter measures, 13.5” H and is made in Italy. This lot features a large collection of glass and crystal decanters, primarily in very good condition. The tallest pitcher/decanter measures, 13.5” H and is made in Italy. This lot features a large collection of glass and crystal decanters, primarily in very good condition. The tallest pitcher/decanter measures, 13.5” H and is made in Italy. This lot features a large collection of glass and crystal decanters, primarily in very good condition. The tallest pitcher/decanter measures, 13.5” H and is made in Italy. This lot features a large collection of glass and crystal decanters, primarily in very good condition. The tallest pitcher/decanter measures, 13.5” H and is made in Italy. This lot features a large collection of glass and crystal decanters, primarily in very good condition. The tallest pitcher/decanter measures, 13.5” H and is made in Italy. This lot features an assortment of antique glass and crystal decanter plugs or stoppers. One features the original Waterford sticker. This lot features an assortment of antique glass and crystal decanter plugs or stoppers. One features the original Waterford sticker. This lot features an assortment of antique glass and crystal decanter plugs or stoppers. One features the original Waterford sticker. This lot features an assortment of antique glass and crystal decanter plugs or stoppers. One features the original Waterford sticker. This lot features a Le Klint Model 172 Sinus Pendant light in white PVC, designed by Poul Christiansen in 1971. A beautiful work of art, measures 15” H. The designer and architect Poul Christiansen was born in 1947, he graduated in Det Kgl. School of Architecture of the Danish Academy of Fine Arts. In 1987, he founded the design company Komplot Design with Boris Berlin. He is known at the Danish company Le Klint for his Sinus suspension collection. This lot features a Le Klint Model 172 Sinus Pendant light in white PVC, designed by Poul Christiansen in 1971. A beautiful work of art, measures 15” H. The designer and architect Poul Christiansen was born in 1947, he graduated in Det Kgl. School of Architecture of the Danish Academy of Fine Arts. In 1987, he founded the design company Komplot Design with Boris Berlin. He is known at the Danish company Le Klint for his Sinus suspension collection. This lot features a Le Klint Model 172 Sinus Pendant light in white PVC, designed by Poul Christiansen in 1971. A beautiful work of art, measures 15” H. The designer and architect Poul Christiansen was born in 1947, he graduated in Det Kgl. School of Architecture of the Danish Academy of Fine Arts. In 1987, he founded the design company Komplot Design with Boris Berlin. He is known at the Danish company Le Klint for his Sinus suspension collection. This lot features a Le Klint Model 172 Sinus Pendant light in white PVC, designed by Poul Christiansen in 1971. A beautiful work of art, measures 15” H. The designer and architect Poul Christiansen was born in 1947, he graduated in Det Kgl. School of Architecture of the Danish Academy of Fine Arts. In 1987, he founded the design company Komplot Design with Boris Berlin. He is known at the Danish company Le Klint for his Sinus suspension collection. This lot features a Le Klint Model 172 Sinus Pendant light in white PVC, designed by Poul Christiansen in 1971. A beautiful work of art, measures 15” H. The designer and architect Poul Christiansen was born in 1947, he graduated in Det Kgl. School of Architecture of the Danish Academy of Fine Arts. In 1987, he founded the design company Komplot Design with Boris Berlin. He is known at the Danish company Le Klint for his Sinus suspension collection. This lot features a large collection of gold colored mirrors in different shapes (small), many made in Italy. This lot features a large collection of gold colored mirrors in different shapes (small), many made in Italy. This lot features a large collection of gold colored mirrors in different shapes (small), many made in Italy. This lot features a large collection of gold colored mirrors in different shapes (small), many made in Italy. This lot features a beautiful antique Queen Anne style oval dining table in solid mahogany with cabriole legs on casters. This table has a nice sized leaf and the table opens/closes with a crank mechanism as shown in the photos. This table measures with the leaf out, 29” H x 51” W x 41.5” D and with the leaf in, 29” H x 69.5” W x 41.5” D. This lot features a beautiful antique Queen Anne style oval dining table in solid mahogany with cabriole legs on casters. This table has a nice sized leaf and the table opens/closes with a crank mechanism as shown in the photos. This table measures with the leaf out, 29” H x 51” W x 41.5” D and with the leaf in, 29” H x 69.5” W x 41.5” D. This lot features a beautiful antique Queen Anne style oval dining table in solid mahogany with cabriole legs on casters. This table has a nice sized leaf and the table opens/closes with a crank mechanism as shown in the photos. This table measures with the leaf out, 29” H x 51” W x 41.5” D and with the leaf in, 29” H x 69.5” W x 41.5” D. This lot features a beautiful antique Queen Anne style oval dining table in solid mahogany with cabriole legs on casters. This table has a nice sized leaf and the table opens/closes with a crank mechanism as shown in the photos. This table measures with the leaf out, 29” H x 51” W x 41.5” D and with the leaf in, 29” H x 69.5” W x 41.5” D. This lot features a beautiful antique Queen Anne style oval dining table in solid mahogany with cabriole legs on casters. This table has a nice sized leaf and the table opens/closes with a crank mechanism as shown in the photos. This table measures with the leaf out, 29” H x 51” W x 41.5” D and with the leaf in, 29” H x 69.5” W x 41.5” D. This lot features a beautiful antique Queen Anne style oval dining table in solid mahogany with cabriole legs on casters. This table has a nice sized leaf and the table opens/closes with a crank mechanism as shown in the photos. This table measures with the leaf out, 29” H x 51” W x 41.5” D and with the leaf in, 29” H x 69.5” W x 41.5” D. This lot features a beautiful antique Queen Anne style oval dining table in solid mahogany with cabriole legs on casters. This table has a nice sized leaf and the table opens/closes with a crank mechanism as shown in the photos. This table measures with the leaf out, 29” H x 51” W x 41.5” D and with the leaf in, 29” H x 69.5” W x 41.5” D. This lot features a beautiful antique Queen Anne style oval dining table in solid mahogany with cabriole legs on casters. This table has a nice sized leaf and the table opens/closes with a crank mechanism as shown in the photos. This table measures with the leaf out, 29” H x 51” W x 41.5” D and with the leaf in, 29” H x 69.5” W x 41.5” D. This lot features a beautiful antique Queen Anne style oval dining table in solid mahogany with cabriole legs on casters. This table has a nice sized leaf and the table opens/closes with a crank mechanism as shown in the photos. This table measures with the leaf out, 29” H x 51” W x 41.5” D and with the leaf in, 29” H x 69.5” W x 41.5” D. This lot features a beautiful antique Queen Anne style oval dining table in solid mahogany with cabriole legs on casters. This table has a nice sized leaf and the table opens/closes with a crank mechanism as shown in the photos. This table measures with the leaf out, 29” H x 51” W x 41.5” D and with the leaf in, 29” H x 69.5” W x 41.5” D. This lot features a beautiful antique Queen Anne style oval dining table in solid mahogany with cabriole legs on casters. This table has a nice sized leaf and the table opens/closes with a crank mechanism as shown in the photos. This table measures with the leaf out, 29” H x 51” W x 41.5” D and with the leaf in, 29” H x 69.5” W x 41.5” D. This lot features a beautiful antique Queen Anne style oval dining table in solid mahogany with cabriole legs on casters. This table has a nice sized leaf and the table opens/closes with a crank mechanism as shown in the photos. This table measures with the leaf out, 29” H x 51” W x 41.5” D and with the leaf in, 29” H x 69.5” W x 41.5” D. This lot features a beautiful antique Queen Anne style oval dining table in solid mahogany with cabriole legs on casters. This table has a nice sized leaf and the table opens/closes with a crank mechanism as shown in the photos. This table measures with the leaf out, 29” H x 51” W x 41.5” D and with the leaf in, 29” H x 69.5” W x 41.5” D. This lot features a beautiful antique Queen Anne style oval dining table in solid mahogany with cabriole legs on casters. This table has a nice sized leaf and the table opens/closes with a crank mechanism as shown in the photos. This table measures with the leaf out, 29” H x 51” W x 41.5” D and with the leaf in, 29” H x 69.5” W x 41.5” D. This lot features a beautiful antique Queen Anne style oval dining table in solid mahogany with cabriole legs on casters. This table has a nice sized leaf and the table opens/closes with a crank mechanism as shown in the photos. This table measures with the leaf out, 29” H x 51” W x 41.5” D and with the leaf in, 29” H x 69.5” W x 41.5” D. This lot features an early 19th century Federal slant-front desk made of mahogany. A stunning piece that measures, 38.5” H x 40” W x 19.5” D. This stunner is locked! Possibly full of treasure.. This lot features an early 19th century Federal slant-front desk made of mahogany. A stunning piece that measures, 38.5” H x 40” W x 19.5” D. This stunner is locked! Possibly full of treasure.. This lot features an early 19th century Federal slant-front desk made of mahogany. A stunning piece that measures, 38.5” H x 40” W x 19.5” D. This stunner is locked! Possibly full of treasure.. This lot features an early 19th century Federal slant-front desk made of mahogany. A stunning piece that measures, 38.5” H x 40” W x 19.5” D. This stunner is locked! Possibly full of treasure.. This lot features an early 19th century Federal slant-front desk made of mahogany. A stunning piece that measures, 38.5” H x 40” W x 19.5” D. This stunner is locked! Possibly full of treasure.. This lot features an early 19th century Federal slant-front desk made of mahogany. A stunning piece that measures, 38.5” H x 40” W x 19.5” D. This stunner is locked! Possibly full of treasure.. This lot features an early 19th century Federal slant-front desk made of mahogany. A stunning piece that measures, 38.5” H x 40” W x 19.5” D. This stunner is locked! Possibly full of treasure.. This lot features a massive collection of china (25 cases/containers) in very good and excellent condition. The majority appears to be “Limoges” & “Real Old Willow”. This lot features a massive collection of china (25 cases/containers) in very good and excellent condition. The majority appears to be “Limoges” & “Real Old Willow”. This lot features a massive collection of china (25 cases/containers) in very good and excellent condition. The majority appears to be “Limoges” & “Real Old Willow”. This lot features a massive collection of china (25 cases/containers) in very good and excellent condition. The majority appears to be “Limoges” & “Real Old Willow”. This lot features a massive collection of china (25 cases/containers) in very good and excellent condition. The majority appears to be “Limoges” & “Real Old Willow”. This lot features a massive collection of china (25 cases/containers) in very good and excellent condition. The majority appears to be “Limoges” & “Real Old Willow”. This lot features a massive collection of china (25 cases/containers) in very good and excellent condition. The majority appears to be “Limoges” & “Real Old Willow”. This lot features a massive collection of china (25 cases/containers) in very good and excellent condition. The majority appears to be “Limoges” & “Real Old Willow”. This lot features a collection of various archaeological artifacts or geological specimens, possibly related to charcoal, primitive pottery, hematite, or other materials found during archaeological digs. This lot features a collection of various archaeological artifacts or geological specimens, possibly related to charcoal, primitive pottery, hematite, or other materials found during archaeological digs. This lot features a collection of various archaeological artifacts or geological specimens, possibly related to charcoal, primitive pottery, hematite, or other materials found during archaeological digs. This lot features a collection of various archaeological artifacts or geological specimens, possibly related to charcoal, primitive pottery, hematite, or other materials found during archaeological digs. This lot features a collection of various archaeological artifacts or geological specimens, possibly related to charcoal, primitive pottery, hematite, or other materials found during archaeological digs. This lot features a collection of various archaeological artifacts or geological specimens, possibly related to charcoal, primitive pottery, hematite, or other materials found during archaeological digs. This lot features a collection of various archaeological artifacts or geological specimens, possibly related to charcoal, primitive pottery, hematite, or other materials found during archaeological digs. This lot features an entire box full of rocks and minerals. Many are held in individual display cases or protection boxes. This lot features an entire box full of rocks and minerals. Many are held in individual display cases or protection boxes. This lot features an entire box full of rocks and minerals. Many are held in individual display cases or protection boxes. This lot features an entire box full of rocks and minerals. Many are held in individual display cases or protection boxes. This lot features an entire box full of rocks and minerals. Many are held in individual display cases or protection boxes. This lot features an entire box full of rocks and minerals. Many are held in individual display cases or protection boxes. This lot features an entire box full of rocks and minerals. Many are held in individual display cases or protection boxes. This lot features an entire box full of rocks and minerals. Many are held in individual display cases or protection boxes. This lot features an entire box full of rocks and minerals. Many are held in individual display cases or protection boxes. This lot features a stunning 14k cameo by M+M Scognamiglio. Signed and hallmarked on the back with original presentation case. This cameo has a total approx. weight of 29.25 grams. M+M Scognamiglio has been producing cameos in Italy since 1857. This lot features a stunning 14k cameo by M+M Scognamiglio. Signed and hallmarked on the back with original presentation case. This cameo has a total approx. weight of 29.25 grams. M+M Scognamiglio has been producing cameos in Italy since 1857. This lot features a stunning 14k cameo by M+M Scognamiglio. Signed and hallmarked on the back with original presentation case. This cameo has a total approx. weight of 29.25 grams. M+M Scognamiglio has been producing cameos in Italy since 1857. This lot features a stunning 14k cameo by M+M Scognamiglio. Signed and hallmarked on the back with original presentation case. This cameo has a total approx. weight of 29.25 grams. M+M Scognamiglio has been producing cameos in Italy since 1857. This lot features a stunning 14k cameo by M+M Scognamiglio. Signed and hallmarked on the back with original presentation case. This cameo has a total approx. weight of 29.25 grams. M+M Scognamiglio has been producing cameos in Italy since 1857. This lot features a stunning 14k cameo by M+M Scognamiglio. Signed and hallmarked on the back with original presentation case. This cameo has a total approx. weight of 29.25 grams. M+M Scognamiglio has been producing cameos in Italy since 1857. This lot features a stunning 14k gold ring with what appear to be five (5) sapphires. This ring is a size 10.25 with a total approx. weight of 2.87 grams. This lot features a stunning 14k gold ring with what appear to be five (5) sapphires. This ring is a size 10.25 with a total approx. weight of 2.87 grams. This lot features a stunning 14k gold ring with what appear to be five (5) sapphires. This ring is a size 10.25 with a total approx. weight of 2.87 grams. This lot features a stunning 14k gold ring with what appear to be five (5) sapphires. This ring is a size 10.25 with a total approx. weight of 2.87 grams. This lot features a stunning 14k gold ring with what appear to be five (5) sapphires. This ring is a size 10.25 with a total approx. weight of 2.87 grams. This lot features a 14k gold melee diamond ring in a size 6 with a total approx. weight of 4.10 grams. This lot features a 14k gold melee diamond ring in a size 6 with a total approx. weight of 4.10 grams. This lot features a 14k gold melee diamond ring in a size 6 with a total approx. weight of 4.10 grams. This lot features a 14k gold melee diamond ring in a size 6 with a total approx. weight of 4.10 grams. This lot features a 14k gold melee diamond ring in a size 6 with a total approx. weight of 4.10 grams. This lot features a stunning 14k gold ring with what appears to be a large high clarity Topaz center stone. The stone is a tad loose in the setting. This ring comes in a size 8 and has a total approx. weight of 3.69 grams. This lot features a stunning 14k gold ring with what appears to be a large high clarity Topaz center stone. The stone is a tad loose in the setting. This ring comes in a size 8 and has a total approx. weight of 3.69 grams. This lot features a stunning 14k gold ring with what appears to be a large high clarity Topaz center stone. The stone is a tad loose in the setting. This ring comes in a size 8 and has a total approx. weight of 3.69 grams. This lot features a stunning 14k gold ring with what appears to be a large high clarity Topaz center stone. The stone is a tad loose in the setting. This ring comes in a size 8 and has a total approx. weight of 3.69 grams. This lot features a stunning 14k gold ring with what appears to be a large high clarity Topaz center stone. The stone is a tad loose in the setting. This ring comes in a size 8 and has a total approx. weight of 3.69 grams. This lot features a 14k gold garnet and genuine diamond ring. This ring comes in a size 10.25 with a total approx. weight of 4.49 grams. This lot features a 14k gold garnet and genuine diamond ring. This ring comes in a size 10.25 with a total approx. weight of 4.49 grams. This lot features a 14k gold garnet and genuine diamond ring. This ring comes in a size 10.25 with a total approx. weight of 4.49 grams. This lot features a 14k gold garnet and genuine diamond ring. This ring comes in a size 10.25 with a total approx. weight of 4.49 grams. This lot features a 14k gold garnet and genuine diamond ring. This ring comes in a size 10.25 with a total approx. weight of 4.49 grams. This lot features a vintage 14k gold grape pearl enhancer pendant with emeralds. Marked 14k and has a total approx. weight of 2.76 grams. This lot features a vintage 14k gold grape pearl enhancer pendant with emeralds. Marked 14k and has a total approx. weight of 2.76 grams. This lot features a vintage 14k gold grape pearl enhancer pendant with emeralds. Marked 14k and has a total approx. weight of 2.76 grams. This lot features a vintage 14k gold grape pearl enhancer pendant with emeralds. Marked 14k and has a total approx. weight of 2.76 grams. This lot features a vintage 14k gold grape pearl enhancer pendant with emeralds. Marked 14k and has a total approx. weight of 2.76 grams. This lot features a vintage 14k gold enhancer with amethyst. This item is marked 14k and has a total approx. weight of 3.59 grams. This lot features a vintage 14k gold enhancer with amethyst. This item is marked 14k and has a total approx. weight of 3.59 grams. This lot features a vintage 14k gold enhancer with amethyst. This item is marked 14k and has a total approx. weight of 3.59 grams. This lot features a vintage 14k gold enhancer with amethyst. This item is marked 14k and has a total approx. weight of 3.59 grams. This lot features a vintage 14k gold enhancer with amethyst. This item is marked 14k and has a total approx. weight of 3.59 grams. This lot features a 14k gold chain that measures, 20” and has a total approx. weight of 2.61 grams. This lot features a 14k gold chain that measures, 20” and has a total approx. weight of 2.61 grams. This lot features a 14k gold chain that measures, 20” and has a total approx. weight of 2.61 grams. This lot features a 14k gold chain that measures, 20” and has a total approx. weight of 2.61 grams. This lot features a 14k gold chain that measures, 20” and has a total approx. weight of 2.61 grams. This lot features a 14k gold chain that measures, 20” and has a total approx. weight of 2.61 grams. This lot features a 14k gold chain that measures, 16” with a jade buddha pendant. Chain is marked both 14k and 585. Necklace has a total approx. weight of 4.20 grams. This lot features a 14k gold chain that measures, 16” with a jade buddha pendant. Chain is marked both 14k and 585. Necklace has a total approx. weight of 4.20 grams. This lot features a 14k gold chain that measures, 16” with a jade buddha pendant. Chain is marked both 14k and 585. Necklace has a total approx. weight of 4.20 grams. This lot features a 14k gold chain that measures, 16” with a jade buddha pendant. Chain is marked both 14k and 585. Necklace has a total approx. weight of 4.20 grams. This lot features a 14k gold chain that measures, 16” with a jade buddha pendant. Chain is marked both 14k and 585. Necklace has a total approx. weight of 4.20 grams. This lot features an antique Shriner’s pin, formally the Ancient Arabic Order of the Nobles of the Mystic Shrine in 10k gold with a total approx. weight of 2.30 grams. This lot features an antique Shriner’s pin, formally the Ancient Arabic Order of the Nobles of the Mystic Shrine in 10k gold with a total approx. weight of 2.30 grams. This lot features an antique 10k gold lavaliere with a total approx. weight of .75 grams. This lot features an antique 10k gold lavaliere with a total approx. weight of .75 grams. This lot features an antique 10k gold lavaliere with a total approx. weight of .75 grams. This lot features an antique 10k gold lavaliere with a total approx. weight of .75 grams. This lot features an antique 10k gold lavaliere with a total approx. weight of .75 grams. This lot features an incredibly rare Victorian cigar cutter, made of 10k gold with genuine diamonds. A stunning piece with a total approx. weight of 13.65 grams. This lot features an incredibly rare Victorian cigar cutter, made of 10k gold with genuine diamonds. A stunning piece with a total approx. weight of 13.65 grams. This lot features an incredibly rare Victorian cigar cutter, made of 10k gold with genuine diamonds. A stunning piece with a total approx. weight of 13.65 grams. This lot features an incredibly rare Victorian cigar cutter, made of 10k gold with genuine diamonds. A stunning piece with a total approx. weight of 13.65 grams. This lot features an incredibly rare Victorian cigar cutter, made of 10k gold with genuine diamonds. A stunning piece with a total approx. weight of 13.65 grams. This lot features an incredibly rare Victorian cigar cutter, made of 10k gold with genuine diamonds. A stunning piece with a total approx. weight of 13.65 grams. This lot features an incredibly rare Victorian cigar cutter, made of 10k gold with genuine diamonds. A stunning piece with a total approx. weight of 13.65 grams. This lot features an incredibly rare Victorian cigar cutter, made of 10k gold with genuine diamonds. A stunning piece with a total approx. weight of 13.65 grams. This lot features a Tiffany & Co. Venetian box chain necklace in sterling silver. This necklace measures, 17.5” H with a total approx. weight of 38.75 grams. This lot features a Tiffany & Co. Venetian box chain necklace in sterling silver. This necklace measures, 17.5” H with a total approx. weight of 38.75 grams. This lot features a Tiffany & Co. Venetian box chain necklace in sterling silver. This necklace measures, 17.5” H with a total approx. weight of 38.75 grams. This lot features a Tiffany & Co. Venetian box chain necklace in sterling silver. This necklace measures, 17.5” H with a total approx. weight of 38.75 grams. This lot features a Tiffany & Co. Venetian box chain necklace in sterling silver. This necklace measures, 17.5” H with a total approx. weight of 38.75 grams. This lot features a Tiffany & Co. Venetian box chain necklace in sterling silver. This necklace measures, 17.5” H with a total approx. weight of 38.75 grams. This lot features a Tiffany & Co. Venetian box chain necklace in sterling silver. This necklace measures, 17.5” H with a total approx. weight of 38.75 grams. This lot features a vintage Mexican Taxco sterling silver choker collar necklace. The necklace has a wide, contoured band featuring three semi-circular arcs of negative space. Marked as shown in photos and has a total approx. weight of 128.47 grams. This lot features a vintage Mexican Taxco sterling silver choker collar necklace. The necklace has a wide, contoured band featuring three semi-circular arcs of negative space. Marked as shown in photos and has a total approx. weight of 128.47 grams. This lot features a vintage Mexican Taxco sterling silver choker collar necklace. The necklace has a wide, contoured band featuring three semi-circular arcs of negative space. Marked as shown in photos and has a total approx. weight of 128.47 grams. This lot features a vintage Mexican Taxco sterling silver choker collar necklace. The necklace has a wide, contoured band featuring three semi-circular arcs of negative space. Marked as shown in photos and has a total approx. weight of 128.47 grams. This lot features a vintage Mexican Taxco sterling silver choker collar necklace. The necklace has a wide, contoured band featuring three semi-circular arcs of negative space. Marked as shown in photos and has a total approx. weight of 128.47 grams. This lot features a stunning Southwestern Navajo belt buckle with turquoise and coral chip inlay. Marked “Navajo” on the back, measures 3” H x 4” W and has a total approx. weight of 103.12 grams. This lot features a stunning Southwestern Navajo belt buckle with turquoise and coral chip inlay. Marked “Navajo” on the back, measures 3” H x 4” W and has a total approx. weight of 103.12 grams. This lot features a stunning Southwestern Navajo belt buckle with turquoise and coral chip inlay. Marked “Navajo” on the back, measures 3” H x 4” W and has a total approx. weight of 103.12 grams. This lot features a stunning Southwestern Navajo belt buckle with turquoise and coral chip inlay. Marked “Navajo” on the back, measures 3” H x 4” W and has a total approx. weight of 103.12 grams. This lot features a stunning Southwestern Navajo belt buckle with turquoise and coral chip inlay. Marked “Navajo” on the back, measures 3” H x 4” W and has a total approx. weight of 103.12 grams. This lot features a Victorian sterling silver pin with hallmarks as shown in photos. This item is marked JWT which typically refers to J.W.T Tiptaft & Son Ltd, a British silversmithing company from Birmingham known for hallmarked silver items like pocket watch fobs, especially from the early 1900s to 1930s. This lot features a Victorian sterling silver pin with hallmarks as shown in photos. This item is marked JWT which typically refers to J.W.T Tiptaft & Son Ltd, a British silversmithing company from Birmingham known for hallmarked silver items like pocket watch fobs, especially from the early 1900s to 1930s. This lot features a Victorian sterling silver pin with hallmarks as shown in photos. This item is marked JWT which typically refers to J.W.T Tiptaft & Son Ltd, a British silversmithing company from Birmingham known for hallmarked silver items like pocket watch fobs, especially from the early 1900s to 1930s. This lot features a Victorian sterling silver pin with hallmarks as shown in photos. This item is marked JWT which typically refers to J.W.T Tiptaft & Son Ltd, a British silversmithing company from Birmingham known for hallmarked silver items like pocket watch fobs, especially from the early 1900s to 1930s. This lot features a Victorian sterling silver pin with hallmarks as shown in photos. This item is marked JWT which typically refers to J.W.T Tiptaft & Son Ltd, a British silversmithing company from Birmingham known for hallmarked silver items like pocket watch fobs, especially from the early 1900s to 1930s. This lot features a beautiful pair of earrings, each with a large opal center stone and set in a sterling silver setting. Marked 925 as shown in photos and comes in a nice jewelry box. This lot features a beautiful pair of earrings, each with a large opal center stone and set in a sterling silver setting. Marked 925 as shown in photos and comes in a nice jewelry box. This lot features a beautiful pair of earrings, each with a large opal center stone and set in a sterling silver setting. Marked 925 as shown in photos and comes in a nice jewelry box. This lot features a beautiful pair of earrings, each with a large opal center stone and set in a sterling silver setting. Marked 925 as shown in photos and comes in a nice jewelry box. This lot features a beautiful pair of earrings, each with a large opal center stone and set in a sterling silver setting. Marked 925 as shown in photos and comes in a nice jewelry box. This lot features a beautiful enamel pendant on a sterling silver chain. The chain measures 19” and the necklace has a total approx. weight of 30.60 grams. This lot features a beautiful enamel pendant on a sterling silver chain. The chain measures 19” and the necklace has a total approx. weight of 30.60 grams. This lot features a beautiful enamel pendant on a sterling silver chain. The chain measures 19” and the necklace has a total approx. weight of 30.60 grams. This lot features a beautiful enamel pendant on a sterling silver chain. The chain measures 19” and the necklace has a total approx. weight of 30.60 grams. This lot features a well made sterling silver bracelet of "skeleton keys", measuring 7” with a total approx. weight of 20.75 grams. This lot features a well made sterling silver bracelet of "skeleton keys", measuring 7” with a total approx. weight of 20.75 grams. This lot features a well made sterling silver bracelet of "skeleton keys", measuring 7” with a total approx. weight of 20.75 grams. This lot features a well made sterling silver bracelet of "skeleton keys", measuring 7” with a total approx. weight of 20.75 grams. This lot features a well made sterling silver bracelet of "skeleton keys", measuring 7” with a total approx. weight of 20.75 grams. This lot features a 90% silver 1964 Kennedy half dollar in a sterling silver setting, on a sterling chain. The chain measures, 18”, marked 925, and has a total approx. weight of 22.10 grams. The Kennedy is slightly loose in the setting. This lot features a 90% silver 1964 Kennedy half dollar in a sterling silver setting, on a sterling chain. The chain measures, 18”, marked 925, and has a total approx. weight of 22.10 grams. The Kennedy is slightly loose in the setting. This lot features a 90% silver 1964 Kennedy half dollar in a sterling silver setting, on a sterling chain. The chain measures, 18”, marked 925, and has a total approx. weight of 22.10 grams. The Kennedy is slightly loose in the setting. This lot features a 90% silver 1964 Kennedy half dollar in a sterling silver setting, on a sterling chain. The chain measures, 18”, marked 925, and has a total approx. weight of 22.10 grams. The Kennedy is slightly loose in the setting. This lot features a 90% silver 1964 Kennedy half dollar in a sterling silver setting, on a sterling chain. The chain measures, 18”, marked 925, and has a total approx. weight of 22.10 grams. The Kennedy is slightly loose in the setting. This lot features a 90% silver 1964 Kennedy half dollar in a sterling silver setting, on a sterling chain. The chain measures, 18”, marked 925, and has a total approx. weight of 22.10 grams. The Kennedy is slightly loose in the setting. This lot features a large bag of costume jewelry that weighs just under 12lbs and fills an entire medium flat rate box. This lot features a large bag of costume jewelry that weighs just under 12lbs and fills an entire medium flat rate box. This lot features a large bag of costume jewelry that weighs just under 12lbs and fills an entire medium flat rate box. This lot features a wonderful collection of vintage Damascene jewelry. Damascene jewelry is a decorative art featuring gold or silver wire inlaid into engraved iron or steel, creating intricate black-and-gold (or silver) designs, originating from Damascus, Syria, and famously produced in Toledo, Spain, and Japan, known for detailed patterns like birds, fans, and landscapes, often using techniques like etching and bluing for contrast, with modern versions sometimes imitating the look using less precious materials like tin. This lot features a wonderful collection of vintage Damascene jewelry. Damascene jewelry is a decorative art featuring gold or silver wire inlaid into engraved iron or steel, creating intricate black-and-gold (or silver) designs, originating from Damascus, Syria, and famously produced in Toledo, Spain, and Japan, known for detailed patterns like birds, fans, and landscapes, often using techniques like etching and bluing for contrast, with modern versions sometimes imitating the look using less precious materials like tin. This lot features a wonderful collection of vintage Damascene jewelry. Damascene jewelry is a decorative art featuring gold or silver wire inlaid into engraved iron or steel, creating intricate black-and-gold (or silver) designs, originating from Damascus, Syria, and famously produced in Toledo, Spain, and Japan, known for detailed patterns like birds, fans, and landscapes, often using techniques like etching and bluing for contrast, with modern versions sometimes imitating the look using less precious materials like tin. This lot features a wonderful collection of vintage Damascene jewelry. Damascene jewelry is a decorative art featuring gold or silver wire inlaid into engraved iron or steel, creating intricate black-and-gold (or silver) designs, originating from Damascus, Syria, and famously produced in Toledo, Spain, and Japan, known for detailed patterns like birds, fans, and landscapes, often using techniques like etching and bluing for contrast, with modern versions sometimes imitating the look using less precious materials like tin. This lot features a wonderful collection of vintage Damascene jewelry. Damascene jewelry is a decorative art featuring gold or silver wire inlaid into engraved iron or steel, creating intricate black-and-gold (or silver) designs, originating from Damascus, Syria, and famously produced in Toledo, Spain, and Japan, known for detailed patterns like birds, fans, and landscapes, often using techniques like etching and bluing for contrast, with modern versions sometimes imitating the look using less precious materials like tin. This lot features a stunning original work of art on canvas by listed Oregon artist, Maria Dixon. Signed on the verso circa 2005 and measures, 60” H x 48” W. This lot features a stunning original work of art on canvas by listed Oregon artist, Maria Dixon. Signed on the verso circa 2005 and measures, 60” H x 48” W. This lot features a stunning original work of art on canvas by listed Oregon artist, Maria Dixon. Signed on the verso circa 2005 and measures, 60” H x 48” W. This lot features a stunning original work of art on canvas by listed Oregon artist, Maria Dixon. Signed on the verso circa 2005 and measures, 60” H x 48” W. This lot features a stunning original work of art on canvas by listed Oregon artist, Maria Dixon. Signed on the verso circa 2005 and measures, 60” H x 48” W. This lot features a stunning original work of art on canvas by listed Oregon artist, Maria Dixon. Signed on the verso circa 2005 and measures, 60” H x 48” W. This lot features a stunning original work of art on canvas by listed Oregon artist, Maria Dixon. Signed on the verso circa 2005 and measures, 60” H x 48” W. "Impressionist Landscape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 18.5” H x 24.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Impressionist Landscape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 18.5” H x 24.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Impressionist Landscape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 18.5” H x 24.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Impressionist Landscape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 18.5” H x 24.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Impressionist Landscape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 18.5” H x 24.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Landscape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 12” H x 21.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Landscape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 12” H x 21.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Landscape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 12” H x 21.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Landscape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 12” H x 21.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Landscape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 12” H x 21.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Landscape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 12” H x 21.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Marina", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 20” H x 25.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Marina", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 20” H x 25.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Marina", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 20” H x 25.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Marina", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 20” H x 25.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Marina", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 20” H x 25.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Marina", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 20” H x 25.5” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Seascape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 14.5” H x 21” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Seascape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 14.5” H x 21” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Seascape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 14.5” H x 21” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Seascape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 14.5” H x 21” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. "Seascape", an original oil on canvas mounted on board by listed artist, Alfons Verheyen. Signed lower right and measures in frame, 14.5” H x 21” W. Alfons Verheyen was born and also passed away in Antwerp (1903-1990). He was a painter and designer of decors. He was educated at the Academy and at the Higher Institute in Antwerp. He found his inspiration mainly in landscapes of Italy, Spain and Denmark. Sale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale Picture"Korea, Route 3", an original work of art on board by listed artist, Howard Hack circa 1955. This piece measures in the frame, 25” H x 19” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Korea, Route 3", an original work of art on board by listed artist, Howard Hack circa 1955. This piece measures in the frame, 25” H x 19” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Korea, Route 3", an original work of art on board by listed artist, Howard Hack circa 1955. This piece measures in the frame, 25” H x 19” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Korea, Route 3", an original work of art on board by listed artist, Howard Hack circa 1955. This piece measures in the frame, 25” H x 19” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Korea, Route 3", an original work of art on board by listed artist, Howard Hack circa 1955. This piece measures in the frame, 25” H x 19” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Hummingbird", an original mixed media work of art by listed artist, Howard Hack circa 1999. This piece measures in frame, 31” H x 25” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Hummingbird", an original mixed media work of art by listed artist, Howard Hack circa 1999. This piece measures in frame, 31” H x 25” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Hummingbird", an original mixed media work of art by listed artist, Howard Hack circa 1999. This piece measures in frame, 31” H x 25” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Hummingbird", an original mixed media work of art by listed artist, Howard Hack circa 1999. This piece measures in frame, 31” H x 25” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Hummingbird", an original mixed media work of art by listed artist, Howard Hack circa 1999. This piece measures in frame, 31” H x 25” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Hummingbird", an original mixed media work of art by listed artist, Howard Hack circa 1999. This piece measures in frame, 31” H x 25” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Hummingbird", an original mixed media work of art by listed artist, Howard Hack circa 1999. This piece measures in frame, 31” H x 25” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. This lot features a painted mirror by listed artist, Howard Hack. This piece measures in the frame, 18” H x 26.5” W (or), 26.5” H x 18” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. This lot features a painted mirror by listed artist, Howard Hack. This piece measures in the frame, 18” H x 26.5” W (or), 26.5” H x 18” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. This lot features a painted mirror by listed artist, Howard Hack. This piece measures in the frame, 18” H x 26.5” W (or), 26.5” H x 18” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. This lot features a painted mirror by listed artist, Howard Hack. This piece measures in the frame, 18” H x 26.5” W (or), 26.5” H x 18” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. This lot features a painted mirror by listed artist, Howard Hack. This piece measures in the frame, 18” H x 26.5” W (or), 26.5” H x 18” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. This lot features a painted mirror by listed artist, Howard Hack. This piece measures in the frame, 18” H x 26.5” W (or), 26.5” H x 18” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Jesus On The Cross", an original mixed media work of art by listed artist, Howard Hack circa 1957. A unique piece in that there is a wood carving on the back, and was made in San Miguel Allende, Mexico. This piece measures in the frame, 15” H x 21” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Jesus On The Cross", an original mixed media work of art by listed artist, Howard Hack circa 1957. A unique piece in that there is a wood carving on the back, and was made in San Miguel Allende, Mexico. This piece measures in the frame, 15” H x 21” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Jesus On The Cross", an original mixed media work of art by listed artist, Howard Hack circa 1957. A unique piece in that there is a wood carving on the back, and was made in San Miguel Allende, Mexico. This piece measures in the frame, 15” H x 21” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Jesus On The Cross", an original mixed media work of art by listed artist, Howard Hack circa 1957. A unique piece in that there is a wood carving on the back, and was made in San Miguel Allende, Mexico. This piece measures in the frame, 15” H x 21” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Jesus On The Cross", an original mixed media work of art by listed artist, Howard Hack circa 1957. A unique piece in that there is a wood carving on the back, and was made in San Miguel Allende, Mexico. This piece measures in the frame, 15” H x 21” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Jesus On The Cross", an original mixed media work of art by listed artist, Howard Hack circa 1957. A unique piece in that there is a wood carving on the back, and was made in San Miguel Allende, Mexico. This piece measures in the frame, 15” H x 21” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Jesus On The Cross", an original mixed media work of art by listed artist, Howard Hack circa 1957. A unique piece in that there is a wood carving on the back, and was made in San Miguel Allende, Mexico. This piece measures in the frame, 15” H x 21” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #59: Grasshopper", silver on gesso panel by listed artist, Howard Hack from his Silverpoint Drawing series circa 1972. This piece was on loan at the Fine Arts Museum of San Francisco as shown on the verso. This piece measures in the frame, 14” H x 17” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #59: Grasshopper", silver on gesso panel by listed artist, Howard Hack from his Silverpoint Drawing series circa 1972. This piece was on loan at the Fine Arts Museum of San Francisco as shown on the verso. This piece measures in the frame, 14” H x 17” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #59: Grasshopper", silver on gesso panel by listed artist, Howard Hack from his Silverpoint Drawing series circa 1972. This piece was on loan at the Fine Arts Museum of San Francisco as shown on the verso. This piece measures in the frame, 14” H x 17” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #59: Grasshopper", silver on gesso panel by listed artist, Howard Hack from his Silverpoint Drawing series circa 1972. This piece was on loan at the Fine Arts Museum of San Francisco as shown on the verso. This piece measures in the frame, 14” H x 17” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #59: Grasshopper", silver on gesso panel by listed artist, Howard Hack from his Silverpoint Drawing series circa 1972. This piece was on loan at the Fine Arts Museum of San Francisco as shown on the verso. This piece measures in the frame, 14” H x 17” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “#28, Popeye”, a work of art by listed artist, Howard Hack circa 1981. This piece is part of Hack’s, “Blue Print Series” where images were transferred onto paper using blueprints, creating distinct blue-and-white prints of everyday objects, historical figures, and symbolic themes. This piece measures, 56.5” H x 39.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “#28, Popeye”, a work of art by listed artist, Howard Hack circa 1981. This piece is part of Hack’s, “Blue Print Series” where images were transferred onto paper using blueprints, creating distinct blue-and-white prints of everyday objects, historical figures, and symbolic themes. This piece measures, 56.5” H x 39.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “#28, Popeye”, a work of art by listed artist, Howard Hack circa 1981. This piece is part of Hack’s, “Blue Print Series” where images were transferred onto paper using blueprints, creating distinct blue-and-white prints of everyday objects, historical figures, and symbolic themes. This piece measures, 56.5” H x 39.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “#28, Popeye”, a work of art by listed artist, Howard Hack circa 1981. This piece is part of Hack’s, “Blue Print Series” where images were transferred onto paper using blueprints, creating distinct blue-and-white prints of everyday objects, historical figures, and symbolic themes. This piece measures, 56.5” H x 39.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “#28, Popeye”, a work of art by listed artist, Howard Hack circa 1981. This piece is part of Hack’s, “Blue Print Series” where images were transferred onto paper using blueprints, creating distinct blue-and-white prints of everyday objects, historical figures, and symbolic themes. This piece measures, 56.5” H x 39.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “#28, Popeye”, a work of art by listed artist, Howard Hack circa 1981. This piece is part of Hack’s, “Blue Print Series” where images were transferred onto paper using blueprints, creating distinct blue-and-white prints of everyday objects, historical figures, and symbolic themes. This piece measures, 56.5” H x 39.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "#27, Phaly Sequel", a work of art by listed artist, Howard Hack circa 1980. This piece is part of Hack’s, "Blue Print Series" where images were transferred onto paper using blueprints, creating distinct blue-and-white prints of everyday objects, historical figures, and symbolic themes. This piece measures, 60” H x 40” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "#27, Phaly Sequel", a work of art by listed artist, Howard Hack circa 1980. This piece is part of Hack’s, "Blue Print Series" where images were transferred onto paper using blueprints, creating distinct blue-and-white prints of everyday objects, historical figures, and symbolic themes. This piece measures, 60” H x 40” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "#27, Phaly Sequel", a work of art by listed artist, Howard Hack circa 1980. This piece is part of Hack’s, "Blue Print Series" where images were transferred onto paper using blueprints, creating distinct blue-and-white prints of everyday objects, historical figures, and symbolic themes. This piece measures, 60” H x 40” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "#27, Phaly Sequel", a work of art by listed artist, Howard Hack circa 1980. This piece is part of Hack’s, "Blue Print Series" where images were transferred onto paper using blueprints, creating distinct blue-and-white prints of everyday objects, historical figures, and symbolic themes. This piece measures, 60” H x 40” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "#27, Phaly Sequel", a work of art by listed artist, Howard Hack circa 1980. This piece is part of Hack’s, "Blue Print Series" where images were transferred onto paper using blueprints, creating distinct blue-and-white prints of everyday objects, historical figures, and symbolic themes. This piece measures, 60” H x 40” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "#27, Phaly Sequel", a work of art by listed artist, Howard Hack circa 1980. This piece is part of Hack’s, "Blue Print Series" where images were transferred onto paper using blueprints, creating distinct blue-and-white prints of everyday objects, historical figures, and symbolic themes. This piece measures, 60” H x 40” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "#27, Phaly Sequel", a work of art by listed artist, Howard Hack circa 1980. This piece is part of Hack’s, "Blue Print Series" where images were transferred onto paper using blueprints, creating distinct blue-and-white prints of everyday objects, historical figures, and symbolic themes. This piece measures, 60” H x 40” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "#27, Phaly Sequel", a work of art by listed artist, Howard Hack circa 1980. This piece is part of Hack’s, "Blue Print Series" where images were transferred onto paper using blueprints, creating distinct blue-and-white prints of everyday objects, historical figures, and symbolic themes. This piece measures, 60” H x 40” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Phantom Gathering”, an original oil on canvas by listed artist, Sergeui Novitchkov. Measures in the frame, 24.25” H x 28.5” W. Signed lower right and again with title on the verso. Accompanied with a certificate of authenticity from the artist. Novitchkov (1969-) was born in Moscow, Russia and graduated from the St. Petersburg Academy of Arts with a degree in “Painting and Composition” under the guidance of Professor Alexey Nikolaevich Sukhovetsky, a people’s artist of the Russian Federation. Serguei’s paintings are primarily dedicated to landscape art, often characterized by romantic, lyrical, and abstract themes, as well as genre painting. For many years, he has actively participated in both online and in-person exhibitions. Since 2000, he has lived and worked in Los Angeles, California. “Phantom Gathering”, an original oil on canvas by listed artist, Sergeui Novitchkov. Measures in the frame, 24.25” H x 28.5” W. Signed lower right and again with title on the verso. Accompanied with a certificate of authenticity from the artist. Novitchkov (1969-) was born in Moscow, Russia and graduated from the St. Petersburg Academy of Arts with a degree in “Painting and Composition” under the guidance of Professor Alexey Nikolaevich Sukhovetsky, a people’s artist of the Russian Federation. Serguei’s paintings are primarily dedicated to landscape art, often characterized by romantic, lyrical, and abstract themes, as well as genre painting. For many years, he has actively participated in both online and in-person exhibitions. Since 2000, he has lived and worked in Los Angeles, California. “Phantom Gathering”, an original oil on canvas by listed artist, Sergeui Novitchkov. Measures in the frame, 24.25” H x 28.5” W. Signed lower right and again with title on the verso. Accompanied with a certificate of authenticity from the artist. Novitchkov (1969-) was born in Moscow, Russia and graduated from the St. Petersburg Academy of Arts with a degree in “Painting and Composition” under the guidance of Professor Alexey Nikolaevich Sukhovetsky, a people’s artist of the Russian Federation. Serguei’s paintings are primarily dedicated to landscape art, often characterized by romantic, lyrical, and abstract themes, as well as genre painting. For many years, he has actively participated in both online and in-person exhibitions. Since 2000, he has lived and worked in Los Angeles, California. “Phantom Gathering”, an original oil on canvas by listed artist, Sergeui Novitchkov. Measures in the frame, 24.25” H x 28.5” W. Signed lower right and again with title on the verso. Accompanied with a certificate of authenticity from the artist. Novitchkov (1969-) was born in Moscow, Russia and graduated from the St. Petersburg Academy of Arts with a degree in “Painting and Composition” under the guidance of Professor Alexey Nikolaevich Sukhovetsky, a people’s artist of the Russian Federation. Serguei’s paintings are primarily dedicated to landscape art, often characterized by romantic, lyrical, and abstract themes, as well as genre painting. For many years, he has actively participated in both online and in-person exhibitions. Since 2000, he has lived and worked in Los Angeles, California. “Phantom Gathering”, an original oil on canvas by listed artist, Sergeui Novitchkov. Measures in the frame, 24.25” H x 28.5” W. Signed lower right and again with title on the verso. Accompanied with a certificate of authenticity from the artist. Novitchkov (1969-) was born in Moscow, Russia and graduated from the St. Petersburg Academy of Arts with a degree in “Painting and Composition” under the guidance of Professor Alexey Nikolaevich Sukhovetsky, a people’s artist of the Russian Federation. Serguei’s paintings are primarily dedicated to landscape art, often characterized by romantic, lyrical, and abstract themes, as well as genre painting. For many years, he has actively participated in both online and in-person exhibitions. Since 2000, he has lived and worked in Los Angeles, California. “Phantom Gathering”, an original oil on canvas by listed artist, Sergeui Novitchkov. Measures in the frame, 24.25” H x 28.5” W. Signed lower right and again with title on the verso. Accompanied with a certificate of authenticity from the artist. Novitchkov (1969-) was born in Moscow, Russia and graduated from the St. Petersburg Academy of Arts with a degree in “Painting and Composition” under the guidance of Professor Alexey Nikolaevich Sukhovetsky, a people’s artist of the Russian Federation. Serguei’s paintings are primarily dedicated to landscape art, often characterized by romantic, lyrical, and abstract themes, as well as genre painting. For many years, he has actively participated in both online and in-person exhibitions. Since 2000, he has lived and worked in Los Angeles, California. “Ephemeral Crowd”, an original oil on canvas by listed artist, Sergeui Novitchkov. Measures in the frame, 24.25” H x 28.5” W. Signed lower right and again with title on the verso. Accompanied with a certificate of authenticity from the artist. Novitchkov (1969-) was born in Moscow, Russia and graduated from the St. Petersburg Academy of Arts with a degree in “Painting and Composition” under the guidance of Professor Alexey Nikolaevich Sukhovetsky, a people’s artist of the Russian Federation. Serguei’s paintings are primarily dedicated to landscape art, often characterized by romantic, lyrical, and abstract themes, as well as genre painting. For many years, he has actively participated in both online and in-person exhibitions. Since 2000, he has lived and worked in Los Angeles, California. “Ephemeral Crowd”, an original oil on canvas by listed artist, Sergeui Novitchkov. Measures in the frame, 24.25” H x 28.5” W. Signed lower right and again with title on the verso. Accompanied with a certificate of authenticity from the artist. Novitchkov (1969-) was born in Moscow, Russia and graduated from the St. Petersburg Academy of Arts with a degree in “Painting and Composition” under the guidance of Professor Alexey Nikolaevich Sukhovetsky, a people’s artist of the Russian Federation. Serguei’s paintings are primarily dedicated to landscape art, often characterized by romantic, lyrical, and abstract themes, as well as genre painting. For many years, he has actively participated in both online and in-person exhibitions. Since 2000, he has lived and worked in Los Angeles, California. “Ephemeral Crowd”, an original oil on canvas by listed artist, Sergeui Novitchkov. Measures in the frame, 24.25” H x 28.5” W. Signed lower right and again with title on the verso. Accompanied with a certificate of authenticity from the artist. Novitchkov (1969-) was born in Moscow, Russia and graduated from the St. Petersburg Academy of Arts with a degree in “Painting and Composition” under the guidance of Professor Alexey Nikolaevich Sukhovetsky, a people’s artist of the Russian Federation. Serguei’s paintings are primarily dedicated to landscape art, often characterized by romantic, lyrical, and abstract themes, as well as genre painting. For many years, he has actively participated in both online and in-person exhibitions. Since 2000, he has lived and worked in Los Angeles, California. “Ephemeral Crowd”, an original oil on canvas by listed artist, Sergeui Novitchkov. Measures in the frame, 24.25” H x 28.5” W. Signed lower right and again with title on the verso. Accompanied with a certificate of authenticity from the artist. Novitchkov (1969-) was born in Moscow, Russia and graduated from the St. Petersburg Academy of Arts with a degree in “Painting and Composition” under the guidance of Professor Alexey Nikolaevich Sukhovetsky, a people’s artist of the Russian Federation. Serguei’s paintings are primarily dedicated to landscape art, often characterized by romantic, lyrical, and abstract themes, as well as genre painting. For many years, he has actively participated in both online and in-person exhibitions. Since 2000, he has lived and worked in Los Angeles, California. “Ephemeral Crowd”, an original oil on canvas by listed artist, Sergeui Novitchkov. Measures in the frame, 24.25” H x 28.5” W. Signed lower right and again with title on the verso. Accompanied with a certificate of authenticity from the artist. Novitchkov (1969-) was born in Moscow, Russia and graduated from the St. Petersburg Academy of Arts with a degree in “Painting and Composition” under the guidance of Professor Alexey Nikolaevich Sukhovetsky, a people’s artist of the Russian Federation. Serguei’s paintings are primarily dedicated to landscape art, often characterized by romantic, lyrical, and abstract themes, as well as genre painting. For many years, he has actively participated in both online and in-person exhibitions. Since 2000, he has lived and worked in Los Angeles, California. “Ephemeral Crowd”, an original oil on canvas by listed artist, Sergeui Novitchkov. Measures in the frame, 24.25” H x 28.5” W. Signed lower right and again with title on the verso. Accompanied with a certificate of authenticity from the artist. Novitchkov (1969-) was born in Moscow, Russia and graduated from the St. Petersburg Academy of Arts with a degree in “Painting and Composition” under the guidance of Professor Alexey Nikolaevich Sukhovetsky, a people’s artist of the Russian Federation. Serguei’s paintings are primarily dedicated to landscape art, often characterized by romantic, lyrical, and abstract themes, as well as genre painting. For many years, he has actively participated in both online and in-person exhibitions. Since 2000, he has lived and worked in Los Angeles, California. “Ephemeral Crowd”, an original oil on canvas by listed artist, Sergeui Novitchkov. Measures in the frame, 24.25” H x 28.5” W. Signed lower right and again with title on the verso. Accompanied with a certificate of authenticity from the artist. Novitchkov (1969-) was born in Moscow, Russia and graduated from the St. Petersburg Academy of Arts with a degree in “Painting and Composition” under the guidance of Professor Alexey Nikolaevich Sukhovetsky, a people’s artist of the Russian Federation. Serguei’s paintings are primarily dedicated to landscape art, often characterized by romantic, lyrical, and abstract themes, as well as genre painting. For many years, he has actively participated in both online and in-person exhibitions. Since 2000, he has lived and worked in Los Angeles, California. “Sierra’s Falls”, an original acrylic on linen by listed Oregon artist, Carolyn Candy. Signed lower right and measures in frame, 28” H x 22” W. “Sierra’s Falls”, an original acrylic on linen by listed Oregon artist, Carolyn Candy. Signed lower right and measures in frame, 28” H x 22” W. “Sierra’s Falls”, an original acrylic on linen by listed Oregon artist, Carolyn Candy. Signed lower right and measures in frame, 28” H x 22” W. “Sierra’s Falls”, an original acrylic on linen by listed Oregon artist, Carolyn Candy. Signed lower right and measures in frame, 28” H x 22” W. “Sierra’s Falls”, an original acrylic on linen by listed Oregon artist, Carolyn Candy. Signed lower right and measures in frame, 28” H x 22” W. “Sierra’s Falls”, an original acrylic on linen by listed Oregon artist, Carolyn Candy. Signed lower right and measures in frame, 28” H x 22” W. “Sierra’s Falls”, an original acrylic on linen by listed Oregon artist, Carolyn Candy. Signed lower right and measures in frame, 28” H x 22” W. "Daniel Ritter", an original work of art by listed Oregon artist, Nicole Rawlins. Signed lower left and measures in the frame, 27.5” H x 33.5” W. Nicole Rawlins is a prominent Oregon artist, known as a painter and printmaker, who also serves as the Adult Visual Arts Coordinator and Printmaking instructor at the Multnomah Arts Center (MAC) in Portland, a role she’s held since the late 90s/early 2000s. Her work, often featured in local galleries like Guardino and RiverSea Gallery, explores intricate printmaking techniques, with pieces collected by institutions such as the Portland Art Museum. "Daniel Ritter", an original work of art by listed Oregon artist, Nicole Rawlins. Signed lower left and measures in the frame, 27.5” H x 33.5” W. Nicole Rawlins is a prominent Oregon artist, known as a painter and printmaker, who also serves as the Adult Visual Arts Coordinator and Printmaking instructor at the Multnomah Arts Center (MAC) in Portland, a role she’s held since the late 90s/early 2000s. Her work, often featured in local galleries like Guardino and RiverSea Gallery, explores intricate printmaking techniques, with pieces collected by institutions such as the Portland Art Museum. "Daniel Ritter", an original work of art by listed Oregon artist, Nicole Rawlins. Signed lower left and measures in the frame, 27.5” H x 33.5” W. Nicole Rawlins is a prominent Oregon artist, known as a painter and printmaker, who also serves as the Adult Visual Arts Coordinator and Printmaking instructor at the Multnomah Arts Center (MAC) in Portland, a role she’s held since the late 90s/early 2000s. Her work, often featured in local galleries like Guardino and RiverSea Gallery, explores intricate printmaking techniques, with pieces collected by institutions such as the Portland Art Museum. "Daniel Ritter", an original work of art by listed Oregon artist, Nicole Rawlins. Signed lower left and measures in the frame, 27.5” H x 33.5” W. Nicole Rawlins is a prominent Oregon artist, known as a painter and printmaker, who also serves as the Adult Visual Arts Coordinator and Printmaking instructor at the Multnomah Arts Center (MAC) in Portland, a role she’s held since the late 90s/early 2000s. Her work, often featured in local galleries like Guardino and RiverSea Gallery, explores intricate printmaking techniques, with pieces collected by institutions such as the Portland Art Museum. "Daniel Ritter", an original work of art by listed Oregon artist, Nicole Rawlins. Signed lower left and measures in the frame, 27.5” H x 33.5” W. Nicole Rawlins is a prominent Oregon artist, known as a painter and printmaker, who also serves as the Adult Visual Arts Coordinator and Printmaking instructor at the Multnomah Arts Center (MAC) in Portland, a role she’s held since the late 90s/early 2000s. Her work, often featured in local galleries like Guardino and RiverSea Gallery, explores intricate printmaking techniques, with pieces collected by institutions such as the Portland Art Museum. "Daniel Ritter", an original work of art by listed Oregon artist, Nicole Rawlins. Signed lower left and measures in the frame, 27.5” H x 33.5” W. Nicole Rawlins is a prominent Oregon artist, known as a painter and printmaker, who also serves as the Adult Visual Arts Coordinator and Printmaking instructor at the Multnomah Arts Center (MAC) in Portland, a role she’s held since the late 90s/early 2000s. Her work, often featured in local galleries like Guardino and RiverSea Gallery, explores intricate printmaking techniques, with pieces collected by institutions such as the Portland Art Museum. "Pull", a framed monoprint by listed Oregon artist, Nicole Rawlins. Measures in the frame, 12” H x 11” W. Nicole Rawlins is a prominent Oregon artist, known as a painter and printmaker, who also serves as the Adult Visual Arts Coordinator and Printmaking instructor at the Multnomah Arts Center (MAC) in Portland, a role she’s held since the late 90s/early 2000s. Her work, often featured in local galleries like Guardino and RiverSea Gallery, explores intricate printmaking techniques, with pieces collected by institutions such as the Portland Art Museum. "Pull", a framed monoprint by listed Oregon artist, Nicole Rawlins. Measures in the frame, 12” H x 11” W. Nicole Rawlins is a prominent Oregon artist, known as a painter and printmaker, who also serves as the Adult Visual Arts Coordinator and Printmaking instructor at the Multnomah Arts Center (MAC) in Portland, a role she’s held since the late 90s/early 2000s. Her work, often featured in local galleries like Guardino and RiverSea Gallery, explores intricate printmaking techniques, with pieces collected by institutions such as the Portland Art Museum. "Pull", a framed monoprint by listed Oregon artist, Nicole Rawlins. Measures in the frame, 12” H x 11” W. Nicole Rawlins is a prominent Oregon artist, known as a painter and printmaker, who also serves as the Adult Visual Arts Coordinator and Printmaking instructor at the Multnomah Arts Center (MAC) in Portland, a role she’s held since the late 90s/early 2000s. Her work, often featured in local galleries like Guardino and RiverSea Gallery, explores intricate printmaking techniques, with pieces collected by institutions such as the Portland Art Museum. "Pull", a framed monoprint by listed Oregon artist, Nicole Rawlins. Measures in the frame, 12” H x 11” W. Nicole Rawlins is a prominent Oregon artist, known as a painter and printmaker, who also serves as the Adult Visual Arts Coordinator and Printmaking instructor at the Multnomah Arts Center (MAC) in Portland, a role she’s held since the late 90s/early 2000s. Her work, often featured in local galleries like Guardino and RiverSea Gallery, explores intricate printmaking techniques, with pieces collected by institutions such as the Portland Art Museum. "Pull", a framed monoprint by listed Oregon artist, Nicole Rawlins. Measures in the frame, 12” H x 11” W. Nicole Rawlins is a prominent Oregon artist, known as a painter and printmaker, who also serves as the Adult Visual Arts Coordinator and Printmaking instructor at the Multnomah Arts Center (MAC) in Portland, a role she’s held since the late 90s/early 2000s. Her work, often featured in local galleries like Guardino and RiverSea Gallery, explores intricate printmaking techniques, with pieces collected by institutions such as the Portland Art Museum. Sale PictureSale PictureSale PictureSale PictureSale Picture“La Liciana”, a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus circa 2014. Limited edition, signed lower right and measures in frame, 39” H x 23” W. Accompanied by a certificate of authenticity and appraisal from Park West Gallery. Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. “La Liciana”, a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus circa 2014. Limited edition, signed lower right and measures in frame, 39” H x 23” W. Accompanied by a certificate of authenticity and appraisal from Park West Gallery. Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. “La Liciana”, a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus circa 2014. Limited edition, signed lower right and measures in frame, 39” H x 23” W. Accompanied by a certificate of authenticity and appraisal from Park West Gallery. Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. “La Liciana”, a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus circa 2014. Limited edition, signed lower right and measures in frame, 39” H x 23” W. Accompanied by a certificate of authenticity and appraisal from Park West Gallery. Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. “La Liciana”, a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus circa 2014. Limited edition, signed lower right and measures in frame, 39” H x 23” W. Accompanied by a certificate of authenticity and appraisal from Park West Gallery. Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. “La Liciana”, a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus circa 2014. Limited edition, signed lower right and measures in frame, 39” H x 23” W. Accompanied by a certificate of authenticity and appraisal from Park West Gallery. Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. “La Liciana”, a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus circa 2014. Limited edition, signed lower right and measures in frame, 39” H x 23” W. Accompanied by a certificate of authenticity and appraisal from Park West Gallery. Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. “La Liciana”, a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus circa 2014. Limited edition, signed lower right and measures in frame, 39” H x 23” W. Accompanied by a certificate of authenticity and appraisal from Park West Gallery. Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. “La Liciana”, a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus circa 2014. Limited edition, signed lower right and measures in frame, 39” H x 23” W. Accompanied by a certificate of authenticity and appraisal from Park West Gallery. Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. “La Liciana”, a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus circa 2014. Limited edition, signed lower right and measures in frame, 39” H x 23” W. Accompanied by a certificate of authenticity and appraisal from Park West Gallery. Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. “La Liciana”, a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus circa 2014. Limited edition, signed lower right and measures in frame, 39” H x 23” W. Accompanied by a certificate of authenticity and appraisal from Park West Gallery. Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. “La Liciana”, a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus circa 2014. Limited edition, signed lower right and measures in frame, 39” H x 23” W. Accompanied by a certificate of authenticity and appraisal from Park West Gallery. Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. "Maximia", a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus. Professionally framed and measures in frame, 20” H x 17” W. Accompanied with a certificate of authenticity and appraisal from Park West Gallery, along with a book on Markus titled, "Artists and Muses". Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. "Maximia", a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus. Professionally framed and measures in frame, 20” H x 17” W. Accompanied with a certificate of authenticity and appraisal from Park West Gallery, along with a book on Markus titled, "Artists and Muses". Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. "Maximia", a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus. Professionally framed and measures in frame, 20” H x 17” W. Accompanied with a certificate of authenticity and appraisal from Park West Gallery, along with a book on Markus titled, "Artists and Muses". Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. "Maximia", a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus. Professionally framed and measures in frame, 20” H x 17” W. Accompanied with a certificate of authenticity and appraisal from Park West Gallery, along with a book on Markus titled, "Artists and Muses". Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. "Maximia", a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus. Professionally framed and measures in frame, 20” H x 17” W. Accompanied with a certificate of authenticity and appraisal from Park West Gallery, along with a book on Markus titled, "Artists and Muses". Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. "Maximia", a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus. Professionally framed and measures in frame, 20” H x 17” W. Accompanied with a certificate of authenticity and appraisal from Park West Gallery, along with a book on Markus titled, "Artists and Muses". Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. "Maximia", a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus. Professionally framed and measures in frame, 20” H x 17” W. Accompanied with a certificate of authenticity and appraisal from Park West Gallery, along with a book on Markus titled, "Artists and Muses". Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. "Maximia", a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus. Professionally framed and measures in frame, 20” H x 17” W. Accompanied with a certificate of authenticity and appraisal from Park West Gallery, along with a book on Markus titled, "Artists and Muses". Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. "Maximia", a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus. Professionally framed and measures in frame, 20” H x 17” W. Accompanied with a certificate of authenticity and appraisal from Park West Gallery, along with a book on Markus titled, "Artists and Muses". Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. "Maximia", a hand embellished color giclee on canvas, hand-signed in ink by listed artist, Csaba Markus. Professionally framed and measures in frame, 20” H x 17” W. Accompanied with a certificate of authenticity and appraisal from Park West Gallery, along with a book on Markus titled, "Artists and Muses". Markus was born in Budapest, Hungary in 1953. Growing up in a Communist country, Markus found refuge in Europe’s art museums and baroque architecture. The aspiring artist became fascinated by the work of Renaissance artists like Michelangelo, Caravaggio, and Botticelli. These studies inspired him to draw and paint. This lot features an original 1950s TWA “Direct to London” travel poster, illustrated by Bob Smith. This poster measures, 39.75” H x 24.75” W. This lot features an original 1950s TWA “Direct to London” travel poster, illustrated by Bob Smith. This poster measures, 39.75” H x 24.75” W. This lot features an original 1950s TWA “Direct to London” travel poster, illustrated by Bob Smith. This poster measures, 39.75” H x 24.75” W. This lot features an original 1950s TWA “Direct to London” travel poster, illustrated by Bob Smith. This poster measures, 39.75” H x 24.75” W. This lot features an original 1950s TWA “Direct to London” travel poster, illustrated by Bob Smith. This poster measures, 39.75” H x 24.75” W. This lot features an original 1950s TWA “Direct to London” travel poster, illustrated by Bob Smith. This poster measures, 39.75” H x 24.75” W. Sale PictureSale PictureSale PictureSale PictureSale PictureSale Picture"Salem", a photograph by master photographer, Kirk Jonasson. Limited edition 1/15, signed lower right and measures in frame, 32” H x 37” W. Kirk Jonasson is an established Oregon-based nature photographer known for creating large-scale, compelling images on film, focusing on elegant details within grand compositions, often showcased at Volta Gallery in Lincoln City, highlighting Oregon’s landscapes and artistic community. He uses a medium format film camera and works with an introspective approach to capture original visions of Central Oregon and beyond. "Salem", a photograph by master photographer, Kirk Jonasson. Limited edition 1/15, signed lower right and measures in frame, 32” H x 37” W. Kirk Jonasson is an established Oregon-based nature photographer known for creating large-scale, compelling images on film, focusing on elegant details within grand compositions, often showcased at Volta Gallery in Lincoln City, highlighting Oregon’s landscapes and artistic community. He uses a medium format film camera and works with an introspective approach to capture original visions of Central Oregon and beyond. "Salem", a photograph by master photographer, Kirk Jonasson. Limited edition 1/15, signed lower right and measures in frame, 32” H x 37” W. Kirk Jonasson is an established Oregon-based nature photographer known for creating large-scale, compelling images on film, focusing on elegant details within grand compositions, often showcased at Volta Gallery in Lincoln City, highlighting Oregon’s landscapes and artistic community. He uses a medium format film camera and works with an introspective approach to capture original visions of Central Oregon and beyond. "Salem", a photograph by master photographer, Kirk Jonasson. Limited edition 1/15, signed lower right and measures in frame, 32” H x 37” W. Kirk Jonasson is an established Oregon-based nature photographer known for creating large-scale, compelling images on film, focusing on elegant details within grand compositions, often showcased at Volta Gallery in Lincoln City, highlighting Oregon’s landscapes and artistic community. He uses a medium format film camera and works with an introspective approach to capture original visions of Central Oregon and beyond. "Salem", a photograph by master photographer, Kirk Jonasson. Limited edition 1/15, signed lower right and measures in frame, 32” H x 37” W. Kirk Jonasson is an established Oregon-based nature photographer known for creating large-scale, compelling images on film, focusing on elegant details within grand compositions, often showcased at Volta Gallery in Lincoln City, highlighting Oregon’s landscapes and artistic community. He uses a medium format film camera and works with an introspective approach to capture original visions of Central Oregon and beyond. "Salem", a photograph by master photographer, Kirk Jonasson. Limited edition 1/15, signed lower right and measures in frame, 32” H x 37” W. Kirk Jonasson is an established Oregon-based nature photographer known for creating large-scale, compelling images on film, focusing on elegant details within grand compositions, often showcased at Volta Gallery in Lincoln City, highlighting Oregon’s landscapes and artistic community. He uses a medium format film camera and works with an introspective approach to capture original visions of Central Oregon and beyond. "Salem", a photograph by master photographer, Kirk Jonasson. Limited edition 1/15, signed lower right and measures in frame, 32” H x 37” W. Kirk Jonasson is an established Oregon-based nature photographer known for creating large-scale, compelling images on film, focusing on elegant details within grand compositions, often showcased at Volta Gallery in Lincoln City, highlighting Oregon’s landscapes and artistic community. He uses a medium format film camera and works with an introspective approach to capture original visions of Central Oregon and beyond. 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